Null MARIE ANTOINETTE BOULLARD-DEVÉ. Composition. Huile sur panneau dur
35x26,5 …

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MARIE ANTOINETTE BOULLARD-DEVÉ. Composition. Huile sur panneau dur 35x26,5 cm. Petits défauts. Cadre en bois.

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MARIE ANTOINETTE BOULLARD-DEVÉ. Composition. Huile sur panneau dur 35x26,5 cm. Petits défauts. Cadre en bois.

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Valorac. 700 - 750 EUR

PEPE CORTÉS (Barcelona, 1946) for Amat Editor. Pair of low stools "Jamaica", 1991. Steel. With publisher's stamp. Measurements: 55 cm (height). The Jamaica is a stool with a functional and refined design featuring the organic lines of its ergonomic seat, raised on five steel tubes that act as feet. These start from a straight structure that is drastically truncated to create a pyramidal composition that converges at the seat. Interior designer and designer, Pepe Cortés studied at the Eina School in Barcelona, and has carried out countless interior design projects, including the restaurants "Azulete" and "Tragaluz", the Caixa Forum shop-museum, the offices of the Banco Sabadell Atlántico presidency and several exhibitions for the Generalitat de Catalunya. He has also won several FAD interior design awards, as well as the Design Auswahl for his famous "Jamaica" stool. In 2002 he was awarded the Santiago Marco Prize medal, and in 2007 he was named National Design Award. His work has appeared in various publications, and has been shown in exhibitions both in Spain and abroad.

Valorac. 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Valorac. 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Valorac. 16 000 - 18 000 EUR

[MARIE-THERESE, infante d’Espagne et dauphine de France ]. Coffre de voyage aux armes. Sl, sd (c. 1745). Superbe objet historique aux armes de la dauphine Marie-Thérèse-Antoinette d'Espagne, première épouse de Louis de France, fils ainé de Louis XV. Coffre de voyage en maroquin rouge aux armes. H 23 x L 57,5 x l 29,7 cm. Pièce exceptionnelle par sa rareté, sa qualité et son origine princière, ce coffre a été confectionné en France par le maroquinier (ou coffretier-gaineur selon le terme en usage sous l'ancien Régime) L . Lecoq, dont la marque parlante est poussée sur la face postérieure (emblème de coq entourée de son chiffre L L) au fer doré sur le maroquin. Les Lecoq étaient une famille et une véritable dynastie de maroquiniers au savoir-faire transmis qui seront de fidèles fournisseurs de la cour de Versailles tout au long du XVIIIe siècle. Marie-Thérèse Antoinette Raphaëlle de Bourbon, infante d’Espagne et dauphine de France, née en 1726 à Madrid et morte en 1746 à Versailles est une princesse espagnole, fille de Philippe V et d’Élisabeth Farnèse qui fut mariée au dauphin Louis de France, ainé de Louis XV et futur père de Louis XVI (il ne régnera jamais) en 1745 afin de réconcilier la France et l'Espagne (parallèlement au mariage de Madame Première avec l'infant Philippe). Ce type de mobilier de voyage est un rare témoin du train que suivait toute princesse de France lors de ses déplacements. Ces petites malles pouvaient être destinées au rangement d'accessoires, de vaisselles, d'ouvrages divers... Les destinations peuvent etre multiples. (OHR, 2525). Le coffre est dans un très bon état de conservation. Petites marques d'usure d'usage du maroquin, discrètes salissures (poussière noircie aux garnitures ou face inférieure) et petites restaurations (face inférieure et cordons d'ouverture posés postérieurement, sans doute à la place d'équerres souvent du même métal que les garnitures extérieures sur ce type d'objet). Dorure légèrement obscurcie ou oxydée sur l'ensemble des fers poussés.

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