Null ATTRIBUTED TO JOAN BUSQUETS I JANÉ (1874-1949). ARQUIMESA, 1920-1925.
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ATTRIBUTED TO JOAN BUSQUETS I JANÉ (1874-1949). ARQUIMESA, 1920-1925. Legno di quercia intagliato e impiallacciato con intarsi. Maniglie, cerniere e serratura in metallo. Con tre ante mobili, undici vani con ante, otto vani aperti e diciassette cassetti. Lievi segni d'uso. 174 x 109 x 46 cm (chiuso); 176 x 139 x 70 cm (aperto). Documentazione di riferimento: -Numero 1295-A. Arquimesa. Oberta - Museu del Disseny (n. d.). -Numero 1295. Arquimesa. Tancada - Museu del Disseny (n. d.). -Numero 1061. Arquimesa per a Exposició de Mèxic - Museu del Disseny (n. d.).

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ATTRIBUTED TO JOAN BUSQUETS I JANÉ (1874-1949). ARQUIMESA, 1920-1925. Legno di quercia intagliato e impiallacciato con intarsi. Maniglie, cerniere e serratura in metallo. Con tre ante mobili, undici vani con ante, otto vani aperti e diciassette cassetti. Lievi segni d'uso. 174 x 109 x 46 cm (chiuso); 176 x 139 x 70 cm (aperto). Documentazione di riferimento: -Numero 1295-A. Arquimesa. Oberta - Museu del Disseny (n. d.). -Numero 1295. Arquimesa. Tancada - Museu del Disseny (n. d.). -Numero 1061. Arquimesa per a Exposició de Mèxic - Museu del Disseny (n. d.).

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Stima 2 500 - 2 600 EUR

Pair of Art Deco cabinets attributed to PAOLO BUFFA (1903-1970). Italy, 1940s. Lacquered wood and parchment. Keys included. Measurements: 120 x 80 x 40 cm. Extraordinary pair of desks or secretaire, Art Deco style and period, attributed to the Italian designer Paolo Buffa. Refined and elegant, they follow the style of the splendid designer and are made of black lacquered wood and parchment. The design, with clean and simple lines, focuses attention on its long legs of decreasing diameter and on the contrast created by the materials. With a black and white exterior, it impresses when you open its door and discover the red and embossed leather, which creates an elegant and striking effect. Paolo Buffa's work stands out for the perfection of execution and the neoclassical influence on his style, which the designer acquired during his training at Gio Ponti's studio throughout the 1920s. The solid and elegant lines that characterize his furniture seem to emulate a continuity between the 19th and 20th centuries. Of this pair of design gems, the use of parchment stands out. This element of animal origin is obtained from the hairless and well stretched skin of the cow or lamb, although even squirrel skin has been used. Its origin dates back to a time before Christ, remains of papyrus have been found from the second century B.C. Its use has been varied, from writing and illuminations to the coating of other objects such as books or furniture for decorative purposes, conferring luxury and prestige to the piece. The design, although always evolving, does not lose the essence of good materials.

Stima 800 - 900 EUR

JOAN ANTONI BLANC (Tortosa, 1940) for Tramo. Table lamp "Seta/Tulip", 1968. Double plastic lampshade in yellow and white inside that produces a spectacular light. Very good overall condition with some signs of age. Selection adi fad. Measurements: 56 cm (height) x 36 cm (lampshade diameter). The lamp "Seta/Tulip" is distinguished by its semi-oval lampshade that resembles the cap of a mushroom, as well as by the circular foot that rises slightly in its central area to join with the cylindrical shaft. It was published by Tramo (Trabajos molestos), a company founded by the iconic Catalan designer Miguel Milá. Joan Antoni Blanc was one of the founders of the Eina school and one of the main advocates of the need to incorporate technological knowledge and to orient design in industrial applications. He specialized in the field of design, specializing in furniture and lighting applied to the domestic, urban and office environment, although he has also developed several designs related to nautical, motoring and motorcycling. In 1972 he created "Estudi de Disseny Blanc", incorporating as assistant Pau Joan Vidal, an industrial designer trained at the Massana and Elisava schools, who later became his partner. He was also president of the Association of Professional Designers between 1986 and 1989 and participated in the creation of BCD. Among the products developed by Blanc, the "Cónica" lamp (Delta de Oro ADI-FAD in 1965), the "Cubiform" system of cabinets and drawers, the "semi-spherical" lamp (Delta de Oro ADI-FAD in 1966), the "Torre de Babel" set of expandable elements, the "globe" lamp (Delta de Oro ADI-FAD in 1966), and the "Torre de Babel" set of expandable elements (Delta de Oro ADI-FAD in 1966), the "Globe" lamp (Delta de plata ADI-FAD in 1968), the "Perfils" shelving and container system, the "Sinclina" lamp (Delta de plata ADI-FAD and prize for the best Spanish design at the Madrid fair in 1991), the "Prima 1000" shelving system and the "Escala" lamp. The Barcelona Design Museum is the repository of part of its documentary collections and three pieces designed by Joan Antoni Blanc: the "Cubiform" cabinet and the "Escala" and "Sinclina" floor lamps. The "Seta/Tulip" lamp is distinguished by its semi-oval lampshade that resembles the cap of a mushroom, as well as by the circular foot that rises slightly in its central area to join the cylindrical shaft. It was published by Tramo (Trabajos molestos), a company founded by the iconic Catalan designer Miguel Milá. Joan Antoni Blanc was one of the founders of the Eina school and one of the main advocates of the need to incorporate technological knowledge and to orient design in industrial applications. He specialized in the field of design, specializing in furniture and lighting applied to the domestic, urban and office environment, although he has also developed several designs related to nautical, motoring and motorcycling. In 1972 he created "Estudi de Disseny Blanc", incorporating as assistant Pau Joan Vidal, an industrial designer trained at the Massana and Elisava schools, who later became his partner. He was also president of the Association of Professional Designers between 1986 and 1989 and participated in the creation of BCD. Among the products developed by Blanc, the "Cónica" lamp (Delta de Oro ADI-FAD in 1965), the "Cubiform" system of cabinets and drawers, the "semi-spherical" lamp (Delta de Oro ADI-FAD in 1966), the "Torre de Babel" set of expandable elements, the "globe" lamp (Delta de Oro ADI-FAD in 1966), and the "Torre de Babel" set of expandable elements (Delta de Oro ADI-FAD in 1966), the "Globe" lamp (Delta de plata ADI-FAD in 1968), the "Perfils" shelving and container system, the "Sinclina" lamp (Delta de plata ADI-FAD and prize for the best Spanish design at the Madrid fair in 1991), the "Prima 1000" shelving system and the "Escala" lamp. The Barcelona Design Museum is the repository of part of its documentary collections and three pieces designed by Joan Antoni Blanc: the "Cubiform" cabinet and the "Escala" and "Sinclina" floor lamps.

Stima 1 000 - 1 200 EUR

Palm tree lamp. Attributed to MAISON JANSEN, ca. 1980's. Brass shaft, metal leaves. It shows wear and marks of use. Measurements: 76 x 27 x 27 cm. Floor lamp in the form of a palm tree, with brass shaft and metal leaves with mahogany patina. It is probable that it belongs to Maison Jansen, because it follows the same models and the same technique as the palm tree lamps of this prestigious house dedicated to luxury decoration. The Palmera lamp is the star piece of Maison Jansen, an icon for lovers of interior decoration. With a proven track record, Maison Jansen has decorated the residences of such important personalities as the Kennedys, the Duke and Duchess of Windsor, Coco Chanel and the March family. Founded in 1880 by Dutch designer Jean-Henri Jansen (1854-1928), its aesthetics were based on French furniture combined with aesthetic influences from around the world. His most sought-after pieces reflected the influence of antique designs from the Louis XIV, Louis XVI, Directory and Empire eras, as well as objects Jansen found during his travels to Japan and Turkey. It shows wear and tear and marks of use.

Stima 1 500 - 2 000 EUR

JOAN MIRÓ I FERRÀ (Barcellona, 1893 - Palma di Maiorca, 1983). "Omaggio a Gaudí". Libro di studi allegato e libro d'arte con riproduzioni delle 21 incisioni che Joan Miró realizzò nel suo Omaggio a Gaudí, con testi realizzati da Pere Gimferrer. Edizione limitata, esemplare 981/998. Edizione unica Editorial Planeta. In custodia di legno. Misure: 50 x 70 cm (libro d'arte); 27 x 37,5 cm (libro di studio); 56 x 76 x 8 cm (cofanetto) 86 x 69 x 16 cm (scatola). La riproduzione, pari all'80% dell'originale, è stata realizzata a partire dalla collezione depositata presso la Fundació Joan Miró di Barcellona. Le riproduzioni sono state stampate su carta Fedrigoni Stucco Tintoretto da 220 g, e incollate a mano su cartoncino nero Tintoretto Ceylon Black Pepper da 200 g.Edizione limitata di 998 esemplari, numerati da I a X i primi dieci e da 1 a 988 i restanti, secondo l'atto notarile.Joan Miró si forma a Barcellona, e debutta individualmente nel 1918, nelle Gallerie Dalmau. Nel 1920 si trasferisce a Parigi e incontra Picasso, Raynal, Max Jacob, Tzara e i dadaisti. Lì, sotto l'influenza di poeti e pittori surrealisti, matura il suo stile; cerca di trasporre la poesia surrealista al visivo, basandosi sulla memoria, sulla fantasia e sull'irrazionale. La sua terza mostra a Parigi, nel 1928, è il suo primo grande trionfo: il Museum of Modern Art di New York acquista due delle sue opere. Tornato in Spagna nel 1941, nello stesso anno il museo gli dedica una retrospettiva che sarà la sua definitiva consacrazione internazionale. Nel corso della sua vita ricevette numerosi riconoscimenti, come i Gran Premi della Biennale di Venezia e della Fondazione Guggenheim, il Premio Carnegie per la Pittura, le Medaglie d'Oro della Generalitat de Catalunya e delle Belle Arti, e fu nominato Dottore Honoris Causa dalle università di Harvard e Barcellona. Attualmente le sue opere sono esposte alla Fondazione Joan Miró di Barcellona, al Museo Thyssen-Bornemisza, al MoMA di New York, al Museo Reina Sofía di Madrid, alla National Gallery di Washington, al MNAM di Parigi e alla Albright-Knox Art Gallery di Buffalo.

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