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JOSE GUTIERREZ SOLANA Madrid (1886 / 1945) "Maschere davanti alla bara", 1930 ca. Inchiostro su carta Firmato in basso a sinistra. Sul retro della carta con tampone d'inchiostro del Circolo delle Belle Arti e numerazione. Sul retro etichetta della Galleria Biosca, Madrid Bibliografia: -Maria Jose Salazar, "Jose Gutierrez Solana 1886-1945, disegni", Fundacion Botin 2013, p.348 fig.121.I, p. 352 nº122 -Manuel Sanchez Camargo, "Solana, pittura e disegni", Madrid, Afrodisio Aguado 1953, rep. p.68 -Luis Alonso Fernandez, "J. Solaba Studio e catalogazione della sua opera", Centro Culturale Conde Duque, 1985; p.306 nºD.82 -VVAA, "Jose Gutierrez Solana pittore spagnolo", Madrid Espasa Calpe 1936 (copertina) Misure: Carta: 24,5 x 22 cm

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JOSE GUTIERREZ SOLANA Madrid (1886 / 1945) "Maschere davanti alla bara", 1930 ca. Inchiostro su carta Firmato in basso a sinistra. Sul retro della carta con tampone d'inchiostro del Circolo delle Belle Arti e numerazione. Sul retro etichetta della Galleria Biosca, Madrid Bibliografia: -Maria Jose Salazar, "Jose Gutierrez Solana 1886-1945, disegni", Fundacion Botin 2013, p.348 fig.121.I, p. 352 nº122 -Manuel Sanchez Camargo, "Solana, pittura e disegni", Madrid, Afrodisio Aguado 1953, rep. p.68 -Luis Alonso Fernandez, "J. Solaba Studio e catalogazione della sua opera", Centro Culturale Conde Duque, 1985; p.306 nºD.82 -VVAA, "Jose Gutierrez Solana pittore spagnolo", Madrid Espasa Calpe 1936 (copertina) Misure: Carta: 24,5 x 22 cm

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Base d'asta 3 000 EUR

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JR LOSADA POCKET WATCH Nº9205 Sabonet pocket watch manufactured by JR LOSADA with manual winding mechanical movement Nº 9205, Victorian style dial made of silver decorated with gold, Roman numerals with auxiliary dial for the seconds hand located above the number VI, blued steel hands, inscription "JR LOSADA 105 REGENT ST. LONDON N.9205" (identical in machinery). Box numbered 10782 with hallmarks corresponding to 18 kt gold. (English royal crown and 18), the city of London (leopard head), typesetter (FM) - possibly Frederick Samuel Matthews - and the year of manufacture, 1876, (letter A), covers with chiseled decoration of plant motifs, palmettes and intertwined garlands of initials JPM, smooth duster, bombe crystal and fluted crown. Running condition that requires review. Weight: 126.15 gr. / Diameter: 50 mm. It is presented in an original leather case with gold embossing with the inscription "JR LOSADA 105 REGENT ST. LONDON", purple velvet and white silk interior with a logo after the London Exhibition of 1862. It is accompanied by a royal spring, two complementary crystals, Replacement dial in black and white enameled copper with Roman numerals and purchase invoice for £35 dated July 14, 1877 with an apocryphal signature of Jose Rodriguez de Losada. Reference bibliography: Moreno, R. Jose Rodriguez Losada - Life and work, Ed. Fundacion Juanelo Turriano, Madrid, 1995, pp. 83-91. Provenance: Madrid, DURAN SUBASTAS, lot 82 from undetermined auction (possibly 70s-80s); Bilbao, private collection. Jose Rodriguez Losada (Iruela, 1797-London, 1870) can be considered the most famous Spanish watchmaker of the last centuries. Once his watchmaking business was established, he quickly began to be known in London, receiving numerous commissions from the Spanish and Latin American markets, as well as from the Spanish Royal House. He was appointed chamber watchmaker to Queen Elizabeth II and timekeeper to the Spanish Navy. Losada died in London in 1970, bequeathing his fortune and businesses to his sisters, nephews, personal doctor and servants. The famous watchmaker had his nephews Miguel, Francisco and Norberto as apprentices, the first of them being the trusted man of Losada until he was disinherited in 1868 due to disagreements with his uncle. Given this fact, “the house, factory and firm JR Losada are inherited in their entirety by that of his nephew Norberto.” The youngest of his nephews took charge of the business until the end of the century, losing the property due to financial problems in favor of his brother Miguel, later associated with Francisco. Norberto de Riego y Rodriguez de Losada did not respect the numbering of his uncle's clocks close to number 6275 in 1870 - the year of his death -, marking a new one around 10,000. This fact makes us see how the watch with number 9205 was made in 1877, a time when the watchmaking manufacture fell to Norberto de Riego,It is especially curious how he keeps the invoices and documentation associated with his uncle's watches, even signing apocryphally as JR Losada. The watch, its case and the associated documentation represent a first-class testimony for the study of Spanish and British watchmaking of the 19th century. It must be taken into account that there are not many perfectly documented artifacts from Norberto de Riego that are preserved. Nor are there cases from this context, such as the one preserved in the collection of Jose Daniel Barquero (ref. OR-016 JDBC from MIARB) or the invoice, closely related to the one preserved by the current Relojeria Losada in Madrid.

Musketeers with Dog in the Cantina - José de Llaneces (Madrid, 1864-1919) - 19th century Madrid school of manners Oil on canvas: 65 x 50 cm, dimensions with frame: 90 x 75 cm. (Madrid, 1864-1919). Painter of the Madrid Romanticist school. Known in the artistic world for Llaneces. His artistic inclination arises through his work, since he was a child, in the photographer Herbert's workshop and his training at the School of Arts and Crafts. He also attends the Higher School of Painting at the San Fernando Academy and is a copyist at the Prado Museum. In 1886, he settled in Paris, where he focused on genre and dress painting, under the protection of the commercial success that this subject achieved in the international market, imbued with the artistic trail of Fortuny. His friendship with Francisco Domingo, well known in the Argentine art world, opens the doors to the Buenos Aires market, from where he receives important commissions not only for painting, but also for sculpture. Secretary of the Society of Artists in Paris, he was named knight of the order of Charles III in 1894, knight of the Legion of Honor in 1901 and commander of the royal order of Isabella the Catholic in 1902. At the beginning of the century he returned to Spain and dedicated himself to the execution of portraits, which he combined with landscape painting and anecdotal popular scenes that he collected in various cities. He enjoys the protection of royalty, with numerous portraits he paints of Queen María Cristina and distinguished members of her court. He ended his life by committing suicide in Madrid on December 11, 1919. In 1925, the Paris Salon paid tribute to him with a posthumous exhibition of his work held in France. In 1901 he donated a statue of Goya to the Prado Museum, sent from Paris, where he lived. Provenance: liquidation of an important private collection in Seville.