Null Coppia di lampade da tavolo in vetro opalino di Murano.
Italia, anni '70 …

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Coppia di lampade da tavolo in vetro opalino di Murano. Italia, anni '70 Misure 31 cm di altezza

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Coppia di lampade da tavolo in vetro opalino di Murano. Italia, anni '70 Misure 31 cm di altezza

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Stima 800 - 1 000 EUR

Table lamp; Fase President model by GEI (Gabinete de Estudios Industriales), 1960s. Metal and wood. Electrified. In working order. In good condition. With signature on the base. Measurements: 44 x 60 x 30 cm. Spanish lighting manufacturer Fase was founded in Madrid in 1964 by industrial designer Pedro Martín. Martín sold his self-produced lamps first in markets, before successfully establishing a factory in Torrejón de Ardoz, on the outskirts of Madrid. In the 1970s, Fase was a major player in the Spanish manufacturing industry, contributing to an economy struggling with oil crises and a difficult transition to democracy. Fase sold lighting for more than three decades to 32 different countries, with its largest markets being the United Kingdom, France, Italy, Germany, United Arab Emirates, Japan, Canada and the United States. Despite Fase's commercial success, information about the company and its history is scarce and sources often contradictory. Early Fase designs are considered modern, with original combinations of metals such as chrome and steel, with marble and wood, in a range of bright colors. Often, the fixtures could also be moved thanks to a sophisticated swivel system devised by early Fase designers, which soon became a trademark along with their glass diffusers. Important Fase designs include Boomerang 64, Boomerang 2000, 520, Faro and President, all of which are believed to have been designed in the 1960s. Beginning in the 1970s, Fase introduced modern Italian and Bauhaus-inspired designs to a Spanish public that, emerging from the Franco period, was unfamiliar with the most iconic styles of the 20th century. In addition to combining traditional materials such as wood with a modernist aesthetic, Fase created many lamps in a thoroughly modernist style. Lamps from this period include the Tharsis and the Babylon, both in chrome but with single and double lamps respectively, as well as the Harpoon and the stainless steel Impala (all from the 1970s). Fase's lighting designers and workers remain largely anonymous, resulting in many lamps being falsely advertised as being produced by the Spanish manufacturer, giving rise to a whole genre of "Fase-type" lighting, which can be seen in lamps produced by Madrid-based lighting manufacturers Lupela, GEI (Gabinete Estudios Industriales) and Ma-Of. Authentic Fase lamps can be identified by the company name or logo, usually found on the lamp base or socket. In the 1980s, Fase began manufacturing halogen lamps. Although these lamps were very popular and novel at the time, the break with tradition was unsuccessful and ultimately contributed to the company's demise.

Stima 300 - 400 EUR

NICOLAS MORIN (1959). Blown glass vase, 1997. Signed and dated on the base. Measurements: 14 x 16 x 16 cm. Nicolas Morin began working with glass in the family workshop in 1973. He traveled to Holland and Scandinavia in 1980, 81 and 82, where he had numerous contacts with glass artists (Wilhem Heessen, Sybren Valkema, Asa Brandt, Ulla Forsell, Ann Wolf, Wilke Adolfson, Monika Guggisberg and Philipp Baldwin, etc). He participated in the first International Symposium of Glass in France, in Sars Poteries, in 1982. He graduated from the School of Architecture of Marseille Luminy in 1984. He participated in the symposium "Art Verre Vin" in Saint Emilion 1984. He traveled to the United States in 1986. Exhibited at the "West Springfield Craft Fair". Collaborated with William Morris and Dale Chihuly in 1986. Held his first solo exhibition in Paris in 1987. He traveled to Scandinavia in 1992, where he visited in particular Finn Lingaard and Mikko Merikallio and Estonia to meet Vivii Ann Kerdo and Kaï Koppel, the first independent workshop in Eastern Europe. Participated in the International Symposium of blown glass in L'viv (UKR-1992) discovery of the Slavic part of the world of glass with the help of Catherine Sintès - Creation of a new line of sculptures with Catherine Sintès. Participated in the International Glassblowing Symposium of L'viv (UKR-1995). Participated in the Glass Symposium in Haapsalu (EST) in 2003, meetings with glass artists from the Baltic countries and the International Symposium of blown glass in L'viv (UKR-2004). He traveled to Japan with the presentation of Yoko Kuramoto and Makoto Ito in February 2005. He participated in the International Festival of Glass Stourbridge (UK, summer 2008).

Stima 900 - 1 200 EUR

RENATO TOSO (Murano, 1940) for Leucos. Pendant lamp "Melania", 1968. Glass, black outside, white inside. Measurements: 20 cm. x 65 cm. x 65 cm. x 65 cm. This Melaina ceiling lamp was designed by Renato Toso and produced by Leucos in 1968. It has a thick conical glass shade, with a glossy black exterior, white interior and a transparent border around the end. This combination of colors gives a special, screened illumination. It is possible to adjust the angle of the lamp with the steel rod. Italian designer and architect Renato Toso is known for his mid-century modern Murano glass pendant lights and sconces. His designs have a retro chic appeal characterized by soft curves and a natural elegance. He founded the design firm Toso, Massari & Associates, with his wife, designer Giovanna Noti Massari. He was born in 1940 in Murano, Italy. Murano is a Venetian island with a long glassmaking tradition. Both Toso and Massari studied architecture in Venice and founded Toso, Massari & Associati in 1966. The studio has designed collections for the historic lighting manufacturer Vistosi, one of Murano's most prominent glassmakers. The studio has won first place in several design competitions and exhibitions, including the Venice Biennale, the XII Milan Triennale and the Trieste National Design Competition. Its work has been exhibited at the Louvre in Paris, the Museum of Modern Art in New York and the Palazzo Grassi in Venice.

Stima 800 - 900 EUR

Side table in 20th century brutalist style. Wooden base and glass top. Slight damage to the wooden base. Measurements: 46 x 76 x 76 cm. The strong geometric shapes of this table harmonise with the simplicity of the style and fit in with the brutalist trend, based on the adaptation of the original raw concept and idea, adapting them to all spaces in a subtle and elegant way.

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