Null CHANEL.

Borsa a tracolla vintage, anni 2006-2008.

Pelle di agnello della…

Descrizione

CHANEL. Borsa a tracolla vintage, anni 2006-2008. Pelle di agnello della Mongolia di colore nero. Fronte con logo Chanel metallico. Chiusura a zip. Manico superiore per la borsa a tracolla in pelle e catena. Interno foderato in tessuto. Con sacchetto antipolvere. Lievi segni di usura. Misure: 14 x 29 x 18 cm.

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CHANEL. Borsa a tracolla vintage, anni 2006-2008. Pelle di agnello della Mongolia di colore nero. Fronte con logo Chanel metallico. Chiusura a zip. Manico superiore per la borsa a tracolla in pelle e catena. Interno foderato in tessuto. Con sacchetto antipolvere. Lievi segni di usura. Misure: 14 x 29 x 18 cm.

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Stima 1 800 - 2 000 EUR

OLE WANSCHER (Denmark, 1903-1985) for FRANCE & SON. A pair of “Senator” armchairs. Solid teak frame. Original loose brown leather cushions. Made in France & Son, with label from here. In good vintage condition. Measurements: 79 x 68 x 74 cm. Seat height 43 cm. Considered integral to the core aesthetics and functionality of Danish design, Ole Wanscher studied alongside Kaare Klint at the Royal Danish Academy of Fine Arts. He subsequently worked at Klint's design studio before becoming an independent furniture designer. In 1958, the Danish newspaper Politiken wrote: “Owning a Wanscher chair is an adventure every day, and it will continue to be so, even if hundreds of years pass, for this is how long it lasts.” Today, his modern classics are still revered. for its details and deep respect for materials. While traveling through Egypt and Europe, Wanscher studied furniture design, finding inspiration in various visual expressions that he incorporated into his own unique design aesthetic. He saw furniture design as a branch of architecture and emphasized slender dimensions and sturdy forms, a pursuit exemplified in many of his works, particularly the Colonial Chair and the Colonial Sofa. Wanscher created his best-known designs primarily between the late 1940s and early 1960s, in the post-war era, when the philosophy of "design for all" emerged. In Denmark, some of the biggest names in design created functional and affordable furniture for Danes and the small spaces in which they lived. Wanscher was very interested in industrially produced but high-quality furniture, designing several successful pieces. Wanscher's design earned him numerous accolades, including the Annual Prize of the Copenhagen Carpenters' Guild and the gold medal at the Milan Triennale in 1960, honors that underlined Wanscher's esteemed reputation both in Denmark and internationally. France & Søn - and its predecessor, France & Daverkosen - are among the most sought-after names on the vintage market today. Many of the pieces that still circulate retain their original labels. Its productions were designed by the most important Danish designers of the mid-century, such as Hvidt & Mølgaard, Grete Jalk, Finn Juhl, Arne Vodder and Ole Wanscher.

Stima 3 500 - 4 000 EUR

PREBEN FABRICIUS (Denmark, 1931 - 1984) for ARNOLD EXCLUSIV. Two-seated sofa, model 710. Cromed steel frame, loose cushions with dark brown leather upholstery. Armrests with leather details. Canvas underclothing. Designed in 1972. Manufactured at Arnold Exclusiv, with makers labels. In good vintage condition with traces from use. Measurements: 76 x 141 x 78 cm. 40 cm. (seat height) As a genuine classic, Fabricius tells the story of furniture. The "Conversation chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and the supporting structure frame the sliding seat. The result is lightness and simplicity. Whether as a soloist or as an ensemble, it was made for lounges, foyers and living rooms. Preben Juul Fabricius was trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design under Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who later became his long-term partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia Furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly afterwards, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. The two designers worked together between 1961 and 1968, a period of seven years in which they produced numerous designs that are now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 and the Scimitar. During this period, their furniture also formed part of important international exhibitions, held in such prominent centres as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

Stima 4 000 - 5 000 EUR

PREBEN FABRICIUS (Denmark, 1931 - 1984) for ARNOLD EXCLUSIV. Three-seated sofa, model 710. Designed in 1972. Cromed steel frame, loose cushions with dark brown leather upholstery. Armrests with leather details. Canvas underclothing. Manufactured at Arnold Exclusiv, with makers labels. In good vintage condition with traces from use. Measurements: 76 x 210 x 78 cm. 40 cm. (seat height). As a genuine classic, Fabricius tells the story of furniture. The "Conversation chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and the supporting structure frame the sliding seat. The result is lightness and simplicity. Whether as a soloist or as an ensemble, it was made for lounges, foyers and living rooms. Preben Juul Fabricius was trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design under Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who later became his long-term partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia Furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly afterwards, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. The two designers worked together between 1961 and 1968, a period of seven years in which they produced numerous designs that are now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 and the Scimitar. During this period, their furniture also formed part of important international exhibitions, held in such prominent centres as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

Stima 3 000 - 3 200 EUR

ARNE JACOBSEN (Denmark, 1902 - 1971) for FRITZ HANSEN. Swan chair. Black leather. Swivel central column with square aluminum base. Produced by Fritz Hansen, 2008, with label. Leather in good considering its age and the passage of time, base with few marks. Measurements: 78 x 75 x 65 cm. 41 cm. (seat height) The Swan chair was designed in 1958 by Arne Jacobsen for the Radisson SAS Royal hotel in Copenhagen, and was edited by the Danish firm Fritz Hansen. It soon became a symbol of modern design. Among the rest of Arne Jacobsen's designs for the SAS Royal are the "Egg Chair", "Swan Chair", "Swan Sofa", "Series 3300" and "Drop Chair", furniture with which Jacobsen has written the history of Danish design around the world. Architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction and then entered the Faculty of Architecture at the Royal Academy of Fine Arts. Among his most outstanding architectural works are St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in the same city, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also called "Chair number 7", of which more than five million copies were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the movie "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and today we can find them in collections such as those of the Victoria & Albert Museum in London or the MoMA in New York, among many others. The Danish firm Fritz Hansen, founded in 1872, manufactures original, unique, functional and innovative contemporary design furniture. It manufactures its products in its facilities in the north of Copenhagen, making each piece in close cooperation with designers and architects of international prestige. Its collection includes the Egg Chair and Swan chair, the Series 7 chair, the Ant chair and the Oxford chair by designer Arne Jacobsen, as well as tables and armchairs designed by Danish designers Piet Hein and Poul Kjaerholm.

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