Null MARIE ANTOINETTE BOULLARD-DEVÉ. Popolo vietnamita. Disegno a inchiostro su …
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MARIE ANTOINETTE BOULLARD-DEVÉ. Popolo vietnamita. Disegno a inchiostro su carta 25,5x18,5 cm. Ruggine e difetti. Incorniciato in vetro. Non è stato esaminato al di fuori del vetro.

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MARIE ANTOINETTE BOULLARD-DEVÉ. Popolo vietnamita. Disegno a inchiostro su carta 25,5x18,5 cm. Ruggine e difetti. Incorniciato in vetro. Non è stato esaminato al di fuori del vetro.

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DONALD CHADWICK (1936) & WILLIAM STUMP (1936-2006) for HERMANN MILLER. Aeron multi-adjustable office chair, 1992 design. Latest generation with leather upholstered armrests. Made of polished aluminum and recycled plastic. Made from 66% recycled material, 94% of the chair is recyclable. With Herman Miller label. Unused. In original packaging. Packaging dimensions: 107 x 69 x 69 cm. Size. B. The Aeron chair, designed by William Stump and Donald Chadwick, brings together material innovation and ergonomics in a thoroughly thought out and studied manner. It was especially known for changing people's perception of what an office chair could be, and in doing so soon found a place in popular culture. It is, consequently, a piece of furniture that seeks positivity for health, cross-performance, inclusive size and sensitivity to the environment. The result is a comfortable chair without the standard use of foam, fabric or leather. As editor Hermann Miller herself states, "While its iconic form has remained largely unchanged, the Aeron chair has been remastered from the pitchers to meet the needs of today's work. With the help of the original co-designer, Don Chadwick, the chair has been carefully updated based on the latest research around the science of ergonomics and advances in materials, manufacturing and technology." William Stump (William Eugene "Bill" Stumpf, 1936-2006) and Donald Chadwick (also known as Don Chadwick, born 1936) teamed up to create one of Herman Miller's best-known designs. In designing the Aeron chair, Chadwick and Stumpf took on a major challenge, making an office chair that truly supports the human form, and resulted in a chair without a single straight line.

JOE COLOMBO (Milan, 1930-1971) for ZANOTTA. Pair of "Birillo" stools, 1970s. Chromed metal and plastic. White vinyl seat. Designer's and manufacturer's stamp on base. In good condition. Measurements: 105 x 43 x 44 cm. The Birillo stool was designed by Joe Colombo and chosen by the acclaimed film director Ridley Scott as a space-age inspired stool on the set of Blade Runner. The combination of modern materials for the time (plastic and steel derivatives) made it a completely new model. Architect and designer Cesare Colombo, nicknamed "Joe" Colombo, was an artist, architect, furniture, product and interior designer who was central to Italian design in the 1960s. Trained at the Academy of Fine Arts and Architecture of the Polytechnic University of Milan, where he devoted himself, among other things, to painting, sculpture and drawing, skills that would serve him to develop his career as a designer by setting up his own studio in 1962. Throughout the 1960s he collaborated with major publishers such as Kartell, O-Luce and Zanotta. Many of his works are still exhibited in museums around the world and the artist is the subject of regular retrospectives, studies and exhibitions. During the 1960s, the designer worked mainly on the creation of furniture that stood out for being easily modular, flexible and practical, as is the case with these chairs, which can be transported and adapted to the needs of their user. He focused on a global design, where the elements of the furniture transcend space and architecture. In this way, Colombo moves towards a form of design that helps the user to save space and time. Some of the Italian designer's most famous works are the "Elda" armchair (1963), the "Continental Library" (1965), the "Universal" (1967) and "Tube" chairs (1969) and the "Chariot Boby" (1969). His career and achievements led him to take part in the 14th Milan Triennale, exhibiting some of his interior design proposals. In 1964 he won the gold medal at the Milan Triennale with the acrylic table lamp, which is now part of the permanent collection of the Museum of Modern Art in Philadelphia. In 1972, shortly after his death, his overall furniture project was shown in the exhibition "Italia: The New Domestic Landscape" held at MOMA in New York, realised by ELCO - FIARM, Boffi, Ideal - Standard, with the help of Sormani. In 1984, a retrospective of his work was held at the Villeneuve Museum of Modern Art. Subsequently, in 2005, the Milan Triennale hosted the retrospective Joe Colombo Inventing the Future.