1 / 5

Descrizione

Juan Martínez Abades (Gijón, March 7, 1862-Madrid, January 19, 1920) signed lower left corner Oil on canvas measurements in oval 100 x 60 cm, frame measurements 125 x 80 cm. Martínez Abades, Juan, Spanish painter and illustrator. He initially trained at the Jovellanos Institute in his hometown, where he copied drawings from the collection, then he entered the San Fernando School of Fine Arts in Madrid, attending the studio of the sculptor José Gragera. In 1884 under the influence of Rosales he sent The Death of Messalina to the National Exhibition of Fine Arts (Museum of Fine Arts of Asturias, Oviedo). During the summers he painted in Gijón, specializing in painting seascapes. In 1888 he obtained a merit pension from the Provincial Council of Oviedo to further his studies in Rome, where he remained until 1890. Upon his return he settled in Madrid, and traveled during the summers to the coast to make notes from life. The same year he returned, he presented the painting El Viatico on Board to the National Exhibition of Fine Arts, with which he obtained a second-class medal. He also participated in the Exhibitions of the Círculo de Bellas Artes and collaborated as an illustrator in Blanco y Negro, increasing his popularity to such an extent that he was considered the first medal in the National Exhibition of 1901 (Fernández Martínez, D. in: EMNP, 2006, volume IV, pp. 1485-1486). Origin: private collection, Spain.

82 
Vai al lotto
<
>

Juan Martínez Abades (Gijón, March 7, 1862-Madrid, January 19, 1920) signed lower left corner Oil on canvas measurements in oval 100 x 60 cm, frame measurements 125 x 80 cm. Martínez Abades, Juan, Spanish painter and illustrator. He initially trained at the Jovellanos Institute in his hometown, where he copied drawings from the collection, then he entered the San Fernando School of Fine Arts in Madrid, attending the studio of the sculptor José Gragera. In 1884 under the influence of Rosales he sent The Death of Messalina to the National Exhibition of Fine Arts (Museum of Fine Arts of Asturias, Oviedo). During the summers he painted in Gijón, specializing in painting seascapes. In 1888 he obtained a merit pension from the Provincial Council of Oviedo to further his studies in Rome, where he remained until 1890. Upon his return he settled in Madrid, and traveled during the summers to the coast to make notes from life. The same year he returned, he presented the painting El Viatico on Board to the National Exhibition of Fine Arts, with which he obtained a second-class medal. He also participated in the Exhibitions of the Círculo de Bellas Artes and collaborated as an illustrator in Blanco y Negro, increasing his popularity to such an extent that he was considered the first medal in the National Exhibition of 1901 (Fernández Martínez, D. in: EMNP, 2006, volume IV, pp. 1485-1486). Origin: private collection, Spain.

Stima 10 000 - 12 000 EUR
Base d'asta 5 000 EUR

Escluse le commissioni di vendita.
Consulta le condizioni di vendita per calcolare l’importo delle spese.

Spese di vendita: 26.62 %
Fai un'offerta
Iscriversi all’asta

In vendita il giovedì 25 lug : 16:00 (CEST)
barcelona, Spagna
Templum Fine art Auction
+34935643445
Visualizza il catalogo Consulta le CGV Informazioni sull’asta

Consegna a
Modifica dell'indirizzo
Questa soluzione di spedizione è facoltativa..
Potete utilizzare un corriere di vostra scelta.
Il prezzo indicato non include il prezzo del lotto o le commissioni della casa d'aste.

Forse ti piacerebbe anche

Diego Velázquez (Seville 1599 - Madrid 1660) circle of Portrait of a leader 17th century Oil on canvas 99 x 73.5 cm The painting shows significant elements of 17th century Spanish portraiture and its greatest representative, Diego Rodríguez de Silva y Velázquez. Our canvas was born in the circle of artists who grew up under his influence, among them the most important students: Juan Bautista Martínez del Mazo, Juan de Pareja and Juan Carreño de Miranda. At the age of twelve he entered Francisco Pacheco's workshop, immediately demonstrating his talent. In 1618 he was already an independent artist, he worked in the city painting with a strong influence of Caravaggio. He moved to Madrid and became official painter to Philip IV. He thus had the opportunity to explore the court collection and cultivate a particular interest in the Venetian school and Titian in particular. Probably following the advice of the Rubens, he traveled twice to Italy, an opportunity to closely study the different schools of painting and the great masters, refining his style and concentrating on the pictorial and environmental interpretation of light. Loved and respected by his companions of his time, thanks to Alonso Cano y Zurbarán he was granted the title of Knight of Santiago. His painting of excellent quality and realism was experienced after his death thanks to his students, among them: Juan Bautista Martínez del Mazo, Juan de Pareja and Juan Carreño de Miranda. Diego Velázquez (Seville 1599 - Madrid 1660) circle of Portrait of a leader Oil on canvas 99 x 73.5 cm Oil on canvas 99 x 73.5 cm The painting shows significant elements of 17th century Spanish portraiture and its greatest representative, Diego Rodríguez de Silva y Velázquez. Our canvas was born in the circle of artists who grew up under his influence, among them the most important students: Juan Bautista Martínez del Mazo, Juan de Pareja and Juan Carreño de Miranda. At the age of twelve he entered Francisco Pacheco's ...