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ESCUELA GALLEGA Cappella dell'ammonitore o altare portatile, chiamato popolarmente "peto", in legno intagliato, policromo e dorato. Restauri e ridipinture di epoca successiva. Opera popolare galiziana. XVII secolo. 103x48 cm

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ESCUELA GALLEGA Cappella dell'ammonitore o altare portatile, chiamato popolarmente "peto", in legno intagliato, policromo e dorato. Restauri e ridipinture di epoca successiva. Opera popolare galiziana. XVII secolo. 103x48 cm

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In vendita il mercoledì 24 lug : 17:00 (CEST) , ripresa 17:00

madrid, Spagna

Durán Arte y subastas
+34915776091

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Lotto 68

Stima 700 - 800 EUR

Scuola spagnola; XVII secolo e successivi. "Immacolata Concezione". Legno intagliato e policromo. Presenta il restauro del volto della Vergine del XX secolo. Ha una base adattata. Misure: 31 x 14 x 10 cm (scultura); 25 x 18 x 16 cm (base). Scultura scolpita a tutto tondo, a corpo intero, che rappresenta la Vergine Maria nella sua invocazione come Immacolata Concezione. Sebbene priva, in questo caso, del piedistallo con mezzaluna e drago sommesso che ne caratterizza l'iconografia, è probabile che in origine ne fosse accompagnata. La Vergine appare vestita con tunica e mantello, entrambi ripiegati con panneggi volumetrici che conferiscono un aspetto contenuto alla figura. È un'immagine ancorata all'estetica barocca. Il volto tende all'idealizzazione, le labbra sottili e gli occhi a mandorla sono dolcemente inscritti in un ovale dai tratti arrotondati. I lunghi capelli ricadono sulle spalle. Data l'importanza attribuita alle immagini religiose nel mondo ispanico, nel corso del XVII secolo furono create ambiziose serie pittoriche e ampi programmi iconografici per chiese e conventi, oltre a stampe, medaglie e reliquiari per la devozione privata. Nel complesso, a prescindere dalle dimensioni e dal supporto, queste immagini rispondevano all'obiettivo di sacralizzare la vita quotidiana al di là degli altari. Presenta il restauro del volto della Vergine del XX secolo.

Lotto 207

Stima 2 500 - 4 000 EUR

Escuela virreinal, Perú, s.XVIII. Alegoría de la Eucaristía. Escuela virreinal, Perú, s.XVIII. Alegoría de la Eucaristía. Óleo sobre lienzo. Reentelado. Representa a Cristo yacente mientras un ángel junto a él nos descubre su cuerpo, donde surgen el trigo y las uvas, símbolos del pan y del vino, el cáliz con la hostia simbolizan el sacramento de la Eucaristía, pues mediante la consagración en el altar, el pan y el vino se transubstancian en el cuerpo y la sangre de Cristo. 146,5 x 215 cm.

Lotto 40

Stima 3 000 - 3 200 EUR

ARNE JACOBSEN (Denmark, 1902 - 1971) for Fritz Hansen. Rare armchair "Gaviota" or "FR 3207", Italy. Chromed tubular steel frame. Newly upholstered in brown leather. Provenance: original interior of the town hall of Mainz, Germany. Die-cut stamps on the base. The plastic frame that acts as a base has visible breakage in the photograph. Measurements: 78 x 61 x 52 cm. With his focus on simplicity of form and innovative function over trends, architect and designer Arne Jacobsen was a pillar of mid-century modern design. The model on tender has its roots in the Lily™ chair, which was originally known as the Series 8 and was designed for the Danish national bank. The first armless model (3108) debuted in 1968. The design was introduced with arms (3208) in 1970 at the Danish Furniture Fair. The chair design has also been called "Seagull". Architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction, then entered the Faculty of Architecture at the Royal Academy of Fine Arts. Among his most outstanding architectural works are St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in the same city, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also called "Chair number 7", of which more than five million copies were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the movie "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and today we can find them in collections such as those of the Victoria & Albert Museum in London or the MoMA in New York, among many others.

Lotto 58

Stima 600 - 800 EUR

PERE COSP (Barcelona, 1907-2007). Wall or table lamp, 1948-1949. Rusty, perforated iron (decorated with vegetal fretwork and salamanders). Coloured paper inside. Use marks. Damaged fabric lampshade (loose from the base and frame. The lampshade is superimposed on the base and has no other support). Provenance: House in Llavaneras (Barcelona) with an interior designed entirely by Pere Cosp in 1948-1949, referenced on the website dedicated to the author, perecosp.wordpress.com, which lists the most important interior designs he made for individuals and companies. Measurements: 19,5 x 19,5 x 10 cm.(wall lamp); 26 x 31 x 15 cm.(screen). Pere Cosp was an interior designer from Barcelona. With a largely self-taught background, Pere Cosp redirected the family craft workshop towards interior design and integral decoration. The profession served him to give free rein to his creative talent, intentionally distanced from the fashions and trends of the time. Proof of the non-conformist and restless personality that defined him are the designs of his furniture, which still retain an innovative and transgressive spirit. Cosp attended the Escuela de Artes y Bellos Oficios (School of Arts and Crafts), as well as the perspective classes of Professor Arola. But more important for him was the practical part: entering the family workshop and experiencing at first hand all the trades that were carried out there: gilding, mouldings and all kinds of restoration work. He also worked with the furniture maker Alonso and the decorator Parcerises. Pere Cosp was a pioneer in the use of materials that could be called humble, such as pine wood, chipboard, raffia, etc., which he elevated to a higher level through their treatment and use. He often collaborated with other trades: in the field of metalwork, he worked with Biosca y Botey and Pere Peronella. In this line of collaborations, he produced screen feet, wall sconces, outdoor furniture for gardens, an extensive collection of knobs and handles. The decoration of these elements or the final finishing was always done in the workshop. He made combinations of great beauty: stone, marble - Terra Passani was the main supplier - mosaic, in collaboration with Bru, glass, Granell, enamel, Morató, lacquer, according to drawings by his daughter Guillermina, parchment, with which he made wonderful small tables, doors, bed headboards, etc,

ESCUELA GALLEGA Cappella dell'ammonitore o altare portatile, chiamato popolarmente "peto", in legno intagliato, policromo e dorato. Restauri e ridipinture di epoca successiva. Opera popolare galiziana. XVII secolo. 103x48 cm

ESCUELA GALLEGA Cappella dell'ammonitore o altare portatile, chiamato popolarmente "peto", in legno intagliato, policromo e dorato. Restauri e ridipinture di epoca successiva. Opera popolare galiziana. XVII secolo. 103x48 cm

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