Null Yuri Chechi photographer's stamp and label on the verso immagine cm 24x23,5…

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Yuri Chechi photographer's stamp and label on the verso immagine cm 24x23,5 foglio cm 30,5x24 stampa alla gelatina ai sali d’argento La fotografia presenta lievi segni di colore nel bordo inferiore bianco.

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Yuri Chechi photographer's stamp and label on the verso immagine cm 24x23,5 foglio cm 30,5x24 stampa alla gelatina ai sali d’argento La fotografia presenta lievi segni di colore nel bordo inferiore bianco.

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Stima 400 - 500 EUR

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Stima 5 000 - 6 000 EUR

Folio. mm. 385 x 235, Full leather binding, title on label. Engraved Frontispiece signed Georg David Nessenthaler after C.P. Heineken, Pages [4, including Titlepage], 32. 105 figure on 95 consecutively numbered plates (many folded). On the Frontispiece Exlibris manuscript by Frid Leopold Gagg de Levenborg and label on the reverse. Slight marginal foxing, some tears and restoration, but generally good specimen. Splendid first edition of this baroque worck richly illustrated on practical perspective. Descargues: “This is one of the most beautiful comprehensive ‘monumental’ treatises written in the eighteenth century”. Kemp identifies Heineken’s text as one commonly used by 18th-century artists to master the technicalities of perspectival representation (The Science of Art, p. 227), and indeed, Heineken addresses his work on the “beautiful Science” to “amateurs and beginners.” The Lucidum Prospectivae Speculum consists of a striking series of richly Baroque views, many of church interiors. In addition to ornate capitals, altars and tombs, etc., Heineken includes a remarkable group of trompe l’oeil ceilings observed from different vantage points. He also discusses at length the falling of shadows outside and within enclosed spaces, and the effect of candlelight by day as well as night. Polyhedrons and the reflections in water complete the volume. The majority of the non-geometrical plates include at least one human figure to provide a sense of scale. A concise preface explicates the images. Heineken (1680-1740) was an artist in Lübeck. This, his only publication, received a second edition in 1753. OCLC lists a single copy, Princeton. We have also located a copy at HAB-Wolffenbüttel.

Stima 2 300 - 2 500 EUR

PIATTI, Sante. Presentation of Jesus in the Temple. Studies of figures. Drawing. 1687-1747 c. Sheet of mm. 196x280. On the front the Presentation, brush with black ink and sepia ink. On the verso 4 studies figures, brush with sepia ink. Giuseppe Vallardi collection stamp, lower left. Some losses along the magins. Good conditions. Great scene with many characters, in the center the Holy Family with the Madonna and St. Joseph kneeling, above two small angels: some secondary figures, two on the door on the right, a child running to the left foreground and a dog on the opposite side, give the design depth, liveliness and movement. On the back four quick studies of characters in ancient garments. Sante Piatti, a pupil of Diamantini, worked almost exclusively in Venice, where he enjoyed considerable fame. Works by him are present at the Scuola dei Carmini, in the churches of Santo Stefano, San Moisè, San Nicolò dei Frari, and at the Correr Museum.

Stima 4 000 - 4 500 EUR

CASOLANI, Alessandro. Coronation of the Virgin with Angels and Cherubs. 1552 - 1607 Watercolor drawing on paper. 444x325 mm. Black pen and monochrome watercolor on hazelnut tones. reinforced. Good conditions. Grand and complex representation, with the Holy Trinity crowning the Virgin, venerated by two kneeling cherubs. In the foreground, on the sides, two musical angels with lute and harp. The central scene is framed by a crowd of angels and cherubs emerging from the clouds. The Sienese painter, influenced by Barocci and Veronese, was an eminent representative of the mannerism of the late sixteenth century.

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