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Arenberg Auctions

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rue aux Laines, 19/2 1000, Bruxelles

413 results

VAN POELENBURCH, Cornelis (attributed to) Diana an

1 - VAN POELENBURCH, Cornelis (attributed to) Diana and Actaeon. 17th-century oil on panel, 79.7 x 122.5 cm (panel reinforced, some retouching, a few small scratches). A fine painting depicting Diana surprised while bathing. A large composition featuring numerous nymphs, hunting dogs, and the spoils of the hunt.

Estimation

€10,000 - 12,000

WICART, Nicolaas Animated riverscape. Late 18th–ea

2 - WICART, Nicolaas Animated riverscape. Late 18th–early 19th century. Black ink, gray wash, watercolor, framing line in gray ink, 48.5 x 74.6 cm, laid paper, signed (upper edge slightly browned, small tear on edge, brown vertical line, some spots). Framed. Large view by Nicolaas Wicart (1748–1815) from Utrecht. Formerly in the collection of Joseph Daniel Böhm (1794–1865), Viennese sculptor (stamp, L.1442, according to label). - W.A. van der Grient, Brussels art dealer (label).

Estimation

€150 - 200

WICART, Nicolaas Animated riverscape. Late 18th–ea

3 - WICART, Nicolaas Animated riverscape. Late 18th–early 19th century. Black ink, gray wash, watercolor, framing line in gray ink, 48.6 x 75.0 cm, laid paper, signed (a few small tears on the edges, some spots, some holes). Framed. Formerly in the collection of Joseph Daniel Böhm (1794–1865), Viennese sculptor (stamp, L.1442, according to label). — W.A. van der Grient, Brussels art dealer (label).

Estimation

€150 - 200

Christ and the Centurion. 17th-century brown ink a

4 - Christ and the Centurion. 17th-century brown ink and wash, 15.7 x 20.0 cm, laid paper (crossfold, a few small stains, hole in the corner, corner reinforced). Scene from Matthew 8:5–13, attributed to Marcellis Librechts (c. 1649–1676) on the reverse.

Estimation

€500 - 600

Cornelius Franciscus de Nelis. 18th-century oil on

5 - Cornelius Franciscus de Nelis. 18th-century oil on canvas, 47.5 x 39.8 cm (visible) (a few small areas reinforced, some retouching). Framed. A fine portrait of Cornelius Franciscus de Nelis (1736–1798) from Mechelen. Throughout his career, he held prominent positions such as librarian at the University of Leuven, canon of Tournai Cathedral, and bishop of Antwerp.

Estimation

€500 - 600

6 - Head of Christ in profile. 18th-century oil on panel, 21.7 x 15.3 cm (2 closed holes, a few light scratches). Framed.

Estimation

€100 - 150

RUBENS, Peter Paul (circle of) Putto. 17th century

7 - RUBENS, Peter Paul (circle of) Putto. 17th century. Red chalk, 25.8 x 20.3 cm, laid paper, handwritten note “P. P. Rubens f.” (slightly soiled, a few small creases). Mounted. Under mat and frame (examined outside the frame). An interesting sheet. Probably a study for a figure at the top of a painted altarpiece or for a sculpture viewed from below. Provenance: Belgian noble family.

Estimation

€800 - 1,000

SICLERS, Ingelbert Liévin (attributed to) Harbor s

8 - SICLERS, Ingelbert Liévin (attributed to) Harbor scene with an auction in Brussels. 18th century. Oil on canvas, 88 x 115 cm, signed with the monogram "IGTL," inscribed "Bruxelle" (a few small dents). Framed. An interesting scene attributed to Siclers, who painted similar lively scenes in Ghent (STAM, inv. 00451, 00688, 00718).

Estimation

€800 - 1,000

VAN ORLEY, Richard (attributed to) 4 religious sce

9 - VAN ORLEY, Richard (attributed to) 4 religious scenes. Late 17th–early 18th century. Black chalk, brown ink, gray wash, c. 11.8 x 8.1 cm, laid paper, pencil numbers 7, 20, 23, 31 on the reverse (a few spots, a small section missing, a small tear on the edge). Laid down on paper. Mounted at the upper edges, under a passe-partout. Beautiful set including Christ on the Cross, Pentecost, the Temptation of St. Anthony, and the Last Judgment. Richard van Orley (1663–1732) produced several similar

Estimation

€3,000 - 4,000

2 rural festivals. 18th-century pencil and gouache

10 - 2 rural festivals. 18th-century pencil and gouache, 3.7 x 4.4 and 5.3 x 4.4 cm, vellum and wove paper (1 small loss at the edges, retouched). Hinged at the upper edges. Mounted in a passe-partout. A fine pair of small gouaches.

Estimation

€100 - 150

Louis II de Bourbon, the Grand Condé. 17th-century

11 - Louis II de Bourbon, the Grand Condé. 17th-century oil on copper, 9.7 x 7.6 cm (visible) (some losses). Framed. Louis II de Bourbon (1621–1686), Prince of Condé, as a young man.

Estimation

€100 - 150

Two views of a military encampment. 18th-century b

12 - Two views of a military encampment. 18th-century brown ink, gray wash, 27.9 x 17.4 and 11.8 x 21.6 cm, laid paper, 1 grid for transfer (a few spots, 1 horizontal fold). Mounted on a mat and framed.

Estimation

€200 - 300

GAMELIN, Jacques (attributed to) Battle scene. 18t

13 - GAMELIN, Jacques (attributed to) Battle scene. 18th century. Black ink, gray wash, white gouache, 64.5 x 120.1 cm, brown-prepared laid paper (a few small creases and tears, minor loss). Framed. A cavalry charge with a castle in the background. A large, impressive sheet by Jacques Gamelin (1738–1803). Provenance: Paris, Christie’s, March 18, 2004, lot 277.

Estimation

€3,000 - 4,000

LAGRENÉE, Jean-Jacques (circle of) The Pleasures o

14 - LAGRENÉE, Jean-Jacques (circle of) The Pleasures of Lesbos Disturbed by Intruders. 18th century. Black ink, gray and brown wash, white gouache, 31.0 x 41.9 cm (visible), laid paper. Mounted on a mat and framed. Elaborate composition.

Estimation

€400 - 500

LALANDE, Sébastien. 2 caricatures. 1783. Brown and

15 - LALANDE, Sébastien. 2 caricatures. 1783. Brown and black ink, gray wash, laid paper, signed, 1 dated (browned, soiled). Framed. 1. Stanislas of Poland. 16.7 x 13.0 cm (visible), handwritten note: “Stanislas, King, most admirable in decorating Nancy every year, has built himself a lasting throne in the hearts of his good subjects. Died in Lunéville on February 23, 1766, at the age of 88 years [...] months." - 2. Mr. François. 17.7 x 13.2 cm (visible), handwritten note: “Mr. François. Doct

Estimation

€100 - 150

ROOS, Johann Heinrich Studies of sheep. 17th centu

16 - ROOS, Johann Heinrich Studies of sheep. 17th century. Black chalk, 18.8 x 19.7 cm, laid paper, signed (some spots; edges slightly browned unevenly; strip of paper added to the upper edge). Hinged at the upper edge. Mounted on a mat. A charming drawing by Johann Heinrich Roos (1631–1685).

Estimation

€150 - 200

Grotesque Head. 18th-century red chalk, 37.8 x 30.

17 - Grotesque Head. 18th-century red chalk, 37.8 x 30.9 cm (visible), laid paper (a few spots, a few small creases on the edge). Mounted on a mat and framed. An interesting sanguine drawing.

Estimation

€200 - 300

FONTANA, Prospero (attributed to) Allegory of Dome

18 - FONTANA, Prospero (attributed to) Allegory of Domestic Life. 16th century. Black chalk, brown ink, and wash; 8.9 x 6.8 cm; laid paper (small tears and creases). Mounted on paper. Loose under a passe-partout. Charming drawing of a woman carrying her husband, while a child is beating them with a stick. Similar allegorical drawings by Prospero Salviati (1512–1597) are in New York (The Metropolitan Museum of Art, inv. 1992.28.1, 1992.28.2). Provenance: Fort Worth, Kimbell Art Museum. — London, P

Estimation

€200 - 300

TREVISANI, Francesco (attributed to) Cardinal Piet

19 - TREVISANI, Francesco (attributed to) Cardinal Pietro Ottoboni. Late 17th–early 18th century. Oil on canvas, 74.8 x 61.3 cm (dent, hole reinforced, some losses at the edges, some retouching). Framed. A fine portrait of Pietro Ottoboni (1667–1740), an Italian cardinal, grandnephew of Pope Alexander VIII, and patron of the arts. This painting appears to be the finest of several surviving half-length portraits by Francesco Trevisani (1656–1746). A nearly full-length portrait of Ottoboni at a s

Estimation

€5,000 - 6,000

Strasbourg Cathedral. Amsterdam, Hugo Allard, 17th

20 - Strasbourg Cathedral. Amsterdam, Hugo Allard, 17th-century engraving, 58.9 x 38.5 cm, laid paper, address, German text (trimmed inside the platemark, small repaired tears, flattened horizontal fold). Underlaid. Hinged at the upper edges. Mounted on a passe-partout. Large engraving of the Gothic cathedral.

Estimation

€300 - 400

CORT, Cornelis. MUZIANO, Girolamo (after) Landscap

21 - CORT, Cornelis. MUZIANO, Girolamo (after) Landscape with St. Francis. 1575 Engraving, 50.1 x 37.2 cm, laid paper, signed, dated (trimmed to image, slightly foxed, a few light stains). Mounted on paper, with an ornamental border added.

Estimation

€200 - 300

DANCKERTS, Dancker. BERCHEM, Nicolaes (after) Cray

22 - DANCKERTS, Dancker. BERCHEM, Nicolaes (after) Crayfish Hunting at Night. 17th-century etching, 35.6 x 46.5 cm, laid paper (cut to image). Hinged at the upper edges. Mounted in a passe-partout. Beautiful night scene from a series depicting the four times of day. Ref. Hollstein I.271.87. - Hollstein V.130.25.

Estimation

€200 - 300

DE HOOGHE, Romeyn, *Spiegel der France tirannye ge

23 - DE HOOGHE, Romeyn, Spiegel der France tirannye gepleecht opde Hollantsche dorpen. 1673 Etching, 30.6 x 39.7 cm, laid paper, signed, dated, Dutch text (trimmed inside the platemark, flattened folds, spot). Hinged at the upper edges. Mounted on a passe-partout. The French atrocities in Bodegraven and Zwammerdam. Ref. Hollstein IX.120.89. - FMH 2435. Formerly in the collection of Franciscus Josephus Bauweraerts (1898–1983), Antwerp diamond cutter (stamp, L.3325).

Estimation

€300 - 400

LASTMAN, Pieter Judah and Tamar. Early 17th-centur

24 - LASTMAN, Pieter Judah and Tamar. Early 17th-century etching, 21.6 x 17.9 cm, laid paper, signed (trimmed at the platemark, very small tear at the upper edge, a few spots, pencil sketch on the reverse). Hinged at the upper edges. Mounted in a passe-partout. One of only three autograph etchings by Pieter Lastman (1583–1633). Second state with a monogram in the upper left corner. Rare. Ref. Hollstein X.35.1.II (of II).

Estimation

€800 - 1,000

POTTER, Paulus *The Shepherd*. 17th-century etchin

25 - POTTER, Paulus The Shepherd. 17th-century etching, 17.9 x 26.8 cm, laid paper with watermark (Amsterdam coat of arms) (trimmed inside the platemark, a few spots, small tear on the edge, restored). Hinged at the upper edges. Ref. Hollstein XVII.220.15.V (of V).

Estimation

€100 - 150

VAN DOETECUM, Joannes & Lucas. VREDEMAN DE VRI

26 - VAN DOETECUM, Joannes & Lucas. VREDEMAN DE VRIES, Hans (after) Daniel’s Dream of the Four Beasts. 1579 Etching, 23.8 x 32.3 cm, laid paper with watermark (vase with flowers), numbered, Latin text (a few light stains, mostly in the margins). Hinged at the upper edges. Mounted on a mat. Daniel in a Renaissance interior. Ref. Hollstein XLVIII.103-108.457.II (of III).

Estimation

€120 - 150

VAN OSTADE, Adriaen 8 etchings on 2 sheets. 17th c

27 - VAN OSTADE, Adriaen 8 etchings on 2 sheets. 17th century, 7.9 x 6.3 to 12.8 x 9.5 cm, laid paper with watermark (grapes), signed, a few dated (slightly foxed, a few creases, handwritten notes in pencil). Rare set. Sheet 1 includes The Smoker and The Drinker, Mother with Two Children, The Organ Grinder (1647), and The Doll (1679). Sheet 2 includes The Backgammon Players, The Knife Grinder, The Concert, and The Pater Familias (1648). Ref. Hollstein XV, 8, 13–14, 16, 30, 33, 36, 39.

Estimation

€800 - 1,000

8 portraits of governors of Ostend. 17th-century e

28 - 8 portraits of governors of Ostend. 17th-century engravings, ca. 16.0 x 11.0 cm, laid paper, French and Dutch text (a few spots, 1 crease). Mounted along the upper edges. Johan van Loon, Frederik van Dorp, etc., as well as Philippe Vleming. The prints are taken from his book on Ostend (The Hague, Aert Meuris, 1621). Provenance: Unid. stamp.

Estimation

€100 - 150

COECKE VAN AELST, Pieter (after) The Giant Druon A

29 - COECKE VAN AELST, Pieter (after) The Giant Druon Antigoon. Antwerp: Gillis Hendricx, 1665. Engraving, 44.6 x 34.0 cm, laid paper, signed, dated, address, Latin text (a few folds, a few small stains). Hinged at the upper edges. Mounted on a passe-partout. A large and rare engraving of the giant designed by Pieter Coecke van Aelst for a procession in 1534. The head is still preserved in Antwerp (MAS, inv. VM.2004.1021.002). Ref. Hollstein IV.199.2.

Estimation

€300 - 400

COLLAERT, Adriaen; GALLE, Theodoor *Viridarium Mar

30 - COLLAERT, Adriaen; GALLE, Theodoor Viridarium Marianum septemplici rosario [...]. Antwerp: Gaspar Bellerus, 1615. 13 engravings, ca. 12.2 x 7.4 cm, laid paper, address and date on title page, Latin letterpress text on the reverse (title page slightly soiled, a few trimmed inside the platemark). Mounted. Title and 12 illustrations (of 23) for the work by Vincent Hensberch (d. 1634), vicar of Lier and director of the Dominican sisters of Val-Duchesse. The engravings are attributed to Adriaen Col

Estimation

€150 - 200

COLLAERT, Hans. BOL, Hans or GRIMMER, Jacob (after

31 - COLLAERT, Hans. BOL, Hans or GRIMMER, Jacob (after) 3 views of Laeken. Antwerp, Hans van Luyck, 1575–1580. Engravings, ca. 14.0 x 20.0 cm, laid paper; 1 signed, with address; 3 titled (2 trimmed to platemark; a few spots; small light stain). Mounted on passe-partout and framed. Drootbeek, Laeken, and Coensburg Castle. First state, prior to the addition of a number and later address. Ref. New Hollstein (Collaert) 1235–1237.I (of II).

Estimation

€300 - 400

DE BRUYN, Nicolaes, *The Flagellation*. 1619 Engra

32 - DE BRUYN, Nicolaes, The Flagellation. 1619 Engraving, 19.9 x 13.6 cm, laid paper with watermark (fool’s cap), signed, dated, numbered (a few marginal spots, marginal trace of a label). Hinged at the upper edges. Mounted in a passe-partout. 3rd state before additional number. Ref. New Hollstein (De Bruyn) 80.III (of IV). Provenance: Unid. stamp.

Estimation

€200 - 300

DE BRY, Johann Theodor A young woman between an ol

33 - DE BRY, Johann Theodor A young woman between an old man and a young man. Late 16th–early 17th century engraving, 10.9 x 8.3 cm, laid paper with watermark (fleur-de-lys), Latin text, no. 29 (small brown ink line, a few marginal spots). While the old man is handed a pair of glasses and must warm his cold hands by the fire, the woman gives her heart to the young man. From Emblemata saecularia, first published in 1592. Ref. Hollstein IV.38.240–287.

Estimation

€100 - 150

DE VOS, Maerten (after) 6 scenes from the New Test

34 - DE VOS, Maerten (after) 6 scenes from the New Testament. Paris: Pierre Gallays, early 18th century. Engravings, ca. 19.4 x 24.3 cm, laid paper, signed, address, Latin and French text (slightly trimmed outside the platemark). Framed. Matthew 25:35–36: “For I was hungry and you gave me something to eat,” etc. After Hollstein XLIV.139–141, 621–628.

Estimation

€300 - 400

GALLE, Philips. FLORIS, Frans (after) The Massacre

35 - GALLE, Philips. FLORIS, Frans (after) The Massacre of the Innocents. Antwerp, Hieronymus Cock, 16th-century engraving, 32.9 x 41.6 cm, laid paper, signed, address, Latin text (trimmed inside the platemark, a few spots and light stains, flattened horizontal fold). Hinged at the upper edges. Mounted in a passe-partout. Large Renaissance engraving demonstrating a mastery of both perspective and the human form. Ref. New Hollstein (Galle) 142. - New Hollstein (Floris) 39.

Estimation

€300 - 400

SCHUT, Cornelis, *Coronation of the Virgin*. 17th-

36 - SCHUT, Cornelis, Coronation of the Virgin. 17th-century etching, 16.3 x 20.4 cm, laid paper (a few spots, traces of a former mount on the reverse). Ref. Hollstein XXVI.136.89.

Estimation

€80 - 100

SOUTMAN, Pieter. RUBENS, Peter Paul (after) Sennac

37 - SOUTMAN, Pieter. RUBENS, Peter Paul (after) Sennacherib, King of the Assyrians. Antwerp, Pieter Soutman, 17th-century engraving, 37.6 x 46.9 cm, laid paper with watermark (grapes), signed, address, Latin text (trimmed outside the platemark, small tear on the edge). Hinged at the upper edges. Mounted on a passe-partout. Ref. Hollstein XXVII.224.I (of II).

Estimation

€300 - 400

VAN DOETECUM, Joannes & Lucas. COCK, Hieronymu

38 - VAN DOETECUM, Joannes & Lucas. COCK, Hieronymus (after) Ruins on the Palatine. Antwerp: Hieronymus Cock, 1562. Etching and engraving, 15.3 x 20.7 cm, laid paper, address, Latin text (trimmed to platemark, a few light spots, very small tear on the edge). Ref. New Hollstein (Doetecum) 252.

Estimation

€100 - 150

VAN KESSEL, Theodoor; VAN LIESEBETTEN, Peter. VAN

39 - VAN KESSEL, Theodoor; VAN LIESEBETTEN, Peter. VAN DIEPENBEECK, Abraham (after) 2 riders. 17th-century hand-colored engravings, ca. 38.4 x 52.5 cm, laid paper, signed, numbered, French text (vertical fold). Mounted on a mat and framed. From "A General System of Horsemanship in All Its Branches" (London, J. Brindley, 1743). Provenance: O'Shea Gallery, London art dealer (label).

Estimation

€200 - 300

VAN MALLERY, Karel. STRADANUS, Johannes (after) Fi

40 - VAN MALLERY, Karel. STRADANUS, Johannes (after) Fight between Elephants and Snakes. Antwerp, Philips Galle, late 16th–early 17th century. Engraving, 19.8 x 26.2 cm, laid paper, signed, address, Latin text, no. II (a few spots, a hole, traces of a former mount on the reverse). 2nd state with Roman numerals and prior to the later inscription. Ref. New Hollstein (Stradanus) 467.II (of IV).

Estimation

€100 - 150

WIERIX, Johannes. DÜRER, Albrecht (after) Nativity

41 - WIERIX, Johannes. DÜRER, Albrecht (after) Nativity. 1566 Engraving, 18.1 x 11.7 cm, laid paper, original monogram and date "1504 / AD" (trimmed inside the platemark, slightly soiled). Mounted along the upper edges. A fine copy after Dürer’s famous engraving. Ref. New Hollstein (Wierix) 134.II (of II).

Estimation

€150 - 200

LECLERC, Sébastien *Young Man with Dog*. Late 17th

42 - LECLERC, Sébastien Young Man with Dog. Late 17th century copperplate, 7.4 x 15.9 cm, no. 23. Wrapper with impression (used). Ref. IFF 17e VIII.312-313.1164. Joined: Later impression from the plate. (2 pieces)

Estimation

€200 - 300

Ornamental print featuring Caritas, Spes, and a co

43 - Ornamental print featuring Caritas, Spes, and a coat of arms. 17th-century etching and engraving, 20.6 x 18.2 cm, laid paper, Latin text (trimmed to the platemark, very slightly soiled, small tears along the edges reinforced, marginal pinholes, traces of a former mount on the reverse).

Estimation

€80 - 100

AMMAN, Two soldiers on horseback. 16th-century woo

44 - AMMAN, Two soldiers on horseback. 16th-century woodcuts, 13.2 x 12.0 cm, laid paper, front and back of the same sheet (a few small, light stains and traces of a former mount).

Estimation

€100 - 150

DÜRER, Albrecht 10 woodcuts from the "Small Passio

45 - DÜRER, Albrecht 10 woodcuts from the "Small Passion." c. 1511. Approx. 12.6 x 9.8 cm, laid paper, signed (trimmed along the block line). Mounted at the upper edge. Under a passe-partout. 3 complementary sets of Dürer’s famous series, first published in 1511: 1–3. 3 woodcuts. 16th century (2 small missing sections on the edges filled in with pen; 1 cut inside the block line; a few spots; a few small tears reinforced). 1 with underlay. Includes The Last Supper, Christ in Limbo, and The Depos

Estimation

€4,000 - 5,000

OTTAVIANI, Giovanni; CAMPORESI, Pietro; SAVORELLI,

46 - OTTAVIANI, Giovanni; CAMPORESI, Pietro; SAVORELLI, Gaetano (after) 20 prints from "Loggie di Rafaele nel Vaticano". 18th century, 20 hand-colored engravings, approx. 62 x 57 to 160 x 39 cm, signed (folds, slightly browned at the edges, some paper strips along the edges, a few small stains). Mounted on passe-partout and framed. Large set with vibrant colors. Provenance: O'Shea Gallery, London art dealer (label).

Estimation

€1,200 - 1,500

PIRANESI, Giovanni Battista, *Santa Maria degli An

47 - PIRANESI, Giovanni Battista, Santa Maria degli Angeli e dei Martiri, formerly the Baths of Diocletian. 18th-century etching, 47.9 x 71.0 cm (visible), laid paper, signed, Italian text (a few spots). Mounted on a mat and framed. The Basilica of St. Mary of the Angels and of the Martyrs was built on the site of the Baths of Diocletian in the 16th century.

Estimation

€300 - 400

SPECCHI, Alessandro Campidoglio. Late 17th–early 1

48 - SPECCHI, Alessandro Campidoglio. Late 17th–early 18th century etching, 48.4 x 66.0 cm, laid paper, signed, Italian text (a few spots, small crease on the edge). Mounted in a mat and frame. A wide view of the Capitoline Hill in Rome.

Estimation

€300 - 400

SPECCHI, Alessandro, *Colosseum*. Late 17th–early

49 - SPECCHI, Alessandro, Colosseum. Late 17th–early 18th century etching, 49.1 x 69.3 cm, laid paper, signed, Italian text (some spots, flattened horizontal fold). Mounted in a mat and frame. Various views of the amphitheater.

Estimation

€300 - 400

TESTA, Pietro. *The Martyrdom of St. Erasmus*. 17t

50 - TESTA, Pietro. The Martyrdom of St. Erasmus. 17th-century etching, 28.1 x 19.3 cm, laid paper, signed, with text in Latin and Italian (a few small stains). Mounted on a mat and framed.

Estimation

€120 - 150

VENEZIANO, Agostino. *Venus and Adonis*. 16th-cent

51 - VENEZIANO, Agostino. Venus and Adonis. 16th-century engraving, 26.1 x 19.8 cm, laid paper, signed (a few spots, crease). Mounted on a mat and framed. Based on Giulio Romano’s drawing in Vienna (Albertina, inv. 17632).

Estimation

€100 - 150

5 design drawings for castles, villas, and parks i

52 - 5 design drawings for castles, villas, and parks in Bormenville and Heusden. Late 19th–early 20th century. Vellum paper. 1. Van Hoecke-Peeters—Mr. Marc Rooman d’Ertbuer. Castle in Heusden. Ghent, 1899. Black ink, watercolor, 72.0 x 54.5 cm, located and dated, architect’s stamp (creases and folds, slight wear at the edges, a few pinholes, small holes). - 2. Design for Mr. Jacobs’s park in Bormenville. 1904. Pencil, gouache, 58.0 x 80.5 cm, signed (illegible), dated (drawing torn, multip

Estimation

€200 - 250

C. 70 castle plans. Late 18th–19th centuries. Ink

53 - C. 70 castle plans. Late 18th–19th centuries. Ink and/or watercolor on paper, various sizes and conditions (including water stains, tears with missing sections, soiling, mold, etc.). Includes, among others, about ten plans for the Château de Fayet, plans for the Château de Poigny and the Château de Chanteloup, plans for Count Egmont’s house in Brussels, etc.

Estimation

€150 - 200

DUYVER, Charles C. 50 plans and documents. c. 1936

54 - DUYVER, Charles C. 50 plans and documents. c. 1936 Hand-drawn or printed plans on tracing paper or vellum, most signed. Various sizes and conditions. Most of the plans relate to a residential project at 44 Avenue Victor Gilsoul in Woluwé-Saint-Lambert by architect Charles Duyver (1907–1984), who also taught for 50 years at the Institut Supérieur d’Architecture Saint-Luc. Includes documents such as specifications, cost estimates, correspondence with Raymond Bernard, etc.

Estimation

€150 - 200

BERTRAND, Gaston Altamira VII. 1960 Ink, 42.5 x 60

55 - BERTRAND, Gaston Altamira VII. 1960 Ink, 42.5 x 60.0 cm (visible area), tinted paper with plant inclusions, signed and dated on the front, titled, dated, and attributed on a label on the back. Mounted and framed. It was during a trip to Spain that Bertrand visited the Altamira Cave and produced a series of 13 sketch sheets based on the paintings in the Great Hall of the Bison. Two years later, these drawings were used to create a major series comprising 28 small pen-and-ink drawings and about fo

Estimation

€400 - 500

BOGOLYUBOV, Alexey Petrovich *Coastal View in Norm

56 - BOGOLYUBOV, Alexey Petrovich Coastal View in Normandy. 19th century. Oil on canvas, mounted on panel, 55.5 x 82.1 cm (visible), signed. Framed. A large, fine seascape featuring cliffs and a village in the background. Alexey Petrovich Bogolyubov (1824–1896) was a Russian naval officer and artist who traveled throughout Europe and had a studio in Paris. Many of his paintings are in Saint Petersburg (State Russian Museum), but he also painted frescoes in the Russian Orthodox Alexander Nevsky Ca

Estimation

€5,000 - 6,000

Courtesan with Flowers. 19th-century oil on panel,

57 - Courtesan with Flowers. 19th-century oil on panel, 20.5 x 16.5 cm, signed "A.H." (minor losses at the edges). Framed. Charming painting, possibly Italian.

Estimation

€100 - 150

BOSQUET, Thierry. 13 Birds for a Stage Design. 20t

58 - BOSQUET, Thierry. 13 Birds for a Stage Design. 20th-century gouache, 8.5 x 14.0 to 39.5 x 20.0 cm, wove paper (a few small creases on the edges). An owl, a heron, a Eurasian jay, a robin, etc.

Estimation

€100 - 150

BOSQUET, Thierry. 12 Birds for a Stage Design. 20t

59 - BOSQUET, Thierry. 12 Birds for a Stage Design. 20th-century gouache, 15.0 x 10.0 to 43.0 x 17.5 cm, wove paper (a few small creases on the edges). A goldfinch, buzzard, pheasant, gray wagtail, etc.

Estimation

€100 - 150

BOSQUET, Thierry. Seven-part diptych. 20th century

60 - BOSQUET, Thierry. Seven-part diptych. 20th century. Oil on canvas, 146 x 72 to 165 x 284 cm (a few holes, small tears, some glue marks on the edges, one edge discolored). A forest with two pheasants.

Estimation

€300 - 400

BOSSUET, François-Antoine *View of Naples*. 1872.

61 - BOSSUET, François-Antoine View of Naples. 1872. Pencil, white gouache, 7.5 x 24.1 cm, wove paper, signed, dated, located (a few spots, a hole, small tears at the corners). Mounted on paper.

Estimation

€100 - 150

BRASSEUR, Georges Stanislas Lefranc at the Vilvord

62 - BRASSEUR, Georges Stanislas Lefranc at the Vilvorde penal colony. July 1918 Black ink, white gouache, 26.4 x 15.0 cm (visible), wove paper, signed, dated, titled, handwritten note (creases, a few small stains). Mounted on a mat and framed.

Estimation

€100 - 150

The Royal Palace in Brussels. Early 19th century.

63 - The Royal Palace in Brussels. Early 19th century. Oil on canvas, 97 x 164 cm (a few small areas are worn, a few retouches). Framed. A large painting of the palace in the Parc Royal before its expansion.

Estimation

€300 - 400

SWYNCOP, Charles. WIJNANTZ, Augustus (after) Livel

64 - SWYNCOP, Charles. WIJNANTZ, Augustus (after) Lively Scene on Rue de la Fiancée in Brussels. 1952 Oil on panel, 37.2 x 37.6 cm, signed and dated on the reverse. Framed. Before the Church of the Augustinians was demolished and the Senne River was covered over to create Place de Brouckère.

Estimation

€100 - 150

BURY, Pol Concept 2. 1976. Color pencil, 57.0 x 78

65 - BURY, Pol Concept 2. 1976. Color pencil, 57.0 x 78.5 cm, wove paper, signed, dated (some spots, mostly on the edges). Provenance: Brussels, Piasa, Jan. 24, 2024, Velma Bury collection, lot 24.

Estimation

€150 - 200

CAMOIN, Charles *The Baie des Canoubiers in Saint-

66 - CAMOIN, Charles The Baie des Canoubiers in Saint-Tropez. Early 20th century. Oil on canvas, mounted on panel, 25.7 x 40.5 cm, signed. Framed. A lovely view by the French Fauvist painter Charles Camoin (1879–1964). He worked extensively in the Saint-Tropez area but also had a studio in Montmartre.

Estimation

€2,000 - 3,000

CHIMOT, Édouard Jules *Elegant Woman Sitting*. Ear

67 - CHIMOT, Édouard Jules Elegant Woman Sitting. Early 20th century. Charcoal, pastel, 30.9 x 23.7 cm (visible), wove paper, signed (a few spots). Mounted on a mat and framed.

Estimation

€100 - 150

CLAYS, Paul-Jean C. 80 seascapes. 1844–1868 Pencil

68 - CLAYS, Paul-Jean C. 80 seascapes. 1844–1868 Pencil, black chalk, white gouache, 7.2 x 10.0 to 31.0 x 46.5 cm, wove paper (a few on laid paper), 4 signed, a few dated, a few with pencil annotations and studio stamp, in various conditions. Includes views of a castle, a convent, houses, etc.

Estimation

€100 - 120

COMBAZ, Gisbert. *Landscape with Sheaves and a Chu

69 - COMBAZ, Gisbert. Landscape with Sheaves and a Church. 1922. Oil on canvas, 50.4 x 65.3 cm, signed, dated (some damage at the upper edge).

Estimation

€400 - 500

DALI, Marcos 63 drawings for the weekly magazine "

70 - DALI, Marcos 63 drawings for the weekly magazine "Mon Copain." c. 1953–1954 Black ink, gray and purple wash, 11.1 x 26.8 to 39.0 x 29.5 cm, wove paper, handwritten Notes in pencil and ink (some plates slightly soiled, some edges slightly browned, minor creases, paperclip marks). Beautiful plates characterized by excellent technique, intended for publication in the Belgian weekly “Mon Copain,” a magazine about movies and stars published from the 1930s to the 1950s. The female character Rosa

Estimation

€400 - 500

DANDOY, Auguste Bord de rivière. S.d Oil on panel,

71 - DANDOY, Auguste Bord de rivière. S.d Oil on panel, 41.4 x 34.9 cm, signed (small white marks and chips marg., small hole). Prov. [Gita Brys-Schatan].

Estimation

€80 - 100

DE BOECK, Augustin. 3 Views of Paris. 1971. 1 oil

72 - DE BOECK, Augustin. 3 Views of Paris. 1971. 1 oil on panel, 1 oil on canvas mounted on cardboard, 1 colored pencil on wove paper, approx. 26.9 x 35.0 cm, signed, dated; 1 titled on the front, 1 on the back (drawing creased at the edges). The Place de la Concorde with the Eiffel Tower, the Conciergerie with the Pont au Change, and the Jardin du Luxembourg.

Estimation

€200 - 300

DE BRAEKELEER, Henri. 5 views. 19th-century pencil

73 - DE BRAEKELEER, Henri. 5 views. 19th-century pencil drawings, 10.2 x 17.0 to 12.0 x 19.0 cm, laid and wove paper, signed with two stamps (a few spots). Mounted at the upper edge, under a mat. A farm, town, harbor, etc.

Estimation

€120 - 150

DE DEKEN, Albert Album with 36 drawings. c. 1950–1

74 - DE DEKEN, Albert Album with 36 drawings. c. 1950–1960; 36 drawings mounted on 35 ff., pen, black ink, watercolor, pencil, various dimensions, all signed (very few foxing spots, creases, and soiling; 2 small tears; edges slightly discolored in places). Square 4to album. Sketches by the Belgian artist Albert De Deken (1915–2003) depicting scenes from everyday life: his wife (Lya Block) writing or with her child, his children, nude women, interior and exterior views, etc. Included: Id. — Stud

Estimation

€400 - 500

DE SMET, Gustave [RETIRED] Peasant’s Head (Laeren)

75 - DE SMET, Gustave [RETIRED] Peasant’s Head (Laeren). c. 1916–1923 Charcoal, 66.0 x 42.8 cm (visible), wove paper (a few small creases). Mounted in a mat and frame. Large drawing by Gustave De Smet (1877–1943), created during his years in Laren. Provenance: Gustave De Smet Exhibition, Galerie Georges Giroux, Brussels (label).

Estimation

€1,500 - 2,000

BY TAEYE, Camille Miracle in Uccle. 1995 Black cha

76 - BY TAEYE, Camille Miracle in Uccle. 1995 Black chalk, watercolor, 30.0 x 21.5 cm, wove paper, signed, dated, titled, no. 8. Formerly in the collection of [Gita Brys-Schatan].

Estimation

€200 - 250

DEWINT, Roger Portrait. 1982 Pastel, charcoal, 73.

77 - DEWINT, Roger Portrait. 1982 Pastel, charcoal, 73.0 x 110.0 cm, wove paper, signed and dated (thumbtack holes at upper corners). Prov. [Gita Brys-Schatan].

Estimation

€80 - 100

DORÉ, Gustave. Peasant from Alcoy. 19th century. P

78 - DORÉ, Gustave. Peasant from Alcoy. 19th century. Pencil, 21.9 x 16.2 cm (visible), wove paper, signed (slightly browned, some spots, water stains on the edge). Framed. Preparatory drawing for the illustration on p. 92 of Davillier’s L’Espagne (Paris, 1987).

Estimation

€400 - 500

FLAUSCH, Fernand 2 drawings for "Telecommunicator

79 - FLAUSCH, Fernand 2 drawings for "Telecommunicator I. Victory of Samothrace." 1987 Pencil, pastel, 30.5 x 21.5 and 38.2 x 26.5 cm, thick vellum paper, signed and dated, 1 titled (1 with a small tear at the bottom edge, slight creases). 2 sheets: one with 3 glued-on drawings and 2 stamped wings, depicting a project for a light installation (?) in perspective view and day and night plans; the other showing a detail of the installation with handwritten notes on the dimensions. Formerly in the collec

Estimation

€150 - 200

FRECHKOP, Leonid. 21 works. 1928–1981. Watercolor,

80 - FRECHKOP, Leonid. 21 works. 1928–1981. Watercolor, charcoal, pencil; 18.0 x 12.5 to 32.5 x 27.0 cm; wove paper (occasionally with discolored margins and light spotting). Some are mounted on passe-partout. Includes 2 study sheets featuring animals, 6 landscape drawings, and 13 watercolor landscapes.

Estimation

€150 - 200

FRIESZ, Émile Othon *La filanzane*. Late 19th–earl

81 - FRIESZ, Émile Othon La filanzane. Late 19th–early 20th century. Black chalk, gouache, 13.0 x 22.0 cm (visible), wove paper, signed, handwritten Note: “Four sturdy brown-skinned men are carrying [...] Liane on a stretcher and [...]” (a few small spots). Under mat and frame.

Estimation

€300 - 400

FRYDMAN, Maurice Bord de mer. 1961 Oil on canvas,

82 - FRYDMAN, Maurice Bord de mer. 1961 Oil on canvas, 81.0 x 116.0 cm, signed and dated (min. edge chips). Prov. [Gita Brys-Schatan].

Estimation

€80 - 100

GAILLOT, Bernard (attributed to) The artist and a

83 - GAILLOT, Bernard (attributed to) The artist and a parrot. Early 19th century. Pencil, brown ink, and wash; 38.2 x 24.7 cm; laid paper; French text. Japan paper on the edges. Mounted in a passe-partout. An entertaining drawing of a man, likely the artist, instructing a parrot with a human head (“Do you understand…?” / “Yes! Yes! Yes! Sir”). A delightful satire on the relationship between an artist and his pupil.

Estimation

€300 - 400

HAMAGUCHI, Yōzō Pipe. S.d Black maniere in color,

84 - HAMAGUCHI, Yōzō Pipe. S.d Black maniere in color, 60.5 x 46.0 cm (image), wove paper, signed and num. "trial proof" in pencil (edges very slightly browned). Prov. [Gita Brys-Schatan].

Estimation

€150 - 200

HEERBRANT, Henri Composition 2. 1969 Relief on pan

85 - HEERBRANT, Henri Composition 2. 1969 Relief on panel, 76.5 x 56.8 cm, signed and dated on the front, titled, attributed, and dated (1968) on the back (partial peeling of the paper in some places). Framed (missing a piece at the bottom edge). Henri Heerbrant (1912–1982) was an architect by training, employed at the architectural office of the municipality of Ixelles (Brussels), and above all, a painter, draftsman, printmaker, sculptor, and creator of assemblages of boundless inventiveness. He w

Estimation

€150 - 200

LAMBERT, Marcel *The Royal Chapel of Versailles*.

86 - LAMBERT, Marcel The Royal Chapel of Versailles. Late 19th–early 20th century. Pencil, watercolor, 56.0 x 44.5 cm (visible), wove paper, signed (small stains on the edge). Mounted under a mat and framed.

Estimation

€600 - 800

LEFEBVRE, Maurice Jean 5 female figures. Late 19th

87 - LEFEBVRE, Maurice Jean 5 female figures. Late 19th–early 20th century. Oil on cardboard, 1 pastel; 34.8 x 25.0 to 37.9 x 28.5 cm; 4 signed (minor losses; parts missing at the edges). A nude, a ballerina, a woman lying in the sun, etc. Maurice Jean Lefebvre (1873–1954) was a Brussels painter who was also active in Paris, among other places. He mainly painted landscapes and figure studies.

Estimation

€100 - 150

LEFEBVRE, Maurice Jean. 6 female figures. Late 19t

88 - LEFEBVRE, Maurice Jean. 6 female figures. Late 19th–early 20th century. Oil on canvas, 1 on cardboard, approx. 51.5 x 42.2 cm (some losses, tears, creases, pinholes). Nude studies, a seated woman in a garden, etc.

Estimation

€200 - 300

LEFEBVRE, Maurice Jean C. 30 large nudes, portrait

89 - LEFEBVRE, Maurice Jean C. 30 large nudes, portraits, and figure studies. Late 19th–early 20th century. Pencil, black and red chalk, charcoal, oil, 47.5 x 25.9 to 64.6 x 49.7 cm, laid and wove paper, a few signed (some pinholes, tears, stains). Female nudes, charming portraits, etc.

Estimation

€150 - 200

LEFEBVRE, Maurice Jean C. 100 nudes, figure studie

90 - LEFEBVRE, Maurice Jean C. 100 nudes, figure studies, portraits, and landscapes. Late 19th–early 20th century. Various techniques, 9.5 x 14.3 to 48.1 x 31.2 cm, laid, wove, and tracing paper; a few signed (some pinholes, tears, and stains). Female nudes, Oriental figures, etc.

Estimation

€150 - 200

LEFEBVRE, Maurice Jean 7 small paintings. Late 19t

91 - LEFEBVRE, Maurice Jean 7 small paintings. Late 19th–early 20th century. Oil on panel or cardboard, approx. 12.9 x 20.0 cm, 4 signed. A woman reading on the beach, a branch of a fruit tree, landscapes, a woman from Martinique in Brussels, etc.

Estimation

€200 - 300

LEFEBVRE, Maurice Jean 8 small paintings. Late 19t

92 - LEFEBVRE, Maurice Jean 8 small paintings. Late 19th–early 20th century. Oil on panel or cardboard, approx. 12.8 x 19.8 cm, all signed. A woman sleeping in the dunes, an Oriental figure, the gardens of Versailles, landscapes, etc.

Estimation

€200 - 300

LEFEBVRE, Maurice Jean: 8 small paintings. Late 19

93 - LEFEBVRE, Maurice Jean: 8 small paintings. Late 19th–early 20th century. Oil on panel or cardboard, approx. 12.7 x 19.7 cm; 7 signed, 1 dated 1935. 1 framed. A nude woman in stockings, Oriental figures, boats in a harbor, flowering trees, etc.

Estimation

€200 - 300

LEFEBVRE, Maurice Jean 7 small paintings. Late 19t

94 - LEFEBVRE, Maurice Jean 7 small paintings. Late 19th–early 20th century. Oil on panel or cardboard, ca. 12.3 x 19.7 cm; 6 signed. A woman seen from behind, landscapes, a sculpture in a park, etc.

Estimation

€200 - 300

LEFEBVRE, Maurice Jean 12 views, landscapes, and s

95 - LEFEBVRE, Maurice Jean 12 views, landscapes, and still lifes. Late 19th–early 20th century. Oil on panel, cardboard, or canvas; 6 signed, 1 dated 1906 (minor losses, parts missing at the edges, 1 split). A reflection in the water at Versailles, a branch with apples, a view of Montmartre and the Arc de Triomphe, a few seascapes, etc.

Estimation

€200 - 300

MAERTENS, Médard C. 65 drawings. Late 19th–early 2

96 - MAERTENS, Médard C. 65 drawings. Late 19th–early 20th century (color) pencil, black chalk, black ink, watercolor, pastel, 9.1 x 13.7 to 32.5 x 25.1 cm, wove and tracing paper, many signed, various conditions. Mainly figure studies and female nudes by the Brabant Fauvist Médard Maertens (1875–1946).

Estimation

€80 - 100

MELLERY, Xavier Miner. Pencil, 20,1 x 11,8 cm (vis

97 - MELLERY, Xavier Miner. Pencil, 20,1 x 11,8 cm (visible), wove paper, monogrammed (very sl. browned, few spots). Under passe-partout and frame.

Estimation

€150 - 200

MELLERY, Xavier Portrait of a man. C. 1888 Pencil,

98 - MELLERY, Xavier Portrait of a man. C. 1888 Pencil, 20,0 x 12,8 cm, wove paper, monogrammed. On passe-partout and framed. Possibly the painter Armand Heins (1856-1938). With on the verso a sketch for "Un combat de coqs en Flandre", an illustration for Camille Lemonnier's "La Belgique" from 1888 (p. 317). Prov. Galerie Maurice Tzwern, Brussels art dealer (label).

Estimation

€200 - 300

MELLERY, Xavier Standing Man. Pencil, 15.4 x 7.7 c

99 - MELLERY, Xavier Standing Man. Pencil, 15.4 x 7.7 cm, wove paper, monogrammed (a few spots). Framed. Provenance: [Lancz Gallery, Brussels art dealer].

Estimation

€120 - 150

MOLEA, Bogdan Object magic I. 1988 Oil on canvas,

100 - MOLEA, Bogdan Object magic I. 1988 Oil on canvas, 84.5 x 85.5 cm (on view), signed and dated on front, attributed, titled and dated on reverse. Framed. Prov. [Gita Brys-Schatan].

Estimation

€150 - 200

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