Autumn Sale

Saturday, November 14 | 10:30 AM (09:30 AM London)

Tennants

North Yorkshire DL8 5SG, Leyburn

On-site sale. No live broadcast. You can place an absentee bid on your preferred lot by contacting the auction house.

Starting price

Starting price

Starting price

Autumn Sale

Tennants

200 - An English Delft Jar, circa 1710, of baluster form with twin ropetwist handles, painted in colours with scrolling foliage over formal borders, painted mark in blue 12cm high For a similar example see Archer (Michael) Delftware, The Tin-Glazed Earthenware of the British Isles, pg.330

201 - An English Delft Vase, circa 1740, of campana form with twin scroll handles, painted in blue with chinoiserie insects and landscapes on a circular foot 14.5cm high

202 - A London Delft Dish, Lambeth High Street, William Griffiths, circa 1740, painted in blue with a chinoiserie figure in a fenced garden on a blue ground with foliage 30cm diameter For a similar plate see Archer (Michael) Delftware, The Tin-Glazed Earthenware of the British Isles, pg.146

203 - An English Delft Dish, circa 1740, painted in colours with a spray of flowers within a castellated border and foliate rim 33.5cm diameter

204 - A Bristol Delft Dish, circa 1740, painted in colours with flowering leafy tendrils within a foliate border and similar rim 33.5cm diameter

205 - An English Delft Drug Jar, probably London, circa 1750, inscribed in manganese CONF. CARDIAC within a blue label with shells, angels and swags 20cm high See Archer (Michael) Delftware, The Tin-Glazed Earthenware of the British Isles, pg.194 and 195 for a discussion of similar examples

206 - An English Delft Drug Jar, probably London, circa 1750, inscribed in blue U.ELAP.CAL within a label with shells, putto and swags 19cm high See Archer (Michael) Delftware, The Tin-Glazed Earthenware of the British Isles, pg.194 and 195 for a discussion of similar examples

207 - A Staffordshire White Salt-Glazed Stoneware Bear Jug and Cover, circa 1760, modelled standing with shredded clay fur 22cm high Provenance: From the Collection of the late Stanley Seeger

208 - A Staffordshire White Salt-Glazed Stoneware Bear Jug and Cover, circa 1760, modelled sitting on its hind legs with shredded clay fur, holding a dog with its forepaws 25cm high Provenance: From the Collection of the late Stanley Seeger

209 - A Staffordshire White Salt-Glazed Stoneware Bear Jug and Cover, circa 1760, modelled standing four-square with shredded clay fur, a dog between its forelegs 23cm high Provenance: From the Collection of the late Stanley Seeger

210 - A Nottingham Brown Salt-Glazed Stoneware Bear Jug and Cover, circa 1760, modelled seated with shredded clay fur, holding a dog in its forepaws 28cm high

212 - A Wedgwood & Bentley Blue Jasper Plaque of John Philip Kemble, circa 1780, bust length, impressed marks 11cm by 8.5cm For a similar example see Victoria & Albert Museum, accession no. S.639-1997

215 - A Derby Porcelain Model of a Pug, circa 1775, naturalistically modelled sitting on a grassy mound 9cm high

216 - A Flight, Barr & Barr Worcester Porcelain Cabinet Cup and Trembleuse Saucer, circa 1820, of hexagonal form on petal and ball feet, painted with landscapes on a gilt seaweed ground, impressed mark 14cm diameter Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

218 - A Flight, Barr & Barr Worcester Porcelain Chocolate Cup, Cover and Stand, circa 1820, initialled HP and painted with scattered sprigs and birds on a green ground within gilt gadrooned borders, impressed mark 14cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

222 - A Pair of English Porcelain Plaques, by William Corden, dated 1823, painted with half-length portraits of John Ormond Deakin and Frances Margarette Deakin, inscribed to reverse| 14.5cm by 12cm, framed

223 - A Pair of Royal Crown Derby Twin-Handled Vases, circa 1900, of baluster form, painted with a band of pink roses in gilt panels on a blue ground highlighted in gilt, printed marks in red 20cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

224 - A Royal Crown Derby Porcelain Vase, 1900, of ovoid form with scroll handles, painted in the manner of Désiré Leroy with a band of foliage on a green ground within blue and gilt borders 16cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

225 - A Pair of Royal Crown Derby Porcelain Vases and Covers, by Albert Gregory, 1903/4, of ovoid form, painted with a band of flowers on a turquoise ground highlighted in gilt, signed A Gregory, printed marks 46cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

227 - A Royal Crown Derby Porcelain Loving Cup, by George Jessop, 1913, of campana form, painted with a spray of flowers on a blue and gilt striped ground, signed, printed mark in red 15cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

228 - A Royal Crown Derby Porcelain Warwick Vase, by Désiré Leroy, 1913, painted with flowers in panels on a blue ground highlighted in gilt, signed, printed mark in red 36cm wide Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

231 - A Royal Worcester Porcelain Vase, 1889, of ovoid form with pierced neck and scroll handles, painted in the manner of Charles Baldwin with swans taking flight within gilt borders 35cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

232 - A Pair of Royal Worcester Porcelain Ewers, circa 1900, of urn form with entwined snake handles, painted with river landscapes in panels on a blue ground highlighted in gilt, printed marks in green 24cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

233 - A Pair of Royal Worcester Porcelain Vases, by Frederick Chivers, 1902, of campana form, painted with still life of fruit in panels on a claret ground highlighted in gilt, signed, printed marks in green 15.5cm high

234 - A Royal Worcester Porcelain Bottle Vase, 1902, with twin scroll handles, painted in the manner of Charles Baldwin with an owl on a blossoming branch on a matt blue ground within gilt borders, printed mark in green 27cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

237 - A Royal Worcester Porcelain Jardiniere, circa 1912, of compressed ovoid form with twin scroll handles, painted with storks in landscape within gilt borders, printed mark in puce 30cm wide Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

238 - A Pair of Royal Worcester Porcelain Twin-Handled Vases, circa 1913, of baluster form, painted with highland landscapes on a blue ground highlighted in gilt, printed marks in puce 31cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

239 - A Royal Worcester Porcelain Vase and Cover, by Harry Stinton, 1917, of twin-handled ovoid form, painted with highland cattle in a misty landscape within gilt borders, printed mark in puce 27cm high

241 - A Pair of Royal Worcester Porcelain Vases, by Harry Stinton, circa 1919-22, of ovoid form, painted with highland cattle in a misty landscape within gilt borders, signed, printed marks in puce 17.5cm high Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

242 - A Royal Worcester Porcelain Dish, by Albert Shuck, circa 1921, of lobed oval form, painted with a still life of fruit on a yellow ground gilt with scrollwork, signed, printed mark in puce 27cm wide

243 - A Royal Worcester Porcelain Dish, by Harry Davis, 1923, of twin-handled oval form, painted with sheep in a river landscape within a moulded and gilt gadrooned border, signed, printed mark in puce 32cm wide Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

244 - A Royal Worcester Porcelain Pot Pourri Vase and Cover, by Harry Stinton, 1935, of ovoid form, painted with highland cattle in a misty landscape within gilt border 33cm high

245 - A Royal Worcester Porcelain Vase, by Edward Townsend, 1937, of cylindrical form, painted with a still life of fruit on a mossy bank within gilt border, signed, printed mark in puce 15cm high

246 - A Royal Worcester Porcelain Plate, by Horace Price, 1940, of lobed circular form, painted with a still life of fruit on a mossy bank within a moulded and gilt gadrooned border, signed, printed mark in puce 22cm diameter

247 - A Royal Worcester Porcelain Miniature Teapot and Cover, by Frank Roberts, 1961, painted with a still life of fruit on a mossy back, signed, printed mark in black 8cm high

248 - A Pair of Royal Worcester Porcelain Vases, by Robert Price, post 1960, of baluster form, painted with still lifes of fruit on a mossy ground with gilt borders, signed, printed marks in black 10cm high

249 - A Royal Worcester Porcelain Teacup, Saucer and Tea Plate, by N Bunegar, L K Till and P Stanley, post 1960, painted with still lifes of fruit on a mossy bank within moulded and gilt gadrooned borders, signed, printed marks in black

250 - A Pair of Royal Worcester Porcelain Plates, by Stephen Weston and James Skerrett, post 1960, of lobed circular form, painted with still lifes of fruit on a mossy bank within moulded and gilt gadrooned borders, signed, printed marks in black 20cm diameter

251 - A Royal Worcester Porcelain Plate, by Harry Ayrton, post 1960, of lobed circular form, painted with a still life of fruit on a mossy bank within a moulded and gilt gadrooned border, signed, printed mark in black 23cm diameter

252 - A Royal Worcester Porcelain Vase, by Harry Ayrton, post 1960, of baluster form with everted rim, painted with a still life of fruit on a mossy bank within gilt borders, signed, printed mark in black 20.5cm high

254 - A Meissen Porcelain Hausmaler Sugar Box and Cover, circa 1735, painted in gilt in the workshop of F J Ferner with birds amongst flowering branches over underglaze blue decoration, crossed swords mark in underglaze blue 11.5cm diameter

256 - A Meissen Porcelain Musical Family Group, circa 1745, modelled by Johann Joachim Kändler, as a flute player sitting on a rocky outcrop, his wife suckling their child and holding the music, on a flower-encrusted mound base, crossed swords mark in underglaze blue 14cm high

257 - A Set of Three Meissen Porcelain Figures of Putti Representing the Seasons, circa 1745, modelled by Johann Joachim Kândler, each sitting on tapered square columns holding their emblems representing Spring, Summer and Autumn, crossed swords mark in underglaze blue

258 - A Meissen Porcelain Dish, circa 1750, of circular form, painted with a spray of flowers and with scattered sprigs within an ozier border, crossed swords mark in underglaze blue 31cm diameter

261 - A Meissen Porcelain Tea Canister and Cover, circa 1750, of fluted oval form, painted with birds perched on branches and with scattered insects within ozier borders and gilt line rims, crossed swords mark in underglaze blue 14.5cm high

262 - A Set of Three Meissen Porcelain Coffee Cups and Saucers, circa 1750, with scroll handles, painted with flower sprays and scattered sprigs on an ozier bround, crossed swords marks in underglaze blue

263 - A Meissen Porcelain Teacup and Saucer, circa 1750, painted with birds in landscape and flower sprigs on a moulded scroll ground, crossed swords mark in underglaze blue A Similar Coffee Cup and Saucer (4)

265 - A Meissen Porcelain Figure of a Lady, circa 1750, standing beside a square column holding a basket of flowers, on a scroll moulded base, crossed swords mark in underglaze blue 20cm high

266 - A Meissen Porcelain Figure of a Lady, circa 1750, standing on a tree stump holding a bird and nest, crossed swords mark in underglaze blue 21cm high

267 - A Meissen Academic Period Porcelain Ecuelle, Cover and Stand, circa 1760, with figural finial and leaf-scrolled handles, painted with romantic figures in landscape vignettes on a neu ozier ground, crossed swords and dot marks in underglaze blue 23cm diameter

268 - A Marcolini Meissen Porcelain Dish, circa 1780, of shaped-circular form, outside decorated with sprays and sprigs of flowers within gilt line border, crossed swords and star mark in underglaze blue struck out 35cm diameter

269 - A Set of Four Meissen Porcelain Cups and Saucers, mid-18th century and later, painted with fruiting and flowering branches and with mushrooms, nuts and vegetables, crossed swords marks struck out

270 - A Meissen Porcelain Figure Group Representing Architecture, late 19th century, as three putti about a classical pediment, crossed swords mark in underglaze blue 23cm high

271 - A Meissen Porcelain Chinoiserie Group, late 19th century, modelled as a seated malabar on a cushion holding a book, a female attendant behind, on a cushion-moulded base, crossed swords mark in underglaze blue 19.5cm high

273 - A Set of Thirteen Sèvres Porcelain Plates, the porcelain 18th century, the decoration later, painted with sprays of flowers within a bleu ciel border with further panels of flowers and gilt with scrolls and foliage, bear painted marks in blue 25cm diameter

274 - A Pair of Gilt-Bronze-Mounted Sèvres-Style Porcelain Comports, 19th century, of oval form with scroll handles, painted with putti amongst clouds on a pink and green ground highlighted in gilt, on oval socles flanked by tritons 34cm wide

275 - A Sèvres Porcelain Pedestal Basket, circa 1865, of circular form with pierced border on a circular socle, decorated in gilt on a blue ground, printed and painted marks 34cm diameter Provenance: From the estate of Peter Haigh, Norwood Green, Halifax

276 - A Thomas Webb & Sons Cameo Glass Vase, circa 1890, of baluster form with cylindrical neck, the blue ground overlaid in white and carved with insects, flowers and leafy tendrils below a scroll border, signed 22cm high

277 - A Cameo Glass Vase, probably by Thomas Webb & Sons, circa 1890, of baluster form, the ruby ground overlaid in white and carved with insects amongst flowering braches and leafy tendrils 21cm high

278 - A Pair of Bohemian Pink and White Overlay Clear Glass Lustres, circa 1860, the lappet-moulded bowls hung with spear drops, on fluted cylindrical stems and circular bases picked out in gilt 31cm high

279 - L Flight: Miniature Portrait of a Gentleman, bust length, wearing a white stock and waistcoat and brown coat, oval, on ivory 6.5cm by 5.2cm With non-transferable standard ivory exemption declaration number CBC1K4M2

282 - George Engleheart (1750-1829): Miniature Portrait of a Gentleman, bust length, wearing a white stock and collar and blue coat, signed with initial, on ivory 9cm by 6.5cm With non-transferable standard ivory exemption declaration number W45PEVUQ

283 - English School (early 19th century): Miniature Portrait of a Young Lady, bust length, wearing a white lace collar, on ivory 7.5cm by 6cm, in a burgundy morocco diptych case and with gilt-metal framed quizzing glass With non-transferable standard ivory exemption declaration number NXFGJDSB

290 - A French Red Marble and Ormolu Striking Mantel Clock, retailed by Chale & Cie, Rue de Richelieu No.89, circa 1830, case surmounted by an urn shaped finial, base with acanthus leaf decoration, dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell 40cm high

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