Auktionskalender

Contemporary Art and Design - All prices include the buyer's premium!

Contemporary Art and Design - All prices include the buyer's premium!

Live

am Samstag, 28. November | 11:00 AM

Eppli Auktionshaus

+49 711 997008160 info@eppli.com

Sporerstr. 8 70173, Stuttgart

162 Ergebnisse

HAP GRIESHABER FOR ROSENTHAL, extensive dinner and

600 - HAP GRIESHABER FOR ROSENTHAL, extensive dinner and coffee service "Pastorale," Rosenthal studio-linie, 1970s. "Duo" design by Ambrogio Pozzi. Decor: HAP Grieshaber (1909–1981), Artist Collection Series. Porcelain, white glazed, with monochrome, black-and-white woodcut decoration “Pastorale” (figurative and floral motifs, birds, and mythical creatures). Coffee pots / serving pots. Coffee cups and saucers. Soup tureen. Pouring vessels / milk jugs & sugar bowls. Dinner plates, bowls &

Schätzung

600 - 1.500 €

ERNST FUCHS & IVAN RABUZIN FOR ROSENTHAL, two

601 - ERNST FUCHS & IVAN RABUZIN FOR ROSENTHAL, two large decorative bowls from the “Suomi” series, Germany, Selb, Rosenthal studio-linie. Porcelain, white, glazed, decorated in polychrome overglaze colors and with gold leaf. Basic “Suomi” form designed by Timo Sarpaneva (1976). “Ernst Fuchs” bowl: Decor featuring a fantastical, surrealist female head and floral motifs. Marking on the outer rim: “Ernst Fuchs 500/271 Rosenthal Limited Art Series.” “Ivan Rabuzin” bowl: Poetic, na

Schätzung

260 - 400 €

ROSENTAHL Rosenthal studio-linie, 1970s. Designed

602 - ROSENTAHL Rosenthal studio-linie, 1970s. Designed by Timo Sarpaneva, 1976. Porcelain, white, glazed. Wide, matte gold trim along the rim and a full-surface gold finish on lids and handles. This extensive tableware set, based on the iconic “Suomi” form, captivates with its clean, Scandinavian-inspired design. The bold gold decoration lends the pieces a luxurious elegance and highlights the organic geometry of the design.

Schätzung

260 - 600 €

ERNST FUCHS FOR ROSENTHAL “Griffin with Snake” Ros

603 - ERNST FUCHS FOR ROSENTHAL “Griffin with Snake” Rosenthal, Studio Line. Bisque porcelain, partially painted in orange. 1970s. Design: Ernst Fuchs. Limited edition of 100 pieces, signed “Ernst Fuchs” and bearing the Rosenthal company mark and the designation “Limited Art Series 100.” Depiction of a dying griffin holding a snake’s body in its raised right paw; the snake’s head, depicted with its mouth open, serves as a candleholder. H. 32 cm; W. 17 cm; D. 32 cm. The griffin’s body

Schätzung

130 - 300 €

SALVADOR DALÍ FOR ROSENTHAL, "Suomi" Lidded Tureen

604 - SALVADOR DALÍ FOR ROSENTHAL, "Suomi" Lidded Tureen; Design: Timo Sarpaneva, 1976. No. 26/500. Decoration: Salvador Dalí. Rosenthal Studio Line / Rosenthal Galerie, Germany. Porcelain, glazed, richly gilded, and adorned with surrealist decoration. The signature “Dalí” is printed on the side, along with the “Rosenthal Galerie” company mark featuring a crown. A rare and exceptional porcelain lidded tureen from the renowned “Rosenthal Galerie Edition.” The iconic, rounded, organic for

Schätzung

130 - 300 €

LINO SABATTINI FOR ROSENTHAL "Sculptural Vase with

605 - LINO SABATTINI FOR ROSENTHAL "Sculptural Vase with Gold Accents" Rosenthal Studio-Linie, Germany. Porcelain, white glazed, rim partially gilded. On the underside, a green stamp mark reading “Rosenthal studio-linie GERMANY” and a green artist’s signature “Lino Sabattini.” An elegantly curved, large-format porcelain vase with an organic, boat- or ship-like design. The design is by the famous Italian silversmith and designer Lino Sabattini, who is known for his flowing, minimalist forms.

Schätzung

130 - 300 €

MEISSEN modern vase, first-grade, 20th/21st centur

606 - MEISSEN modern vase, first-grade, 20th/21st century. White porcelain with polychrome floral decoration and gold accents; the handle is shaped like a lizard; decoration and painter's number 650071/M15, H. approx. 18.5 cm.

Schätzung

650 - 1.200 €

ROSENTHAL 44-piece "Flash One" set, 20th-century d

607 - ROSENTHAL 44-piece "Flash One" set, 20th-century design by Dorothy Hafner (1982), 6 cups, 6 saucers, 6 breakfast plates, 1 teapot, 1 tea warmer, 1 milk pitcher, 1 sugar bowl, 1 vase (H. approx. 19 cm), 1 candleholder, 1 salt shaker, 1 pepper shaker, 6 dinner plates, 6 egg cups, and 6 dessert bowls. Very well preserved, mostly with original packaging.

Schätzung

360 - 700 €

ROSENTHAL, 21-piece breakfast set for 6 people, "T

608 - ROSENTHAL, 21-piece breakfast set for 6 people, "The Magic Flute (White)," 20th century. 6 coffee cups, 6 saucers, 6 breakfast plates (diameter approx. 22 cm), 1 coffee pot, 1 milk pitcher, and 1 sugar bowl.

Schätzung

400 - 800 €

ROSENTHAL, 25-piece dinner set for 6 people, "The

609 - ROSENTHAL, 25-piece dinner set for 6 people, "The Magic Flute (White)," 20th century. 6 soup bowls, 6 saucers, 6 dinner plates, 3 side plates, 1 sauce boat with 1 saucer, 1 large bowl, and 1 serving platter.

Schätzung

650 - 1.300 €

ROSENTHAL "Cupola" Coffee and Dinner Service, 20th

610 - ROSENTHAL "Cupola" Coffee and Dinner Service, 20th century. Designed by Mario Bellini, consisting of 1 teapot, 8 cups with saucers, 8 dessert plates, D 21 cm, sugar bowl and milk jug, each with a dome-shaped lid, 6 dinner plates, diameter 26 cm; in the “Cupola Diagonale” design: 1 lidded tureen on 3 legs, diameter 23.5 cm, and a round platter, diameter 31 cm. In good condition.

Schätzung

550 - 900 €

DALÍ, SALVADOR (1904–1989) “Triomphale” glass plat

750 - DALÍ, SALVADOR (1904–1989) “Triomphale” glass plate with original certificate. Circa 1970, Daum Frères, Nancy. Translucent, partially colored pâte de verre (glass paste). Relief decoration based on a design by the artist. Dimensions: Diameter: approx. 26.5 cm. Signed “Dalí” in the glass and bearing the manufacturer’s stamp “Daum France.” Accompanying original certificate typographically labeled, numbered “1307/2000,” and hand-signed by the publisher. Edition: Copy 1307 of

Schätzung

100 - 200 €

DALÍ, SALVADOR (1904–1989) Plate “Ceci n’est pas u

751 - DALÍ, SALVADOR (1904–1989) Plate “Ceci n’est pas une assiette,” 1970s. Pâte de verre, solid-colored dark violet, cast in a mold. Diameter: approx. 25.5 cm. Marked in the center (molded into the piece): “CECI N’EST PAS UNE ASSIETTE” and signed “Dalí.” Produced by Daum Frères, Nancy. Item number: 1307 / 2000. Comes with the original Daum certificate (manufacturer’s stamp and handwritten number 1307/2000, as well as a printed signature). Round, flat plate made of translucent

Schätzung

100 - 200 €

GLASS ARTIST "Large Studio Glass Object" 1979 Colo

752 - GLASS ARTIST "Large Studio Glass Object" 1979 Colorless, thick-walled glass with a light, smoky topaz-colored underglaze. A solid, round object freely formed from a single mass of glass. The smooth, lens-shaped, domed top reveals an artfully enclosed, dynamically twisted spiral at its core, which creates fascinating depth effects through optical refraction. The underside is flat-ground and polished. Indistinctly signed, marked “EA 30 / 1979.” H x L: approx. 13 cm x 23 cm. Very good condition

Schätzung

200 - 350 €

IVAN RABUZIN & ERNST FUCHS FOR ROSENTHAL “Two

753 - IVAN RABUZIN & ERNST FUCHS FOR ROSENTHAL “Two Commemorative Glass Plates” 1978 and 1980 Rosenthal studio-linie, limited-edition art series piece. Glass, hand-blown / cast, partially satin-finished and embossed. Ivan Rabuzin (1921–2008), opal-white/milky glass, embossed with stylized, naive floral and landscape motifs typical of Rabuzin. Signed “Ivan Rabuzin” on the lower rim, as well as labeled and numbered. One of a limited edition of 3,000 numbered and signed pieces. In original

Schätzung

260 - 500 €

HORST TÜSELMANN "Rare Brutalist Block Vase" Ichend

754 - HORST TÜSELMANN "Rare Brutalist Block Vase" Ichendorf Glashütte, ca. 1965. Colorless, thick-walled molded glass cast in a mold. Heavy, rectangular body with an expressive, sculpturally rendered honeycomb and bubble design on the display sides. The tactile surface relief refracts light in a manner characteristic of the late mid-century and Space Age eras. Dimensions: H 29 cm. No chips or cracks; isolated, age-related scuff marks on the base.

Schätzung

200 - 350 €

LARGE STUDIO GLASS BOWL Nachtmann, Neustadt an der

755 - LARGE STUDIO GLASS BOWL Nachtmann, Neustadt an der Waldnaab, second half of the 20th century. Colorless, thick-walled glass with multicolored, dynamically flowing bands and powder fusions in shades of green, yellow, and dark brown/black. Deep, hemispherical shape with a slightly recessed rim. Marked “NACHTMANN” on the base. Dimensions: H 21 cm, D 28.5 cm. Very good condition.

Schätzung

260 - 350 €

LARGE WMF IKORA VASE AND TABLE LAMP Large Ikora va

756 - LARGE WMF IKORA VASE AND TABLE LAMP Large Ikora vase: WMF (Württembergische Metallwarenfabrik), Geislingen, circa 1930 / 1950s. Design/Model No.: 8112. Colorless glass with a bold red underglaze fusing, fine, web-like oxide and crinkle fusing in black and shades ranging from golden yellow to greenish. Slender, baluster-shaped body with a widely flared, moderately curved rim. Edge ground and polished. Very good condition, consistent with its age. Dimensions: H. 43 cm.

Schätzung

200 - 400 €

HAJEK, OTTO HERBERT “Glas-Zeichen” 1984 Rosenthal,

757 - HAJEK, OTTO HERBERT “Glas-Zeichen” 1984 Rosenthal, Selb, 1984. Colorless glass, partially overglazed in red, blue, and yellow, cut and polished; on a black base. H: approx. 30 cm. (with base, 33 cm.) Signed “O. H. Hajek” on the glass surface. Under the base, the manufacturer’s adhesive label reads: “Rosenthal Limited Art Series GERMANY / 1984 Glass Object of the Year / Herbert Hajek 750/150.” Copy 150 of an edition of 750 numbered and signed copies. In original presentation box. In

Schätzung

260 - 350 €

LOHÉ, YVES (1947) "Seahorse" Sculpture in patinate

830 - LOHÉ, YVES (1947) "Seahorse" Sculpture in patinated bronze and colored glass. H: 29 cm. The sculpture depicts a stylized, upright seahorse resting on an irregularly shaped bronze base. It is characterized by Lohé’s signature and masterful combination of two contrasting materials. The animal’s body is made of artfully crafted, multicolored glass (pâte de verre). The colors transition from deep blue and green at the base to warmer shades of yellow and gold, culminating in a translucent head

Schätzung

260 - 400 €

LOHÉ, YVES (1947) "The Dancer with the Violin" Bro

831 - LOHÉ, YVES (1947) "The Dancer with the Violin" Bronze, patinated and partially polished, combined with solid art glass, partially frosted, dyed in shades of green and amber. Mounted on a rectangular plinth. A dynamically designed composition featuring a graceful bronze dancer in expressive motion, elegantly nestled against the body of a stylized violin. The body of the instrument and its slender neck are crafted from solid, richly layered glass, which creates a captivating play of colors when h

Schätzung

260 - 400 €

LOHÉ, YVES (1947) "Seagulls Flying Over the Waves"

832 - LOHÉ, YVES (1947) "Seagulls Flying Over the Waves" Bronze, patinated and partially polished, combined with solid art glass, dyed in shades of blue, amber, and opal. Mounted on an irregularly shaped, relief-carved bronze plinth. An expressive, horizontally oriented composition. Perched atop an organically structured bronze plinth—which depicts a stylized, dynamic wave surface—is a gracefully rendered bronze seagull in full flight. Above it, supported by a discreet mounting, rises a second se

Schätzung

460 - 600 €

LOHÉ, YVES (1947) "Two Fish in a Coral Reef" Bronz

833 - LOHÉ, YVES (1947) "Two Fish in a Coral Reef" Bronze, patinated and partially polished, combined with solid art glass, dyed in vibrant shades of blue, yellow, and green. Set on an irregular, relief-carved bronze plinth shaped like a seabed with stylized wave or coral structures. A vertically soaring, maritime composition. A large angelfish or coral fish made of polychrome art glass rises from the organically shaped bronze plinth. The artful layering of colors flows seamlessly from a deep ocean b

Schätzung

460 - 600 €

LOHÉ, YVES (1947) "The Butterfly Woman" Bronze, pa

834 - LOHÉ, YVES (1947) "The Butterfly Woman" Bronze, patinated and partially polished, combined with solid art glass, dyed in vibrant shades of green, blue, and violet. On a round, relief-adorned bronze plinth. An exceptionally elegant and delicate composite sculpture. The graceful, youthful female figure, crafted from patinated bronze, is depicted in a floating, dance-like pose. Her outstretched arms flow seamlessly into the monumental wings of a butterfly, which are formed from two large, solid el

Schätzung

460 - 600 €

BRADT, GORDON (1924) Kinetic table clock “Six Man

835 - BRADT, GORDON (1924) Kinetic table clock “Six Man Clock,” Kinetico Studios, USA, 1970s / 1980s. Brass, assembled and soldered, electromechanical drive. A rectangular, delicate brass frame resting on four legs. At the center is a complex, open gear train with a skeletonized dial. The gear train is driven and kept in motion by six stylized, moving figures in constant kinetic action. In the upper right corner is an attached, round brass plaque bearing the artist’s embossed signature “Bradt.

Schätzung

3.000 - 4.500 €

DUVAL-BRASSEUR, JAQUES (1934–2021) "Marabu" Brass

836 - DUVAL-BRASSEUR, JAQUES (1934–2021) "Marabu" Brass and bronze, partially patinated. H: 47 cm. (with base). Signed "J D BRASSEUR" on the wing. Mounted on a square wooden base. A stylized and expressive sculpture of a standing marabou. The French artist Jacques Duval-Brasseur is known for his decorative animal sculptures from the Mid-Century Modernist period, in which he skillfully combines various metal alloys. The head and slender legs are crafted from dark-patinated bronze, while the full-bodi

Schätzung

300 - 800 €

MORENO ROMERA, MIGUEL (1935) "Seated Female Figure

837 - MORENO ROMERA, MIGUEL (1935) "Seated Female Figure" Metal, embossed, directly welded, and chrome-plated. Hands clasped behind the neck. Mounted on a veined white marble pedestal. Total height: approx. 41 cm. The lower part of the metal structure bears the artist’s monogram. This sculpture is a characteristic example of the avant-garde work of the Granada-born sculptor Miguel Moreno Romera from the 1970s and 1980s. Moreno, who came from a prominent Spanish family of goldsmiths, combines the tra

Schätzung

300 - 500 €

HAUSNER, RUDOLF (1914–1995) “Adam Well Protected”

838 - HAUSNER, RUDOLF (1914–1995) “Adam Well Protected” 1994 Bronze, with a brown patina and partially gilded or polished. Mounted on a square, dark gray-black veined marble base. Height of the bronze: 12 cm; total height with base: approx. 20.5 cm. Foundry mark on the reverse, to the right of the shoulder: venturi arte. Signed, numbered, and stamped on the reverse: R. Hausner 762 / 1250. Rudolf Hausner is one of the most significant representatives of the Viennese School of Fantastic Realism. H

Schätzung

650 - 900 €

FUCHS, ERNST (1930–2015) “Bust of Flora,” 1988. Br

839 - FUCHS, ERNST (1930–2015) “Bust of Flora,” 1988. Bronze, with a light brown patina and a partially greenish patina. Mounted on an octagonal, light-colored marble pedestal. Height of the bronze: approx. 23 cm; total height with pedestal: approx. 43 cm. Signed on the side of the casting: Ernst Fuchs. Numbered, dated, and stamped with the foundry mark on the lower edge of the back: '02 STRASSACKER KUNSTGUSS SÜSSEN 89 / 299. Ernst Fuchs, co-founder of the Vienna School of Fantastic Realism, fr

Schätzung

2.500 - 3.500 €

CLEREN, JEAN-PAUL (1940–2017) “Osmose” 1990 Sculpt

840 - CLEREN, JEAN-PAUL (1940–2017) “Osmose” 1990 Sculpture / stele. Tinted and transparent Plexiglas with metallic relief inclusion. 32 x 13 x 13 cm. Signed “Jean-Paul Cleren 23” and engraved at the base. The tall, rectangular Plexiglas stele “Osmose” explores the harmonious interplay of two faces, which stylishly merge with one another in the relief of the enclosed metal element. Through the interplay of light, shadow, and refraction within the tinted cast block, the sculpture takes on

Schätzung

850 - 1.200 €

BRASLOW, PAUL (1927–2013) “Standing Female Figure”

841 - BRASLOW, PAUL (1927–2013) “Standing Female Figure” 1981 Bronze, green patina, partially polished. Mounted on a black plastic base. Height (with base) approx. 42 cm. Signed, dated, and numbered on the back right of the plinth: 'Braslow 1981 7/125' (engraved). Number 7 of an edition of 125. This slender, elegantly soaring sculpture captivates with the dynamic interplay between the matte, greenish patina of the robe and the mirror-polished surface that accentuates the face and upper head. Her

Schätzung

260 - 400 €

WUNDERLICH, PAUL (1927–2010) “Great Minotaur” 1989

842 - WUNDERLICH, PAUL (1927–2010) “Great Minotaur” 1989 Bronze, partially green patinated and partially polished. 185 x 29 x 45.5 cm. Signed, dated, and numbered on the edge of the plinth: Wunderlich 89 6/1000. The monumental bronze sculpture “Great Minotaur” ranks among the most iconic major works of sculpture in Paul Wunderlich’s mature oeuvre. The artist, one of the most significant representatives of postwar fantastical-surrealist art, takes up the central mythological motif of the an

Schätzung

4.600 - 6.000 €

JOLLY PRIETO, ENRIQUE (1932–2000) “Amantes.” Silve

843 - JOLLY PRIETO, ENRIQUE (1932–2000) “Amantes.” Silver- and gold-plated electroformed sculpture with organically curved forms on a black base, produced at the D’Argenta factory (Mexico), limited to 500 copies (483/500), marked 'D'Argenta INTERNACIONAL SA MEXICO JOLLY 483/500', height approx. 33.5 cm. Base shows dents, scratches, and signs of age.

Schätzung

260 - 500 €

THUILOT, Ludger (born 1960 in Bocholt) "Bulls," 21

844 - THUILOT, Ludger (born 1960 in Bocholt) "Bulls," 21st century flat sculpture of two fighting bulls made of driftwood, rendered in relief and seamlessly merging into a Corten steel stele, assembled in three parts, rectangular plinth, front painted in shades of red, signed in the cast, base with minor damage; H 179 x W 53.

Schätzung

1.000 - 1.800 €

Round porcelain vase, PEKING, 2005 A modern interp

1150 - Round porcelain vase, PEKING, 2005 A modern interpretation of a Chinese vase with a short, funnel-shaped, flared neck. The surface features a varied texture, with both matte and glazed areas. The polychrome painting of houses is a free interpretation and does not follow classical landscape motifs. Additional information: The vase was acquired in 2005 at an exhibition of contemporary porcelain art in Beijing.

Schätzung

400 - 800 €

Contemporary floor vase featuring a modern landsca

1151 - Contemporary floor vase featuring a modern landscape painting. CHINA/JINGDEZHEN, 21st century. Produced at the Chen Ming Ci Chang porcelain factory; H: 44.5 cm.

Schätzung

600 - 1.200 €

Contemporary large decorative bowl with modern lan

1152 - Contemporary large decorative bowl with modern landscape painting. CHINA/JINGDEZHEN, 21st century. Irregularly rounded shape; the exterior features calligraphy reading, “In the autumn sunset, the wild geese fly together.” The abstract painting on the interior echoes this mood and depicts an autumnal river landscape over which a small formation of birds, stylized in a cipher-like manner, flies. Diameter: 42 cm.

Schätzung

600 - 1.200 €

RODRIGUEZ, HILARIO (1936–1987) “Flying Basket with

1600 - RODRIGUEZ, HILARIO (1936–1987) “Flying Basket with Ají Chilies Against a Cloudy Background,” 1984, oil on panel. Signed and dated in black lower left: Hilario Rodriguez 84. Dimensions: 81/103 cm. In a gilded profile frame. 100/119 cm. The Dominican painter Hilario Rodríguez, who trained in his hometown of Santiago de los Caballeros under Félix Negro Disla and later at the National School of Fine Arts in Santo Domingo under renowned mentors such as Hernández Ortega, Yoryi Morel, and Jos

Schätzung

400 - 600 €

LEDESMA, CLARA (1924–1999) “Surreal Composition wi

1601 - LEDESMA, CLARA (1924–1999) “Surreal Composition with Butterfly and Figures,” 1983, oil on panel. Signed and dated lower right: Clara Ledesma 1983. 148 x 125 cm. Frame, HxW: 170/141 cm. This large-format late work by the Dominican avant-garde artist Clara Ledesma, dating from 1983, is a masterful testament to her unmistakable “magical realism,” in which Afro-Caribbean mythology, European Surrealism, and a profound, feminine introspection are impressively intertwined. Against an atmosphe

Schätzung

650 - 1.000 €

STROBEL, MIA & FLACHSBARTH, KLAUS (20th/21st c

1602 - STROBEL, MIA & FLACHSBARTH, KLAUS (20th/21st century), "Naturträume I," gouache and mixed media over a laser-printed photograph on canvas, signed on the back of the canvas by Klaus Flachsbarth and Mia Strobel, HxW: approx. 80 x 120 cm.

Schätzung

1.100 - 2.000 €

DWYER, ANGELA (1961), "Good-time Charlie," 2003, c

1603 - DWYER, ANGELA (1961), "Good-time Charlie," 2003, composition with square color fields, oil on canvas, titled, signed, and dated on the reverse of the canvas, HxW: 30x40 cm. Slight signs of aging; slight early shrinkage cracks at the lower left; minimal paint flaking along the edges. On the reverse: label with description and object no. 'DWE 2728' and a label from Galerie Königsblau, Stuttgart.

Schätzung

800 - 1.500 €

LEIPPERT, JÜRGEN (1944) "New York City, The Plaza

1604 - LEIPPERT, JÜRGEN (1944) "New York City, The Plaza Hotel" 1984 Oil on canvas. 77 x 101 cm. Signed, dated, and titled on the back of the canvas: "Leippert N.Y. 10/21/84 Plaza." Framed. 82 x 106 cm. Jürgen Leippert, known for his expressive and vibrantly colored cityscapes, captures the pulsating atmosphere of New York in this large-format painting. Depicted is the monumental facade of the legendary Plaza Hotel on Fifth Avenue, adorned with a row of international flags (including those of the U.S

Schätzung

550 - 800 €

LEIPPERT, JÜRGEN (1944) "Apache" 1987/1988. Oil on

1605 - LEIPPERT, JÜRGEN (1944) "Apache" 1987/1988. Oil on canvas. Approx. 100 x 100 cm. Frame, H x W: 107 x 107 cm. Signed in blue in the upper right corner of the canvas: “Leippert.” Signed and dated in black paint on the reverse: “Leippert 88.” Also labeled on the stretcher with a typographic sticker, dated and bearing the price at the time: "'Apache' 1987 / Oil on canvas / DM 7,000." With expressive brushwork and dynamic color contrasts, Jürgen Leippert captures an enigmatic, narrative sce

Schätzung

650 - 1.000 €

LEIPPERT, JÜRGEN (1944) "Varieté" 1983 Oil on canv

1606 - LEIPPERT, JÜRGEN (1944) "Varieté" 1983 Oil on canvas. 90 x 120 cm. Frame, HxW: 95/126 cm. Signed in red paint lower right: "Leippert". Signed and dated on the back of the canvas in black paint: “Leippert Nov. 83.” This large-format composition offers a fascinating, stage-like glimpse into a lively variety show or theater scene. Framed by red curtains hinted at on the sides, a multi-figure scene unfolds at the intersection of music, performance, and illusion: on the left, a pianist sits at

Schätzung

550 - 800 €

ACKERMANN, MAX (1887–1975) “Composition” 1953 Past

1607 - ACKERMANN, MAX (1887–1975) “Composition” 1953 Pastel on paper with a fine handmade edge. Mounted all around under a mat. Signed and dated “Ackermann 53” in pencil in the lower right corner; sheet size approx. 12 x 16 cm. Mat cutout approx. 14 x 18 cm. Framed 26 x 30 cm. This pastel from 1953 is a characteristic example of Max Ackermann’s masterful handling of form and color in the postwar period. As one of the most significant pioneers of abstract painting in Germany and a trained st

Schätzung

400 - 700 €

DE ARAÚJO PEREIRA, ANTONIO (1950) "The Procession

1608 - DE ARAÚJO PEREIRA, ANTONIO (1950) "The Procession of the Dead Lord in Pelourinho" 1986 Oil on canvas. HxW: 113/150 cm. Signed and dated in black on the lower right: “Totonho 1986.” On the reverse side of the canvas, extensively labeled, dated, and signed by the artist in blue and black: PROCIßÃO DO SR. MORTO PASßANDO NA LADEIRA DO PELOURINHO... / Totonho 1986. On the reverse is the original printed and handwritten award certificate from the União Nacional dos Artistas Plásticos (U.N.A.

Schätzung

400 - 700 €

HARDING, ALEXIS (1973) "The Claw" 2005 Mixed media

1609 - HARDING, ALEXIS (1973) "The Claw" 2005 Mixed media (oil, gloss varnish, and pigment on wood panel). 61 x 66 cm. Signed, dated, titled, and marked with a directional arrow on the reverse of the panel: Alexis HARDING 2005 “The Claw” TOP ↑. Also features a small paint sketch and red paint streaks. The handcrafted wooden frame is an integral part of the work and bears the artist’s characteristic traces of his working process (paint bleeds). Alexis Harding, a prominent figure in contemporary

Schätzung

300 - 800 €

ACKERMANN, MAX (1887–1975) “Abstract Composition”

1610 - ACKERMANN, MAX (1887–1975) “Abstract Composition” 1972 Pastel chalk on black paper. Signed and dated in pencil at the bottom margin: “Ackermann 72.” Sheet size: approx. 23.5 x 31.5 cm. Frame size: approx. 37/45 cm. Vertically structured color composition on a dark background. This work, characteristic of Max Ackermann’s late period, captivates with the expressive contrast between two large cobalt-blue color fields set against a central columnar structure in red, yellow, white, and b

Schätzung

2.600 - 3.500 €

NOWAK, HANS (1922–1996) “Flower Still Life with Bl

1611 - NOWAK, HANS (1922–1996) “Flower Still Life with Blue Vase and Fruit” Oil on canvas. 101 x 101 cm. Signed “H Nowak” in red in the upper right corner. In a profiled silver frame. 106 x 106 cm. An expressive, late-Impressionist still life by the German painter Hans Nowak. With dynamic, almost blurred brushstrokes, the artist captures a lush arrangement of bright yellow and orange blossoms as well as intensely blue aster-like flowers. Flanked by a deep-blue ceramic vase and a dark bottle i

Schätzung

300 - 500 €

HÖLZEL, ADOLF (1853–1934) “Abstract Composition” P

1612 - HÖLZEL, ADOLF (1853–1934) “Abstract Composition” Pastel on velour paper. Approx. 12 x 15 cm. Signed “A. HÖLZEL” at the bottom. A characteristic, vibrantly colored work by the pioneer of abstract painting. Adolf Hölzel masterfully uses the velvety velour paper to enhance the luminosity of the pastel pigments. The interplay of bold reds, oranges, and yellows with cool blues and greens creates a dynamic, rhythmic composition that impressively reflects Hölzel’s groundbreaking theory

Schätzung

400 - 800 €

HÖLZEL, ADOLF (1853–1934) “Untitled” Colored penci

1613 - HÖLZEL, ADOLF (1853–1934) “Untitled” Colored pencil and charcoal on sturdy paper. Approx. 14.5 x 11.5 cm. Signed “A. HOELZEL” lower right. An expressive, rhythmically composed drawing by the important pioneer of modern abstraction. Through a delicate interplay of red pencil drawing and strongly contoured black chalk lines, Hölzel develops a dense network of geometric shapes, arcs, and vaguely suggested figurative elements. The work impressively documents Hölzel’s constant pursuit

Schätzung

260 - 600 €

MIAU, DENIS (1951) "Abstract Composition" Oil on c

1614 - MIAU, DENIS (1951) "Abstract Composition" Oil on canvas. Signed in black at the bottom: "D. Miau." 30/30 cm. Framed. 62/62 cm. A multi-layered, lyrical-abstract work by the French artist. Miau combines textured areas of color in shades of violet, ochre, and turquoise with graphic elements and dynamic drips. The composition is characterized by a harmonious balance between geometric order and expressive brushwork. In very good, original condition. The canvas is securely stretched on the stretcher

Schätzung

180 - 300 €

CASTELLI, LUCIANO (born 1951 in Lucerne), "Standin

1615 - CASTELLI, LUCIANO (born 1951 in Lucerne), "Standing Female Nude with Raised Arms," 1991, in color composition, signed and dated on the right-hand side, mixed media on Fabriano handmade paper (with watermark), assembled from two sheets, HxW: approx. 198x70 cm (218x90 cm with frame). Small thumbtack holes at the corners of both sheet sections due to the production process; minimal signs of age and creasing. Framed with glass on the front and back (frame edges partially slightly damaged). PROVENANC

Schätzung

9.500 - 17.000 €

CASTELLI, LUCIANO (born 1951 in Lucerne), Pair of

1616 - CASTELLI, LUCIANO (born 1951 in Lucerne), Pair of Female Nudes, 1998, each a standing nude in a color composition, each signed and dated, each mixed media on handmade paper, HxW: each approx. 36x25 cm (53x42 cm with frame). Each has small tacking holes at the corners due to the manufacturing process; minimal signs of age. Each framed with a mat behind glass. PROVENANCE: Acquired from Atelier Reichlin, Küssnacht. SHIPPING TO THE U.S. MUST BE ARRANGED BY THE BUYER.

Schätzung

2.800 - 5.000 €

ROESNER, ULI (1924) "Untitled" Acrylic on wood, ab

1617 - ROESNER, ULI (1924) "Untitled" Acrylic on wood, abstract, geometric composition in blue and gray, unsigned. HxW: 100 x 100 cm. Framed. H x W: 115 x 115 cm. Slight signs of aging.

Schätzung

200 - 350 €

ROESNER, ULI (1924) "Untitled" 1974 Acrylic on woo

1618 - ROESNER, ULI (1924) "Untitled" 1974 Acrylic on wood, abstract, geometric composition in red, signed and dated. HxW: 100 x 100 cm. Slight signs of aging.

Schätzung

200 - 350 €

ROESNER, ULI (1924) “The Red Machine” Oil on paint

1619 - ROESNER, ULI (1924) “The Red Machine” Oil on painting board. 80 x 60 cm. Framed in a wooden frame. 83 x 63 cm. On the reverse, the artist’s handwritten studio and address label (“uli roesner · painter and graphic artist / stuttgart 13 · grünblickstraße 2”), on which the title “Die rote Maschine” is handwritten in ink, along with the price “DM 900,–.” Also on the reverse is a printed label from the painting support manufacturer “LUKAS / Schoenfeld” (type 630 strawboard

Schätzung

150 - 300 €

SALABURSKI, ZDZISLAW (1922–2006), "Untitled," 1979

1620 - SALABURSKI, ZDZISLAW (1922–2006), "Untitled," 1979, abstract composition, mixed media on canvas, signed, dated, and inscribed "Z. Salaburski, 1979, Warsaw' on the back of the canvas, HxW: approx. 100x73 cm (106x78 cm with frame). Signs of age and wear; damaged in the lower left corner and in need of restoration. Framed.

Schätzung

1.400 - 2.500 €

BERGEMANN, JANA (20th/21st century), "Grüne Erde,"

1621 - BERGEMANN, JANA (20th/21st century), "Grüne Erde," 2009, abstract composition, signed and dated lower left, mixed media on canvas, HxW: approx. 140x110 cm. Slight signs of aging and wear. Handwritten label, title, and date on the reverse.

Schätzung

600 - 1.200 €

TASSILO, likely Tassilo MOZER (1963–2012), "Untitl

1622 - TASSILO, likely Tassilo MOZER (1963–2012), "Untitled," 1998, white color field on a dark background, signed “Tassilo” and dated lower right, mixed media on paper, HxW: approx. 75x75 cm (80x80 cm with frame). Slight signs of aging. In a glass-fronted frame.

Schätzung

280 - 500 €

ARTIST, 20th/21st century, "Abstract Composition,"

1623 - ARTIST, 20th/21st century, "Abstract Composition," signed indistinctly in the lower right corner (Kono..., Kossowskiu?), mixed media on handmade paper on cardboard, HxW: 37x75 cm (45x92 cm with frame). Signs of age, minimal creases along the outer edges. With frame (damaged).

Schätzung

100 - 200 €

STIMPFL, AUGUST (1924–2010), "Diagram," 1970, sign

1626 - STIMPFL, AUGUST (1924–2010), "Diagram," 1970, signed and dated lower right, titled lower left, mixed media/pen-and-ink drawing, HxW: mat cutout approx. 57x53 cm (87.5x81.5 cm with frame). Signs of age and wear. With glass-covered frame.

Schätzung

650 €

GATER, ULRICH (1954), "Bridge in Ornans," 1989, wi

1627 - GATER, ULRICH (1954), "Bridge in Ornans," 1989, with the row of houses in the background, including Gustave Courbet’s birthplace, acrylic on canvas, signed and dated “Gater 3/4 89” on the back of the canvas, HxW: approx. 115x90 cm (116.5x91.5 cm with frame). Slight signs of aging. With frame strips mounted on the stretcher.

Schätzung

400 - 750 €

GATER, ULRICH (1954), "Tango," 1986, dancing coupl

1628 - GATER, ULRICH (1954), "Tango," 1986, dancing couples, signed and dated "Gater 2/86" in the lower right corner, tempera over collage, HxW: mat cutout approx. 64x49 cm (81x65 cm with frame). Slight signs of aging, minimal waviness and cracks (inherent to the process). Framed behind glass in a mat. PROVENANCE: According to the consignor, this work was created by collaging and painting over newspaper clippings from a French magazine; it was produced in France.

Schätzung

280 - 500 €

WARHOL, ANDY (1928–1987) “Committee 2000” 1982 Col

1800 - WARHOL, ANDY (1928–1987) “Committee 2000” 1982 Color silkscreen on Lenox Museum Board. Sheet dimensions: approx. 76 x 51 cm (frame dimensions: approx. 113 x 83 cm). Signed “Andy Warhol” in pencil in the lower right corner. Numbered “1511/2000” in the lower left corner. Bears the publisher’s and printer’s dry stamp in the lower left corner (Rupert Jasen Smith, New York). Printed by Rupert Jasen Smith, New York; published by Committee 2000, 2000 Inc., Rochester, New York. Catalog

Schätzung

4.000 - 5.000 €

ROBERT INDIANA & CAROLYN BRADY (1928–2018, 193

1801 - ROBERT INDIANA & CAROLYN BRADY (1928–2018, 1937) “Erosia II” 1985 Color silkscreen and lithograph on handmade-style paper with a deckle edge. Sheet dimensions: approx. 80 x 58 cm (frame dimensions: 107 x 83 cm). Inscribed in pencil at the bottom left with “EROSIA II” and numbered “16/28.” Signed in pencil by “Carolyn Brady” at the bottom center; signed and dated “R Indiana ’85” in pencil at the bottom right. A collaborative work between Pop Art pioneer Robert Indiana

Schätzung

2.000 - 3.000 €

DALÍ, SALVADOR (1904–1989) “La grande Place des Vo

1802 - DALÍ, SALVADOR (1904–1989) “La grande Place des Vosges, du temps de Louis XIII” 1958 Heliogravure. Image size: 44 x 58.5 cm. No. 118/125. Signed by the artist. Sheet slightly wavy and browned. Frame, H x W: 73/84 cm

Schätzung

400 - 800 €

SANTOMASO, GIUSEPPE (1907–1990) “Il fiore nero” 19

1803 - SANTOMASO, GIUSEPPE (1907–1990) “Il fiore nero” 1973 Color lithograph on handmade paper. 64.5 x 44.5 cm. Signed lower right: Santomaso and dated: (19)73, no. 41/75. Normal signs of aging. Framed. H x W: 89/66 cm.

Schätzung

300 - 500 €

SOULAGES, PIERRE (1919–2022) “Litho XX” 1969 Color

1804 - SOULAGES, PIERRE (1919–2022) “Litho XX” 1969 Color lithograph on Arches paper. Image dimensions: 80 x 60 cm. No. 24/85. Signed, numbered, and titled. Slightly browned at the edges; wavy. Frame, H x W: 112/87 cm.

Schätzung

650 - 7.000 €

TÀPIES, ANTONI (1923–2012) “Grand M avec taches” 1

1805 - TÀPIES, ANTONI (1923–2012) “Grand M avec taches” 1980 Color lithograph. Sheet size: 72.7 × 94.2 cm. Signed in pencil by the artist in the lower right corner. Copy 15/120. With the publisher’s blind stamp. Slightly faded. Framed. Frame dimensions: 97 × 119 cm. Catalogue raisonné: Galfetti, no. 736.

Schätzung

1.100 - 2.000 €

SIGNOVERT, JEAN (1919–1981) “Untitled” Color litho

1806 - SIGNOVERT, JEAN (1919–1981) “Untitled” Color lithograph on handmade paper. Signed “J. Signovert” in pencil in the lower right corner; numbered “28/30” in the lower left corner. The work captivates with its multi-layered, informal structure. Signovert superimposes dark, earthy-gray tones with a dynamic network of fine, linear recesses and horizontal as well as diagonal lines, which lend the composition a strong architectural and rhythmic depth. H x W: approx. 45/28 cm. Frame, H x W:

Schätzung

260 - 400 €

MIRÓ, JOAN (1893–1983) "Femme et Oiseau" 1965 Lith

1807 - MIRÓ, JOAN (1893–1983) "Femme et Oiseau" 1965 Lithograph from the "Femmes" portfolio. Image dimensions: 45 × 30 cm. Framed. Frame dimensions: 68 × 51 cm.

Schätzung

130 - 200 €

KERKOVIUS, IDA (1879–1970) “Garden in Hofheim” Col

1808 - KERKOVIUS, IDA (1879–1970) “Garden in Hofheim” Color silkscreen print on sturdy paper. Image dimensions approx. 49.5 x 60.5 cm. Signed “Ida Kerkovius” in pencil on the lower right; numbered “36/120” on the lower left. Copy 36 of an edition of 120 prints. On the reverse, on the back of the frame, bears the gallery and framing label “Kunsthaus Fischinger, Stuttgart.” In the original frame from Kunsthaus Fischinger. 72 x 84 cm. Ida Kerkovius is considered one of the outstanding ar

Schätzung

260 - 400 €

GRIESHABER, HAP (1909–1981) “Verkehrt alles verkeh

1809 - GRIESHABER, HAP (1909–1981) “Verkehrt alles verkehrt” 1980 Color woodcut on heavy paper. Image size approx. 60 x 59 cm (sheet size approx. 69 x 59 cm). Signed “Grieshaber” in pencil lower right; numbered “475/500” lower left. Copy 475 of an edition of 500 prints. Framed. 68 x 65 cm. With the work Verkehrt alles verkehrt from his late period (1980), HAP Grieshaber addresses the theme of modern mobility and traffic life in a humorous yet critical manner. As one of the most influent

Schätzung

130 - 300 €

CHAGALL, MARC (1887–1985), “Intérieur,” 1961 drypo

1810 - CHAGALL, MARC (1887–1985), “Intérieur,” 1961 drypoint and aquatint in green on vellum. Plate size approx. 31 × 22 cm. Signed by hand in pencil in the lower right: Marc Chagall. Inscribed lower left: E.A. (Épreuve d’Artiste / Artist’s Proof). A rare copy signed in pencil by Marc Chagall himself. Unlike the regular edition of 100 copies and the prints included in the book edition—which were not individually hand-signed—this is an artist’s proof signed personally by the artist, o

Schätzung

4.000 - 4.800 €

HUNDERTWASSER, FRIEDENSREICH (1928–2000) "860 Homo

1811 - HUNDERTWASSER, FRIEDENSREICH (1928–2000) "860 Homo Humus come va - 10001 nights" 1984 Color silkscreen print in 17 colors, partially with metallic embossing in green and violet, on thin, cream-colored Japanese paper. 63 x 43.5 cm (image), 69.5 x 49.5 cm (sheet size). In a gilded display frame under glass: 100 x 80 cm. Signed in black ink lower right. Inscribed and numbered lower left: "5383 /10001" With the round copyright stamp ©. Lower left with printed work details in red: "860 HOMO HUMUS

Schätzung

2.600 - 3.500 €

ACKERMANN, MAX (1887–1975) “Ladenschluss” Drypoint

1812 - ACKERMANN, MAX (1887–1975) “Ladenschluss” Drypoint etching on paper. Plate dimensions: approx. 27 x 32 cm. Inscribed in pencil at the bottom left: Ladenschluss. (Proof.). Signed by the artist in the lower right: Max Ackermann. This powerful composition transports the viewer into the world of late Expressionism and the Verist New Objectivity of the 1920s—a phase in Ackermann’s oeuvre characterized by precise observation and psychological depth. In the foreground, a woman with an elegant

Schätzung

2.400 - 2.800 €

FAZZINO, CHARLES (1955) "The Essence of Marilyn" T

1813 - FAZZINO, CHARLES (1955) "The Essence of Marilyn" Three-dimensional color silkscreen print (3D Pop Art print) on cardboard with glitter and sequin appliqués. Signed "Charles Fazzino" in pencil in the lower right corner. Inscribed and titled “The Essence of Marilyn” at the bottom center of the print. Hand-numbered 120/500 DX at the bottom left. HxW: Mat cutout approx. 30 x 44 cm. Framed dimensions approx. 62 x 74 cm. An iconic 3D installation by the renowned New York Pop Art artist Charles Fa

Schätzung

1.800 - 2.500 €

MIRÒ, JOAN (AFTER) 1893–1975 “Maravillas con varia

1814 - MIRÒ, JOAN (AFTER) 1893–1975 “Maravillas con variaciones acrósticas” 1975 Color lithograph after Joan Miró. Image size approx. 47.5 x 32 cm. On vellum. Signed on the stone in the lower right corner: Miró. Framed under glass in a metal frame with a mat. H x W: 62/47 cm. The lithograph is in good condition, consistent with its age. The paper shows slight, even browning. The colors are largely fresh. The print does not have relining and has not been trimmed. The work is framed and glazed;

Schätzung

260 - 350 €

DORNY, BERTRAND (1931–2015) “Forme cassée”—color a

1815 - DORNY, BERTRAND (1931–2015) “Forme cassée”—color aquatint etching with embossed print on vellum. Numbered “34/50” in pencil at the lower left, titled “Forme cassée” in the center, and signed “dorny” by hand at the lower right. Image dimensions approx. 40 x 30 cm. Frame, HxW: 70/55 cm. In beautiful, fresh overall condition with vibrant colors and a distinct plate edge; framed with a mat. The graphic works of French artist Bertrand Dorny are characterized by a masterful inter

Schätzung

130 - 300 €

DORNY, BERTRAND (1931–2015) “Didonc”—color aquatin

1816 - DORNY, BERTRAND (1931–2015) “Didonc”—color aquatint etching with embossed print on vellum. Numbered “40/40” in pencil at the bottom left, titled “DIDONC” in the center, and signed “dorny” by hand at the bottom right. Image size approx. 40 x 30 cm. Frame, 70 x 55 cm. In the print Didonc, Bertrand Dorny once again demonstrates his masterful command of relief and aquatint printing. The work is dominated by a dynamic composition of cool light blue, deep reed green, and an expre

Schätzung

130 - 300 €

MUŠIČ, ZORAN ANTONIO (1909–2005) “Point De Repère”

1817 - MUŠIČ, ZORAN ANTONIO (1909–2005) “Point De Repère” 1964 Color etching with aquatint on heavy-weight vellum. 22 x 29 cm (plate size). Signed and dated “Music 64” in pencil on the lower right; numbered 115/120 on the lower left. Framed under glass. The paper is slightly browned at the edges but otherwise in good condition. Not examined outside the frame.

Schätzung

130 - 300 €

DALÌ, SALVADOR (1904–1989) “Le Cavalier cosmique,”

1818 - DALÌ, SALVADOR (1904–1989) “Le Cavalier cosmique,” 1982. Signed by hand: Dali, numbered: 131/300, drypoint etching with stencil in color, partially hand-colored (watercolor) and with gold dust on Lana vellum, plate size approx. 37.5 x 47.5 cm, sheet size approx. 57 x 76 cm, mounted under glass, framed, HxW: 78/85 cm.

Schätzung

350 - 700 €

DALÌ, SALVADOR (1904–1989). *Les négresses*, from

1819 - DALÌ, SALVADOR (1904–1989). Les négresses, from Vénus aux fourrures, 1969. Watercolor etching on Japanese paper, hand-signed: Dali, numbered: 25/145, HxW: 38/28 cm. Framed. HxW: 66/45 cm.

Schätzung

400 - 700 €

After SALVADOR DALÍ (1904–1989), “Le Chevalier Moy

1820 - After SALVADOR DALÍ (1904–1989), “Le Chevalier Moyenâgeux,” 1985. Color offset print on silk. Dimensions: approx. 85 x 83 cm (image size / detail). Signed in facsimile in the lower right corner of the print: Salvador Dalí. Inscribed in the lower left corner: © SPADEM 1985. Mounted on a mat and framed behind glass.

Schätzung

550 - 1.000 €

THITZ (1962), "Paris," 1994, color silkscreen on p

1821 - THITZ (1962), "Paris," 1994, color silkscreen on paper bag, signed and dated by hand in pencil in the lower right corner, numbered 59/100, HxW: Bag with handle approx. 46x32 cm (84x65 cm with frame). Minimal signs of age. Framed behind glass with a mat.

Schätzung

280 - 450 €

WAALKES, OTTO (1948) "Bridge over Silent Water II"

1822 - WAALKES, OTTO (1948) "Bridge over Silent Water II" Color pigment print (giclée) on canvas. 60 x 60 cm. Frame, HxW: 65/65 cm. Signed by hand in the lower right corner: Otto. Hand-numbered on the reverse: 005/199. One of 199 numbered copies. Provenance: Walentowski Galleries; since then, private collection, Germany.

Schätzung

650 - 800 €

JAMES RIZZI / OTTO WAALKES (1950–2011 / 1948) "WE’

1823 - JAMES RIZZI / OTTO WAALKES (1950–2011 / 1948) "WE’LL HAVE SOME FUN TONIGHT WITH JAMES AND OTTO" 1995 Color offset print. HxW: 30/21 cm. Signed “JAMES RIZZI 95” in black felt-tip pen by James Rizzi at the bottom edge. The elephant illustration bears a handwritten signature by Otto Waalkes in silver pen. Framed with a mat. HxW: 44/34 cm. Poster-Galerie, Hamburg (on the occasion of the sales exhibition “ART + FUN,” April 28–May 20, 1995; the reverse side bears the printed text of the

Schätzung

200 - 350 €

LINDENBERG, UDO (1946) "Keine Panik Charly" Color

1824 - LINDENBERG, UDO (1946) "Keine Panik Charly" Color screen print on heavy artist paper. 48 x 36 cm (sheet size / image size). Signed lower left: Lindenberg. Handwritten number at the bottom center of the image: 128/250. Handwritten inscription and dedication by the artist at the top edge of the image: Keine Panik CHARLY. Copy 128 of a total edition of 250 numbered and signed prints. Framed under glass. 68 x 54 cm. This work depicts the artist’s classic profile self-portrait, wearing a floppy hat

Schätzung

550 - 800 €

WAALKES, OTTO (1948) “Hommage an Keith II” 2021 Pi

1825 - WAALKES, OTTO (1948) “Hommage an Keith II” 2021 Pigment print on canvas. Signed by hand in red felt-tip pen in the lower right corner: Otto Waalkes. The following text is printed along the bottom edge: “BEYOND THE HORIZON, IT CONTINUES—A NEW DAY BEYOND THE HORIZON, ALWAYS ONWARD—TOGETHER WE ARE STRONG.” Copy 14/199. HxW: 71/50 cm. In the work “Homage to Keith ‘2’,” the popular German artist, comedian, and musician Otto Waalkes combines visual references to international Pop A

Schätzung

550 - 800 €

WAALKES, OTTO (1948) "Ebbi Rot" Color lithograph o

1826 - WAALKES, OTTO (1948) "Ebbi Rot" Color lithograph on handmade paper. Signed on the plate in the lower right corner. Hand-signed in pencil in the lower right corner. Numbered in pencil in the lower left corner: 98/120. Bears the publisher’s/printer’s dry stamp in the lower left corner. Approx. 47 x 62 cm. Framed with a mat. 66 x 81 cm. A parodic interpretation of The Beatles’ iconic 1969 album cover “Abbey Road.” The work depicts four of the characteristic figures from Otto Waalkes’s u

Schätzung

200 - 400 €

WAALKES, OTTO (1948) "Evolution" Color silkscreen

1827 - WAALKES, OTTO (1948) "Evolution" Color silkscreen print on handmade paper. Printed signature in the lower right corner of the image: Otto Waalkes. Hand-signed in pencil in the lower right corner. Numbered in pencil in the lower left corner: 14/120. Bears the dry stamp of the publisher/printer in the upper left corner

Schätzung

160 - 350 €

WAALKES, OTTO (1948) "Life is like a box of Ottifa

1828 - WAALKES, OTTO (1948) "Life is like a box of Ottifants" Pigment print on canvas. Signed by hand in the lower right corner. Numbered on the back: 009/199. H x W: 60 x 50 cm. Frame, 66 x 56 cm. With subtle humor and his usual unerring parody, Otto Waalkes takes on one of the most iconic motifs of modern pop culture in this work: the famous bench scene from the classic film Forrest Gump. Instead of the original box of chocolates, the seated figure holds a box full of little Ottifants on his lap—

Schätzung

1.100 - 1.800 €

LINDENBERG, UDO (1946) "Comet No. 2" 2023 Color si

1829 - LINDENBERG, UDO (1946) "Comet No. 2" 2023 Color silkscreen print on handmade paper. Image dimensions: 42 x 56 cm. Signed by hand. Numbered: 193/300. Copy 193 of an edition of 300 copies (plus 30 artist’s proofs). Framed under glass. 64 x 77 cm. Udo Lindenberg, one of the most influential figures in German rock and pop culture, has also successfully established himself as a visual artist over the past decades. His distinctive works—often characterized by humorous, dynamic brushstrokes and ico

Schätzung

400 - 800 €

LINDENBERG, UDO (1946) "Collection of 8 Works" Of

1830 - LINDENBERG, UDO (1946) "Collection of 8 Works" Offset prints on paper or cardstock, hand-signed by Udo Lindenberg or inscribed with a dedication. Various sizes. Includes, among others, the following motifs: "That would have been nice!" "Others think, we think AHEAD." "Evolution" (2011) "No Panic" / Cello motif. Autograph card with the dedication "Ahoi, No Panic!" ""I Do My Thing." Each framed with a mat behind glass. Unknown artist (20th/21st century) "Portrait of Udo Lindenberg." Charcoal draw

Schätzung

650 - 800 €

NÄGELE, REINHOLD (1884–1972) “Dutch Pasture” 1911

1831 - NÄGELE, REINHOLD (1884–1972) “Dutch Pasture” 1911 Etching on handmade paper. 23 x 17 cm (plate dimensions). Frame, H x W: 43 x 33 cm. Monogrammed and dated “R. Nägele 1911” in the lower right corner of the plate. Signed “R. Nägele” in pencil by hand in the lower right corner below the image and titled “Holl. Weide” in the lower left corner. A fine etching by Reinhold Nägele from 1911. The work depicts a lively Dutch landscape scene with a characteristic windmill in the back

Schätzung

200 - 350 €

SCHOENHOLTZ, MICHAEL (1937–2019), 2 figurative com

1832 - SCHOENHOLTZ, MICHAEL (1937–2019), 2 figurative compositions, “Female Nude,” 1974, each an etching on handmade paper, each signed and dated in pencil lower right, each numbered in pencil 37/100 and 39/100, HxW: Plate: approx. 36x25 cm each, mat cutout: approx. 39x27 cm, frame outer dimensions: approx. 60x50 cm each. Slight signs of aging. Each framed behind glass in a mat.

Schätzung

140 - 250 €

DALI, SALVADOR (1904–1989). "Hemerocallis thumberg

1833 - DALI, SALVADOR (1904–1989). "Hemerocallis thumbergii elephanter furiosa," 1972, drypoint and color heliogravure with relief embossing on heavy Arches handmade paper, numbered lower left: 123/350, lower right Original signature, approx. 75x55 cm (82x61.5 cm with frame). The work, also known as “Elephantine Water Lily,” is from the 15-part print series “Fleurs Surréalistes” and depicts, in a surrealist style, the fusion of the yellow daylily with an elephant. Mat browning (dark light bu

Schätzung

800 - 1.600 €

DALI, SALVADOR (1904–1989). “Le Château de Gala” (

1834 - DALI, SALVADOR (1904–1989). “Le Château de Gala” (Gala’s Castle), 1974, color etching with stencil on vellum, signed “Dali” lower right, inscribed “E.A.” (Épreuve d’Artiste) lower left, 59x50 cm (64x53.5 cm with frame). The print is from the 12-piece print portfolio “Après 50 ans de Surréalisme.” Dalí created this series to mark the opening of his museum, the “Teatro-Museo Dalí,” in his Catalan hometown of Figueres. It depicts Púbol Castle in Catalonia. Dalí, wh

Schätzung

500 - 1.000 €

MIRO, JOAN (1893–1983). "Pygmées sous la lune" (Py

1835 - MIRO, JOAN (1893–1983). "Pygmées sous la lune" (Pygmies Under the Moon), 1972, color aquatint etching on Arches handmade paper, signed "Miro" lower right, inscribed "H.C." lower left Hors de Commerce/1 of 50 copies not for sale), image size: 53.5 x 68 cm (89 x 99 cm with frame), original print published and printed by Maegt Éditeur, Paris, and listed in the catalog raisonné by Jacques Dupin, Volume II, catalog number 562. (Measured in the frame; may have a light border beneath the mat.)

Schätzung

3.000 - 6.000 €

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