Online Sales: Militaria, historical memorabilia, prints, works of art, etc.

06d 13h 33m 25s

Timed auctions

直到 11月21日星期六 | 下午06:00

Aix Enchères et Expertises

7, avenue de Craponne 13100, Aix-en-Provence

Online Sales: Militaria, historical memorabilia, prints, works of art, etc.

Aix Enchères et Expertises

301 - Map of Languedoc

302 - Map of Asia Minor

303 - Antique, hand-colored map of the Holy Land by Robert de Vaugondy, 28.5 x 41 cm. Slight wear; reinforced on the back.

304 - An old, hand-colored map of the coasts of Provence and Narbonne, from an atlas, 33.8 x 25.5 cm.

305 - Suite of 3 fine early 19th century prints.

306 - Raoul DUFY (1877-1953)

307 - French School, second half of the 18th century

308 - The port of Algiers

309 - Jean CARZOU (1907–2000)

310 - Based on a work by Adolphe WILLETTE (1857–1926), a series of seven lithographs, *The Seven Deadly Sins*, approximately 27.5 x 27 cm, with tears along the margins and other imperfections.

311 - M. PAUSSET (XX°) *The Awakening of the Spectres*, lithograph signed and numbered in pencil, pinholes, 25.7 x 32.4 cm.

312 - Paul JOUVE (1878–1973) —after— *Eagle on a Rock*, lithograph with full margins, signed in graphite,

313 - Color lithograph featuring Russian maritime flags, 23 x 29 cm.

314 - Eugène BURNAND (1850-1921) after, Portrait de soldat russe de la série de portraits des alliés, lithograph signed in the plate, 38.5 x 28.5 cm.

315 - After Piet Mondrian (1872–1944), *Composition in Red, Yellow, and Blue*, official print from the Stedelijk Museum, 68 x 48 cm.

316 - After Maximilien VAN DE WOESTYNE (1911–2000), *Spaces*, lithograph signed and numbered in graphite, 75.5 x 60.5 cm.

317 - After Louis TOFFOLI (1907–1999), *Florist in Rio*, unsigned lithograph, not for sale, dry stamp, 75.5 x 56 cm, water stain.

318 - Based on a work by CABU (1938–2015), Poster commemorating the bicentennial of the Revolution, Nouvelles Images SA publishers, 70 x 50 cm.

319 - Based on a work by CABU (1938–2015), Poster commemorating the bicentennial of the Revolution, Nouvelles Images SA publishers, 70 x 50 cm.

320 - René MAGRITTE (1898–1967), after *La Magie Noire*/*La Grande Muraille*, poster (offset) from the “Magritte” exhibition at Galerie Negru, Paris 6th arrondissement, 62 x 50 cm.

321 - After André LAMBERT (1884–1967), *Sur l'eau*, lithograph signed and titled in graphite, 45 x 58 cm.

322 - HEINE (20th century), after *La femme fleur*, lithograph signed and numbered in graphite, 65 x 48 cm, with stains.

323 - After Heriberto COGOLLO (1945), Untitled, lithograph signed and numbered in graphite, 60 x 40 cm, stain.

324 - Alain WOLF (20th century) Untitled Polychrome Composition, signed lithograph, creases, 50 x 61 cm.

325 - BARBEROUSSE (1920–2010), after *Oisillons*, print signed in the print, Edition Cadre ROR, 40 x 50 cm.

326 - After Lionel CHAUVE (20th century), silkscreened exhibition poster, Éditions Modernes, 89 x 59 cm. Small tear at the top.

327 - After Lionel CHAUVE (20th century), silkscreened exhibition poster, Éditions Modernes, 89 x 59 cm. Small tear at the top.

328 - After Lionel CHAUVE (20th century), lithographed exhibition poster for the Los Angeles bicentennial, with pencil annotations, 89 x 59 cm. Small tear at the bottom.

329 - After Jean-Michel FOLON (1934–2005), *I Am Writing to You from Mount Fuji*, silkscreen print for the 1986 FIEST (International Print Fair), 68 x 49 cm.

330 - Régis DHO (1948), after *Elégante au bibi*, lithograph signed and numbered in graphite, 76 x 56 cm.

331 - André GOEZU (1939), after *Un regard dans la ville*, lithograph signed, numbered, and titled in graphite, 50 x 60 cm, watermark.

332 - After Jacques SOISSON (1928–2012), Untitled Color Composition, lithograph, not for sale, signed and dated (19)75 in graphite, 59 x 41 cm.

333 - After Sophie BRESSON (20th century), *The Beauty with the Pink Hat*, lithograph signed and numbered in graphite, 76 x 56 cm.

334 - Botany: a set of four lithographic plates depicting flowers. 46.5 x 36 cm and 40 x 26.5 cm. Minor tears.

335 - After Joan MIRO (1893–1983), lithographed poster for the 90th anniversary, Maeght Gallery, 55 x 45 cm.

336 - KETSIA (20th) Two color lithographs, signed and numbered in graphite, 76 x 56 cm.

337 - 20th-Century Chinese School, Titmouse on a Flowering Branch, lithograph, 66 x 50.5 cm.

338 - After Pierre Henri JACQUOT (1929–2009), *Venus*, lithograph signed, titled, and numbered in graphite, 65 x 49.5 cm.

339 - Claude GAVEAU (1940–2021), after *Ecume blanche*, lithograph signed and numbered in graphite, titled on the back, 70 x 55 cm.

340 - After Victor HASCH (1945–2012), *Boats at the Harbor Entrance (La Rochelle?)*, lithograph signed and dated in graphite, wet print, 76 x 56 cm.

341 - Félix LABISSE (1905–1982), after Lucretius, lithograph, 64.5 x 50 cm. Pin holes.

342 - After Félix LABISSE (1905–1982), *Amazone*, lithograph signed and titled in graphite, 76 x 46.5 cm.

343 - After Leonor FINI (1907–1996), *Vespertilia*, lithograph signed and numbered in graphite, 70 x 50 cm.

344 - After Étienne Bertrand WEILL (1919–2001), Untitled Composition, lithograph signed and numbered in graphite, 50 x 65 cm.

345 - After Étienne Bertrand WEILL (1919–2001), Untitled Composition, lithograph signed and numbered in graphite, 50 x 65 cm.

346 - After Étienne Bertrand WEILL (1919–2001), Untitled Composition, lithograph signed and numbered in graphite, 50 x 65 cm.

347 - Jean-Paul DONADINI (1951), after *Regatta*, lithograph signed and numbered in graphite, 57 x 77 cm.

348 - Michel BEZ (1951–2018), after *Regatta Sails Swollen by the Wind*, lithograph signed and numbered in Roman numerals, with the Effa publisher’s dry stamp (Paris), 54 x 76 cm, water stain.

349 - After Louis TOFFOLI (1907–1999), *Notre-Dame de Paris*, lithograph signed on the back, proof, 76 x 56 cm.

350 - Pierre PAGES (1933), after, View of Paris: the Alexandre III Bridge, lithograph, signed and numbered, 54 x 75 cm, star-shaped perforation.

351 - After Georges GARCIA FONS (1928), *Maison de l'eau*, lithograph signed in graphite, proof, star-shaped perforation, 76 x 56 cm.

352 - Victor SPAHN (1949), after *Exit from the Bunker, Golf Scene*, lithograph signed and dated in graphite, 76 x 56 cm.

353 - After Ernest MEISSONIER (1815–1891) and Bessé (20th century), *Napoleon I, Campaign of France*, colored lithograph, 50 x 65 cm.

354 - Judaica: Lithographic poster for the "Semana de cante judeo-espanol" (Week of Judeo-Spanish Song) in Segovia in 1985, signed and inscribed in graphite, 70 x 50 cm.

355 - After Lionel CHAUVE (20th century), untitled composition, lithograph, signed in graphite, creases, 55 x 75 cm.

356 - After Raoul DUFY (1877–1953), *Riders in the Woods*, print from the Museum of Modern Art, 56 x 71 cm.

357 - After Freddy DEFOSSEZ (1932), *Mediterranean City* (Greece?), lithograph signed and numbered in graphite, titled on the reverse "Lumière du Sud," 56 x 74 cm.

358 - After Allain RENOUX (1944), *Erotisme*, lithograph signed and numbered in graphite, 76 x 56 cm, watermark.

359 - After Jean-Pierre LAURENT (1920), *Boats Moored at Honfleur*, lithograph signed and numbered in graphite, 57 x 75 cm.

360 - After Bernard CATHELIN (1919–2004), *Bouquet with a Pink Tablecloth*, lithograph titled, signed, and numbered in graphite, artist's proof, 75 x 54 cm. Star-shaped perforation.

361 - 20th-Century School, Lé Pélican, lithograph with graphite titling, water stains, 56 x 75 cm.

362 - After Mario PRASSINOS (1916–1985), Untitled, trees in negative, lithograph signed and numbered in graphite, sun-prints, 49.5 x 64 cm.

363 - Pierre-Yves Trémois (?) *Maternal Tenderness*, lithograph signed and dated in graphite, 79 x 59 cm. Water stain, small tear.

364 - Jacqueline Reynier (20th century) *The Orchestra*, lithograph signed and dated in pencil, 59.5 x 40 cm.

365 - Serving tray decorated with “coats of arms” featuring the emblems of the cities of Grasse, Nice, Cannes, and others on an embroidered fabric background. Commissioned for the Fragonard company in Grasse. Like-new condition, in its original box. 32 x 22.5 cm.

366 - Rouen: earthenware pillbox with white-and-blue decoration featuring lambrequins; base reattached; H: 13 cm. 18th century.

367 - A selection of Alpine flowers. Plate created for the cover of a herbarium. 20th century. Later elm-style magnifying glass frame. 28.5 x 20 cm (visible area). Overall dimensions: 31.5 x 23.5 cm.

368 - A set of six 19th-century herbarium plates. Later pitchpin mounts (stain on one of the sheets). 21.5 x 6.5 cm (image size). Overall dimensions: 32 x 26.5 cm.

369 - Lot of pocket watches, parts, and mechanical components, as-is

370 - A set consisting of a 100-franc share certificate from the Tuyen-Quang Coal Mining Company, French Indochina, dated May 1, 1928, in a glass-framed display measuring approximately 31.5 cm by 21.5 cm, and a small frame containing an American coin dated 1963 and American and German stamps

371 - Ray-Ban aviator-style sunglasses, in BE; comes with a Hugo Boss case

372 - A set of three iron chairs with a silver patina, medallion-shaped backs, and openwork umbrella legs; likely Italian, circa 1980.

373 - Art Deco lamp made of exotic wood with a feline motif; height: 25 cm, excluding electrical components.

374 - Carved and gilded wooden angel, 18th century, with some missing parts and damage, H: 47 cm.

375 - SKE (Contemporary Artist). “If You Need Money, Freedom Is a Lie.” Pop Art piece featuring a Bank of America bill mounted on an aluminum plate. Limited edition, numbered 15/30. Comes with a certificate of authenticity. Length: 30 cm.

377 - POP ART – Inspired by the world of BANKSY. “The Lone Penguin.” A large composite resin sculpture depicting a penguin with a sleek, geometric design. A one-of-a-kind piece, numbered 1/1, accompanied by its certificate of authenticity (Dalux Art). Height: 61 cm.

378 - After Paul GAUGUIN (1848–1903). “Mask of a Young Tahitian Woman”: “Tehura (front) and Eve (back).” Double-sided carved wood print with a nuanced patina. Signed with the initials “PGO” on the left side. Height: 23 cm.

379 - After Fernand LÉGER (1881–1955). “The Woman with Leaves.” A tamarind wood sculpture faithfully reproducing the original work created in 1952. Presented on a blackened wooden base accented with a brass plaque. In excellent condition. Dimensions: 43 × 32 cm.

310 - Based on a work by Adolphe WILLETTE (1857–1926), a series of seven lithographs, The Seven Deadly Sins, approximately 27.5 x 27 cm, with tears along the margins and other imperfections.

311 - M. PAUSSET (XX°) The Awakening of the Spectres, lithograph signed and numbered in pencil, pinholes, 25.7 x 32.4 cm.

312 - Paul JOUVE (1878–1973) —after— Eagle on a Rock, lithograph with full margins, signed in graphite,

315 - After Piet Mondrian (1872–1944), Composition in Red, Yellow, and Blue, official print from the Stedelijk Museum, 68 x 48 cm.

316 - After Maximilien VAN DE WOESTYNE (1911–2000), Spaces, lithograph signed and numbered in graphite, 75.5 x 60.5 cm.

317 - After Louis TOFFOLI (1907–1999), Florist in Rio, unsigned lithograph, not for sale, dry stamp, 75.5 x 56 cm, water stain.

320 - René MAGRITTE (1898–1967), after La Magie Noire/La Grande Muraille, poster (offset) from the “Magritte” exhibition at Galerie Negru, Paris 6th arrondissement, 62 x 50 cm.

321 - After André LAMBERT (1884–1967), Sur l'eau, lithograph signed and titled in graphite, 45 x 58 cm.

322 - HEINE (20th century), after La femme fleur, lithograph signed and numbered in graphite, 65 x 48 cm, with stains.

325 - BARBEROUSSE (1920–2010), after Oisillons, print signed in the print, Edition Cadre ROR, 40 x 50 cm.

329 - After Jean-Michel FOLON (1934–2005), I Am Writing to You from Mount Fuji, silkscreen print for the 1986 FIEST (International Print Fair), 68 x 49 cm.

330 - Régis DHO (1948), after Elégante au bibi, lithograph signed and numbered in graphite, 76 x 56 cm.

331 - André GOEZU (1939), after Un regard dans la ville, lithograph signed, numbered, and titled in graphite, 50 x 60 cm, watermark.

333 - After Sophie BRESSON (20th century), The Beauty with the Pink Hat, lithograph signed and numbered in graphite, 76 x 56 cm.

338 - After Pierre Henri JACQUOT (1929–2009), Venus, lithograph signed, titled, and numbered in graphite, 65 x 49.5 cm.

339 - Claude GAVEAU (1940–2021), after Ecume blanche, lithograph signed and numbered in graphite, titled on the back, 70 x 55 cm.

340 - After Victor HASCH (1945–2012), Boats at the Harbor Entrance (La Rochelle?), lithograph signed and dated in graphite, wet print, 76 x 56 cm.

342 - After Félix LABISSE (1905–1982), Amazone, lithograph signed and titled in graphite, 76 x 46.5 cm.

343 - After Leonor FINI (1907–1996), Vespertilia, lithograph signed and numbered in graphite, 70 x 50 cm.

347 - Jean-Paul DONADINI (1951), after Regatta, lithograph signed and numbered in graphite, 57 x 77 cm.

348 - Michel BEZ (1951–2018), after Regatta Sails Swollen by the Wind, lithograph signed and numbered in Roman numerals, with the Effa publisher’s dry stamp (Paris), 54 x 76 cm, water stain.

349 - After Louis TOFFOLI (1907–1999), Notre-Dame de Paris, lithograph signed on the back, proof, 76 x 56 cm.

351 - After Georges GARCIA FONS (1928), Maison de l'eau, lithograph signed in graphite, proof, star-shaped perforation, 76 x 56 cm.

352 - Victor SPAHN (1949), after Exit from the Bunker, Golf Scene, lithograph signed and dated in graphite, 76 x 56 cm.

353 - After Ernest MEISSONIER (1815–1891) and Bessé (20th century), Napoleon I, Campaign of France, colored lithograph, 50 x 65 cm.

356 - After Raoul DUFY (1877–1953), Riders in the Woods, print from the Museum of Modern Art, 56 x 71 cm.

357 - After Freddy DEFOSSEZ (1932), Mediterranean City (Greece?), lithograph signed and numbered in graphite, titled on the reverse "Lumière du Sud," 56 x 74 cm.

358 - After Allain RENOUX (1944), Erotisme, lithograph signed and numbered in graphite, 76 x 56 cm, watermark.

359 - After Jean-Pierre LAURENT (1920), Boats Moored at Honfleur, lithograph signed and numbered in graphite, 57 x 75 cm.

360 - After Bernard CATHELIN (1919–2004), Bouquet with a Pink Tablecloth, lithograph titled, signed, and numbered in graphite, artist's proof, 75 x 54 cm. Star-shaped perforation.

363 - Pierre-Yves Trémois (?) Maternal Tenderness, lithograph signed and dated in graphite, 79 x 59 cm. Water stain, small tear.

364 - Jacqueline Reynier (20th century) The Orchestra, lithograph signed and dated in pencil, 59.5 x 40 cm.