Null 梨之圣女 "三联画 - 弗雷-胡安-桑切斯-科坦(Fray Juan Sánchez Cotán,托莱多,奥尔加斯,1560-格拉纳达,1627 年)…
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梨之圣女 "三联画 - 弗雷-胡安-桑切斯-科坦(Fray Juan Sánchez Cotán,托莱多,奥尔加斯,1560-格拉纳达,1627 年)--16 世纪晚期格林纳达风格流派 Templum 很高兴首次向国内和国际艺术品拍卖市场推出这幅真正的珍品,它是一幅微缩便携式三联画,精美的铜面油画,外部以线形骨质和乌木镶嵌装饰,其卓越的品质和小巧的尺寸本身就代表了真正的艺术里程碑,在这幅画中,晚期风格主义和向格拉纳达巴洛克过渡的艺术典范完美地融合和交织在一起。这幅画是用油彩在铜板上绘制的,有三片叶子,中间是一位精致的拉佩拉圣母,她以母性和慈爱的姿态将圣婴耶稣抱在膝上,这里的文字不足以描述大师弗雷-胡安-桑切斯-科坦(Fray Juan Sánchez Cotán,托莱多,奥尔加斯,1560-格拉纳达,1627 年)所使用的崇高、细腻和精致的线条。在左页上,观众可以看到被绑在柱子上的华丽的 "苦难人基督",最后,在右页上,同样出自同一作者之手的玛格达莱纳-忏悔者(Magdalena Penitente)也是如此,她泪流满面,悲伤地注视着面带微笑的上帝之子,一脸幸福,被他的天母包裹着,却还不知道他作为人类救世主的最终归宿是十字架。参考书目:Orozco Díaz, Emilio (1993).画家修士胡安-桑切斯-科坦》。格拉纳达大学。ISBN 9788433817600。开放尺寸:33 x 21 厘米,闭合尺寸:21 x 16.5 厘米。出处:来自巴塞罗那的重要私人收藏,至今未在艺术市场和国家拍卖会上公开过。

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梨之圣女 "三联画 - 弗雷-胡安-桑切斯-科坦(Fray Juan Sánchez Cotán,托莱多,奥尔加斯,1560-格拉纳达,1627 年)--16 世纪晚期格林纳达风格流派 Templum 很高兴首次向国内和国际艺术品拍卖市场推出这幅真正的珍品,它是一幅微缩便携式三联画,精美的铜面油画,外部以线形骨质和乌木镶嵌装饰,其卓越的品质和小巧的尺寸本身就代表了真正的艺术里程碑,在这幅画中,晚期风格主义和向格拉纳达巴洛克过渡的艺术典范完美地融合和交织在一起。这幅画是用油彩在铜板上绘制的,有三片叶子,中间是一位精致的拉佩拉圣母,她以母性和慈爱的姿态将圣婴耶稣抱在膝上,这里的文字不足以描述大师弗雷-胡安-桑切斯-科坦(Fray Juan Sánchez Cotán,托莱多,奥尔加斯,1560-格拉纳达,1627 年)所使用的崇高、细腻和精致的线条。在左页上,观众可以看到被绑在柱子上的华丽的 "苦难人基督",最后,在右页上,同样出自同一作者之手的玛格达莱纳-忏悔者(Magdalena Penitente)也是如此,她泪流满面,悲伤地注视着面带微笑的上帝之子,一脸幸福,被他的天母包裹着,却还不知道他作为人类救世主的最终归宿是十字架。参考书目:Orozco Díaz, Emilio (1993).画家修士胡安-桑切斯-科坦》。格拉纳达大学。ISBN 9788433817600。开放尺寸:33 x 21 厘米,闭合尺寸:21 x 16.5 厘米。出处:来自巴塞罗那的重要私人收藏,至今未在艺术市场和国家拍卖会上公开过。

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TRIPTYCH OF THE "VIRGIN OF THE PEAR" - Fray Juan Sánchez Cotán (Orgaz, Toledo, 1560-Granada, 1627) - Grenada Mannerist School of the late 16th century Templum is pleased to present for the first time to the national and international art auctions market this true gem in the form of a miniature portable triptych exquisitely painted in oil on copper and richly decorated on its exterior in linear bone and ebony inlay; which in itself represents a true artistic milestone given its outstanding quality and small size, where the artistic canons of late Mannerism and the transition to the Granada Baroque merge and intertwine perfectly. Painted in oil on copper, with three leaves, in the center, an exquisite Virgin of La Pera with a maternal and loving gesture holding the Child Jesus in her lap, for which the words written here fall short, very short at the time. to describe the sublime, delicate and refined line used by Master Fray Juan Sánchez Cotán (Orgaz, Toledo, 1560-Granada, 1627). On the left page the viewer can see a magnificent Christ the Man of Sorrows tied to the column, and, finally, on the right page, a more than outstanding Magdalena Penitente, also a work by the same author, bathed in tears, who observes sadly. to a smiling and smiling Child God, with a happy look, being wrapped up by his Heavenly Mother, without yet knowing his final destination of the Cross as Redeemer of Humanity. Reference bibliography: Orozco Díaz, Emilio (1993). The painter friar Juan Sánchez Cotán. University of Granada. ISBN 9788433817600. Open measurements: 33 x 21 cm, closed measurements: 21 x 16.5 cm. Provenance: important private collection from Barcelona, ​​unpublished piece in the art market and national auctions to date.