Null DIONÍS BAIXERAS (1862-1943). Study for fishermen.
Carboncino su carta.
Etic…

Descrizione

DIONÍS BAIXERAS (1862-1943). Study for fishermen. Carboncino su carta. Etichetta attributiva di Sala Parés sul retro, con i dati tecnici. 14 x 23 cm; 31 x 39 cm (cornice).

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DIONÍS BAIXERAS (1862-1943). Study for fishermen. Carboncino su carta. Etichetta attributiva di Sala Parés sul retro, con i dati tecnici. 14 x 23 cm; 31 x 39 cm (cornice).

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Stima 600 - 800 EUR

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Stima 2 000 - 2 200 EUR

FRANK OWEN GEHRY (Toronto, 1929) for Knoll. Hat Trick armchair in bent and interlocking maple wood strips. Manufactured by Knoll International, USA, with stamp. Light marks of use. Measurements: 85 x 59 x 56 cm. Seat height 46 cm. Frank Gehry was born in Toronto and moved with his family to Los Angeles in 1947. He graduated from the University of Southern California in 1954 and began working full time with Victor Gruen Associates, where he had been apprenticing part-time while still in school. He was admitted to Harvard Graduate School of Design to study urban planning. When he returned to Los Angeles, he rejoined Gruen where he stayed until 1960. In 1961 he moved to Paris, where he worked in the studio of André Rémondet. He remained in the French capital for a year, during which time he studied the works of Le Corbusier and other French and European architects, as well as existing Romanesque churches in France. In 1962 Gehry returned to LA and opened his architectural practice in L.A. With magnificent buildings such as the Guggenheim Bilbao Disney Concert Hall in Los Angeles and the new Foundation Louis Vuitton in Paris, Gehry has changed the nature and spirit of contemporary architecture. Yet the world’s best-known living architect has also enjoyed a prolific career as a designer of artful and functional objects, ranging from furniture to jewelry, that even at smaller scale are as lively and captivating as his architectural designs. In 1972 Gehry introduced a series of corrugated cardboard furniture under the name Easy Edges. The Easy Edges were a great success and brought Gehry overnight fame as a furniture designer. Frank Gehry came to Knoll in 1989 with an idea for a new generation of bentwood furniture inspired by the simple bushel basket. After three years of experimentation and exploration, the collection was debuted in the Frank Gehry: New Furniture Prototypes show at The Museum of Modern Art in New York. Each piece is named after a different hockey term such as Power Play, Cross Check and Hat Trick. Inspired by the surprising strength of the apple crates he played on as a child, Frank Gehry created his thoroughly original collection of bentwood furniture. The ribbon-like designs transcend the conventions of style by exploring, as the great modernists did, the essential challenge of deriving form from function. Frank Gehry has taught at several American art academies, design schools and universities and in 2011 he became a professor at the University of Southern California - and has received several honorary doctorates.

Stima 4 500 - 5 000 EUR

HANS J. WEGNER (Denmark, 1914 - 2007) for CARL HANSEN & SON. Set of six Wishbone Y-chairs, model CH-24. Soap oak with braided paper thread seats. No signs of use. Comes with original boxes. Designed in the 1950s by Hans J. Wegner, the CH24 Wishbone has become Carl Hansen's most popular signature chair and an icon of world design. Hans J. Wegner was a leading figure in furniture design, whose ideas contributed to the international popularity of Danish design in the mid-20th century. His work belongs to the modern school, characterized by a special emphasis on functionality. He began his training at a very young age, as an apprentice to the cabinetmaker H. F. Stahlberg. He soon discovered a special taste for the use of wood, and his work in the cabinetmaking workshop allowed him to experiment with different types and designs. At the age of seventeen he completed his apprenticeship, although he remained in the workshop for another three years, until he joined the army. After his military service he entered a technical school, and then the Danmarks Designskole, where he was taught by O. Mølgaard Nielsen, and the Academy of Architecture in Copenhagen. In the Danish capital he came into contact with the Furniture Exhibitions of the Carpenters' Guild, where he began to show his creations in 1927. During these years Wegner collaborated with master cabinetmakers such as J. Hansen, L. Pontoppidan, N. Vodder, J. Kjaer, A. J. Iversen, Moos and R. Rasmussen, as well as with the most prominent Danish architects of the time, among them K. Klint, V. Lauritzen and V. Lauritzen. Klint, V. Lauritzen. O. Wanscher and M. Voltelen. The annual exhibitions would give the young cabinetmaker experience of what could be achieved with the combination of design and craftsmanship, which led him to devote himself fully to design. Already in his early pieces, Wegner showed his interest in the concept of "stripping antique chairs of their outer style and showing them in their pure structure." Throughout his career, the designer was awarded prizes such as the Lunning Prize in 1951, the Grand Prix de Milan at the Milan Triennale of the same year, the Prince Eugene Medal in Sweden and the Danish Exkersberg Medal. In 1959 he was appointed honorary royal designer for industry by the Royal Society of Arts in London. Currently his designs are present in collections such as the MoMA in New York or Die Neue Samlung in Munich.

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