Null DIRCK STOOP Utrecht, Netherlands (1610) / (1686) "Port view with the Arch o…
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DIRCK STOOP Utrecht, Netherlands (1610) / (1686) "Port view with the Arch of Titus" 木板油画 左下角有签名 德克-斯托普主要以风景画闻名,尤其擅长描绘马匹。1638 年,他加入了乌得勒支的圣路加行会,1639 年至 1645 年期间,他可能去过罗马。在那里,他肯定与其他荷兰和佛兰德画家有过接触,这些画家让意大利港口风景成为时尚。其中包括扬-巴蒂斯特-韦尼克斯(Jan Baptist Weenix,1621-1660 年),布伦瑞克的赫佐格-安东-乌尔里希博物馆收藏了他的一幅画作(蓝色,21.9 x 33 厘米,库存编号 Z448),画中的场景与斯托普的这幅作品如出一辙。在这幅画中,除了熙熙攘攘的人物外,还有一个气势恢宏的入口拱门,其灵感直接来源于罗马的提图斯拱门等罗马拱门,这让我们了解到古典古代对这些北方画家的巨大影响。尺寸:26 x 47 厘米

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DIRCK STOOP Utrecht, Netherlands (1610) / (1686) "Port view with the Arch of Titus" 木板油画 左下角有签名 德克-斯托普主要以风景画闻名,尤其擅长描绘马匹。1638 年,他加入了乌得勒支的圣路加行会,1639 年至 1645 年期间,他可能去过罗马。在那里,他肯定与其他荷兰和佛兰德画家有过接触,这些画家让意大利港口风景成为时尚。其中包括扬-巴蒂斯特-韦尼克斯(Jan Baptist Weenix,1621-1660 年),布伦瑞克的赫佐格-安东-乌尔里希博物馆收藏了他的一幅画作(蓝色,21.9 x 33 厘米,库存编号 Z448),画中的场景与斯托普的这幅作品如出一辙。在这幅画中,除了熙熙攘攘的人物外,还有一个气势恢宏的入口拱门,其灵感直接来源于罗马的提图斯拱门等罗马拱门,这让我们了解到古典古代对这些北方画家的巨大影响。尺寸:26 x 47 厘米

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