Null A Ceramic Wall Clock
Mediados del siglo XX
Diam. 23 cm. (9 pulg.)

Description

A Ceramic Wall Clock Mediados del siglo XX Diam. 23 cm. (9 pulg.)

947

A Ceramic Wall Clock Mediados del siglo XX Diam. 23 cm. (9 pulg.)

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Starting price 80 EUR

C. HOGUET (1821-1870), Fortified gate of a city wall, Indian ink Charles Hoguet (1821 Berlín - 1870 ibid.): Puerta de una muralla fortificada con torres, siglo XIX, tinta china Técnica: Tinta china sobre papel Fecha: Siglo XIX Descripción: La obra presenta un dibujo a tinta de color sepia de arquitectura histórica. La atención se centra en una puerta y una torre maciza, rodeadas de estructuras parecidas a muros y grupos de árboles en el fondo. Procedencia: Propiedad del artista. Palabras clave: Dibujo a tinta; sepia; arquitectura histórica; portería; torre; muro; árboles; dibujo; arte; perspectiva; sombra; estructura; edificio; cultura; antiguo; tradición; mampostería; historia del arte; composición;, Siglo XIX, Romanticismo, Arquitectura, Francia, Tamaño: Papel: 10,1 cm x 11,4 cm (4 x 4,5 in)

Estim. 100 - 300 EUR

Standing clock mid century in mahogany height: 252 cm.

Estim. 1 000 - 1 500 EUR

Exceptional & Rare West African Love Spell Voodoo Figure, early 20th C Benin or Togo In calfskin leather, wood and fabric. Measurements: 27 x 10 x 10 cm - Lot without reserve price. Provenance: property of an important European collector (lots 28 to 60). Previously in a Belgian private collection. Tribal Art - African - Oceania - Asia - China - Ming - Qing.

Estim. 2 000 - 2 500 EUR

Sunset in the Park, Francisco Torrescassana (Barcelona, 1845-ibidem, 1918), 19th century Catalan school Signed and dated 1875, canvas measurements: 46 x 35 cm, framed measurements: 52 x 40 cm. Spanish painter, disciple of Ramón Martí Alsina. Works by Torrescassana are preserved, among others, in the National Museum of Art of Catalonia, the Víctor Balaguer Library Museum, or the Museum of Art of Gerona, and the collection of Banco Sabadell, with a painting dedicated to the vintage in which the traditional realism that characterized much of his painting, closely linked to the teachings received from Martí Alsina, opens up to new studies of light. As for portraits, also abundant in his artistic production, the University of Barcelona keeps the portrait of Pablo González Huebra in the rectoral gallery, as well as in the dining room of Antoni Gaudí's Casa Vicens. Bibliography: Alcolea, Santiago, Paintings of the University of Barcelona. Catalog, University of Barcelona, 1980, ISBN 84-852-5721-9

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