Rossini's Classics - November 2026

Temps restant :

16j 05h 00m 56s

Jusqu'au lundi 16 novembre | 13:00

Rossini

7, rue Rossini 75009, Paris

497 résultats

Rossini's Classics - November 2026

Rossini

301 - 20th-Century School

302 - Late 19th-century school

303 - In the style of antiquity

304 - Anonymous, after Louis Hersent (1777–1860),

305 - Based on the antique bust of Apollo of Belvedere

306 - after Jean de Bologne

307 - Auguste Nicolas CAIN (1822–1894)

308 - Asian wooden trebuchet and house-shaped copper money box.

310 - Set of four stacks of 1 pound bronze weights:

311 - Set of three 2-pound bronze weight stacks:

312 - Two stacks of 1 pound bronze weights:

313 - Two stacks of 2-pound bronze weights, cases decorated with semi-circles:

314 - Two stacks of 4-pound bronze weights. Cases decorated with five panels stamped with star and semicircle motifs.

315 - 2-pound bronze weight stack. Baluster-shaped handle supports, with two facing sea serpents forming the handle. Punches Arrow and key crossed between the initials GS. Mark L (Lyon).

316 - Set of three bronze weight stacks:

317 - Set of three bronze weight stacks:

318 - Two stacks of 1 pound bronze weights:

319 - Bronze weight stack of 32 ducats. Marks and hallmarks Emperor, 32, Ecu of Nuremberg, 1798 and M, hallmark Crossed Keys.

320 - Set of three stacks of 1-pound bronze weights. Siren hallmarks with two tails, two of which

321 - Set of four 2-pound bronze weights. One with a movable handle. Case decorated with ringed patterns or friezes of geometric motifs:

322 - Bronze weight stack of 8 marcs or 4 pounds. Five-register case punched with geometric designs; punches Cadenas repeated three times, two fleurs-de-lis, one illegible mark and numeral 8.

323 - FOLK ART

324 - A devotional piece in petit point embroidery depicting the Virgin and Child, dated 1869.

325 - A collection of ex-votos, mostly anthropomorphic or anatomical in form (arms, hands, legs, feet), made of various metals using repoussé and chiseled techniques.

327 - CATHOLICA

328 - Morocco, early 20th century

329 - Cylindrical pewter Eucharistic box. Cross on the lid surmounted by the date 1716.

330 - Pewter offering plate, likely modeled after Nuremberg patens

331 - Copper-alloy crucifix

332 - TINEL Pieter Franz, attributed to

333 - A carved, polychrome, and gilded wooden statuette of the Sacred Heart of Jesus, depicted standing with his hands pointing to his heart, wearing a long robe and a draped cloak.

334 - Virgin and Child,

335 - Early Provincial Work

336 - Icon of the Mother of God of Kazan

337 - Icon of the Mother of God of Vladimir.

338 - Saint François de Sales in limestone carved in the round. Standing in choir robes, he holds a book in his left hand, his miter in front of his feet. Inscription St François [...] on the base.

339 - Round jewelry box with six glass windows, a gilded pomponne frame, and a padded interior. The lid is decorated with a view of Versailles, “The Palace.” Circa 1910.

340 - Octagonal box in carved horn, the lid depicting a maritime scene, a scallop shell in the center surrounded by a fleet of six sailboats and two tenders with their oarsmen. 18th century work.

341 - Dieudonné papier maché snuffbox, circa 1820

342 - Small rectangular snuffbox in blue ribboned agate mounted with chased pompom, hinged, with a flap inside.

345 - Set of silver (800) display pieces consisting of eight pill boxes of various shapes, a powder compact, a small hand mirror, a small dish, and a "cacahuète" (probably an old soldered box)

346 - A cylindrical, faceted crystal salt shaker with two compartments. It opens on one side with a hinged stopper and on the other with a push-button stopper; both stoppers are monogrammed "JM."

347 - Four 19th-century salt shakers:

348 - Wedding handkerchief made of linen, edged with Bruges lace applied to tulle, marked with the monogram “MB” beneath a count’s crown, and bordered with floral scrolls.

349 - Set of five pairs of theater and field binoculars, including:

350 - Set of small objects including:

351 - F. J. CARMONA - LIMOGES

352 - Large collection of Russian bonds and debentures, 1896, 1898, 1903, 1906, 1908, 1909, etc.

353 - Steel advertising paperweight dated 1890 for the EBC Levallois-Perret company.

354 - Set of two canes, 19th century:

355 - Pair of exotic cutlery.

356 - Corporate belt buckle.

357 - Rectangular token box with a marquetry lid featuring a mother-of-pearl inlay in the center; it opens to reveal six compartments, including a round one containing mother-of-pearl tokens. 19th century.

359 - Rectangular game table top in polychrome marble marquetry, set against a background of white marble veined with gray, adorned in the center with a stylized composition of foliage and geometric motifs. The corners feature the four suits of playing cards: hearts, diamonds, spades, and clubs.

360 - CHEST, known as a “money changer’s chest,” rectangular in shape, made of walnut, with flower-decorated hinges made of cut metal sheet (traces of gilding), and featuring two side handles. Inside, there is a compartment and a section with a movable lid that reveals a small drawer.

361 - Two carved wooden panels depicting two sphinxes facing each other in front of a flower-adorned bowl. 18th-century work.

362 - Pair of decorative floral pendants made of polychrome resin on a gold background in the 17th-century style

363 - Late 19th-century to early 20th-century school

364 - Two gilded bronze hooks depicting two women facing each other in the classical style. 19th-century work.

365 - A gold-plated metal watch stand depicting a putto on a swing between two trees. The round watch holder is topped with a laurel garland. Mounted on a rectangular black marble base. Restoration style.

366 - A gilded bronze candlestick decorated with waterleaf motifs.

367 - Pair of chiseled and gilded bronze candlesticks in the Neo-Renaissance style, with slender shafts adorned with foliage motifs, resting on tripod bases decorated with putti, foliage, and bunches of grapes.

368 - Pair of cassolettes forming a candlestick, made of white marble and gilded bronze in the shape of an urn resting on a tripod with goat heads and hooves. Louis XVI style. 19th century.

369 - Gilded bronze incense burner with a cylindrical white marble base resting on three ball-shaped feet. Louis XVI style.

370 - Circular bowl on a foot, made of gilded bronze and polychrome champlevé enamel, decorated with radiating floral and plant motifs.

371 - Bronze inkwell with a brown patina depicting a hunting dog holding a duck in its mouth

373 - Gilded bronze four-legged bowl with a central medallion based on a design by Oscar ROTY depicting Aphrodite and Eros

374 - Ferdinand LEVILLAIN (1837–1905), after

375 - Pair of bronze cups with mythological decor of a centaur and a putto holding a lyre, and a centauress with a love. They stand on onyx feet with octagonal bases. Brass internal gongs.

376 - HAZARD Eugène (1838-1891)

377 - Wooden mandolin with carved stylized floral designs and a marquetry panel on the back depicting Pierrot under the moon.

378 - Gelas Neapolitan mandolin

379 - Acoustic guitar bearing the label "Romantica Model J5, guaranteed by Di Mauro, luthier in Paris"

380 - Acoustic guitar bearing the "Di Mauro" brand name branded into the wood

381 - COUESNON brand trumpet, silver plated metal

382 - Alto saxophone by COUESNON in Paris

383 - DOLNET alto saxophone from Paris, made of silver plated metal

384 - Set of 3 medals awarded for civilian service, made of silver plated metal, with ribbons, including a Medal of Honor for Labor, a Medal of Honor from the Industrial Society of the East, and a Medal of Honor from the General Union of Contractors. In their original case.