Null MARIE ANTOINETTE BOULLARD-DEVÉ. Ragazze vietnamite. Carboncino su carta inc…

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MARIE ANTOINETTE BOULLARD-DEVÉ. Ragazze vietnamite. Carboncino su carta incollata su legno Firmato con iniziali 43x27 cm. Ruggine e tracce di adesivo.

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MARIE ANTOINETTE BOULLARD-DEVÉ. Ragazze vietnamite. Carboncino su carta incollata su legno Firmato con iniziali 43x27 cm. Ruggine e tracce di adesivo.

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Stima 600 - 800 EUR

PERE COSP (Barcelona, 1907-2007). Wall or table lamp, 1948-1949. Rusty, perforated iron (decorated with vegetal fretwork and salamanders). Coloured paper inside. Use marks. Damaged fabric lampshade (loose from the base and frame. The lampshade is superimposed on the base and has no other support). Provenance: House in Llavaneras (Barcelona) with an interior designed entirely by Pere Cosp in 1948-1949, referenced on the website dedicated to the author, perecosp.wordpress.com, which lists the most important interior designs he made for individuals and companies. Measurements: 19,5 x 19,5 x 10 cm.(wall lamp); 26 x 31 x 15 cm.(screen). Pere Cosp was an interior designer from Barcelona. With a largely self-taught background, Pere Cosp redirected the family craft workshop towards interior design and integral decoration. The profession served him to give free rein to his creative talent, intentionally distanced from the fashions and trends of the time. Proof of the non-conformist and restless personality that defined him are the designs of his furniture, which still retain an innovative and transgressive spirit. Cosp attended the Escuela de Artes y Bellos Oficios (School of Arts and Crafts), as well as the perspective classes of Professor Arola. But more important for him was the practical part: entering the family workshop and experiencing at first hand all the trades that were carried out there: gilding, mouldings and all kinds of restoration work. He also worked with the furniture maker Alonso and the decorator Parcerises. Pere Cosp was a pioneer in the use of materials that could be called humble, such as pine wood, chipboard, raffia, etc., which he elevated to a higher level through their treatment and use. He often collaborated with other trades: in the field of metalwork, he worked with Biosca y Botey and Pere Peronella. In this line of collaborations, he produced screen feet, wall sconces, outdoor furniture for gardens, an extensive collection of knobs and handles. The decoration of these elements or the final finishing was always done in the workshop. He made combinations of great beauty: stone, marble - Terra Passani was the main supplier - mosaic, in collaboration with Bru, glass, Granell, enamel, Morató, lacquer, according to drawings by his daughter Guillermina, parchment, with which he made wonderful small tables, doors, bed headboards, etc,

Stima 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Stima 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Stima 200 - 300 EUR

Albert Hennig, Altschedewitz Case di periferia con una persona nella luce calda del giorno che sfuma, pastello e pennarello su carta intelata, firmato e datato "AHennig (19)93" in basso a sinistra, montato su cartone, dimensioni del foglio circa 19,5 x 23,3 cm. Informazioni sull'artista: pittore, fotografo e grafico tedesco. Pittore, fotografo e grafico (1907 Lipsia - 1998 Zwickau), studiò nel 1932-33 con una borsa di studio al Bauhaus di Dessau/Berlino sotto la guida di Joost Schmidt, Mies van der Rohe, Wassily Kandinsky, Paul Klee e Josef Albers, successivamente disoccupato, 1935-45 arruolato come operaio edile, dopo il 1945 membro fondatore del gruppo "Bildender Künstler" presso il Kulturbund Zwickau, dal 1952 membro del Verband Bildender Künstler (VBK) della DDR, dal 1952 al 1972 ha lavorato come operaio concreto a causa di controversie con i dogmatici funzionari culturali; nel tempo libero ha creato un significativo corpus di opere nella tradizione del Bauhaus; libero professionista dal 1972, il suo lavoro è stato sempre più riconosciuto nella DDR; ha ricevuto numerosi premi, tra cui il Premio Max Pechstein e la Croce Federale al Merito; ha lavorato a Zwickau, fonte: Vollmer, Eisold "Pittori nella DDR" e Internet.

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