Null MARIE ANTOINETTE BOULLARD-DEVÉ. Senza titolo. Olio su tavola rigida
54x73 c…

Descrizione

MARIE ANTOINETTE BOULLARD-DEVÉ. Senza titolo. Olio su tavola rigida 54x73 cm. Lievi danni.

490

MARIE ANTOINETTE BOULLARD-DEVÉ. Senza titolo. Olio su tavola rigida 54x73 cm. Lievi danni.

Le offerte sono terminate per questo lotto. Visualizza i risultati

Forse ti piacerebbe anche

Stima 800 - 1 000 EUR

Table lamp; Fase President model by GEI (Gabinete de Estudios Industriales), 1960s. Metal and wood. Electrified. In working order. In good condition. With signature on the base. Measurements: 44 x 60 x 30 cm. Spanish lighting manufacturer Fase was founded in Madrid in 1964 by industrial designer Pedro Martín. Martín sold his self-produced lamps first in markets, before successfully establishing a factory in Torrejón de Ardoz, on the outskirts of Madrid. In the 1970s, Fase was a major player in the Spanish manufacturing industry, contributing to an economy struggling with oil crises and a difficult transition to democracy. Fase sold lighting for more than three decades to 32 different countries, with its largest markets being the United Kingdom, France, Italy, Germany, United Arab Emirates, Japan, Canada and the United States. Despite Fase's commercial success, information about the company and its history is scarce and sources often contradictory. Early Fase designs are considered modern, with original combinations of metals such as chrome and steel, with marble and wood, in a range of bright colors. Often, the fixtures could also be moved thanks to a sophisticated swivel system devised by early Fase designers, which soon became a trademark along with their glass diffusers. Important Fase designs include Boomerang 64, Boomerang 2000, 520, Faro and President, all of which are believed to have been designed in the 1960s. Beginning in the 1970s, Fase introduced modern Italian and Bauhaus-inspired designs to a Spanish public that, emerging from the Franco period, was unfamiliar with the most iconic styles of the 20th century. In addition to combining traditional materials such as wood with a modernist aesthetic, Fase created many lamps in a thoroughly modernist style. Lamps from this period include the Tharsis and the Babylon, both in chrome but with single and double lamps respectively, as well as the Harpoon and the stainless steel Impala (all from the 1970s). Fase's lighting designers and workers remain largely anonymous, resulting in many lamps being falsely advertised as being produced by the Spanish manufacturer, giving rise to a whole genre of "Fase-type" lighting, which can be seen in lamps produced by Madrid-based lighting manufacturers Lupela, GEI (Gabinete Estudios Industriales) and Ma-Of. Authentic Fase lamps can be identified by the company name or logo, usually found on the lamp base or socket. In the 1980s, Fase began manufacturing halogen lamps. Although these lamps were very popular and novel at the time, the break with tradition was unsuccessful and ultimately contributed to the company's demise.

Stima 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Stima 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Stima 16 000 - 18 000 EUR

[MARIE-THERESE, infanta di Spagna e delfina di Francia]. Petto d'armi da viaggio. Sl, sd (c. 1745). Superbo oggetto storico recante lo stemma della delfina Maria Teresa Antonietta di Spagna, prima moglie di Luigi di Francia, figlio maggiore di Luigi XV. Cassettone da viaggio in marocchino rosso con stemma. H 23 x L 57,5 x L 29,7 cm. Pezzo eccezionale per la sua rarità, qualità e origine principesca, questa cassapanca fu realizzata in Francia dal pellettiere L . Lecoq, il cui marchio rivelatore è impresso sul retro (emblema del gallo circondato dal suo numero L L) con un ferro da stiro dorato sul marocchino. I Lecoq erano una famiglia e una vera e propria dinastia di pellettieri con competenze tramandate che furono fedeli fornitori della corte di Versailles per tutto il XVIII secolo. Maria Teresa Antonietta Raphaëlle di Borbone, Infanta di Spagna e Delfina di Francia, nata a Madrid nel 1726 e morta a Versailles nel 1746, era una principessa spagnola, figlia di Filippo V e di Elisabetta Farnese, che nel 1745 fu data in sposa al Delfino Luigi di Francia, figlio primogenito di Luigi XV e futuro padre di Luigi XVI (che non regnerà mai), per riconciliare la Francia e la Spagna (contemporaneamente al matrimonio di Madame Première con l'Infante Filippo). Questo tipo di mobilio da viaggio è un raro ricordo del treno che tutte le principesse francesi seguivano nei loro viaggi. Questi piccoli bauli potevano essere utilizzati per riporre accessori, stoviglie, libri vari e così via. (OHR, 2525). Il baule è in ottime condizioni. Lievi segni di usura del marocchino, discreto sporco (polvere annerita sulle guarnizioni o sul lato inferiore) e piccoli restauri (lato inferiore e cordoni di apertura montati in un secondo momento, probabilmente al posto di staffe spesso dello stesso metallo delle guarnizioni esterne di questo tipo di oggetti). Doratura leggermente offuscata o ossidata su tutti i ferri da stiro.

I pagamenti online sono protetti da Ingenico e le transazioni sono criptate.

Ogni lotto è stato autentificato e sottoposto a perizia da una Casa d’aste.

Consulta l'aiuto o contattaci

Casa d'aste mitica, Drouot è la più grande casa d'aste in Francia. Aperta a tutti, l'istituzione è il luogo ideale per gli amanti dell'arte e della design. La piattaforma di aste online drouot.com vi permette di fare offerte a distanza, in qualsiasi luogo vi troviate, e di accedere al più grande catalogo di arte e oggetti decorativi dell'Europa continentale.

Il gruppo Drouot

CASE D'ASTA CERTIFICATE DROUOT

Contatti

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]

Visite e privatizzazioni