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[ROME] SANDRART, Joachim von (1606-1688). Des alten und neuen Roms grosser Schau-Platz [..]. erstes Buch. Nuremberg: Froberg, 1680-1685. Volume containing two works richly illustrated by Sandrart, with over 140 engraved plates in total. The first work is in its original German, with views and plans of ancient and modern buildings in and around Rome, including Palazzo Farnese in Caprarola with its characteristic pentagonal plan, while the second is devoted to the sculpture collections of the nobility and the Church in Rome. 2 works in one volume, folio, (370 x 244mm). Double-page engraved title-page preceding typographical title-page, engraved vignette on page 16, 71 plates of which several are double-page (some light wear). [BOUND WITH:] Sculpturae veteris admiranda. Nuremberg; Frankfurt: Froberg; Endtern, 1680. Portrait engraved by Collin and dated 1679, engraved vignette to title-page, 70 engraved plates including some doubles, engraved and woodcut initials (pronounced browning to last leaves of text, light wear). Contemporary full calf binding with title on spine labels (some wear, corners restored). Provenance: 20th-century ex-libris 'E.W.' applied to endpapers. (1)

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[ROME] SANDRART, Joachim von (1606-1688). Des alten und neuen Roms grosser Schau-Platz [..]. erstes Buch. Nuremberg: Froberg, 1680-1685. Volume containing two works richly illustrated by Sandrart, with over 140 engraved plates in total. The first work is in its original German, with views and plans of ancient and modern buildings in and around Rome, including Palazzo Farnese in Caprarola with its characteristic pentagonal plan, while the second is devoted to the sculpture collections of the nobility and the Church in Rome. 2 works in one volume, folio, (370 x 244mm). Double-page engraved title-page preceding typographical title-page, engraved vignette on page 16, 71 plates of which several are double-page (some light wear). [BOUND WITH:] Sculpturae veteris admiranda. Nuremberg; Frankfurt: Froberg; Endtern, 1680. Portrait engraved by Collin and dated 1679, engraved vignette to title-page, 70 engraved plates including some doubles, engraved and woodcut initials (pronounced browning to last leaves of text, light wear). Contemporary full calf binding with title on spine labels (some wear, corners restored). Provenance: 20th-century ex-libris 'E.W.' applied to endpapers. (1)

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H. ROBERT (1733-1808), Views of Rome, around 1765, Etching Hubert Robert (1733 Parigi - 1808 ibid.): Les Soirées de Rome Dédiées a Mde le Comte, des Académies de S Luc de Rome, des Sciences et Arts de Bologne, Florence & c | Suite de Dix Planches dessinées et gravées par Mr Robert, Pensionaire du Roi de France à Rome, 1765 ca. Tecnica: Acquaforte su carta Iscrizione: iscritto nella lastra di stampa: "H. Robert". Informazioni generali: Auf dem Titelblatt im Druck bezeichnet: "Les Soirées de Rome Dédiées a Mde. le Comte, des Académies de S Luc de Rome, des Sciences et Arts de Bologne, Florence & c | Suite de Dix Planches dessinées et gravées par Mr. Robert, Pensionaire du Roi de France à Rome". Data: c. 1765 Descrizione: Serie di nove (di dieci originariamente) acqueforti, 9 vedute di Roma con frontespizio. Oltre alle vedute di celebri monumenti romani, come la Piramide Cestia o il Tempio di Ercole Vincitore (tempio rotondo presso il Foro Boario), sono raffigurate anche scene tipiche della vita quotidiana della gente comune. Fonte: Hubert Robert (1733 Parigi-1808 Parigi) Les Soirées de Rome Dédiées a Mde. le Comte, des Académies de S Luc de Rome, des Sciences et Arts de Bologne, Florence & c | Suite de Dix Planches dessinées et gravées par Mr. Robert, Pensionaire du Roi de France à Rome., um 1765 | suite di stampe, Paesaggio Parole chiave: Francia, Parigi, Roma, Italia, Anike, rovine, vita quotidiana, stampa, serie, XVIII secolo, Classicismo, Paesaggio, Italia, Dimensioni: Carta: 14,5 cm x 10,0 cm (5,7 x 3,9 in)