Calendario aste

Architectural Drawings from the Bernhard Focht Collection

Architectural Drawings from the Bernhard Focht Collection

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Kaiserstrasse 133 66133, Saarbrucken

223 risultati

Braebys (Forbach 1958–2025 Saarbrücken), “The Bicy

109 - Braebys (Forbach 1958–2025 Saarbrücken), “The Bicycle-Riding Paradise Bird Flower,” 2005, acrylic on hardboard, signed and labeled “Braebys – Eva – Paradies – 3005” on the upper right side, titled, signed, and dated on the reverse on several glued-on slips of paper, along with various notes, 91 x 80 cm, no frame. Limit 198,-

Stima

198 - 220 €

Braebys (Forbach 1958–2025 Saarbrücken), "Queen,"

110 - Braebys (Forbach 1958–2025 Saarbrücken), "Queen," ca. 1999, acrylic over giclée on canvas (IKEA canvas print "Pjätteryd 22677"), signed and titled lower left, 70 x 50 cm, no date, Limit 200,-

Stima

200 - 280 €

Braebys (Forbach 1958–2025 Saarbrücken), “Tetrapty

111 - Braebys (Forbach 1958–2025 Saarbrücken), “Tetraptychon,” 4 acrylics on canvas, each 10 x 10 cm, mounted on a light gray-framed plywood panel, unsigned, total size: 40 x 35 cm, no date, limit 198,-

Stima

198 - 220 €

Oskar Holweck (St. Ingbert 1924–2007 St. Ingbert),

112 - Oskar Holweck (St. Ingbert 1924–2007 St. Ingbert), “Two Musicians,” 1949, watercolor on Hammerbütten paper, monogrammed and dated in pencil on the lower right corner of the mat, labeled and titled “Watercolor Study,” with a cut-out and mounted pencil note on the reverse: “Warmly dedicated to Harry, who just received his First Communion—Oskar Holweck,” 24 x 18 cm; until 1949, Holweck studied at the State School of Art and Crafts in Saarbrücken under Boris Kleint, before moving t

Stima

180 - 200 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

113 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), “Spanish Landscape,” 1956, oil on canvas, monogrammed lower right, signed on the reverse and bearing an exhibition sticker reading “Saarlandmuseum 1961,” 65 x 81 cm, in a white frame with linen backing, overall dimensions: 77 x 93 cm. Limit 1,080

Stima

1080 - 1.200 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

114 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), “Potato Harvest,” 1947, oil on canvas, monogrammed lower right, stamped on the reverse with the estate seal, titled, dated, and dimensioned on an old label, 75 x 85 cm, an expressive depiction from the immediate postwar period, set in an ivory-colored silver frame, overall dimensions: 89 x 99 cm. Reserve: 810,-

Stima

810 - 900 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

115 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), “Still Life: Flowers in a Spherical Vase, 1964, oil on hardboard, monogrammed lower right, 44 x 54.2 cm, in a white wooden frame with linen backing, overall size: 54 x 64 cm. Price: 450,-

Stima

450 - 500 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

116 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), "Saarland Mining Landscape," gouache and pastel circles on yellowish handmade paper, signed in pencil lower left, 42 x 55 cm, mounted under glass with a mat in an ivory-colored frame, overall size: 62 x 74 cm. Limit 324,-

Stima

324 - 360 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

117 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), “Flowered Bottle,” a linocut on vélin, colored and retouched with a felt-tip pen, monogrammed in pencil in the lower right corner, 24 x 9 cm, mounted under glass with a mat in a simple white frame, overall size: 43 x 27 cm. Limit 72,-

Stima

72 - 80 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

118 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), ,Two Workers’ Heads, ink brush drawing on ivory-colored vélin, monogrammed lower left, 59 x 48 cm, mounted under glass with a passe-partout in a gray frame accented with ivory, overall dimensions: 73 x 60 cm. Limit 216,-

Stima

216 - 240 €

Werner Rohland (Crimmitschau 1899–1974 Bad Cannsta

119 - Werner Rohland (Crimmitschau 1899–1974 Bad Cannstadt), “The Blacksmith,” 1939, oil on cardboard, signed and dated in the upper right corner, signed again on the reverse, and bearing a label with the work number "O 6/39," 59 x 73 cm, one of the few paintings created before 1945 that was not destroyed during the Dresden firestorm, mounted in a silver shadow mount, overall dimensions: 64 x 78 cm.

Stima

324 - 360 €

Werner Rohland (Crimmitschau 1899–1974 Bad Cannsta

120 - Werner Rohland (Crimmitschau 1899–1974 Bad Cannstadt), “Still Life with White Teapot and Bananas,” 1972, signed and dated on the reverse, with a label bearing the work number “O 17/72,” 60 x 73 cm, a vividly colored still life featuring mundane everyday objects that take on a monumental quality due to the intense colors; set in a white-contrasted silver frame; overall dimensions: 64 x 77 cm. Limit 360,-

Stima

360 - 400 €

Werner Rohland (Crimmitschau 1899–1974 Bad Cannsta

121 - Werner Rohland (Crimmitschau 1899–1974 Bad Cannstadt), “Still Life with a Yellow Jug and Bückling,” 1966, oil on canvas, signed and dated on the reverse, with a label bearing the work number "O 6/66", 61 x 74 cm, still life featuring a large number of different round and curved forms, with colors nuanced to correspond to the variety of shapes, mounted on a light gray wooden stretcher, overall dimensions: 64 x 78 cm. Limit 360,-

Stima

360 - 400 €

Werner Rohland (Crimmitschau 1899–1974 Bad Cannsta

122 - Werner Rohland (Crimmitschau 1899–1974 Bad Cannstadt), “Latin Vocabulary,” 1949, oil on canvas, signed and dated on the reverse, with a label bearing the work number “O 15/49,” 54 x 73.5 cm, “Figures are captured with unerring precision at a glance, caught in motion; no detail is recorded [...] From true Impressionism, he borrows the blurring of forms in the atmospheric, the emphasis on the surface, and the liveliness of mere suggestion; from equally authentic Expressionism, the gran

Stima

324 - 360 €

Werner Rohland (Crimmitschau 1899–1974 Bad Cannsta

123 - Werner Rohland (Crimmitschau 1899–1974 Bad Cannstadt), “Card Players,” 1934, oil on canvas, label on the back with work no. “O 2/34,” 47.5 x 59.5 cm, apparently created in response to the work of Cézanne, who produced a series of paintings featuring card players in the 1890s; “the figures have expressionless faces and remain still; the painting conveys no movement and is thus reminiscent of a still life” (Richard Dorment, “Cézanne—The Card Players,” Daily Telegraph, Oct. 25

Stima

360 - 400 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

124 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), Destroyed Houses in the German-French Border Region, 1940, Gouache over pencil sketch on vellum, signed and dated lower right, 30 x 40 cm, In late summer 1940, Zolnhofer, along with Fritz Grotenmeyer and Mia Münster, was commissioned to document the destruction along the border of the Saarlautern district; mounted under glass with a mat in a silver frame accented with brown, overall size: 51 x 63 cm. Limit 252,-

Stima

252 - 280 €

Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrück

125 - Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrücken), Woman with a Parrot, 1968, gouache over monotype on chamois-colored vélin, signed, dated, and labeled “Tempera” in pencil at the bottom edge, 54 x 42 cm; in 1968, the artist created a series of portraits and nudes of women featuring a parrot; mounted under glass with a Viennese mat in a narrow gold frame; overall dimensions: 74 x 60 cm. Limit 270,-

Stima

270 - 300 €

Alfred Kubin (Leitmeritz 1877–1959, Zwickledt), *T

126 - Alfred Kubin (Leitmeritz 1877–1959, Zwickledt), The Chased-Away Beggar, line etching on handmade paper, signed in pencil at the bottom center, 8.7 x 17 cm (paper size: 12 x 20.4 cm), mounted in a mat, overall size: 35 x 48 cm. Limit 72,-

Stima

72 - 80 €

Hermann Theophil Juncker (Ludwigshafen, Rhineland

127 - Hermann Theophil Juncker (Ludwigshafen, Rhineland 1929–2025 Homburg), “The Postman Joseph Roulin,” after the drawing of the same name by Vincent van Gogh from 1888, now in the Getty Museum, Los Angeles, 1948, ink drawing on chamois-colored vélin, signed in pencil on the reverse, dated and inscribed “Copie nach Gogh,” 27.4 x 22 cm, mounted on a backing sheet and under glass in a white plastic frame, overall size: 36 x 28.5 cm. Limit 90,-

Stima

90 - 100 €

Franz Juncker (Speyer 1899–1980 Homburg), “The Poe

128 - Franz Juncker (Speyer 1899–1980 Homburg), “The Poet’s House,” 1970, oil on canvas, signed and titled on the back of the stretcher, reproduced in full color on a full page in: Wilhelm Weber, Franz Juncker 1899–1980: Life and Work, Homburg 1999, page 162, 60 x 70 cm, in a simple white wooden frame, overall size: 62 x 72 cm. Price: 720,-

Stima

720 - 800 €

Franz Juncker (Speyer 1899–1980 Homburg), , “Cemet

129 - Franz Juncker (Speyer 1899–1980 Homburg), , “Cemetery,” 1969, oil on canvas, signed with a heart symbol in the lower left corner, signed, dated, titled, and labeled with the dimensions on the back of the stretcher, 60 x 70 cm, no registration, limit 540,-

Stima

540 - 600 €

Hans Purrmann (Speyer 1880–1966 Basel), “Women at

130 - Hans Purrmann (Speyer 1880–1966 Basel), “Women at the Window,” 1956, lithograph on light gray vélin, signed in pencil lower right, one of 100 copies, printed in Kaiserslautern for the “Arbeitsgemeinschaft Pfälzer Künstler,” WVZ Heilmann 114, 40 x 33 cm, the lithograph was created in 1956 in Montagnola after the painting “Interior with Two Women,” a beautiful print in good condition, mounted under glass and a mat in a wooden frame with gold trim, overall size: 62 x 54 cm. Limit 3

Stima

315 - 350 €

Heinrich Zille (Radeburg, Saxony, 1858–1929, Berli

131 - Heinrich Zille (Radeburg, Saxony, 1858–1929, Berlin), “Der Stutzer” (Man with a Bowler Hat), ca. 1920, black chalk on machine-made paper, bearing at the bottom edge the red estate stamp used by Zille’s children for their father’s drawings (Rosenbach Stamp 1, Lugt 2676b), 17.8 x 9.8 cm. Heinrich Zille was famous for his frugality: he used every scrap of paper he could get his hands on, cutting up letters, envelopes, and discarded drawings, and always carried a number of these scraps wit

Stima

198 - 220 €

Paul Flora (Glurns 1922–2009, Innsbruck), “Nosfera

132 - Paul Flora (Glurns 1922–2009, Innsbruck), “Nosferatu,” ca. 1979, pen-and-ink drawing on yellowish handmade paper, signed and titled at the bottom margin, 14 x 18 cm, In 1980, Flora published a portfolio of etchings titled “Mondszenen” (Moon Scenes), which included a depiction of the vampire Nosferatu; our drawing is certainly one of the preparatory works for this depiction, mounted under glass and a mat in a lacquered frame with gold inlay, Overall size: 27 x 35 cm. Limit 720,-

Stima

720 - 800 €

Paul Flora (Glurns 1922–2009, Innsbruck), “The Eme

133 - Paul Flora (Glurns 1922–2009, Innsbruck), “The Emergence of the Prince of Hell,” 1977, pen-and-ink drawing on yellowish handmade paper, signed, dated, and titled at the bottom margin, 15 x 24 cm, a characteristic drawing by Paul Flora in which the contrast between dense layers of line and empty areas of paper creates a unique dynamic; mounted under glass with a mat in a black wooden frame; overall dimensions: 31 x 40 cm. Limit 810,-

Stima

810 - 900 €

Paul Flora (Glurns 1922–2009, Innsbruck), "Hexenha

134 - Paul Flora (Glurns 1922–2009, Innsbruck), "Hexenhahn," etching on handmade paper, colored with colored pencils, signed, titled, and marked "Probedruck" in pencil at the bottom margin, outside the edition of 200 copies, 19.7 x 24.5 cm, mounted under glass with a mat in a wide wooden frame; overall dimensions: 46 x 57 cm. Price: 225,-

Stima

225 - 250 €

Otmar Alt (born in Wernigerode, Harz, in 1940), “"

135 - Otmar Alt (born in Wernigerode, Harz, in 1940), “"King Penguin," art resin, colorfully painted and varnished, signed on the back and bearing the heart emblem, without the round, black-varnished wooden base, published by “Art in the City,” H: 25.5 cm. Limited edition of 126,

Stima

126 - 140 €

Uwe Pfeifer (b. Halle, 1947), “Death and the Woman

136 - Uwe Pfeifer (b. Halle, 1947), “Death and the Woman,” 1981, oil on hardboard, signed and dated in the upper right corner; on the back, a glued-on label bearing the title, the artist’s signature and address, as well as the entry number for the “Biennale di Venezia 1982” and the Italian customs seal, 37 x 28 cm, in a simple black wooden frame, overall dimensions: 44 x 35 cm.

Stima

1080 - 1.200 €

Arno Rink (Schlotheim 1940–2017 Leipzig), “Lots We

137 - Arno Rink (Schlotheim 1940–2017 Leipzig), “Lots Weib,” 1983, etching on chamois-colored handmade paper, signed, dated, titled, and numbered “2/49” in pencil along the lower margin, 33 x 25.5 cm (paper size: 53.5 x 39.5 cm), mounted under glass in a narrow black-and-silver frame; overall size: 54 x 41 cm. Price: 198,-

Stima

198 - 220 €

Johannes Grützke (Berlin 1937–2017 Berlin), “Climb

138 - Johannes Grützke (Berlin 1937–2017 Berlin), “Climb onto our shoulders, Satch!”, 1976, mezzotint on BFK Rives paper, signed and dated in pencil in the lower right corner and marked “E(preuve)d’A(rtiste)” in the lower left corner, 32.5 x 36 cm (paper size: 45 x 52 cm), mounted under glass in a narrow silver frame, overall size: 47 x 54 cm. Limit 225,-

Stima

225 - 250 €

Marc Chagall (Vitebsk 1887–1985 Saint-Paul-de-Venc

139 - Marc Chagall (Vitebsk 1887–1985 Saint-Paul-de-Vence), after “La Sirène” (The Siren), ca. 1950, print made using the Jacomet process based on Chagall’s 1945 gouache of the same name, signed and dated on the printing block at the lower right, numbered “413/500” in pencil at the lower left, slightly worn around the edges overall and showing minimal signs of age, 56.5 x 43 cm; the elaborate printing process developed by Daniel Jacomet (1894–1966) combined phototype and hand-applied st

Stima

180 - 200 €

Marc Chagall (Vitebsk 1887–1985 Saint-Paul-de-Venc

140 - Marc Chagall (Vitebsk 1887–1985 Saint-Paul-de-Vence), “Le coq rouge” (The Red Rooster), 1952, color lithograph on Vélin d'Arches, signed in pencil lower right, numbered “63/200” lower left, the standard edition of this color lithograph, featuring the title impression, served as the cover for issues No. 44–45 of the magazine “Derrière le Mirroir,” published by Aimée Maeght, WVZ Mourlot 60; this is a copy of the numbered deluxe edition, 37.5 x 56 cm, paper yellowed, mounted unde

Stima

1800 - 2.000 €

Walter Bernstein (Schiffweiler 1901–1981 Neunkirch

141 - Walter Bernstein (Schiffweiler 1901–1981 Neunkirchen), ,Palazzo in Venice, glazed black oil pastel on linen-textured drawing paper, signed lower right, 27 x 27 cm, in a white frame with linen backing, overall size: 31.5 x 31.5 cm. Limit 108,-

Stima

108 - 120 €

Alois Erbach (Wiesbaden 1888–1972 Wiesbaden), “Sym

142 - Alois Erbach (Wiesbaden 1888–1972 Wiesbaden), “Symphony of Big and Small Things,” 1949/50, oil on canvas, signed and dated lower left, signed, dated, and titled again on the reverse, 87 x 67 cm; at the end of World War II, Erbach returned to Germany and turned his attention once again more strongly toward Surrealism, no reserve, limit 360,-

Stima

360 - 400 €

Fritz Sandström (late 19th/early 20th century), *O

143 - Fritz Sandström (late 19th/early 20th century), Old Towpath Along the Canal, 1925, oil on canvas, signed and dated lower left, 46 x 38 cm; only a few watercolors from the World War I era are known to exist by this German painter of Swedish descent, depicting the battles of the Somme; no title. Limit: 135,-

Stima

135 - 150 €

Werner Anton (Hamburg 1902–1973 Hamburg), “Strandh

144 - Werner Anton (Hamburg 1902–1973 Hamburg), “Strandhafen,” oil on hardboard, signed and titled in the lower left corner (scratched into the still-wet paint), 64 x 50 cm; the scene depicts a dockworker handling a boat hook at Hamburg’s Övelgönner Strandhafen, which has always been known as the “Hafenstrand” (harbor beach) due to its natural sandy beach; it served as a mooring spot for barge captains, fishermen, and smaller boats; mounted in a narrow silver frame; overall dimensions: 7

Stima

108 - 120 €

Leo Steck (Davos 1883–1960 Bern), “Walk at Night,”

145 - Leo Steck (Davos 1883–1960 Bern), “Walk at Night,” 1923, oil on canvas, unsigned, titled on the reverse on an old label and bearing the estate stamp, 138 x 86 cm; the painting mentioned on p. 929 of the Artists’ Lexicon of Switzerland, Volume II, p. 929, marks the beginning of Steck’s so-called neoclassical figurative style, which would characterize his work from that point on; mounted on a simple wooden frame; overall dimensions: 143 x 91 cm. Limit 450,-

Stima

450 - 500 €

Leo Steck (Davos 1883–1960 Bern), “The Lamentation

146 - Leo Steck (Davos 1883–1960 Bern), “The Lamentation of Christ,” 1929, oil on canvas, signed lower left, 130 x 97 cm, a large-format painting in the vividly colored, neoclassical figurative style that Steck had been pursuing since the early 1920s and in which the art of the Nabis (Ranson, Denis) still had an influence; mounted on a simple wooden frame; overall dimensions: 135 x 102 cm. Limit 450,-

Stima

450 - 500 €

HAP Grieshaber (Roth a.d. Roth 1909–1981, Eningen

147 - HAP Grieshaber (Roth a.d. Roth 1909–1981, Eningen unter Achalm), “Death and the Youth,” 1971, color woodcut in blue and red on Kochi Japanese paper, signed in pencil lower right, numbered “79/150” lower left, with a facsimile of the poem by Wolf Biermann, dated May 21, 1966, WVZ Fürst 71/56, 45 x 35 cm (paper size: 67 x 52 cm), mounted under glass in a white-coated wooden frame (described), overall size: 70 x 55 cm. Limit 180,-

Stima

180 - 200 €

HAP Grieshaber (Roth a.d. Roth 1909–1981, Eningen

148 - HAP Grieshaber (Roth a.d. Roth 1909–1981, Eningen unter Achalm), , “Heidenheim—Etched in the Memory of the Earth,” 1973, portfolio containing 4 color woodcuts on Japon nacré, each signed in pencil and numbered “22/150,” as well as four poems by Margarete Hannsmann (1921–2007), numbered again in the colophon, in a printed green full-linen folder (with minor signs of wear), Edition Galerie Valentien Stuttgart, 1973, WVZ Fürst 73/46a–49a, paper size: 37.4 x 28.3 cm each, total siz

Stima

108 - 120 €

Elvira Bach (b. Neuenhain, 1951), “Comme des fille

149 - Elvira Bach (b. Neuenhain, 1951), “Comme des filles: Woman with Shoes,” giclée on white semi-cardstock, signed in pencil at the bottom edge and numbered “24/50,” 38 x 50 cm (paper size: 49.5 x 61 cm), unframed, shrink-wrapped. Limited edition 315,

Stima

315 - 350 €

Benno Breyer (Ommersheim 1939–2013 Ommersheim), *O

150 - Benno Breyer (Ommersheim 1939–2013 Ommersheim), On a Horseback Ride, oil on cardboard, signed lower left, 50 x 40 cm, in a wide varnished frame with pearl cord (described), Overall size: 62 x 52 cm. Limit 144,-

Stima

144 - 160 €

Wolfram Huschens (Oberstein/Nahe 1921–1989 Saarbrü

151 - Wolfram Huschens (Oberstein/Nahe 1921–1989 Saarbrücken), Woman with Flowers (Artist’s Model in the Studio), 1951, oil on unprimed canvas, signed and dated lower right, 65 x 92 cm (French stretcher size P 30), created one year after the founding of the Saarland Artists’ Association, of which Huschens was chairman from 1954–57; the painting reflects German artists’ efforts to reconnect with international modernism; set in a silver-contrasted, anthracite-colored frame; overall dimensio

Stima

140 - 280 €

Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrück

152 - Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrücken), ,Portrait of a Woman, 1973, etching on chamois-colored handmade paper, signed and dated on the lower left side of the plate, signed, dated, and numbered “5/50” in pencil on the lower margin, 31.5 x 24.5 cm, mounted under glass with a mat in a black plastic frame; overall dimensions: 60.5 x 50.5 cm. Limited edition of 50

Stima

50 - 100 €

Pierre M. Bresson (b. Paris, 1941), *Untitled*, ca

153 - Pierre M. Bresson (b. Paris, 1941), Untitled, carborundum on yellowish handmade paper, signed in pencil lower right, numbered "52/75" lower left, 58 x 78 cm, the entire sheet mounted on backing board and displayed under glass and a gray, black, and brown-framed wooden frame with a mat; overall size: 82 x 102 cm. Limited edition of 50

Stima

50 - 100 €

Wolfram Huschens (Oberstein/Nahe 1921–1989 Saarbrü

154 - Wolfram Huschens (Oberstein/Nahe 1921–1989 Saarbrücken), inscribed, “Lovers with a Woodpecker,” charcoal drawing on handmade paper perforated on the left side (sketchpad), 41 x 30 cm, an early work, likely created during his studies, mounted under glass and a gray-framed wooden mat, overall dimensions: 52 x 42 cm. Limit 40,-

Stima

40 - 80 €

Hans Schröder (Saarbrücken 1930–2010 Saarbrücken),

155 - Hans Schröder (Saarbrücken 1930–2010 Saarbrücken), “Lovers—Variation,” 1968, bronze, with a greenish patina, fully signed and dated in the upper right corner; see Hans Schröder: Sculptures and Prints 1970–1980, p. 34, 46 x 40 cm, weight: 12.2 kg. Limit 600,

Stima

600 - 700 €

Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrück

156 - Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrücken), ,Half-length portrait of a young woman with red hair, 1957, oil on canvas, signed and dated lower right, two canvas backing pieces on the reverse, one of which bears the artist’s name and address as well as the stamp “Kunstsammlung Manfred Peter Bock, Mannheim,” 81 x 60 cm (French stretcher size P25), various small to very small areas of paint loss; the painting was apparently initially executed as a nude and only later modified ac

Stima

720 - 800 €

Robert Georg Böninger (London 1869–1935 Düsseldorf

157 - Robert Georg Böninger (London 1869–1935 Düsseldorf), Crouching Female Nude (Salomé), oil on canvas, signed upper right, three reinforcements, 82 x 65 cm, stamped on the reverse with “Kunstsammlung Manfred Peter Bock, Mannheim,” in a panel frame with light blue inlay, overall dimensions: 104 x 87 cm. Limit 198,-

Stima

198 - 220 €

Frans Masereel (Blankenberghe, Belgium, 1889–1972,

158 - Frans Masereel (Blankenberghe, Belgium, 1889–1972, Avignon), “La Famille” (The Family), 1944, oil on canvas, monogrammed and dated lower left, signed and dated on the reverse, and stamped “Kunstsammlung Manfred Peter Bock, Mannheim,” WVZ Vorms 549, 50 x 64 cm; in 1944, Masereel spent an extended period depicting the living conditions of poor families during the war; mounted on a brown-tinted Schabingold stretcher, overall dimensions: 65 x 79 cm. Limit 2,250

Stima

2250 - 2.500 €

Fritz Klimsch (Frankfurt am Main, 1870–1960, Freib

159 - Fritz Klimsch (Frankfurt am Main, 1870–1960, Freiburg), “The Crouching Woman,” 1940, biscuit porcelain, based on the artist’s 1936 design (Mold 11581), signed on the plinth, with the green manufacturer’s mark of the Rosenthal Art Department in Selb from 1940 on the base, H: 42 cm. Limit 225,-

Stima

225 - 250 €

Otto Koch (Bolzano 1901–1974 Selb), “Seated Female

160 - Otto Koch (Bolzano 1901–1974 Selb), “Seated Female Nude,” 1940, porcelain, white glaze, based on the artist’s 1930 design (Mold No. 1040), signed on the base, bearing Mold No. 1040 and the green manufacturer’s stamp of the Rosenthal branch factory at Selb Station (Plößberg) from 1940, H: 31 cm. Limit 180,-

Stima

180 - 200 €

Esteban Fekete (Budapest 1924–2009 Dieburg), *Boat

161 - Esteban Fekete (Budapest 1924–2009 Dieburg), Boats at the Lighthouse, 1979, oil on black cardboard, signed and dated lower left, with the dedication "for Max Peter on his 75th - Esteban,” 30 x 45 cm, mounted full-surface on a linen-covered backing board and set in a simple silver frame; overall size: 43 x 58 cm. Price: 225,-

Stima

225 - 250 €

Ernst Fuchs (Vienna 1930–2015 Vienna), “Nachtgesan

162 - Ernst Fuchs (Vienna 1930–2015 Vienna), “Nachtgesang,” 1994, color etching on handmade paper, signed in pencil at the bottom edge and numbered “96/350,” Edition Pro Futura, WVZ Weis 187, stamped on the reverse “Kunstsammlung Manfred Peter Bock, Mannheim,” included: A facsimile of the handwritten manuscript of the poem of the same name by Ernst Fuchs in its original envelope, 32 x 31 cm, mounted under glass and a mat in an antique silver-colored aluminum frame, overall size: 59 x 51

Stima

225 - 250 €

Erich Buschle (Karlsruhe 1901–1991 Saarbrücken), “

163 - Erich Buschle (Karlsruhe 1901–1991 Saarbrücken), “Memories of Dresden: February 13, 1945,” 1955, oil on wood, monogrammed and dated in the lower left corner, along with the date of Dresden’s destruction; titled, dated, and inscribed with the artist’s address in pencil on the reverse, along with the stamp “Kunstsammlung Manfred Peter Bock, Mannheim,” 40 x 50 cm; Buschle had studied at the Dresden Academy from 1924 to 1926 and thus had a special connection to the city, the destructi

Stima

180 - 200 €

Franz Juncker (Speyer 1899–1980 Homburg), ,*In the

164 - Franz Juncker (Speyer 1899–1980 Homburg), ,In the Evening, oil on canvas, signed with a heart symbol in the lower left corner, signed and titled on the back of the stretcher, and stamped “Manfred Peter Bock Art Collection, Mannheim,” reproduced in full color on a full page in: Wilhelm Weber, Franz Juncker 1899–1980: Life and Work, Homburg 1999, page 173, 60 x 70 cm, mounted on a flat Schabingold frame, overall size: 68 x 78 cm. Limit 630,-

Stima

630 - 700 €

Boris Kleint (Masmünster 1903–1996 Völklingen), *U

165 - Boris Kleint (Masmünster 1903–1996 Völklingen), Untitled, 1939, Pencil drawing on medium-weight cardboard (back of plate 182 from Encyclopédie d’Architecture), signed lower right, dated “18.XII.39” lower left, WVZ Maas 223 (with ill.), 14.5 x 25.5 cm (paper size: 20 x 29.7 cm), slightly browned within the mat cutout, under glass and mat in a black plastic frame, overall size: 28 x 38 cm. Limit 900,-

Stima

900 - 1.000 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

166 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), View across the Saar toward the Völklinger Hütte, oil on wood, signed lower right, 48 x 57 cm, a work likely created in the early postwar period, in a carved 19th-century gold frame (as described), overall dimensions: 56 x 65 cm. Limit 900,-

Stima

900 - 1.000 €

Boris Kleint (Masmünster 1903–1996 Völklingen), “R

167 - Boris Kleint (Masmünster 1903–1996 Völklingen), “Roman Building,” 1972, color silkscreen on Vélin d’Arches, signed, dated, titled, and numbered “28/50” in pencil at the bottom margin, 55 x 40 cm (paper size: 65 x 50 cm), beautiful full-edge print in impeccable condition, no price. Limit 360,-

Stima

360 - 400 €

Emma Stern (St. Wendel 1878–1968 Paris), ,Blossomi

168 - Emma Stern (St. Wendel 1878–1968 Paris), ,Blossoming Orchard, oil on hardboard, signed lower right, 31 x 45 cm; despite all the hardships she faced, Emma Stern’s paintings always depicted an idyllic, unspoiled world full of beauty and peace, set in a whitewashed wooden frame with gold trim, overall size: 41 x 55 cm. Limit 400,-

Stima

400 - 500 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

169 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), End of Shift/End of the Workday, watercolor over pencil sketch on cream-colored handmade paper, signed in pencil lower right, 44 x 54 cm, mounted on backing board at all four corners, a characteristic work by the artist depicting the working life of miners, no price. Limit 225,-

Stima

225 - 250 €

Kurt Craemer (Saarbrücken 1912–1961, Province of S

170 - Kurt Craemer (Saarbrücken 1912–1961, Province of Salerno), “Italian Dockworker,” ca. 1940, mixed media (gouache and pastel) on chamois-colored Fabriano handmade paper, unsigned, 48 x 66 cm, each of the four corners with small thumbtack holes, the edges slightly creased, with short tears and signs of wear, a powerful, spontaneously rendered drawing, no title. Limit 108,-

Stima

108 - 120 €

Jean Schuler (St. Ingbert 1912–1984 Paris), “Paris

171 - Jean Schuler (St. Ingbert 1912–1984 Paris), “Paris: Evening at the Place de la Concorde," ca. 1947, oil on canvas, signed "Jean" in the upper left and lower left corners, "Ler" in the lower right corner, WVZ Jung 169 (with ill. 50 on p. 77), 81 x 100 cm (French stretcher size F40), “The colors give the painting a cheerful, spring-like touch. Schuler chooses subdued, delicate tones, not necessarily typical of him. Blue and red hues predominate, along with green, dark blue, and black.” (Ju

Stima

600 - 900 €

Gerhard Dittmar (Magdeburg 1900–1972 Haldensleben)

172 - Gerhard Dittmar (Magdeburg 1900–1972 Haldensleben), ,Lake Constance Landscape, 1921, oil on canvas, dated in pencil on the reverse and inscribed with the artist’s name (traced with a ballpoint pen), 40 x 70 cm, in a wide Schabingold frame, overall dimensions: 50 x 80 cm. Limit 180,-

Stima

180 - 220 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

173 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), “Port City in the South,” gouache on brownish vélin, signed in pencil lower left, 34 x 50 cm, mounted under glass with a double mat in a blue frame accented with silver, overall dimensions: 53 x 68 cm. Limit 405,-

Stima

405 - 450 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

174 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), Winter Landscape, gouache and pastel on brownish handmade paper, signed in pencil lower right, 36 x 48 cm, mounted under glass with a mat in a blue frame accented with silver, overall dimensions: 56 x 68 cm. Limit 405,-

Stima

405 - 450 €

Jean Schuler (St. Ingbert 1912–1984 Paris), “Harbo

175 - Jean Schuler (St. Ingbert 1912–1984 Paris), “Harbor Pier,” ca. 1950, gouache and lacquer paints on handmade paper, signed in pen lower right, WVZ Jung 188 (Fig. 400 on p. 301), 55 x 71 cm, a vivid depiction of a southern French harbor (Collioure?), mounted under glass with a mat in a simple wooden frame; overall dimensions: 74 x 90 cm. Limit 495,-

Stima

495 - 550 €

Alfred Mumbächer (Mainz 1888–1953 Mainz), "Munich,

176 - Alfred Mumbächer (Mainz 1888–1953 Mainz), "Munich, At Stachus" (View of the Old St. Matthew’s Church), ca. 1930, oil on canvas, signed lower right, titled on the reverse and bearing the artist’s Munich address, 50 x 70 cm, depicting St. Matthew’s Church, which was demolished in 1939, and, at the left edge of the painting, one of the Munich streetcar “E-Wagen” models that entered service in 1925, in an ivory-colored frame accented with burgundy, overall size: 60 x 80 cm. Limit 180,-

Stima

180 - 250 €

Fritz Berberich (Schnappach 1909–1990 Schnappach),

177 - Fritz Berberich (Schnappach 1909–1990 Schnappach), Spring in the Village, 1963, watercolor on white vélin, signed and dated "April 63" in pencil in the lower right corner, 30 x 42 cm, a watercolor undoubtedly created spontaneously on site without an underlying pencil sketch, mounted under glass with a mat in a narrow ivory-colored frame; overall size: 54 x 63 cm. Limit 280,-

Stima

280 - 350 €

Fritz Berberich (Schnappach 1909–1990 Schnappach),

178 - Fritz Berberich (Schnappach 1909–1990 Schnappach), “Southern Landscape with Donkey,” 1962, pastel on handmade paper, signed and dated lower left, 35 x 46 cm, mounted in a narrow silver frame, overall dimensions: 51 x 61 cm. Price: 280,-

Stima

280 - 350 €

Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken),

179 - Fritz Zolnhofer (Wolfstein 1896–1965 Saarbrücken), “Revierlandschaft” (Two Miners on Their Way Home), ca. 1930, oil on canvas, signed lower left, signed and titled on the reverse, 61 x 81 cm, in a wide, black-edged silver frame, overall dimensions: 75 x 95 cm. Limit 650,-

Stima

650 - 850 €

Helmut Collman (Rehlingen 1918–1996 Saarbrücken),

180 - Helmut Collman (Rehlingen 1918–1996 Saarbrücken), “Gothic Church—Niederkirchen,” oil on canvas, mounted on a wooden panel, signed lower left, 29 x 24 cm; the Margarethenkirche in Niederkirchen is considered one of the best-preserved Gothic village churches in the Saarland and is listed as a historic monument; mounted in a simple light-gray wooden frame (described); overall dimensions: 35 x 30 cm. Limit 120,-

Stima

120 - 180 €

Unknown 20th-century artist, ,Female nude reclinin

181 - Unknown 20th-century artist, ,Female nude reclining on a sofa, pastel chalks on brownish vélin, unsigned, 25 x 34 cm, mounted under glass with a mat in a narrow gold frame, overall size: 40 x 48 cm. Price: 60,-

Stima

60 - 80 €

Jacques Villon (Damville 1875–1963 Puteaux), “Les

182 - Jacques Villon (Damville 1875–1963 Puteaux), “Les Mondes” (The Worlds), 1954/59, color lithograph on vélin based on a watercolor-enhanced pen-and-ink drawing from 1954, published in “XXe Siècle,” No. 12, May–June 1959, published by Société Internationale d’Art XXe Siècle, Paris; printed by Mourlot, Paris, 1959; WVZ: Pouillon/Ginestet, page 94, 28.8 x 19.4 cm (paper size: 32 x 24.7 cm), under glass and mat in a cream-colored frame, overall size: 43 x 33 cm.

Stima

162 - 180 €

Jürgen Brodwolf (b. Dübendorf, 1932), “Dachgarten,

183 - Jürgen Brodwolf (b. Dübendorf, 1932), “Dachgarten,” 1975, assemblage (two tubular figures, wire mesh, cotton wool, fabric, dried flowers) in a glass-covered wooden box, signed in pencil on the inside lower right, titled in pencil on the upper right, and inscribed “for Dr. and Mrs. Salzmann, Dec. 6, 75,” H: 24 cm, W: 32.5 cm, D: 6 cm, from the estate of art historian Siegfried Salzmann (1928–1994), director of the Wilhelm Lehmbruck Museum in Duisburg from 1971 to 1984 and director of

Stima

405 - 450 €

Otmar Alt (b. Wernigerode, Harz, 1940), “Flower” (

184 - Otmar Alt (b. Wernigerode, Harz, 1940), “Flower” (crane’s-bill), 1986, bronze, patinated dark brown to green with crimson accents, bearing the foundry mark of Bildgießerei Kraas, Berlin, beneath the base ring, H: 21 cm, from the estate of art historian Siegfried Salzmann (1928–1994), director of the Wilhelm Lehmbruck Museum in Duisburg from 1971 to 1984 and director of the Bremer Kunsthalle from 1985 to 1993. Limit 270,-

Stima

270 - 300 €

Adolf Luther (Uerdingen 1912–1990, Krefeld), *Unti

185 - Adolf Luther (Uerdingen 1912–1990, Krefeld), Untitled (Lens Object: Light Lock), round Plexiglas object consisting of three nested forms, diameter: 14 cm, H: 1.5 to 6 cm, superficial scratches, from the estate of art historian Siegfried Salzmann (1928–1994), director of the Wilhelm Lehmbruck Museum in Duisburg from 1971 to 1984 and director of the Bremer Kunsthalle from 1985 to 1993. Limit 450,-

Stima

450 - 500 €

Friedrich Werthmann (Barmen 1927–2018 Düsseldorf-K

186 - Friedrich Werthmann (Barmen 1927–2018 Düsseldorf-Kaiserswerth), ,Spherical sculpture, steel, brown patina, diameter: 7.7 cm, from the estate of art historian Siegfried Salzmann (1928–1994), director of the Wilhelm Lehmbruck Museum in Duisburg from 1971 to 1984 and director of the Bremer Kunsthalle from 1985 to 1993. Limit 270,-

Stima

270 - 300 €

Eduard Spörri (Wettingen 1901–1995 Wettingen), *Se

187 - Eduard Spörri (Wettingen 1901–1995 Wettingen), Seated Female Torso, bronze, black-brown patina, monogrammed (stamped) on the right side of the plinth, H: 16 cm, W: 10 cm, D: 15 cm, from the estate of art historian Siegfried Salzmann (1928–1994), director of the Wilhelm Lehmbruck Museum in Duisburg from 1971 to 1984 and director of the Bremer Kunsthalle from 1985 to 1993. Limit 315,-

Stima

315 - 350 €

Karl Prasse (Duisburg 1906–1997 Mühlheim/Ruhr), "S

188 - Karl Prasse (Duisburg 1906–1997 Mühlheim/Ruhr), "Seated Female Torso," ca. 1960, cast aluminum, monogrammed on the underside, a scaled-down version of the sculpture of the same name installed in Mühlheim (location: Prinzeß-Luise-Str. 109); the “Seated Torso” is a key work in the artist’s oeuvre, as it is one of the last figurative works that Prasse created before he increasingly broke free from his attachment to the human body in the 1960s and turned to freer forms; H: 23.5 cm, on a s

Stima

108 - 120 €

Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrück

189 - Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrücken), “The Crucifixion—Golgotha—Victims of Fascism,” 1947/74, drypoint etching on heavy handmade paper, signed and dated 1947 in the lower left corner of the plate, signed in pencil along the lower margin, labeled “E(preuve d’)A(rtiste),” and dated again “1947,” Lackenmacher used a charcoal drawing from 1947 as a model, which he finally executed as an etching in 1974; the figure bent over, hiding her face behind her hands at

Stima

160 - 180 €

Peter Wever (b. Lüdenscheid, 1950), “Kissenküsser,

190 - Peter Wever (b. Lüdenscheid, 1950), “Kissenküsser,” color aquatint etching on heavy handmade paper, signed, titled, and numbered “24/80” in pencil at the bottom margin, 33 x 48.5 cm (paper size: 53 x 76 cm), crease in the lower left corner, otherwise in perfect condition, no price. Limit 110,-

Stima

110 - 120 €

Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrück

191 - Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrücken), *Night Over the City: Lovers Against a Cityscape, 1962, ink drawing with minimal white highlights on vélin, signed and dated on the right at mid-height on one of the window sills, 96 x 67 cm, Here, Lackenmacher explores modern urban life, characterized by desire, longing, and loneliness, mounted in a triple black-edged silver frame; overall dimensions: 105 x 76 cm. Limit 2,880,-

Stima

2880 - 3.200 €

Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrück

192 - Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrücken), Two Female Half-Nudes, 1960, oil on canvas, monogrammed and dated in the upper right corner, 90 x 70 cm; in the early 1960s, Lackenmacher contributed to the then-emerging Pop Art movement with paintings like this one, which he executed in bold colors and with emphasized outlines; in a simple gold frame, Overall size: 93 x 73 cm. Limit 1,080

Stima

1080 - 1.200 €

Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrück

193 - Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrücken), Prisoners, 1947, pen-and-ink drawing on brownish vellum, signed and dated “19.12.47” vertically on the left-hand side, 62.5 x 58 cm, an important early drawing from the series of prisoner drawings created while studying under Frans Masereel at the State School of Art and Crafts in Saarbrücken, “against the resistance of his teachers, who taught the constructivist Bauhaus tradition and the abstraction of the École de Paris, he d

Stima

1620 - 1.800 €

Richard Eberle (Altenwald 1918–2001 Saarbrücken),

194 - Richard Eberle (Altenwald 1918–2001 Saarbrücken), Summer Flowers in a Brown Jug and a Green Bottle, 1994, watercolor on handmade paper, signed and dated in ink lower right, 53 x 36 cm, mounted on backing board and framed under glass in a simple antique silver frame, overall size: 62 x 46 cm. Limit 162,-

Stima

162 - 180 €

Richard Eberle (Altenwald 1918–2001 Saarbrücken),

195 - Richard Eberle (Altenwald 1918–2001 Saarbrücken), Summer Flowers in a Green Glass Vase and Porcelain Jug, 1992, watercolor on handmade paper, signed and dated in ink lower right, 51.5 x 37.5 cm, mounted under glass in a simple gold frame, overall size: 59 x 45 cm. Limit 162,-

Stima

162 - 180 €

Richard Eberle (Altenwald 1918–2001 Saarbrücken),

196 - Richard Eberle (Altenwald 1918–2001 Saarbrücken), “Vacation Time”: Dolce far niente, 1990, watercolor over pencil sketch on handmade paper, signed and dated lower right, 42 x 56 cm, mounted on backing board and framed under glass in a simple antique silver frame, overall size: 51 x 65 cm. Limit 180,-

Stima

180 - 200 €

Richard Eberle (Altenwald 1918–2001 Saarbrücken),

197 - Richard Eberle (Altenwald 1918–2001 Saarbrücken), The Saarbrücken Old Town Festival at St. Johanner Markt, 1994, watercolor on handmade paper, signed and dated lower right, 44 x 57 cm, mounted on backing board and framed under glass in a simple antique silver frame, overall size: 54 x 67 cm. Limit 180,-

Stima

180 - 200 €

Wolfgang Gorius (Hagen, Westphalia, 1932–2003, Saa

198 - Wolfgang Gorius (Hagen, Westphalia, 1932–2003, Saarbrücken), Lachesis: One of the Three Fates, oil on wood panel, signed lower right, 100 x 60 cm; the three goddesses of fate in Greek mythology were Klotho (the spinner of the thread of life), Lachesis (the one who determines the length of the thread of life), and Atropos (the one who cuts the thread of life), mounted on a white studio board, overall dimensions: 101.5 x 61.5 cm. Limit 252,-

Stima

252 - 280 €

Wolfgang Gorius (Hagen, Westphalia, 1932–2003, Saa

199 - Wolfgang Gorius (Hagen, Westphalia, 1932–2003, Saarbrücken), “Stylized Face,” oil on hardboard, signed lower right, 19 x 14 cm. Like Jawlensky, Gorius also explored the depiction of human faces through basic geometric forms; mounted in a Viennese passe-partout with a fabric mat in a gold frame; overall size: 36 x 31 cm. Limit 81,-

Stima

81 - 90 €

Benno Breyer (Ommersheim 1939–2013 Ommersheim), *W

200 - Benno Breyer (Ommersheim 1939–2013 Ommersheim), Workers at the Blast Furnace, 2003, gouache and pastel chalks over ink on Hammerbütten paper, signed and dated in pencil lower left, 48 x 68 cm, an exceptionally powerful and atmospheric depiction of working life, mounted under glass with a red-accented black mat, overall size: 73 x 94 cm. Limit 162,-

Stima

162 - 180 €

Arnold Balwé (Dresden 1898–1983 Prien am Chiemsee)

201 - Arnold Balwé (Dresden 1898–1983 Prien am Chiemsee), “Harvest Wagon” (During the Hay Harvest), ca. 1955, oil on canvas, signed lower right, signed and titled again on the reverse, and bearing the stamp of Schöberl, a paint dealer in Prien that operated until the late 1950s; a vividly colored painting depicting everyday rural life, 76 x 110 cm, in a flat, ivory-colored frame with a silver trim; overall dimensions: 88 x 122 cm. Limit 3,240,-

Stima

3240 - 3.600 €

Freestanding coat rack, mid-20th century, in the s

206 - Freestanding coat rack, mid-20th century, in the style of Roger Féraud, black-lacquered metal rods topped with wooden balls lacquered in blue, red, yellow, and green, H: 126 cm, D: 28.5 cm. Limit 180,-

Stima

180 - 200 €

De Sede, armchair with footstool, M DS-44, Switzer

207 - De Sede, armchair with footstool, M DS-44, Switzerland, 1970s, buffalo neck leather, 56 x 61 cm, H: 34 cm. Armchair 98 x 58 cm, H: 70 cm. Limit 270,-

Stima

270 - 300 €

Sculptural Chair, 1994, oak, sawn, shaped, and joi

208 - Sculptural Chair, 1994, oak, sawn, shaped, and joined; finished with a glaze and a matte black lacquer ranging from translucent to opaque; designed by Rudi Muth (b. Freiensteinau, 1947); signed and dated “Muth 4.1994” on the underside of the seat (incised); the Frankfurt-based family business is known nationwide for its one-of-a-kind chairs made from 30- to 120-year-old oak wine barrels; minor dents and signs of wear, though these could also stem from the barrels used; seat height: 47 cm, wi

Stima

162 - 180 €

Armchair, Tonon, Second half of the 20th century,

209 - Armchair, Tonon, Second half of the 20th century, wood, clear varnish and black lacquer, black seat cushion, with repeated "Tonon" lettering on the underside; the long-established company was founded in 1926 in Manzano (province of Udine), seat height: 47 cm, W: 45 cm, D: 40 cm, total height: 110 cm. Limit 108,-

Stima

108 - 120 €

Crescent-shaped chest of drawers, Roberto Ventura,

210 - Crescent-shaped chest of drawers, Roberto Ventura, late 20th century, wood, painted black, rounded front, 3 drawers, each with two handles, 2x height 16 cm, 1x height 32 cm, front with inlaid acrylic panels in a wood-grain finish, design: Roberto Ventura, manufacturer’s label on the back reading “Roberto Ventura – Made in Italy,” H: 85 cm, W: 135 cm, D: 60 cm. Limit 315,-

Stima

315 - 350 €

"Alato" Armchair, 1980s, Pietro Costantini, wood,

211 - "Alato" Armchair, 1980s, Pietro Costantini, wood, black piano lacquer, black upholstery, label on the underside of the seat reading "Pietro Costantini, Made in Italy," seat height: 47 cm, W: 47 cm, D: 45 cm, total height: 102 cm. Limit 180,-

Stima

180 - 200 €

Argyle Chair, after Charles R. Mackintosh, 1973, s

212 - Argyle Chair, after Charles R. Mackintosh, 1973, sculptural chair, ebonized oak, black-and-blue horsehair upholstery, Designed by Charles Rennie Mackintosh (1868–1928) in 1897 for Mrs. Cranston’s Tearoom on Argyle Street in Glasgow; considered the first chair with a sculptural backrest; manufacturer: Cassina, with its certificate No. 3548 from 1973, seat height: 46 cm, width: 47 cm, seat depth: 40 cm, total height: 136 cm. Limit 270,-

Stima

270 - 300 €

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