Null 双人座沙发,绿色织物装饰。 
 尺寸 82 x 83 x 175 厘米
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双人座沙发,绿色织物装饰。 尺寸 82 x 83 x 175 厘米

1075 

双人座沙发,绿色织物装饰。 尺寸 82 x 83 x 175 厘米

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IB KOFOD-LARSEN (Denmark, 1921 - 2003). Armchair, ca. 1960. Teak wood, fabric upholstery. Needs refinishing. Measurements: 80 x 72 x 72 cm. Armchair made of teak wood with fabric upholstery. Design by Niels Koefoed, refined and clearly modern, with a certain organic air typical of Danish design of the period. The wood, simply polished, is expressed in all its natural beauty. The body has a high, straight, sloping backrest, separated from the closed arms, with right-angled upper armrests. Danish furniture designer and factory owner Niels Koefoed created a wide range of dining furniture in the typical Danish mid-20th century modern style. The KoefoedsHornslet furniture factory, named after the town in which it was located, was founded by Koefoed's father, Einar Koefoed, in the 1920s. The town of Hornslet had three furniture producers at the turn of the 20th century, each specialising in different areas of the design industry: fine furniture, upholstery and joinery. KoefoedsHornslet was dedicated to the production of fine furniture, although Niels' most popular designs were dining chairs. In 1964, Koefoed designed the modernist Eva Chair, which featured three vertical slats in the backrest, and was produced by Koefoeds in a choice of teak or rosewood. The "Eva" chair was part of a series of three dining chairs, the other two being the highly organic "Ingrid" chair (1960s) and the ladder-back "Lis" chair (1961), all of which are believed to be named after important women at Koefoed's. In 2004, KoefoedHornslet moved production to Thailand, where it continues today.

BØRGE MOGENSEN (Denmark, 1914 - 1972). Three-seater sofa model 2212, 1970s. Beech wood legs and brown leather upholstery. Upholstery with wear and some missing parts. It shows marks of use and wear. Needs to be reworked. Measurements: 76 x 221 x 80 cm. Sofa 2212 by Børge Mogensen combines Danish design with a modest aesthetic of remarkable sophistication. Originally, the sofas designed by Børge Mogensen were intended to furnish his own home, but soon became an icon of 20th century design. The generous proportions and cushions upholstered in fabric or leather provide exceptional comfort for the user. The armrests, meanwhile, feature a distinctive shape, characteristic of the 22 collection, reflected in a slight curve, higher at the back and giving the sofa a modern, timeless look. The seat, back and side cushions are completely detachable from the frame. Børge Mogensen was one of the most prominent representatives of the generation of designers who gave birth to the Danish design concept that is now known worldwide. He began his career as a cabinetmaker in 1934, and two years later began his studies at the Copenhagen School of Arts and Crafts, where he was taught by Kaare Klint. He then entered the Royal Academy of Fine Arts, graduating as an architect in 1942. That same year he began working as design director for FDB, finally setting up on his own in 1950. Functional is the word that best describes Mogensen's design; most of his creations were conceived for industrial production, and are characterized by solid, simple lines, studied almost scientifically to be as functional as possible. His clean and highly functional aesthetic resulted in affordable and practical designs, his favorite material being wood. His client portfolio includes Fredericia Stolefabrik, Fritz Hansen and Søborg Møbelfabrik, among others. Notable projects include Spokeback Sofa (1945) and Spanish Chair (1959), as well as a variety of shelving and storage designs. He was honored with the Eckersberg Medal in 1950, the Copenhagen Joinery Guild's annual award in 1953 and the C.F. Hansen Medal in 1972.