Beschreibung

ESCUELA GALLEGA Chapelle de l'aumônier ou autel portatif populairement appelé "peto" en bois sculpté, polychrome et doré. Restaurations et repeints d'une période plus tardive. Travail populaire galicien. XVIIe siècle. 103x48cm

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ESCUELA GALLEGA Chapelle de l'aumônier ou autel portatif populairement appelé "peto" en bois sculpté, polychrome et doré. Restaurations et repeints d'une période plus tardive. Travail populaire galicien. XVIIe siècle. 103x48cm

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madrid, Spanien
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+34915776091
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École espagnole ; XVIIe siècle et suivants. "Immaculée Conception". Bois sculpté et polychrome. Présente une restauration du visage de la Vierge du XXe siècle. Il possède une base adaptée. Dimensions : 31 x 14 x 10 cm (sculpture) ; 25 x 18 x 16 cm (socle). Sculpture sculptée en ronde-bosse, corps entier, représentant la Vierge Marie dans son invocation de l'Immaculée Conception. Bien que dépourvue, dans ce cas, du piédestal avec croissant de lune et dragon atténué qui caractérise son iconographie, il est probable qu'à l'origine elle en était accompagnée. La Vierge apparaît vêtue d'une tunique et d'un manteau, tous deux pliés avec des draperies volumétriques qui confèrent à la figure un aspect contenu. Il s'agit d'une image ancrée dans l'esthétique baroque. Le visage tend à l'idéalisation, les lèvres fines et les yeux en amande s'inscrivent avec douceur dans un ovale aux traits arrondis. Les longs cheveux tombent sur les épaules. Compte tenu de l'importance accordée aux images religieuses dans le monde hispanique, le XVIIe siècle a vu naître d'ambitieuses séries picturales et de vastes programmes iconographiques pour les églises et les couvents, ainsi que des imprimés, des médailles et des reliquaires destinés à la dévotion privée. Dans l'ensemble, indépendamment de leur taille ou de leur support, ces images remplissent l'objectif de sacraliser la vie quotidienne au-delà des autels. Elle présente la restauration du visage de la Vierge du XXe siècle.

ARNE JACOBSEN (Denmark, 1902 - 1971) for Fritz Hansen. Rare armchair "Gaviota" or "FR 3207", Italy. Chromed tubular steel frame. Newly upholstered in brown leather. Provenance: original interior of the town hall of Mainz, Germany. Die-cut stamps on the base. The plastic frame that acts as a base has visible breakage in the photograph. Measurements: 78 x 61 x 52 cm. With his focus on simplicity of form and innovative function over trends, architect and designer Arne Jacobsen was a pillar of mid-century modern design. The model on tender has its roots in the Lily™ chair, which was originally known as the Series 8 and was designed for the Danish national bank. The first armless model (3108) debuted in 1968. The design was introduced with arms (3208) in 1970 at the Danish Furniture Fair. The chair design has also been called "Seagull". Architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction, then entered the Faculty of Architecture at the Royal Academy of Fine Arts. Among his most outstanding architectural works are St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in the same city, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also called "Chair number 7", of which more than five million copies were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the movie "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and today we can find them in collections such as those of the Victoria & Albert Museum in London or the MoMA in New York, among many others.

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