Null EMBOSSED PANEL DEPICTING CHRIST ON THE CROSS.
Rilievo in gesso stuccato con…
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EMBOSSED PANEL DEPICTING CHRIST ON THE CROSS. Rilievo in gesso stuccato con policromia. Alcuni difetti e craquelure. 74 x 50 cm.

473 

EMBOSSED PANEL DEPICTING CHRIST ON THE CROSS. Rilievo in gesso stuccato con policromia. Alcuni difetti e craquelure. 74 x 50 cm.

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In the style of JOSEF HOFFMANN (Brtnice, Czech Republic, 1870 - Vienna, 1956). Pair of armchairs. Walnut wood. Fabric upholstery with floral decoration. With signs of wear and tear. With xylophages. The wood needs to be reworked. Measurements: 73 x 55 x 47 cm. Pair of armchairs of Central European style, framed within the Viennese Secession, with structure in walnut wood with structure of parallel bands, functional and of refined volumes. An architect and industrial designer, Josef Hoffmann studied at the Academy of Applied Arts in Vienna, where he was a disciple of Carl Freiherr von Hasenauer and Otto Wagner, whose theories of functional, modern architecture would profoundly influence his work. He won the Prix de Rome in 1895, and the following year he joined Wagner's office, collaborating with Olbrich on some projects for the Metropolitan. He established his own office in 1898, and taught at the School of Decorative Arts in Vienna between 1899 and 1936. He was also a founding member of the Viennese Secession. In 1900 he travelled to London, where he came into contact with the English school and discovered Mackintosh. On his return, he set up a workshop for the production of objects based on designs by Secession artists, and the Wiener Werkstätte was born, a workshop which had a great influence on 20th-century industrial design. By 1903, production began on an international scale. In the course of his life, Hoffmann produced a variety of projects for buildings and furnishings, and exhibited his creations all over the world. He is currently represented in the MAK and the Leopold Museum in Vienna, the Metropolitan and MoMA in New York, the Brohan in Berlin, the Courtauld Institute in London and the Victoria & Albert in London, among many others.

RICHARD HUTTEN (Zwollerkerspel, Holland, 1967). Pair of Berlage chairs. Oak and black fabric strips. In good condition. Presents manufacturing stamp on the back crossbar (made in Rotterdam). Measurements: 85 x 42 x 57.5 cm. Richard Hutten was inspired by architect Berlage's throne chair, created for the Dutch Van Hengel family in 1911. Its main feature is that the back of the chair extends to the back legs. Combining industrial creation techniques for the structure and artisanal techniques for the weaving of the seat using hand-tied straps, the finish is unique and unrepeatable. This chair is in the collections of the Gemeentemuseum The Hague and the Boijmans van Beuningen Museum in Rotterdam. Richard Hutten opened his studio in Rotterdam after graduating from the Design Academy of Eindhoven in 1991. He is one of the leading exponents of Droog Design, in which he has been involved since its inception in 1993, making him one of the main founders of the famous Dutch design movement. He entered the international design scene with the conceptual pieces The Cross and S(h)it on it, positioning himself as a designer with his own discourse with the idea of 'no sign of design', functional pieces of a conceptual and humorous nature. Since 2008, Richard Hutten has been the artistic director of Gispen, the second largest and most famous furniture brand in the Netherlands, with almost 100 years of history. His work is part of the permanent collections of more than 40 museums worldwide, making him one of the most collected living designers. The list includes MoMa in New York, the Museum of Modern Art in San Francisco, the Stedelijk Museum of Modern Art in Amsterdam, the Central Museum in Utrecht and the Vitra Design Museum, among others.