Null Girocollo di perle sfumate, primo terzo del XX secolo. Oro 18 carati con vi…

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Girocollo di perle sfumate, primo terzo del XX secolo. Oro 18 carati con viste in platino, diamanti taglio rosa simili, smalto e perle coltivate di 1,5 - 4 mm di diametro. Catena di sicurezza in metallo argentato. 49 cm. 4,8 gr. Lievi perdite sullo smalto.

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Girocollo di perle sfumate, primo terzo del XX secolo. Oro 18 carati con viste in platino, diamanti taglio rosa simili, smalto e perle coltivate di 1,5 - 4 mm di diametro. Catena di sicurezza in metallo argentato. 49 cm. 4,8 gr. Lievi perdite sullo smalto.

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Stima 3 500 - 4 000 EUR

GEORGE NELSON (United States, 1908 - 1986) for HERMAN MILLER. Pair of armchairs 5681, 1960s. Steel frame. Fabric upholstery. Original condition with hardened foam. It is recommended to reupholster. Measurements: 72 x 80 x 82 cm; 40 cm (seat height). This pair of armchairs is in the midcentury design of the sixties, with a metal frame that houses soft seats and backrests. The design is fully modern but still conceived through dialogue with classic furniture. Worthy continuators of the international style. George Nelson graduated in architecture from Yale University (1928), and later studied art in Rome. He specialized in industrial, interior and exhibition design, and was, along with Charles and Ray Eames, one of the founding fathers of American modernism. While in Italy he traveled the length and breadth of Europe, meeting a number of pioneers of the modern movement, including Mies van der Rohe. In 1935 he joined the editorial staff of "Architectural Forum", a magazine of which he would first become associate editor until 1943, and then editorial advisor until 1949. During this period he worked with Frank Lloyd Wright on a special issue of the magazine, which marked Wright's return to the scene at the time. Nelson defended, sometimes fiercely, the principles of the modern movement, even irritating many of his colleagues who, as industrial designers, made, according to Nelson, too many concessions to the commercial forces of industry. The American believed that the work of a designer should serve to improve the world because, in his view, nature is already perfect, and man spoiled it by creating things that did not really follow natural rules. In 1945 Nelson began working for the firm Herman Miller, and it was then that he really began to design furniture, occupying the position of design director. That same year Nelson's first collection for the firm was published, beginning a collaboration that would result in some of the most famous furniture designs of the 20th century. Today his designs can be seen in the Vitra Museum of Design (he began collaborating with the firm in 1957) and the MoMA in New York, among many other public and private collections.

Stima 1 000 - 1 200 EUR

Dopo "LE CORBUSIER" (Svizzera, 1887 - Francia, 1965), anni 80-90. Chaise lounge LC4. Struttura in metallo e rivestimento in pelle. Presenta la rottura di uno dei ganci in pelle che collegano la struttura al rivestimento. Resti di ruggine sulla base in ferro. Misure: 90 x 55 x 160 cm. La chaise longue LC 4, presentata al Salon d'Automne du Design del 1929, è il più noto dei mobili di Le Corbusier. Si tratta di un progetto purista e radicale che ha ottenuto il plauso della critica all'epoca ed è ancora oggi un classico del design del XX secolo. Questa edizione moderna cerca di migliorare il comfort presentando un'imbottitura maggiore rispetto al design originale. Teorico dell'architettura, architetto, designer e pittore svizzero naturalizzato francese, Le Corbusier è considerato uno dei più chiari esponenti del Movimento Moderno in architettura e uno degli architetti più influenti del XX secolo. Sviluppò una nuova architettura basata su cinque punti che sarebbero stati fondamentali per lo sviluppo di questa disciplina da allora in poi: la pianta libera, la terrazza-giardino, i "pilotis", la finestra longitudinale e la facciata libera. Tra i suoi progetti architettonici più importanti figurano il Padiglione svizzero della Cité Universitaire de Paris, l'Unité d'Habitation di Marsiglia e la cappella di Notre Dame du Aut. a Ronchamp. Come designer di mobili, Le Corbusier realizzò le sue prime creazioni con Pierre Jeanneret e Charlotte Perriand, ottenendo l'impulso definitivo all'Esposizione delle Arti Decorative di Parigi del 1925. Già le sue prime sedie e poltrone erano concepite in termini di comfort e basate su studi antropometrici che garantivano una totale adattabilità al corpo. Il primo progetto che Le Corbusier realizzò, insieme a Jeanneret e Perriand, fu la sedia LC1, presentata nel 1928 e caratterizzata da uno schienale regolabile in altezza che permetteva all'utente di scegliere la postura più comoda. Continuerà a lavorare su questa linea e al Salon d'Automne du Design del 1929 presenterà la chaise longue LC4, un progetto purista e radicale che oggi è diventato un classico. Altrettanto noti sono i suoi progetti LC2, LC3 e LC5, divani a uno, due e tre posti progettati per rivoluzionare la produzione di massa di mobili moderni. Da sottolineare anche il design di sgabelli e sedie da pranzo, come la LC7, presentata al Salon d'Automne del 1929 o la LC8. Le Corbusier, Jeanneret e Perriand cercarono di progettare mobili per tutti gli ambienti della casa, e così crearono pezzi come l'LC9, uno sgabello per il bagno, molto semplice, con seduta in tessuto. Le Corbusier creò anche altri tipi di mobili, come tavoli e scaffali. I suoi progetti sono attualmente curati dall'azienda italiana Cassina e sono presenti in importanti collezioni come il MoMA di New York o il Victoria & Albert di Londra.

Stima 300 - 400 EUR

NICOLAS MORIN (1959). Blown glass vase, 1997. Signed and dated on the base. Measurements: 14 x 16 x 16 cm. Nicolas Morin began working with glass in the family workshop in 1973. He traveled to Holland and Scandinavia in 1980, 81 and 82, where he had numerous contacts with glass artists (Wilhem Heessen, Sybren Valkema, Asa Brandt, Ulla Forsell, Ann Wolf, Wilke Adolfson, Monika Guggisberg and Philipp Baldwin, etc). He participated in the first International Symposium of Glass in France, in Sars Poteries, in 1982. He graduated from the School of Architecture of Marseille Luminy in 1984. He participated in the symposium "Art Verre Vin" in Saint Emilion 1984. He traveled to the United States in 1986. Exhibited at the "West Springfield Craft Fair". Collaborated with William Morris and Dale Chihuly in 1986. Held his first solo exhibition in Paris in 1987. He traveled to Scandinavia in 1992, where he visited in particular Finn Lingaard and Mikko Merikallio and Estonia to meet Vivii Ann Kerdo and Kaï Koppel, the first independent workshop in Eastern Europe. Participated in the International Symposium of blown glass in L'viv (UKR-1992) discovery of the Slavic part of the world of glass with the help of Catherine Sintès - Creation of a new line of sculptures with Catherine Sintès. Participated in the International Glassblowing Symposium of L'viv (UKR-1995). Participated in the Glass Symposium in Haapsalu (EST) in 2003, meetings with glass artists from the Baltic countries and the International Symposium of blown glass in L'viv (UKR-2004). He traveled to Japan with the presentation of Yoko Kuramoto and Makoto Ito in February 2005. He participated in the International Festival of Glass Stourbridge (UK, summer 2008).

Stima 2 500 - 2 800 EUR

"LE CORBUSIER"; CHARLES ÉDOUARD JEANNERET-GRIS (Switzerland, 1887 - France, 1965). LC1 chair. Chrome-plated metal structure and ponyhide upholstery. It shows marks of use and the passage of time. Measurements: 64 x 59 x 64 cm. The first design created by Le Corbusier, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a very simple stool for the bathroom, with a fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently published by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London. Architectural theorist, architect, designer and painter Swiss, naturalized French, Le Corbusier is considered one of the clearest exponents of the Modern Movement in architecture, and one of the most influential architects of the twentieth century. He developed a new architecture based on five points that would be key to the development of this discipline from then on: the free plan, the garden-terrace, the "pilotis", the longitudinal window and the free facade. Among his most outstanding architectural projects are the Swiss Pavilion of the Cité Universitaire de Paris, the Unité d'Habitation in Marseille and the chapel of Notre Dame du Aut. in Ronchamp. As a furniture designer, Le Corbusier made his first creations with Pierre Jeanneret and Charlotte Perriand, obtaining the definitive impulse in the Paris Decorative Arts Exhibition of 1925. Already his first chairs and armchairs were conceived in terms of comfort, and based on anthropometric studies that guarantee a total adaptability to the body. The first design that Le Corbusier created, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928 and characterized by a height-adjustable backrest that allowed the user to choose the most comfortable posture. He would continue to work along these lines, and at the 1929 Salon d'Automne du Design he presented his LC4 chaise longue, a purist and radical design that has become a classic today. Equally well known are his LC2, LC3 and LC5 designs, one-, two- and three-seater sofas designed to revolutionize the mass production of modern furniture. We must also highlight the design of stools and dining chairs, such as the LC7, presented at the 1929 Salon d'Automne or the LC8. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a stool for the bathroom, very simple, with fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently edited by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London.

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