Null Maschera Mwana Pwo dei Chokwe in Mozambico, XX secolo
Maschera in legno in…

Descrizione

Maschera Mwana Pwo dei Chokwe in Mozambico, XX secolo Maschera in legno intagliato dei Chokwe con bella patina di legno, esemplare molto decorativo. Volto espressivo con scarificazioni sulla fronte tipiche della tribù. L'acconciatura in rilievo si fonde in un cappuccio intrecciato con folte ciocche di capelli. Perforazioni lungo il bordo. Lievi restauri. Lunghezza 22 cm. Stato: II +

8393

Maschera Mwana Pwo dei Chokwe in Mozambico, XX secolo Maschera in legno intagliato dei Chokwe con bella patina di legno, esemplare molto decorativo. Volto espressivo con scarificazioni sulla fronte tipiche della tribù. L'acconciatura in rilievo si fonde in un cappuccio intrecciato con folte ciocche di capelli. Perforazioni lungo il bordo. Lievi restauri. Lunghezza 22 cm. Stato: II +

Le offerte sono terminate per questo lotto. Visualizza i risultati

Forse ti piacerebbe anche

Stima 100 - 250 EUR

GARDEN FIGURE IN THE SHAPE OF A CLASSICAL LADY. Pietra arenaria patinata. Altezza 65 cm.

Stima 55 000 - 65 000 EUR

Maître de "Los Santos Juanes" (Actif en Castille entre 1525- 1550) École gothique médiévale espagnole du XVe siècle. Monumental oil on panel measuring 145 x 95 cm in outstanding state of conservation and polychrome of origin, the scene with which this work delights us represents the painting depicts Pope St. Gregory the Great, when in the year 590 an epidemic of plague was declared in Rome, which caused numerous deaths. For this reason the Pontiff organized a great procession. Arriving at the Bridge of Helium (today the Bridge of Sant'Angelo), in front of the Castellum Crescentii (ancient mausoleum of Emperor Hadrian), the miracle took place. Pope Gregory looked towards the top of the castle, and there he observed the great figure of the archangel St. Michael, sheathing his sword, who welcomes them, very possibly being a commemorative commission from the Archbishopric to the master from Palencia to decorate a newly built church or cathedral. Bibliography: MATEO GÓMEZ, Isabel "Maestro de los Santos Juanes". Painting of four centuries. Madrid: Caylus, 1997, pp. 36- 39. FIZ, Irene. "A propósito del Maestro de los Santos Juanes." Spanish Archive of Art, Volume 74, No. 295, 2001, p. 259. The technical study, Icono I&R, will include these four works in a future publication dedicated to the Master of the Santos Juanes.

Base d'asta 200 EUR

Original-Zeichnung mit Darstellung einer Pekinger Opernmaske für die Figur Zhang Fei. Spätes 19. Jh. Gouache auf Seide. In doppelter floraler Seidenbordüre eingefasst. Maße Zeichnung: 10 x 10 cm, mit Bordüre 29 x 27 cm. Unter Passepartout. China Original-Zeichnung mit Darstellung einer Pekinger Opernmaske für die Figur Zhang Fei. Spätes 19. Jh. Gouache auf Seide. In doppelter floraler Seidenbordüre eingefasst. Maße Zeichnung: 10 x 10 cm, mit Bordüre 29 x 27 cm. Unter Passepartout. Das Aufkommen der Peking-Oper geht auf das Ende des 18. Jahrhunderts zurück und beinhaltete Tanz, Akrobatik und Musik für die Darstellung chinesischer historischer Geschichten und Folklore. Ursprünglich trugen die Darsteller echte Masken, die später durch eine Art Schminke ersetzt wurden, die speziell für jede Figur entworfen wurde. - Zhang Fei (gest. 221 n. Chr.), Rufname Yide, war ein chinesischer Militärgeneral und Politiker, der unter dem Kriegsherrn Liu Bei in der späten Östlichen Han-Dynastie und der frühen Zeit der Drei Reiche in China diente. - Sehr gut erhalten. China - Original drawing depicting a Beijing opera mask for the figure Zhang Fei. Late 19th c. Gouache on silk. Framed in a double floral silk border. Dimensions of drawing: 10 x 10 cm, with border 29 x 27 cm. Under passepartout. - The emergence of Peking opera dates back to the end of the 18th century and included dance, acrobatics and music for the depiction of Chinese historical stories and folklore. Originally, the performers wore real masks, which were later replaced by a type of make-up specially designed for each character. - Zhang Fei (d. 221 AD), surnamed Yide, was a Chinese military general and politician who served under the warlord Liu Bei in the late Eastern Han Dynasty and the early Three Kingdoms period in China. - Very well preserved.

Base d'asta 1000 EUR

Leibniz, Gottfried WilhelmPrincipia Philosophiae (i.e. Monadologie). In: Actorum Eruditorum ... Supplementa Tomus VII. Leipzig, Breitkopf, 1721. S. 500-514. (Und:) Des Herrn Gottfried Wilhelm von Leibnitz Lehrsätze über die Monadologie &c. In: Acta Eruditorum anno MDCCXXI, S. 94/95 (Christian Wolffs Rezension). Zus. mit einem weiteren Jg. (1720) u. einem weiteren Supplement (VI, 1721) in 2 Bänden. 8°. Pgt. d. Zt. mit span. Kanten, 1 Bd. mit Farbschnitt u. goldgepr. RTitel (etw. berieben, tls. fleckig). Philosophie Leibniz, Gottfried Wilhelm Principia Philosophiae (i.e. Monadologie). In: Actorum Eruditorum ... Supplementa Tomus VII. Leipzig, Breitkopf, 1721. S. 500-514. (Und:) Des Herrn Gottfried Wilhelm von Leibnitz Lehrsätze über die Monadologie &c. In: Acta Eruditorum anno MDCCXXI, S. 94/95 (Christian Wolffs Rezension). Zus. mit einem weiteren Jg. (1720) u. einem weiteren Supplement (VI, 1721) in 2 Bänden. 8°. Pgt. d. Zt. mit span. Kanten, 1 Bd. mit Farbschnitt u. goldgepr. RTitel (etw. berieben, tls. fleckig). Erste lateinische Ausgabe des Hauptwerkes der Leibniz'schen Philosophie in der Übersetzung Christian Wolffs, die für die Verbreitung von Leibniz' Philosophie von großer Bedeutung war, da der ursprüngliche, auf Französisch und nur für einen kleinen Kreis von Gelehrten verfasste Text nicht vor 1840 im Druck erschien. Eine nur in sehr geringer Auflage gedruckte und dementsprechend seltene deutsche Übersetzung von Hermann Köhler aus dem Jahr 1720 kursierte praktisch nur unter der Hand. Hier zusammen mit Wolffs anonym erschienenen Rezension der deutschen Übersetzung der "Monadologie", die enormen Einfluss auf die Rezeption des Textes bis in die Moderne ausübte. "Until the XXth century, criticism about Leibniz's 'Principles of Nature and Grace' and 'Monadology' has been characterised by a number of mistakes and misunderstandings, which have roots in the circumstances surrounding the genesis of these manuscripts. As a consequence, erroneous information about these texts was included in an anonymous review, published in 1721 in the 'Acta eruditorum' of Leipzig. Research on primary sources proves that the author of this review (who was in fact the author of the latin translation of the Monadology, published immediately afterwards) was Christian Wolff, who was in possession of a copy of Leibniz's manuscript as early as 1717. Wolff's initiative of translating the Monadology can be seen as part of a cultural strategy aiming to prevent any idealistic interpretation of Leibniz's monadological thought. From this point of view, to consider the theory of pre-established harmony as based on a system of strictly dualistic metaphysics was an essential element of Wolff's philosophical strategy."(Antonio Lamarra: Contexte génétique et première reception de la "Monadologie". Leibniz, Wolff et la doctrine de l'harmonie préétablie). - Die Acta 1720 u. 1721 mit einigen meist gefalt. Kupfertafeln. - Papierbedingt leicht gebräunt, 1 Bd. mit Stempel der Gymnasialbibliothek zu Torgau, der andere an Schnitt u. Vorsatz stockfleckig, sonst insg. wohlerhalten. 2 vols. containing (among others) the first Latin edition of Leibniz's Monadology and the review by Christian Wolff. Contemp. vellum, 1 vol. with col. edges and gilt stamped title to spine (somewhat rubbed, partially stained). - First Latin edition of the main work of Leibniz's philosophy in Christian Wolff's translation, which was of great importance for the dissemination of Leibniz's philosophy, as the original text, written in French and only for a small circle of scholars, did not appear in print until 1840. A German translation by Hermann Köhler from 1720, which was only printed in a very small number of copies and was correspondingly rare, was practically only circulated by hand. Here, together with Wolff's anonymously published review of the German translation of the "Monadology", which exerted an enormous influence on the reception of the text right up to the modern age. "Until the XXth century, criticism about Leibniz's 'Principles of Nature and Grace' and 'Monadology' has been characterised by a number of mistakes and misunderstandings, which have roots in the circumstances surrounding the genesis of these manuscripts. As a consequence, erroneous information about these texts was included in an anonymous review, published in 1721 in the 'Acta eruditorum' of Leipzig. Research on primary sources proves that the author of this review (who was in fact the author of the latin translation of the Monadology, published immediately afterwards) was Christian Wolff, who was in possession of a copy of Leibniz's manuscript as early as 1717. Wolff's initiative of translating the Monadology can be seen as part of a cultural strategy aiming to prevent any idealistic interpretation of Leibniz's monadological thought. From this point of view, to consider the theory of pre-established harmony as based on a system of strictly dualistic metaphysics was an es

I pagamenti online sono protetti da Ingenico e le transazioni sono criptate.

Ogni lotto è stato autentificato e sottoposto a perizia da una Casa d’aste.

Consulta l'aiuto o contattaci

Casa d'aste mitica, Drouot è la più grande casa d'aste in Francia. Aperta a tutti, l'istituzione è il luogo ideale per gli amanti dell'arte e della design. La piattaforma di aste online drouot.com vi permette di fare offerte a distanza, in qualsiasi luogo vi troviate, e di accedere al più grande catalogo di arte e oggetti decorativi dell'Europa continentale.

Il gruppo Drouot

CASE D'ASTA CERTIFICATE DROUOT

Contatti

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]

Visite e privatizzazioni