Null Coppia di sedie Capitol Complex di Cassina 
 Come la famosa sedia da uffici…
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Coppia di sedie Capitol Complex di Cassina Come la famosa sedia da ufficio, anche questa sedia senza braccioli utilizza il caratteristico design a "V" delle barre laterali. In questo caso, però, le barre sono più corte e non si estendono ai braccioli. Viene invece enfatizzata la sequenza di sedile e schienale intrecciati in canna viennese, che si collegano con un'ampia sezione geometrica sostenuta da due profili in legno. Le gambe, allineate sullo stesso piano, sono semplici ma allo stesso tempo imponenti. Uno degli elementi più iconici del Capitol Complex nella città indiana di Chandigarh è la poltrona in legno, un omaggio a Pierre Jeanneret. Questa poltrona si distingue per la sua costruzione unica in rovere massiccio tinto di nero, con una seduta in canna viennese intrecciata. In segno di rispetto verso il suo creatore, Cassina ne ha ripreso la produzione oggi. Misure: 81 x 45 x 57 cm

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Coppia di sedie Capitol Complex di Cassina Come la famosa sedia da ufficio, anche questa sedia senza braccioli utilizza il caratteristico design a "V" delle barre laterali. In questo caso, però, le barre sono più corte e non si estendono ai braccioli. Viene invece enfatizzata la sequenza di sedile e schienale intrecciati in canna viennese, che si collegano con un'ampia sezione geometrica sostenuta da due profili in legno. Le gambe, allineate sullo stesso piano, sono semplici ma allo stesso tempo imponenti. Uno degli elementi più iconici del Capitol Complex nella città indiana di Chandigarh è la poltrona in legno, un omaggio a Pierre Jeanneret. Questa poltrona si distingue per la sua costruzione unica in rovere massiccio tinto di nero, con una seduta in canna viennese intrecciata. In segno di rispetto verso il suo creatore, Cassina ne ha ripreso la produzione oggi. Misure: 81 x 45 x 57 cm

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Pair of JACOB & JOSEF KOHN rockers. Austria, second half of the 19th century. Walnut wood. With marks of use. Active xylophages. With remains of labels. Measurements: 105 x 55 x 92 cm. The legs and armrests of this pair of rocking chairs are made up of a single curved structure of organic inspiration. The backrests, for their part, are based on a play of straight and openwork shapes. They were manufactured by the company J & J Kohn, founded by Jacob Kohn (1791-1868) and his son Josef (1814-1884) in 1867 in Wsetin (Moravia), in the territory of the Austro-Hungarian Empire. Kohn challenged the privilege of exclusive production of bent furniture held by Thonet, its creator, since 1856; a privilege which, in view of a negative ruling by the authorities, Thonet did not attempt to renew. Kohn soon became a strong competitor in the bent beech wood sector, in which it is a historical benchmark alongside the Thonet brothers. The company's early prominence was demonstrated by its highly acclaimed participation in the Vienna World Exhibition in 1873. From then on, Jacob &Josef Kohn exhibited at the expositions in Philadelphia (1876), Paris (1878, silver medal), Barcelona (1888), Glasgow (1901), Turin (1902), St. Louis (1904), Milan, London and Bucharest (1906) and Buenos Aires and Munich (1910). She was also awarded the Grand Prix at the Universal Exhibition in Paris in 1900. Kohn teamed up with renowned architects and designers of the day, with Otto Wagner, Josef Hoffmann, Koloman Moser and Hans Prutscher producing designs for her. After an initial phase dedicated to the production of curved chairs in the Thonet line, the company developed, during the eighties, an extensive historicist production. With the turn of the century came the stylistic evolution, focusing since then on the new trends in the decorative arts. In this sense, the chair that Adolf Loos (1870-1933) designed for Kohn in 1899, destined for the Café Museum in Vienna, stands out as the main reference point. Today, works by Jacob & Josef Kohn can be found in museums and institutions all over the world, such as the Museum of Modern Art in New York and the Orsay Museum in Paris.

CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. Set of six office chairs, model EA-108. Desiged in 1958. Original black leather upholstery, backside with hopak, polished aluminium base and armrests, base with swivel function. With Vitra marks. With normal signs of wear. Measurements: 82 x 58 x 58; 47 cm (seat height). Currently considered a classic of 20th century design, the Aluminum Chair by Charles and Ray Eames was created in 1958, and has been manufactured continuously since then until today. It was born for a private house in Columbus, United States, built by architects Saarinen and Girard. In the Aluminum Chair, the Eames adapted the shape of the seat to the structure of the chair itself by tensioning the fabric or leather between the two parts of the structure, thus leaving it rigid, but maintaining its elasticity. This elastic shape allows it to easily adapt to the contours of the body, gradually, thus increasing the comfort of the seat. The Such enthusiastic design was perfectly received by both critics and the public, giving way to a complete range of models for the Eames Aluminum Group: the Aluminum Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the EA models 105, 107 and 108 (they are used more in meeting rooms), the Aluminum Chairs EA 115, 116 and EA 124, 125 form two groups of seats and the versions EA 117, 118 and 119 are the work chairs of this family of products. The seat tilt mechanism can be adjusted to the user's weight, offering optimal comfort. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine arts and cinema, and are responsible for numerous designs that have become classics of the 20th century. They were pioneers in the use of new techniques and materials such as fiberglass or plastic resin for the manufacture of chairs, and their creations can be seen in the Design Museum in London and the MoMA in New York, among many others.