Null Gruppo di lampade da esterno in ferro in stile gotico, probabilmente tedesc…

Descrizione

Gruppo di lampade da esterno in ferro in stile gotico, probabilmente tedesco, 1900 ca. Ferro battuto. Un lampadario a due bracci con paralumi in vetro giallo con decorazione a reticolo. Due esemplari lavorati en suite come applique a un braccio. Un set di cinque lanterne rivestite in pelle di animale. Ciascuna con sigla "ABA" applicata. Altezza 90 - 100 cm. Condizioni: II -

8645

Gruppo di lampade da esterno in ferro in stile gotico, probabilmente tedesco, 1900 ca. Ferro battuto. Un lampadario a due bracci con paralumi in vetro giallo con decorazione a reticolo. Due esemplari lavorati en suite come applique a un braccio. Un set di cinque lanterne rivestite in pelle di animale. Ciascuna con sigla "ABA" applicata. Altezza 90 - 100 cm. Condizioni: II -

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REY PAVON SET DI OTTO BICCHIERI IN PELLE NUOVO E INUSATO, bicchieri da shot custoditi in supporti di pelle.

Base d'asta 350 EUR

Gessner, RichardSammlung von 7 OLithographien. 20. Jh. Je (Farb)Lithographie auf Velin oder Maschinenbütten. Maße von 36,5 x 52,5 cm (46 x 62 cm) bis 45 x 58,5 xm (52,5 x 67 cm). Je signiert, nummeriert u. tls. lokalisiert "Düsseldorf", meist von fremder Hand in Bleistift bezeichnet. 1 Arbeit in Punkten unter Passepartout montiert. Geologie - Bergbau u. Hüttenwesen Gessner, Richard Sammlung von 7 OLithographien. 20. Jh. Je (Farb)Lithographie auf Velin oder Maschinenbütten. Maße von 36,5 x 52,5 cm (46 x 62 cm) bis 45 x 58,5 xm (52,5 x 67 cm). Je signiert, nummeriert u. tls. lokalisiert "Düsseldorf", meist von fremder Hand in Bleistift bezeichnet. 1 Arbeit in Punkten unter Passepartout montiert. Nummerierte Exemplare, je eines von 50, 60 o. 100 Exemplaren. - Gezeigt werden versch. Hüttenwerke wie Krupp Mannesmann, die Zeche Shamrock in Herne, ein Hochofen sowie eine Ansicht des Thyssen Hüttenwerks (Bruckhausen?). - 2 Bll. im Rand mit vereinzelten blassbraunen Fleckchen, tls. im weißen Rand mit kl. Einrissen sowie etw. knickspurig. Insgesamt sehr gut erhaltene, kreidig anmutende original-Lithographien. Geology - Mining and metallurgy - Collection of 7 orig. lithographs. Each on wove or laid paper. Each signed, numbered a. partly localised, mostly inscribed by another hand in pencil. 1 work mounted in dots under mat. - Numbered, one each of 50, 60 or 100 copies. - Depicted are various iron works such as Krupp Mannesmann, the Shamrock colliery in Herne, a blast furnace and a view of the Thyssen iron and steel works (Bruckhausen?). - 2 pp. with few pale brown spots in margins, some small tears in white margins and some creases. Overall very well preserved, chalky original lithographs.

Base d'asta 200 EUR

Sydow, HansLandschaft mit Banteng-Rindern. 1960. Aquarell auf Papier. 23,5 x 32 cm. Signiert u. dat. Unter Glas gerahmt (ungeöffnet). Zoologica Specifica Sydow, Hans Landschaft mit Banteng-Rindern. 1960. Aquarell auf Papier. 23,5 x 32 cm. Signiert u. dat. Unter Glas gerahmt (ungeöffnet). Stimmungsvolle Darstellung einer Gruppe von Banteng Rindern im Berliner Zoo des Tiermalers Sydow. - Verso mit dat. Widmung. - Insgesamt ausgewogene Komposition in zarter, naturnaher Farbgebung, sehr gut erhalten. - Dabei: K.A. Nitsche. 5 OZeichnungen mit Tierdarstellungen. Aquarell auf Papier. Je ca. 32 x 24 cm. Überwiegend signiert bzw. monogr. u. dat., tls. mit Bezeichnung. Zoologica Specifica - Landscape with Banteng cattle. 1960. Watercolour on paper. Signed a. dated. Framed under glass (unopened). - Well-balanced composition in delicate, nature-orientated colours, very well preserved. - Atmospheric depiction of a group of Banteng cattle in the Berlin Zoo by the animal painter Sydow. - Added: as listed above. Verso with dated dedication.

Base d'asta 1000 EUR

Leibniz, Gottfried WilhelmPrincipia Philosophiae (i.e. Monadologie). In: Actorum Eruditorum ... Supplementa Tomus VII. Leipzig, Breitkopf, 1721. S. 500-514. (Und:) Des Herrn Gottfried Wilhelm von Leibnitz Lehrsätze über die Monadologie &c. In: Acta Eruditorum anno MDCCXXI, S. 94/95 (Christian Wolffs Rezension). Zus. mit einem weiteren Jg. (1720) u. einem weiteren Supplement (VI, 1721) in 2 Bänden. 8°. Pgt. d. Zt. mit span. Kanten, 1 Bd. mit Farbschnitt u. goldgepr. RTitel (etw. berieben, tls. fleckig). Philosophie Leibniz, Gottfried Wilhelm Principia Philosophiae (i.e. Monadologie). In: Actorum Eruditorum ... Supplementa Tomus VII. Leipzig, Breitkopf, 1721. S. 500-514. (Und:) Des Herrn Gottfried Wilhelm von Leibnitz Lehrsätze über die Monadologie &c. In: Acta Eruditorum anno MDCCXXI, S. 94/95 (Christian Wolffs Rezension). Zus. mit einem weiteren Jg. (1720) u. einem weiteren Supplement (VI, 1721) in 2 Bänden. 8°. Pgt. d. Zt. mit span. Kanten, 1 Bd. mit Farbschnitt u. goldgepr. RTitel (etw. berieben, tls. fleckig). Erste lateinische Ausgabe des Hauptwerkes der Leibniz'schen Philosophie in der Übersetzung Christian Wolffs, die für die Verbreitung von Leibniz' Philosophie von großer Bedeutung war, da der ursprüngliche, auf Französisch und nur für einen kleinen Kreis von Gelehrten verfasste Text nicht vor 1840 im Druck erschien. Eine nur in sehr geringer Auflage gedruckte und dementsprechend seltene deutsche Übersetzung von Hermann Köhler aus dem Jahr 1720 kursierte praktisch nur unter der Hand. Hier zusammen mit Wolffs anonym erschienenen Rezension der deutschen Übersetzung der "Monadologie", die enormen Einfluss auf die Rezeption des Textes bis in die Moderne ausübte. "Until the XXth century, criticism about Leibniz's 'Principles of Nature and Grace' and 'Monadology' has been characterised by a number of mistakes and misunderstandings, which have roots in the circumstances surrounding the genesis of these manuscripts. As a consequence, erroneous information about these texts was included in an anonymous review, published in 1721 in the 'Acta eruditorum' of Leipzig. Research on primary sources proves that the author of this review (who was in fact the author of the latin translation of the Monadology, published immediately afterwards) was Christian Wolff, who was in possession of a copy of Leibniz's manuscript as early as 1717. Wolff's initiative of translating the Monadology can be seen as part of a cultural strategy aiming to prevent any idealistic interpretation of Leibniz's monadological thought. From this point of view, to consider the theory of pre-established harmony as based on a system of strictly dualistic metaphysics was an essential element of Wolff's philosophical strategy."(Antonio Lamarra: Contexte génétique et première reception de la "Monadologie". Leibniz, Wolff et la doctrine de l'harmonie préétablie). - Die Acta 1720 u. 1721 mit einigen meist gefalt. Kupfertafeln. - Papierbedingt leicht gebräunt, 1 Bd. mit Stempel der Gymnasialbibliothek zu Torgau, der andere an Schnitt u. Vorsatz stockfleckig, sonst insg. wohlerhalten. 2 vols. containing (among others) the first Latin edition of Leibniz's Monadology and the review by Christian Wolff. Contemp. vellum, 1 vol. with col. edges and gilt stamped title to spine (somewhat rubbed, partially stained). - First Latin edition of the main work of Leibniz's philosophy in Christian Wolff's translation, which was of great importance for the dissemination of Leibniz's philosophy, as the original text, written in French and only for a small circle of scholars, did not appear in print until 1840. A German translation by Hermann Köhler from 1720, which was only printed in a very small number of copies and was correspondingly rare, was practically only circulated by hand. Here, together with Wolff's anonymously published review of the German translation of the "Monadology", which exerted an enormous influence on the reception of the text right up to the modern age. "Until the XXth century, criticism about Leibniz's 'Principles of Nature and Grace' and 'Monadology' has been characterised by a number of mistakes and misunderstandings, which have roots in the circumstances surrounding the genesis of these manuscripts. As a consequence, erroneous information about these texts was included in an anonymous review, published in 1721 in the 'Acta eruditorum' of Leipzig. Research on primary sources proves that the author of this review (who was in fact the author of the latin translation of the Monadology, published immediately afterwards) was Christian Wolff, who was in possession of a copy of Leibniz's manuscript as early as 1717. Wolff's initiative of translating the Monadology can be seen as part of a cultural strategy aiming to prevent any idealistic interpretation of Leibniz's monadological thought. From this point of view, to consider the theory of pre-established harmony as based on a system of strictly dualistic metaphysics was an es

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