Null Lunette with Peacocks and Source of Eternal Life, 25x37x5cm - XIX century

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Lunette with Peacocks and Source of Eternal Life, 25x37x5cm - XIX century

98

Lunette with Peacocks and Source of Eternal Life, 25x37x5cm - XIX century

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Stima 10 000 - 12 000 EUR

LIBERI, Pietro. Venus, nymphs and putti. Eternal Father with little angels. Drawings.1605 - 1687 Two drawings on a sheet of mm. 286x332. Sanguine pastel. Strong laid ivory paper. "Three crescent moons" watermark. Collection stamp. Good condition. These are two important preparatory drawings: on the recto the Venus with cherubs, in shaded bleeding, is a theme that Liberi frequents in different ways and that he uses for refined oil paintings; to the Eternal Father, in perspective from below, is a study for the altarpiece of the Salute church in Venice, and allows us to date the sheet, certainly before 1656. Crispo: "The growing success of Liberi's manner, with his careful blend of Baroque language and cultured quotations from the Venetian tradition, persuaded the Provveditori above the votive temple of the Salute to commission him the altarpiece with suppliant Venice and Saint Anthony of Padua who intercedes at the Trinity for the cessation of the siege of Candia, 1652- 1656, in which Liberi takes up the monumental staging and the lightened palette of Veronese. " Alberto Crispo, DBI, 65, 2005. See Stefania Mason Rinaldi, file a239, in Venice and the defense of the Levant. From Lepanto to Candia 1570-1670, exhibition catalog, Venice 1986, pp. 155-156. For the watermark: Briquet, II, pp. 314-25. Provenance: unidentified collection stamp.

Stima 1 800 - 2 000 EUR

CANTAGALLINA, Remigio. Landscape with village in the background. 1582 or 1583 - 1656 Black pen drawing on heavy paper. Sheet of 127x183 mm. Squared image with pen. Small gap in the lower left, otherwise in good condition. Interesting genre scene with a glimpse of an outdoor table with diners, drawn with the rapid and precise lines typical of the style of the Tuscan painter and engraver. Born in Sansepolcro, he was a pupil of Giulio Parigi and initially devoted himself to painting. He later became an engraver and from 1612 to 1613 he went to the B Axis countries where he made more than one hundred engravings of views and cities, inspired by the work of Paul Brill. He was master of drawing of the Arezzo scientist and naturalist Francesco Redi and taught the art of engraving to Jacques Callot and Stefano Della Bella.

Stima 250 - 450 EUR

Olio su tela. Firmato. 60 x 73 cm (senza cornice).

Stima 2 000 - 3 000 EUR

18TH CENTURY ARTIST. . Still life with flowers, fruits and wild game. . Oil on canvas. . 90x123 cm. .

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