Null Civilians digging through debris for survivors after an Israeli air strike.…

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Civilians digging through debris for survivors after an Israeli air strike. Beirut signed and dated in pen on the verso Largh. 120 - Alt. 80 cm stampa ai pigmenti su carta 100% cotone

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Civilians digging through debris for survivors after an Israeli air strike. Beirut signed and dated in pen on the verso Largh. 120 - Alt. 80 cm stampa ai pigmenti su carta 100% cotone

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Stima 500 - 750 EUR

Tecnica: olio su tela, incorniciato, Firma: in basso a destra "J.W" e data "1876", Dimensioni: 24,5 x 39,5 cm, cornice 42 x 57 cm, Condizioni: buone, screpolate

Stima 1 200 - 1 500 EUR

This classic Thai Theravada Buddhist text recounts the experiences of the Sinhalese monk, Malai, on his journey to hell and to heaven. In the form of a poem, it serves as a moralising tale in which the consequences of one’s deeds in this life impact on one’s fate in the next. The story is one of the most popular subjects of 19th-century illuminated Thai manuscripts. In 19th-century Thailand, it became a very popular chanting text for weddings and funerals. The legend describes Phra Malai’s visits to heaven and hell by the powers he achieved through meditation and great merits. Afterwards he teaches the laity and fellow monks about the karmic effects of human actions, which he learned about when meeting Buddha Maitreya in heaven. It was through these narratives that the Buddha’s message of hope for a better rebirth and for attaining nirvana was conveyed. Phra Malai manuscripts were frequently produced and donated to Buddhist monasteries asacts of merit. By the mid-19th century the representation of celestial androyal figures in Thai painting was entirely stylised complete with its own iconography. However, the corruptible individual, still motivated by his/her own desires, such as the two adulterers located in an earthly landscape were depicted in a naturalistic manner that demonstrates an awareness of European pictorial devices.

Stima 300 - 500 EUR

Glass tondo reproducing one of the frescoes painted in 1503 by Luca Signorelli for the Chapel of San Brizio in Orvieto Cathedral. It depicts an episode from Canto X of Purgatory in which Dante and Virgil encounter the prideful forced to walk carrying boulders on their backs before a background of historiated scenes sculpted into the side of the mountain, exalting the virtue of humility and showing Mary, David, and Trajan as examples. Painted glass, (diameter 230 mm). Good condition. (1)

Stima 400 - 800 EUR

Bronzo con base in marmo. La figura è leggermente staccata dalla base. 30,5 x 60 x 17 cm.

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