Null MARIE ANTOINETTE BOULLARD-DEVÉ. Ragazze vietnamite. Disegno a inchiostro su…

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MARIE ANTOINETTE BOULLARD-DEVÉ. Ragazze vietnamite. Disegno a inchiostro su carta Firmato con iniziali 31x19,5 cm. Incorniciato con vetro senza cornice.

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MARIE ANTOINETTE BOULLARD-DEVÉ. Ragazze vietnamite. Disegno a inchiostro su carta Firmato con iniziali 31x19,5 cm. Incorniciato con vetro senza cornice.

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估价 1 300 - 1 500 EUR

ROGER CAPRON (France, 1922 - 2006). Vase, ca.1970's. Ceramic. Signed on the base. Measurements: 29 cm x 14 cm x 14 cm. Vase made by the French ceramist Roger Capron. Of rectangular structure, chiseled with a synthetic sunflower on one of its sides, it presents an attractive aesthetic of archaic inspiration. Interested in drawing since he was a child, the ceramist Roger Capron studied Applied Arts in Paris between 1939 and 1943, and from 1945 he combined his artistic activity with teaching. In 1946 he settled in Vallauris, where he created a workshop known as Atelier Callis, fundamental in the renaissance of the art of ceramics in this locality. A few years later, in 1952, Capron acquired an abandoned ceramics factory in Vallauris and reopened it with fifteen workers; by 1957 his factory was already enjoying considerable international prestige. In 1980, one hundred and twenty workers were working there, and at this time he began to produce unique pieces that were exhibited in different countries, although the economic crisis led to the closure of the factory in 1982. In 1982 Capron created a new workshop under his own name. Throughout his career, this artist was awarded a gold medal at the Milan Triennale (1954), a silver medal at Cannes (1955), a gold medal again at the Brussels Architectural Ceramics Exhibition on two occasions (1957 and 1958), the French Ministry of Culture prize (1970) and the Prix Spécial de l'Architecture (1980).

估价 1 200 - 1 500 EUR

JOE COLOMBO (Milan, 1930-1971) for ZANOTTA. Pair of "Birillo" stools, 1970s. Chromed metal and plastic. White vinyl seat. Designer's and manufacturer's stamp on base. In good condition. Measurements: 105 x 43 x 44 cm. The Birillo stool was designed by Joe Colombo and chosen by the acclaimed film director Ridley Scott as a space-age inspired stool on the set of Blade Runner. The combination of modern materials for the time (plastic and steel derivatives) made it a completely new model. Architect and designer Cesare Colombo, nicknamed "Joe" Colombo, was an artist, architect, furniture, product and interior designer who was central to Italian design in the 1960s. Trained at the Academy of Fine Arts and Architecture of the Polytechnic University of Milan, where he devoted himself, among other things, to painting, sculpture and drawing, skills that would serve him to develop his career as a designer by setting up his own studio in 1962. Throughout the 1960s he collaborated with major publishers such as Kartell, O-Luce and Zanotta. Many of his works are still exhibited in museums around the world and the artist is the subject of regular retrospectives, studies and exhibitions. During the 1960s, the designer worked mainly on the creation of furniture that stood out for being easily modular, flexible and practical, as is the case with these chairs, which can be transported and adapted to the needs of their user. He focused on a global design, where the elements of the furniture transcend space and architecture. In this way, Colombo moves towards a form of design that helps the user to save space and time. Some of the Italian designer's most famous works are the "Elda" armchair (1963), the "Continental Library" (1965), the "Universal" (1967) and "Tube" chairs (1969) and the "Chariot Boby" (1969). His career and achievements led him to take part in the 14th Milan Triennale, exhibiting some of his interior design proposals. In 1964 he won the gold medal at the Milan Triennale with the acrylic table lamp, which is now part of the permanent collection of the Museum of Modern Art in Philadelphia. In 1972, shortly after his death, his overall furniture project was shown in the exhibition "Italia: The New Domestic Landscape" held at MOMA in New York, realised by ELCO - FIARM, Boffi, Ideal - Standard, with the help of Sormani. In 1984, a retrospective of his work was held at the Villeneuve Museum of Modern Art. Subsequently, in 2005, the Milan Triennale hosted the retrospective Joe Colombo Inventing the Future.

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[MARIE-THERESE, infanta di Spagna e delfina di Francia]. Petto d'armi da viaggio. Sl, sd (c. 1745). Superbo oggetto storico recante lo stemma della delfina Maria Teresa Antonietta di Spagna, prima moglie di Luigi di Francia, figlio maggiore di Luigi XV. Cassettone da viaggio in marocchino rosso con stemma. H 23 x L 57,5 x L 29,7 cm. Pezzo eccezionale per la sua rarità, qualità e origine principesca, questa cassapanca fu realizzata in Francia dal pellettiere L . Lecoq, il cui marchio rivelatore è impresso sul retro (emblema del gallo circondato dal suo numero L L) con un ferro da stiro dorato sul marocchino. I Lecoq erano una famiglia e una vera e propria dinastia di pellettieri con competenze tramandate che furono fedeli fornitori della corte di Versailles per tutto il XVIII secolo. Maria Teresa Antonietta Raphaëlle di Borbone, Infanta di Spagna e Delfina di Francia, nata a Madrid nel 1726 e morta a Versailles nel 1746, era una principessa spagnola, figlia di Filippo V e di Elisabetta Farnese, che nel 1745 fu data in sposa al Delfino Luigi di Francia, figlio primogenito di Luigi XV e futuro padre di Luigi XVI (che non regnerà mai), per riconciliare la Francia e la Spagna (contemporaneamente al matrimonio di Madame Première con l'Infante Filippo). Questo tipo di mobilio da viaggio è un raro ricordo del treno che tutte le principesse francesi seguivano nei loro viaggi. Questi piccoli bauli potevano essere utilizzati per riporre accessori, stoviglie, libri vari e così via. (OHR, 2525). Il baule è in ottime condizioni. Lievi segni di usura del marocchino, discreto sporco (polvere annerita sulle guarnizioni o sul lato inferiore) e piccoli restauri (lato inferiore e cordoni di apertura montati in un secondo momento, probabilmente al posto di staffe spesso dello stesso metallo delle guarnizioni esterne di questo tipo di oggetti). Doratura leggermente offuscata o ossidata su tutti i ferri da stiro.

估价 100 - 150 EUR

CAMPAN (Madame). Memorie sulla vita privata di Maria Antonietta, regina di Francia e di Navarra; corredate di ricordi e aneddoti storici sui successori di Luigi XIV, Luigi XV e Luigi XVI, da Mme Campan, lettrice di Mesdames, e prima donna di camera della regina. Seconda edizione. Parigi, Baudoin frères, 1823. 3 volumi in 3 vol. in-8, xlviij, 382 pp. + 399 pp. + 382 pp. carta bradel crema, titoli in basano blu, filetti dorati al dorso, bordi macchiati. Ritratto dell'autore inciso in rame al frontespizio. Alcuni sfregamenti, foxing. Targa dello Château de Chazelet (Indre).

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