Null 罗巴克之死 .雕刻.亨利-托马斯-阿尔肯和理查德-吉尔森-里夫在 19 世纪英国版画上的雕刻,已装裱。带框尺寸:70 x 84 厘米
描述

罗巴克之死 .雕刻.亨利-托马斯-阿尔肯和理查德-吉尔森-里夫在 19 世纪英国版画上的雕刻,已装裱。带框尺寸:70 x 84 厘米

1108 

罗巴克之死 .雕刻.亨利-托马斯-阿尔肯和理查德-吉尔森-里夫在 19 世纪英国版画上的雕刻,已装裱。带框尺寸:70 x 84 厘米

该拍品的拍卖已经结束 查看结果

您可能同样喜欢

铁制女神头像 罗马文化,公元 2-3 世纪 原产地 - Miklos Bokor(布达佩斯,1927 年 - 巴黎,2019 年)私人收藏,法国巴黎。 *米克洛斯-博科尔(Miklos Bokor)是法匈画家和散文家,1927 年 3 月 2 日出生于布达佩斯,2019 年 3 月 18 日逝世于巴黎。 1944 年,米克洛斯-博科尔与全家一起被驱逐到奥斯威辛集中营。母亲去世后,他与父亲一起被转移到布痕瓦尔德、雷姆斯多夫、特罗格利茨和克莱瑙,父亲在卑尔根-贝尔森失踪。 1945 年解放后,他被国际红十字和红新月运动遣返回布达佩斯。 1953 年在布达佩斯举办首次私人展览后,米克洛斯-博科尔留在巴黎,并于 1960 年最终定居法国。 1960 年,米克洛斯-博科尔最终定居法国。1962 年,在展出他绘画作品的 Janine Hoa 画廊,他与诗人伊夫-邦纳福伊(Yves Bonnefoy)和安德烈-杜布歇(André du Bouchet)成为了朋友,他们后来经常为他举办展览。40 多年来,他在巴黎著名的艺术家居所 La Ruche 开设了工作室。 博克勒的艺术灵感来源于他在大屠杀中的经历,他的作品反映了灭绝的恐怖。他曾这样描述自己作品中的这种影响:在奥斯维辛集中营发生的一些事情就像一个缺口,一个无法愈合的伤口,一直困扰着社会。死而复生后,在肉体和精神上经历过非人化体验的人开始描绘无法言喻的事物。博克勒的大部分作品被巴黎现代艺术博物馆收藏。 作为一名艺术家,他对其他画家以及引发这种可怕局面的文明之前的文化很感兴趣。他收集了大量考古物品,主要集中在近东和幼发拉底河畔的文明诞生地。高 6.5 厘米

JOE COLOMBO (Milan, 1930-1971) for ZANOTTA. Pair of "Birillo" stools, 1970s. Chromed metal and plastic. White vinyl seat. Designer's and manufacturer's stamp on base. In good condition. Measurements: 105 x 43 x 44 cm. The Birillo stool was designed by Joe Colombo and chosen by the acclaimed film director Ridley Scott as a space-age inspired stool on the set of Blade Runner. The combination of modern materials for the time (plastic and steel derivatives) made it a completely new model. Architect and designer Cesare Colombo, nicknamed "Joe" Colombo, was an artist, architect, furniture, product and interior designer who was central to Italian design in the 1960s. Trained at the Academy of Fine Arts and Architecture of the Polytechnic University of Milan, where he devoted himself, among other things, to painting, sculpture and drawing, skills that would serve him to develop his career as a designer by setting up his own studio in 1962. Throughout the 1960s he collaborated with major publishers such as Kartell, O-Luce and Zanotta. Many of his works are still exhibited in museums around the world and the artist is the subject of regular retrospectives, studies and exhibitions. During the 1960s, the designer worked mainly on the creation of furniture that stood out for being easily modular, flexible and practical, as is the case with these chairs, which can be transported and adapted to the needs of their user. He focused on a global design, where the elements of the furniture transcend space and architecture. In this way, Colombo moves towards a form of design that helps the user to save space and time. Some of the Italian designer's most famous works are the "Elda" armchair (1963), the "Continental Library" (1965), the "Universal" (1967) and "Tube" chairs (1969) and the "Chariot Boby" (1969). His career and achievements led him to take part in the 14th Milan Triennale, exhibiting some of his interior design proposals. In 1964 he won the gold medal at the Milan Triennale with the acrylic table lamp, which is now part of the permanent collection of the Museum of Modern Art in Philadelphia. In 1972, shortly after his death, his overall furniture project was shown in the exhibition "Italia: The New Domestic Landscape" held at MOMA in New York, realised by ELCO - FIARM, Boffi, Ideal - Standard, with the help of Sormani. In 1984, a retrospective of his work was held at the Villeneuve Museum of Modern Art. Subsequently, in 2005, the Milan Triennale hosted the retrospective Joe Colombo Inventing the Future.