Null JAN DAVIDSZ. DE HEEM. Dopo. Natura morta. Olio su tela
Sul retro, timbro de…

Descrizione

JAN DAVIDSZ. DE HEEM. Dopo. Natura morta. Olio su tela Sul retro, timbro dello Studio M. Canals. Copia dell'originale conservato all'Akademie der bildenden Künste Wien. 70x110 cm. Cornice in legno intagliato e dorato.

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JAN DAVIDSZ. DE HEEM. Dopo. Natura morta. Olio su tela Sul retro, timbro dello Studio M. Canals. Copia dell'originale conservato all'Akademie der bildenden Künste Wien. 70x110 cm. Cornice in legno intagliato e dorato.

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Stima 1 800 - 2 000 EUR

OLE WANSCHER (Denmark, 1903-1985) for FRANCE & SON. A pair of “Senator” armchairs. Solid teak frame. Original loose brown leather cushions. Made in France & Son, with label from here. In good vintage condition. Measurements: 79 x 68 x 74 cm. Seat height 43 cm. Considered integral to the core aesthetics and functionality of Danish design, Ole Wanscher studied alongside Kaare Klint at the Royal Danish Academy of Fine Arts. He subsequently worked at Klint's design studio before becoming an independent furniture designer. In 1958, the Danish newspaper Politiken wrote: “Owning a Wanscher chair is an adventure every day, and it will continue to be so, even if hundreds of years pass, for this is how long it lasts.” Today, his modern classics are still revered. for its details and deep respect for materials. While traveling through Egypt and Europe, Wanscher studied furniture design, finding inspiration in various visual expressions that he incorporated into his own unique design aesthetic. He saw furniture design as a branch of architecture and emphasized slender dimensions and sturdy forms, a pursuit exemplified in many of his works, particularly the Colonial Chair and the Colonial Sofa. Wanscher created his best-known designs primarily between the late 1940s and early 1960s, in the post-war era, when the philosophy of "design for all" emerged. In Denmark, some of the biggest names in design created functional and affordable furniture for Danes and the small spaces in which they lived. Wanscher was very interested in industrially produced but high-quality furniture, designing several successful pieces. Wanscher's design earned him numerous accolades, including the Annual Prize of the Copenhagen Carpenters' Guild and the gold medal at the Milan Triennale in 1960, honors that underlined Wanscher's esteemed reputation both in Denmark and internationally. France & Søn - and its predecessor, France & Daverkosen - are among the most sought-after names on the vintage market today. Many of the pieces that still circulate retain their original labels. Its productions were designed by the most important Danish designers of the mid-century, such as Hvidt & Mølgaard, Grete Jalk, Finn Juhl, Arne Vodder and Ole Wanscher.

Stima 2 000 - 2 200 EUR

FRANK OWEN GEHRY (Toronto, 1929) for Knoll. Hat Trick armchair in bent and interlocking maple wood strips. Manufactured by Knoll International, USA, with stamp. Light marks of use. Measurements: 85 x 59 x 56 cm. Seat height 46 cm. Frank Gehry was born in Toronto and moved with his family to Los Angeles in 1947. He graduated from the University of Southern California in 1954 and began working full time with Victor Gruen Associates, where he had been apprenticing part-time while still in school. He was admitted to Harvard Graduate School of Design to study urban planning. When he returned to Los Angeles, he rejoined Gruen where he stayed until 1960. In 1961 he moved to Paris, where he worked in the studio of André Rémondet. He remained in the French capital for a year, during which time he studied the works of Le Corbusier and other French and European architects, as well as existing Romanesque churches in France. In 1962 Gehry returned to LA and opened his architectural practice in L.A. With magnificent buildings such as the Guggenheim Bilbao Disney Concert Hall in Los Angeles and the new Foundation Louis Vuitton in Paris, Gehry has changed the nature and spirit of contemporary architecture. Yet the world’s best-known living architect has also enjoyed a prolific career as a designer of artful and functional objects, ranging from furniture to jewelry, that even at smaller scale are as lively and captivating as his architectural designs. In 1972 Gehry introduced a series of corrugated cardboard furniture under the name Easy Edges. The Easy Edges were a great success and brought Gehry overnight fame as a furniture designer. Frank Gehry came to Knoll in 1989 with an idea for a new generation of bentwood furniture inspired by the simple bushel basket. After three years of experimentation and exploration, the collection was debuted in the Frank Gehry: New Furniture Prototypes show at The Museum of Modern Art in New York. Each piece is named after a different hockey term such as Power Play, Cross Check and Hat Trick. Inspired by the surprising strength of the apple crates he played on as a child, Frank Gehry created his thoroughly original collection of bentwood furniture. The ribbon-like designs transcend the conventions of style by exploring, as the great modernists did, the essential challenge of deriving form from function. Frank Gehry has taught at several American art academies, design schools and universities and in 2011 he became a professor at the University of Southern California - and has received several honorary doctorates.

Stima 3 000 - 6 000 EUR

Natura morta con nido d'uccello - 1820/30 circa - Frutta come meloni, uva e pesche impilati davanti a un tronco d'albero in una cantina a volta con numerosi insetti, un piccolo nido d'uccello con due uova sul fondo, un uccello canoro che vola sopra la scena. Olio/legno, parquettato. Monogrammato (cirillico?) in basso a destra. 80 x 60 cm. - Copia da Jan Davidsz de Heem (Utrecht 1606-1684 Anversa), solo senza l'uccello morto in basso a destra. L'originale si trova nella Gemäldegalerie Alte Meister della Staatliche Kunstsammlungen Dresden. Cfr. catalogo della mostra Dresda: Natura morta, bellezza senza tempo. S. 122/123.

Stima 50 - 100 EUR

Lynn Larson (americano, XX sec.) Vaso con gigli, acquerello di natura morta Descrizione: Grande acquerello che raffigura un gruppo di fiori di giglio in un vaso di vetro. Tipo: Acquerello Materiali: :Carta Contrassegni e iscrizioni: Firmato e datato Data: 1990 Autore: Lynn Larson (americano, 20° sec.) Dimensioni: 38,5" x 22,5" di apertura della stuoia, 47" x 30,5" incorniciato. Provenienza: Da una collezione di West Chester, Pennsylvania. Il foglio è leggermente allentato dalla cerniera superiore sinistra. Graffi sparsi sul plexiglas. Piccoli detriti sparsi sotto il plexiglas e piccole macchie sul tappetino.

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