Ciondolo "srala", A Baule Ciondolo di gioielleria "srala Baule, Costa d'Avorio Ohne Sockel / senza base Lega d'oro di bassa finezza con superficie di maggiore finezza. H 4 cm. Provenienza: - Jean-Louis Rinsoz (1932-1971), Vevey. - Eredi di Jean-Louis Rinsoz, Svizzera francese. Gli elementi decorativi piatti e rettangolari ("srala") raffigurano miniature di scudi o porte intrecciate. Indossato sul petto, il prezioso gioiello protegge chi lo indossa ("scudo") e simboleggia la possibilità di aprirsi o chiudersi all'altra persona ("porta") a seconda della situazione. ----------------------------------------------------- Per secoli, il prezioso metallo prezioso proveniente dall'ex "Costa d'oro" dell'Africa è stato oggetto di interesse e desiderio dei mercanti africani ed europei. Il commercio portò all'ascesa di potenti Stati la cui ricchezza e abilità nella lavorazione dell'oro divennero leggendarie. Le corti reali locali producevano gioielli magistrali, molti dei quali realizzati con la tecnica della cera persa. Ancora oggi, i gioielli d'oro sono il segno del rango e dell'appartenenza delle famiglie reali. La forte espressività di questi pezzi unici riflette le ricche metafore degli Akan e si basa sulla tradizione della stimata arte oratoria. I motivi raffigurati si riferiscono sempre a persone, animali o oggetti che rappresentano allegoricamente qualità e detti lodevoli. Ulteriori letture: Ross, Doran e Eisner, Georg (2008). L'oro degli Akan. Museo Liaunig. Neuhaus: Museumsverwaltung GmbH. ----------------------------------------------------- Jean-Louis Rinsoz Jean-Louis Rinsoz è nato a Vevey nel 1932. Dopo aver completato la scuola, ha studiato economia all'Università di Losanna (Facoltà di Economia Aziendale, HEC) prima di entrare nell'azienda di famiglia "Rinsoz et Ormond SA" a Vevey, che produceva tabacco, sigari e sigarette. Profondamente legato alla sua regione natale, è sempre stato coinvolto nelle attività sociali, culturali e industriali di Vevey. Jean-Louis Rinsoz era alla ricerca di nuove aree di produzione per diversificare le fonti di approvvigionamento del tabacco e soddisfare le crescenti richieste di un mercato in espansione. I suoi viaggi lo portarono prima nel Maryland (USA) e poi, a metà degli anni '60, in Costa d'Avorio. Questo Paese fu per lui una rivelazione. C'era tutto ciò che lo appassionava: la natura, la gente e la loro cultura! Oltre a sviluppare un'importante partnership economica con lo Stato ivoriano, creandovi diversi centri di produzione di tabacco, Jean-Louis Rinsoz finanziò l'apertura di alcune piccole scuole per dare accesso all'istruzione ai bambini di questo Paese. È stato nominato ufficialmente dallo Stato ivoriano "Console onorario della Costa d'Avorio in Svizzera, con sede a Vevey" ed è stato anche inaugurato come capo villaggio nella regione di Baoulé. Era ugualmente affascinato dall'arte tradizionale di queste regioni, nella sua dimensione sociale, estetica e religiosa. In questo contesto conobbe l'etnologo e storico dell'arte Bohumil Holas, allora direttore del Museo delle Civiltà della Costa d'Avorio ad Abidjan. I due uomini divennero amici. La confluenza di tutti questi fattori ha portato alla mostra "Arts de la Côte d'Ivoire. I tesori del Museo di Abidjan", che si tenne nel 1969 al Museo di Belle Arti di Vevey. Jean-Louis Rinsoz era il presidente del comitato. La commovente prefazione che ha scritto per il catalogo di questo evento testimonia il suo profondo attaccamento a questo Paese. Jean-Louis Rinsoz aveva chiesto la cittadinanza ivoriana. Non avrebbe mai visto questo giorno, poiché morì in un tragico incidente nel 1971. Gli oggetti africani della collezione personale di Jean-Louis Rinsoz sono rimasti in famiglia da allora e questo "tesoro di Vevey" viene offerto per la prima volta ai collezionisti internazionali di arte tradizionale africana in occasione della nostra asta. CHF 400 / 800 Peso in grammi: 10 Condizioni: Le condizioni di questo lotto (usura, segni d'uso, strappi, qualsiasi altra detrazione e i segni dell'età, ecc. Le condizioni di questo lotto (usura, segni d'uso, strappi, qualsiasi altra detrazione e i segni dell'età, se applicabile) possono essere viste nelle foto che abbiamo caricato per la vostra documentazione. Non esitate a contattare Hammer Auctions per qualsiasi domanda su questo lotto ([email protected]). Le dichiarazioni relative alle condizioni degli oggetti, fatte per comodità degli interessati, sono solo opinioni e non devono essere considerate come dichiarazioni di fatto. Hammer Auctions non si assume alcuna responsabilità per eventuali errori od omissioni. Nel raro caso in cui l'oggetto non corrisponda alla descrizione del catalogo, Hammer Auctions è a disposizione per aiutarvi. Gli acquirenti possono acquistare il lotto per un

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African Ethnograhic Art from Gérald & Muriel MINKOFF, Galerie Walu and others Swiss Private Collections.

All items are guaranteed to be as described or your MONEY BACK. 

A "Confirmation of Provenance" and a "Right to Dispose" as well as all mentioned certificates will accompany each artwork. 

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Hammer Auktionen