Null DEUXIÈME MATILLA. Marais. Dessin au fusain sur papier
Signé
20x27.5 cm. Rou…

Beschreibung

DEUXIÈME MATILLA. Marais. Dessin au fusain sur papier Signé 20x27.5 cm. Rousseurs. Cadre en bois doré. Non examiné sans le cadre.

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DEUXIÈME MATILLA. Marais. Dessin au fusain sur papier Signé 20x27.5 cm. Rousseurs. Cadre en bois doré. Non examiné sans le cadre.

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Schätzw. 100 - 180 EUR

[Protestantisme] [JURIEU (Pierre)]: Préjugez légitimes contre le papisme, ouvrage où l'on considère l'Eglise Romaine dans tous ses dehors, & où l'on fait voir par l'histoire de sa conduite qu'elle ne peut être la véritable Eglise, à l'exclusion de toutes les autres communions du christianisme, comme elle prétend. Divisé en deux parties. Amsterdam, Henry Desbordes, 1685. 2 parties en 1 volume. 18 par 23,5 cm. (34)-445-(3); (2)-372-(4) pages. Plein vélin de l'époque, titre manuscrit sur le dos, 1 charnière fendue sur 10 cm, accident sur le dos, et petite tache d'encre sur le second plat. Malgré cela, une reliure de qualité. Textes très envahis par un brunissement du papier. Edition originale. Kappler, Bibliographie [...] de Pierre Jurieu, n° 52. Kappler cite la note manuscrite de Prosper Marchand qui figure dans l'exemplaire de Leyde B.U. : "Ces Préjugés ... sont le meilleur des écrits de Jurieu en ce qu'il ne s'amuse point, ainsi que son adversaire [Nicole] à finasser et à chicaner sur la doctrine, mais va droit au fait en prouvant par des preuves historiques les abus et la corruption du papisme. Aussi a-t-il été très bien reçu des personnes désintéressées et est-il devenu rare." "Dans le livre des Préjugés se trouve le célèbre "Avis aux protestants de l'Europe", où Jurieu, avec une rare clairvoyance, dénonce la politique de Louis XIV, devenu dévot à l'excès et voulant, par la force des armes, assurer l'hégémonie du catholicisme en Europe." (F. Puaux, B.S.H.P.F., n° 3/1918, pp. 184 à 208.

Schätzw. 1 300 - 1 500 EUR

ROGER CAPRON (France, 1922 - 2006). Vase, ca.1970's. Ceramic. Signed on the base. Measurements: 29 cm x 14 cm x 14 cm. Vase made by the French ceramist Roger Capron. Of rectangular structure, chiseled with a synthetic sunflower on one of its sides, it presents an attractive aesthetic of archaic inspiration. Interested in drawing since he was a child, the ceramist Roger Capron studied Applied Arts in Paris between 1939 and 1943, and from 1945 he combined his artistic activity with teaching. In 1946 he settled in Vallauris, where he created a workshop known as Atelier Callis, fundamental in the renaissance of the art of ceramics in this locality. A few years later, in 1952, Capron acquired an abandoned ceramics factory in Vallauris and reopened it with fifteen workers; by 1957 his factory was already enjoying considerable international prestige. In 1980, one hundred and twenty workers were working there, and at this time he began to produce unique pieces that were exhibited in different countries, although the economic crisis led to the closure of the factory in 1982. In 1982 Capron created a new workshop under his own name. Throughout his career, this artist was awarded a gold medal at the Milan Triennale (1954), a silver medal at Cannes (1955), a gold medal again at the Brussels Architectural Ceramics Exhibition on two occasions (1957 and 1958), the French Ministry of Culture prize (1970) and the Prix Spécial de l'Architecture (1980).

Schätzw. 1 200 - 1 500 EUR

JOE COLOMBO (Milan, 1930-1971) for ZANOTTA. Pair of "Birillo" stools, 1970s. Chromed metal and plastic. White vinyl seat. Designer's and manufacturer's stamp on base. In good condition. Measurements: 105 x 43 x 44 cm. The Birillo stool was designed by Joe Colombo and chosen by the acclaimed film director Ridley Scott as a space-age inspired stool on the set of Blade Runner. The combination of modern materials for the time (plastic and steel derivatives) made it a completely new model. Architect and designer Cesare Colombo, nicknamed "Joe" Colombo, was an artist, architect, furniture, product and interior designer who was central to Italian design in the 1960s. Trained at the Academy of Fine Arts and Architecture of the Polytechnic University of Milan, where he devoted himself, among other things, to painting, sculpture and drawing, skills that would serve him to develop his career as a designer by setting up his own studio in 1962. Throughout the 1960s he collaborated with major publishers such as Kartell, O-Luce and Zanotta. Many of his works are still exhibited in museums around the world and the artist is the subject of regular retrospectives, studies and exhibitions. During the 1960s, the designer worked mainly on the creation of furniture that stood out for being easily modular, flexible and practical, as is the case with these chairs, which can be transported and adapted to the needs of their user. He focused on a global design, where the elements of the furniture transcend space and architecture. In this way, Colombo moves towards a form of design that helps the user to save space and time. Some of the Italian designer's most famous works are the "Elda" armchair (1963), the "Continental Library" (1965), the "Universal" (1967) and "Tube" chairs (1969) and the "Chariot Boby" (1969). His career and achievements led him to take part in the 14th Milan Triennale, exhibiting some of his interior design proposals. In 1964 he won the gold medal at the Milan Triennale with the acrylic table lamp, which is now part of the permanent collection of the Museum of Modern Art in Philadelphia. In 1972, shortly after his death, his overall furniture project was shown in the exhibition "Italia: The New Domestic Landscape" held at MOMA in New York, realised by ELCO - FIARM, Boffi, Ideal - Standard, with the help of Sormani. In 1984, a retrospective of his work was held at the Villeneuve Museum of Modern Art. Subsequently, in 2005, the Milan Triennale hosted the retrospective Joe Colombo Inventing the Future.

Schätzw. 1 300 - 1 600 EUR

HARRY BERTOIA (Italy, 1915 - USA, 1978). Set of four "Side Bertoia" chairs, ca. 1960. Steel rods. Measurements: 74 x 46 x 56 cm. Drawing on his experience as head of the Experimental Department at the Eames Studio, Harry Bertoia designed the Side chair for Knoll International in 1952. A single piece of steel rod forms the seat and back, joined to a lightweight steel frame that forms the base. The visible structure of the Side model suggests that the chairs were objects in space, and as Bertoia said, "space passes through them". A painter, graphic artist, sculptor, university professor and furniture designer, Harry Bertoia emigrated to the United States at the age of fifteen, and it was there that he developed his training and career. He studied at the Detroit Society of Arts and Crafts and later at the Cranbrook Academy of Art in Bloomfield, Michigan, where he later became a teacher and created the department of metalwork. During these years he began to experiment with the forms of jewelry, and to explore ideas that would later emerge in his sculpture and designs. In 1943 he began his collaboration with designer Charles Eames, with whom he worked until 1946. After a period working for Point Loma Navel Electronics as a creator of equipment manuals, in 1949 he joined Hans Knoll at Knoll Associates. His first sculpture exhibition took place at the Knoll Showroom in New York in 1951, and the following year Knoll would patent his most famous furniture design, the welded rod "Diamond" chair. Bertoia's designs are now in the collections of major design and contemporary art museums, including MoMA in New York and many others.

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