Null SECONDA MATILLA. Palude. Disegno a carboncino su carta
Firmato
20x27,5 cm. …

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SECONDA MATILLA. Palude. Disegno a carboncino su carta Firmato 20x27,5 cm. Foxing. Cornice in legno dorato. Non esaminato senza cornice.

632

SECONDA MATILLA. Palude. Disegno a carboncino su carta Firmato 20x27,5 cm. Foxing. Cornice in legno dorato. Non esaminato senza cornice.

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[Protestantesimo] [JURIEU (Pierre)]: Préjugez légitimes contre le papisme, ouvrage où l'on considère l'Eglise Romaine dans tous ses dehors, & où l'on fait voir par l'histoire de sa conduite qu'elle ne peut être la vraie Eglise, à l'exclusion de toutes les autres communions du christianisme, comme elle prétend. Diviso in due parti. Amsterdam, Henry Desbordes, 1685. 2 parti in 1 volume. 18 x 23,5 cm. (34)-445-(3); (2)-372-(4) pagine. Legatura coeva in piena pergamena, titolo manoscritto sul dorso, 1 cerniera spaccata di oltre 10 cm, incidente sul dorso e piccola macchia d'inchiostro sulla seconda tavola. Nonostante ciò, legatura di qualità. Testi fortemente invasi dalla brunitura della carta. Prima edizione. Kappler, Bibliographie [...] de Pierre Jurieu, n° 52. Kappler cita la nota manoscritta di Prosper Marchand che compare nella copia della B.U. di Leida: "Ces Préjugés [...] sono i migliori scritti di Jurieu in quanto non si diverte, come il suo avversario [Nicole], a sottilizzare e cavillare sulla dottrina, ma va dritto al punto dimostrando con prove storiche gli abusi e la corruzione del papismo. Per questo motivo è stato accolto molto bene dalle persone disinteressate ed è diventato raro". "Nel libro dei Préjugés si trova il famoso "Avis aux protestants de l'Europe", dove Jurieu, con rara chiaroveggenza, denuncia la politica di Luigi XIV, che era diventato eccessivamente devoto e voleva, con la forza delle armi, assicurare l'egemonia del cattolicesimo in Europa". (F. Puaux, B.S.H.P.F., n. 3/1918, pp. 184-208).

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ROGER CAPRON (France, 1922 - 2006). Vase, ca.1970's. Ceramic. Signed on the base. Measurements: 29 cm x 14 cm x 14 cm. Vase made by the French ceramist Roger Capron. Of rectangular structure, chiseled with a synthetic sunflower on one of its sides, it presents an attractive aesthetic of archaic inspiration. Interested in drawing since he was a child, the ceramist Roger Capron studied Applied Arts in Paris between 1939 and 1943, and from 1945 he combined his artistic activity with teaching. In 1946 he settled in Vallauris, where he created a workshop known as Atelier Callis, fundamental in the renaissance of the art of ceramics in this locality. A few years later, in 1952, Capron acquired an abandoned ceramics factory in Vallauris and reopened it with fifteen workers; by 1957 his factory was already enjoying considerable international prestige. In 1980, one hundred and twenty workers were working there, and at this time he began to produce unique pieces that were exhibited in different countries, although the economic crisis led to the closure of the factory in 1982. In 1982 Capron created a new workshop under his own name. Throughout his career, this artist was awarded a gold medal at the Milan Triennale (1954), a silver medal at Cannes (1955), a gold medal again at the Brussels Architectural Ceramics Exhibition on two occasions (1957 and 1958), the French Ministry of Culture prize (1970) and the Prix Spécial de l'Architecture (1980).

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