Null French "boulangère" hanging clock in earthenware and gilt bronze, late 19th…

Description

French "boulangère" hanging clock in earthenware and gilt bronze, late 19th Century. 71 cm long (with chain). In running order. Wear on the enamel. Mounted on an upholstered panel.

200

French "boulangère" hanging clock in earthenware and gilt bronze, late 19th Century. 71 cm long (with chain). In running order. Wear on the enamel. Mounted on an upholstered panel.

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Estim. 1 000 - 1 200 EUR

French chair from the 90's. Wrought iron. Fabric seat. In good condition. Wear and tear typical of use and the passage of time. Measurements: 95 x 90 x 60 cm. The innovative design of the armchair in tender challenges the conventions of traditional furniture and wrought iron chairs. Wrought iron chairs originated in antiquity, but became popular during the Middle Ages and Renaissance in Europe. Blacksmiths perfected and hammering to create detailed designs, combining functionality and aesthetics. These chairs became symbols of elegance and durability, so they were featured in noble homes and outdoor spaces. Today they are valued for their beautiful craftsmanship and sturdiness, keeping alive a historic tradition in iron forging.

Estim. 600 - 800 EUR

Coffee table. France, 1970s. Gilt brass and glass. It shows signs of use and wear. Measurements: 47 x 100 x 60 cm. The coffee table in tender follows the Hollywood Regency style, a glamorous and singular language of decoration that was the result of the golden age of American cinema, taking as its basis the the theatricality, drama and glamour found in the film productions of the time. Four sharply curved legs converge at the shaft, which supports a bouquet of branches and spikes.

Estim. 1 300 - 1 500 EUR

ROGER CAPRON (France, 1922 - 2006). Vase, ca.1970's. Ceramic. Signed on the base. Measurements: 29 cm x 14 cm x 14 cm. Vase made by the French ceramist Roger Capron. Of rectangular structure, chiseled with a synthetic sunflower on one of its sides, it presents an attractive aesthetic of archaic inspiration. Interested in drawing since he was a child, the ceramist Roger Capron studied Applied Arts in Paris between 1939 and 1943, and from 1945 he combined his artistic activity with teaching. In 1946 he settled in Vallauris, where he created a workshop known as Atelier Callis, fundamental in the renaissance of the art of ceramics in this locality. A few years later, in 1952, Capron acquired an abandoned ceramics factory in Vallauris and reopened it with fifteen workers; by 1957 his factory was already enjoying considerable international prestige. In 1980, one hundred and twenty workers were working there, and at this time he began to produce unique pieces that were exhibited in different countries, although the economic crisis led to the closure of the factory in 1982. In 1982 Capron created a new workshop under his own name. Throughout his career, this artist was awarded a gold medal at the Milan Triennale (1954), a silver medal at Cannes (1955), a gold medal again at the Brussels Architectural Ceramics Exhibition on two occasions (1957 and 1958), the French Ministry of Culture prize (1970) and the Prix Spécial de l'Architecture (1980).

Estim. 15 000 - 25 000 EUR

MARCHAK, AN EMERALD, RUBY AND DIAMOND CLIP BROOCH in 18ct yellow gold, set with a spray of pear cut emeralds accented by pear-shaped cabochon rubies and round brilliant cut diamonds, signed Marchak Paris and numbered, French assay marks, 6.5cm, 42.5g. Acompañado de un joyero Marchak.

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