Null PIRANESI, Giovanni Battista View of the ruins of two Triclinia which belong…

Beschreibung

PIRANESI, Giovanni Battista View of the ruins of two Triclinia which belonged to the Golden House of Nero. Rome Giovanni Battista Piranesi 1759 Etching, 41,1 x 55,7 cm, laid paper, signed "G. B. Piranesi Archit. incise", address, Italian text (flattened vert. fold, some marg. foxing and holes, few sm. tears on edges). Actually the Temple of Venus and Roma. Unrecorded state. Price erased as in 4th state, but before number as described in 4th state. Ref. Hind 53.50.IV (of VI). - Wilton-Ely 149.

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PIRANESI, Giovanni Battista View of the ruins of two Triclinia which belonged to the Golden House of Nero. Rome Giovanni Battista Piranesi 1759 Etching, 41,1 x 55,7 cm, laid paper, signed "G. B. Piranesi Archit. incise", address, Italian text (flattened vert. fold, some marg. foxing and holes, few sm. tears on edges). Actually the Temple of Venus and Roma. Unrecorded state. Price erased as in 4th state, but before number as described in 4th state. Ref. Hind 53.50.IV (of VI). - Wilton-Ely 149.

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Schätzw. 2 000 - 2 500 EUR

Sunset in the Park, Francisco Torrescassana (Barcelona, 1845-ibidem, 1918), 19th century Catalan school Signed and dated 1875, canvas measurements: 46 x 35 cm, framed measurements: 52 x 40 cm. Spanish painter, disciple of Ramón Martí Alsina. Works by Torrescassana are preserved, among others, in the National Museum of Art of Catalonia, the Víctor Balaguer Library Museum, or the Museum of Art of Gerona, and the collection of Banco Sabadell, with a painting dedicated to the vintage in which the traditional realism that characterized much of his painting, closely linked to the teachings received from Martí Alsina, opens up to new studies of light. As for portraits, also abundant in his artistic production, the University of Barcelona keeps the portrait of Pablo González Huebra in the rectoral gallery, as well as in the dining room of Antoni Gaudí's Casa Vicens. Bibliography: Alcolea, Santiago, Paintings of the University of Barcelona. Catalog, University of Barcelona, 1980, ISBN 84-852-5721-9

Startpreis 20 EUR

D après Giovanni Battista PIRANESE (1720-1778). Les prisons. Gravure en noir. 32 x 44 cm. Non encadré.

Schätzw. 30 - 50 EUR

Giovanni-Battista Cavalieri (1525-1597). Diane, paire de gravures de la suite «Antiquarum statuarum», planches 20 et 22, 25/17cm.

Schätzw. 1 200 - 1 500 EUR

[Amérique du Sud]. The Costume of the inhabitants of Peru. London, Edington, sd [c. 1805]. In-4 de [1] f. titre gravé et 19 planches de costumes gravées au pointillé et soigneusement aquarellées à l'époque. Cartonnage de l'époque, dos en papier ivoire façon vélin, étiquette de titre gravée collée sur le plat. Qqs petits défauts du temps au cartonnage, qqs petites rousseurs. Certaines planches portent une très légère trace de numérotation. Indian representation of the costumes of the Ynca and his Queen ; A Lady of Lima in fer full dress ; Male inhabitant of Lima in the middle class of society ; A Female of Lima of the middle class of society ; Indians Male and Female in Costumes of Festivity ; Female Domestic of Lima of the Class of Quarterons ; Two Female Domestics of Lima, Natives,who have adopted the Spanish dress ; Civilized Indian wearing the Poncho ; Virgin of the Sun ; A Mestizo of Quito professing a liberal art accompanied by his pupil ; Mulattoes of Quito ; Female Indian, habited as the Minerva of Peru ; Female warrior of the Yurimagua Tribe ; Indian Warrior belonging to a barbarous Tribe ; Fighter at a Bull Feast ; Bozal, or Raw-Negro, residing in the district of Lima ; Indian woman of a village, near Lima ; Overseer of a Royal Peruvian Mine ; Llamas or Peruvian sheep. Très rare suite de planches de costumes péruviens, tiré à part d'après l'ouvrage de Joseph Skinner "The present state of Peru…", Londres, Richard Philipps, 1805. Une suite identique fut publiée à l'adresse de Wallis et Edington à la date de 1816. (6 exemplaires en collection publique, principalement aux États-Unis). (Colas 2751.)

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