182nd Auction—Clocks and Watches, Asian Art, Design, Paintings from Before 1800, 19th–20th Century Paintings, Part I

On Tuesday, November 10 | 10:00 AM

Historia Auktionshaus

Manteuffelstraße 27 12103, Berlin

182nd Auction—Clocks and Watches, Asian Art, Design, Paintings from Before 1800, 19th–20th Century Paintings, Part I

Historia Auktionshaus

7057 - Antoine Pesne (1683–1757), copy after “The Lady with the Guitar,” anonymous 19th-century copy. Oil on canvas, unsigned, craquelure, newly stretched onto a stretcher, 65 x 53 cm, overall 76 x 65 cm

7060 - Historical map of Germany -- “Germanie vulgo Teutschland,” full-color copperplate engraving by Böaeu, circa 1670; French text on the reverse; stapled; somewhat stained in places; lower margin frayed; sheet dimensions 51 x 60 cm

7061 - Historical Map of Lower Lusatia -- “Geographical Delineation of the Margraviate of Lower Lusatia, Belonging to the Electorate of Saxony, Containing …,” border collection. Copper engraving by Schenk, ca. 1757, in good condition, sheet dimensions 53 x 65 cm

7062 - Historical map of the Principality of Eisenach, “Principatus Isenacensis,” partially colored copperplate engraving by Homann in Nuremberg, circa 1720, with a decorative coat-of-arms cartouche; sheet dimensions 52 x 60 cm

7064 - Historical map of Lower Lusatia—untitled, showing the Guben District, Guben, Fürstenberg, Frankfurt/Oder, Lieberose, Schittlau, etc., with a detailed legend on the right, bordered. Copperplate engraving by Schenk, circa 1750; sheet dimensions 53 x 65 cm

7065 - Historical map of the Archdiocese of Trier -- “Treverensis Regio...,” a partially colored copperplate engraving by Valck, circa 1700, showing Cologne, Boppard, Trier, Mainz, etc. Center fold; sheet dimensions 52 x 61 cm

7066 - Historical Map of Franconia -- “Circuli Franconiae,” “The First and Largest Part of the Entire Most Praiseworthy Franconian District...,” partially collated. Copper engraving by Schenk, circa 1700; marginal defects; backing; sheet dimensions: 61 x 51 cm

7067 - Maurice Blot (1753–1818) after Elisabeth Vigée-Lebrun (1755–1842), “Monsieur le Dauphin and Madame, Daughter of the King,” copperplate engraving with inscribed margin, stained, with a slight sheen, 51 x 37 cm, mounted behind glass and on paper, overall dimensions 71 x 56 cm

7069 - Historical View of Bremen -- Bremen from a Bird's-Eye View, “Brema,” no further publisher information, col. Etching circa 1600, with coat-of-arms cartouche and caption at the bottom right, browned, 40 x 50 cm, mounted on paper and framed, 56 x 65 cm

7070 - Historical Map of China -- “Regni Sinae vel Sinae Propriae, Mappa et Descriptio Geographica, ex mappis particularibus, quas Sinarum Rex Canghi...,” partially colored. Copperplate engraving by Homann Erben in Nuremberg, ca. 1730, 60 x 53 cm, mounted on paper and framed, 83 x 73 cm

7072 - A collection of three portraits of various Turkish rulers: “Amurathes IV,” “Achmet III,” and “Kara Mustafa Pasha,” 17th century, copperplate engravings and etchings by various artists, up to 12.5 x 18 cm, mounted on paper, up to 26 x 29 cm

7073 - 18th-century Italian painter, Mary holding a crown of thorns, with Mary Magdalene kneeling before her, oil on canvas, unsigned, several patches with retouching, 86 x 70 cm, stretched to 106 x 89 cm

7074 - Italian School, c. 1700, The Presentation of Jesus at the Temple, pen and brush in brown over traces of black chalk on handmade paper, mounted on paper, 17.6 x 13.3 cm, sheet size 20.2 x 16 cm

7075 - Roman, 17th/18th century, Christ carrying the cross, accompanied by Veronica with the Sudarium, black chalk, highlighted in white on blue handmade paper; lower left: formerly attributed to Deomenichino, as transferred onto backing paper, 24.5 x 16.5 cm, sheet 40 x 25 cm

7076 - Dutch, 17th/18th century, scene depicting hospitality with horsemen inside a farmstead, pen and brush in brown on handmade paper with the “Posthorn” watermark, 23 x 19.7 cm, mounted on cardboard. 29 x 25 cm

7077 - Pietro Antonio Novelli (1729–1804), Study of a Woman with a Child and a Girl with a Basket of Fruit, brown pen on handmade paper, unsigned, mounted on cardboard, 16.5 x 16.5 cm, backing paper 24 x 24 cm

7078 - Unknown 17th-century artist, view of a villa complex set among cypress trees, pen and brown ink on handmade paper, indistinct stamp on the reverse, comparable to drawings by Frans van Bloemen or Francesco Grimaldi, 9.4 x 14.2 cm, mounted behind the pages. 19.5 x 23.5 cm

7079 - Antonio da Trento (c. 1508–1560), after Parmigianino, “John the Baptist,” chiaroscuro woodcut in black and light brown on handmade paper; on the reverse, old collector’s notes and a reinforced crease, sheet dimensions 10.4 x 10.5 cm

7080 - Unknown artist of the 18th/19th century, depiction of a wavy-winged astriid (African finch), watercolor on handmade paper, unsigned, 16.5 x 15.2 cm

7081 - Southern Germany, 18th century, Saint Blaise Healing a Boy, oil on canvas mounted on panel, unsigned, comparable to works by Paul Troger (1698–1762), in whose circle the painting appears to have been created, restored and retouched, 68 x 51 cm, in the original period frame 82 x 64 cm

7082 - Unknown artist, c. 1700, Portrait of a Woman as Mary Magdalene, oil on canvas, unsigned, retouched, 30 x 24 cm, mounted: 44 x 38 cm

7083 - Artist signed "R," French painter, circa 1700; pair of landscapes depicting hunting parties, oil on canvas, signed and dated lower left “R. 99,” 28 x 38 cm, framed 47 x 57 cm

7084 - Unknown 17th-century artist, The Flaying of Saint Bartholomew, oil on linen over cardboard and wood, unsigned, retouched, 24 x 36 cm, framed (dimensions including frame) 44 x 56 cm

7085 - Italian School, 16th/17th century, study of a rocky landscape with trees and water in the foreground, red chalk on laid paper, unsigned, 16.5 x 21.4 cm, mounted and framed behind glass 34 x 40 cm

7086 - Monogramist LV, early 19th century, two head studies of an Oriental man, black and white chalk on sand-colored handmade paper, mounted on blue backing paper, dated 1806, and one sheet monogrammed “LV”; each 18 x 12.5 cm

7088 - Drawing by an old master, Italian, 17th century; figure of a saint with a jug; brown wash pen-and-ink drawing on handmade paper; irregular paper edges; mounted in period style; 29 x 16.5 cm

7090 - Unknown artist of the 17th/18th century, landscape with a bridge, a wayside cross, and figurative elements; pen and pencil on handmade paper; unsigned; stained; 17 x 23 cm; mounted on paper, 34 x 39 cm

7092 - Flemish Old Master, circa 1800; allegorical scene featuring Venus and Mars, Cupid, and dogs; oil on wood panel, parquet-style, unsigned, retouched; stress cracks; 42 x 31 cm; framed: 54 x 44 cm

7093 - Historical map of Italy -- “Novissima et accuratissima totius Italiae Corsicae et Sardiniae descriptio,” partially colored. Copperplate map published by Danckerts around 1680, center fold, slightly stained, no text on the reverse, sheet dimensions 51.5 x 61 cm

7094 - Unknown Master of the 17th-century Italian School, *The Nativity with the Adoration of the Shepherds*, oil on canvas, lined, unsigned, 46 x 38 cm, unframed

7197 - Carl Salomon (1864–1942), Woman in the Garden, oil on canvas, partial craquelure, signed and dated 1935 lower left, 53 x 63 cm, stretched to 63 x 73 cm

7198 - Unknown 20th-century painter, Family Scene at the Harbor, oil on canvas, unsigned, 50 x 60 cm, framed 70 x 80 cm

7199 - Monogramist MB, first half of the 20th century, bouquet of flowers on a windowsill with a view over the rooftops of a city, oil on cardboard, monogrammed lower right, 65 x 55 cm, mounted 80 x 70 cm

7200 - Signed S.W. Zahm, copyist circa 1927, Siegfried Fighting the Dragon, copy after a slightly older depiction of the episode from the Nibelungen saga, oil on canvas, signed and dated lower right 1927, slightly damaged, 42 x 27 cm, framed 51 x 36 cm

7201 - Hermann Fenner-Behmer (1866–1913), a Berlin artist, studied at the Royal Academy of Arts in Berlin. Two Nude Harem Ladies, early color print on paper after the painting, unsigned, 18 x 29 cm, mounted behind glass and on paper, 30 x 40 cm

7202 - Antony Paul Emile Morlon (1838–1918), French Salon painter, a couple in a park setting, oil on canvas, signed lower left, 40 x 30 cm, framed 60 x 50 cm

7203 - Otto Molitor (1889–c. 1965), artist born in the Czech Republic; man standing in what appears to be Balkan traditional dress in front of a hedge, oil on plywood, signed lower left, 66 x 30 cm, framed 72 x 36 cm

7204 - W. Peters after Karl Gildemeister (1820–1869), 2nd half of the 20th century, “The Market in Bremen, 1848,” color etching for Sparkasse Bremen, after the original by Gildemeister, slightly stained, 37 x 46 cm, mounted behind glass: 55 x 64 cm

7205 - Helge Cardell (1902–1972), Swedish painter, *Village on the Coast in the Evening Light*, oil on canvas, signed lower right, 28 x 35 cm, framed 37 x 45 cm

7206 - Willi Obronski (1876–?), North German farmhouses with two women in the foreground, oil on cardboard mounted on a panel, signed lower right, 35 x 52 cm, framed 46 x 64 cm

7207 - Leonardo da Vinci (1452–1519), after the *Mona Lisa*, anonymous copy, second half of the 20th century, oil on hardboard, unsigned, 60 x 50 cm, in a heavy 19th-century beaded frame, 86 x 76 cm

7208 - C. Kuhne, mid-20th century, World War still life with two helmets on a pile of rubble with barbed wire, watercolor on paper, signed and dated lower right 1959, 33 x 45 cm, mounted behind glass (with a crack), 40 x 52 cm

7209 - Michael Ancher (1849–1927), “To Venner” (Two Friends), 1899, etching, monogrammed “MA 1899” in the upper right corner of the plate, slightly faded, 24 x 39 cm, mounted behind glass: 38 x 55 cm

7210 - Raphael Oskar Unverdross (1873–1952), Düsseldorf painter, forest landscape, oil on canvas, signed lower left, minimally restored and retouched, 34 x 44 cm, framed 45 x 55 cm

7211 - Paul Schörnick (1874–1943), View of the Friedrichsgracht in Berlin, etching on copperplate paper, signed and dated lower left on the plate 1923, titled below, 28 x 37 cm, mounted behind glass: 38 x 48 cm

7212 - Heinrich Neppel (1874–1936), Vast Landscape with Cows by a Pond Under Storm Clouds, oil on wood, signed lower right, 24 x 36 cm, framed 52 x 64 cm

7213 - David Hicks, British landscape painter, circa 1900; Scottish mountain landscape; oil on canvas; signed lower left; minimally restored and retouched; some paint flaking; 50 x 75 cm; framed: 70 x 95 cm

7215 - Wilhelm Theodor Nocken (1830–1905), German landscape painter of the Düsseldorf School, “White Water in the Mountains with a Dairymaid,” oil on canvas, signed lower right, Craquelure, 94 x 75 cm, stretched to 112 x 93 cm

7216 - Unidentified marine painter, mid-20th century, large harbor scene, oil on canvas, signed indistinctly “Schosey” (?) lower left, 80 x 100 cm, framed 95 x 115 cm

7218 - Hans Herrmann (1858–1942), a painter and graphic artist from Berlin, worked in Düsseldorf and the Netherlands, among other places. Large View with Market Women on the Quay, oil on canvas, signed lower right, 80 x 120 cm, mounted: 108 x 148 cm

7221 - Unknown Biedermeier portrait painter, c. 1840, portrait of a man, oil on canvas, unsigned, improperly cleaned and re-varnished, 75 x 54 cm, framed 83 x 62 cm

7222 - Arnold Böcklin (1827–1901), after “Villa by the Sea,” a 1929 copy based on Böcklin’s original, oil on painting board, signed lower left “Banruker 1929,” 54 x 65 cm, mounted: 67 x 78 cm

7223 - K. Reichel, copyist, second half of the 20th century, “Portrait of an Old Woman,” copy after Rembrandt, oil on canvas, signed and dated on the reverse, small hole at the lower edge in the stretcher frame, 72 x 61 cm

7225 - Unknown painter, first half of the 20th century, Bouquet in a Vase, oil on cardboard, unsigned, slightly warped, 60 x 45 cm, stretched to 79 x 64 cm

7226 - Unknown artist from Northern Germany, first half of the 20th century; expansive landscape in the evening light; pastel on paper; indistinctly signed and dated lower right; 50 x 63 cm; mounted behind glass: 69 x 84 cm

7227 - Miloslava Vrbová-Stefková (1909–1991), Czech artist and ballerina, oil on panel, signed lower left, 40 x 50 cm, framed 52 x 62 cm

7228 - Alice Kiddier, English painter, circa 1920, Chinese-style still life with a snuff bottle, two figures, and a bone-colored junk, oil on canvas, signed lower right, on the reverse “The Junk” with the location “Nottingham” added, 40 x 50 cm, framed 48 x 58 cm

7229 - Bernhard Huys (1895–1973), landscape painter from Worpswede, Impressionist autumn landscape, oil on painting board, signed lower right, slightly curved, 48 x 68 cm, framed 60 x 80 cm

7230 - Wilhelm Bartsch (1871–1953), “Am Weyerberg,” oil on canvas, signed lower left, 40 x 50 cm, mounted: 53 x 63 cm

7231 - R. Kaiser, German painter, circa 1900, small park landscape, oil on cardboard, signed lower left, 36 x 30 cm, framed 51 x 45 cm

7232 - Unknown Berlin painter, circa 1900; view of Old Berlin featuring the tower of the old town hall; oil on canvas, unsigned, in minor condition, 41 x 33 cm, framed 52 x 44 cm

7233 - Unknown Late Romantic artist, second half of the 19th century, riverside landscape in the glow of the full moon with a figure in the background, oil on cardboard, unsigned, 17 x 36 cm, mounted: 34 x 53 cm

7234 - Unknown artist, first half of the 20th century, Impressionist oil study of an Alpine landscape, oil on thin cardboard, indistinctly signed lower left, 50 x 35 cm, mounted behind glass: 61 x 46 cm

7235 - Erich Demmin (1911–1997), landscape painter of the Havelland Artists’ Colony, two landscapes, oil on wood, each signed, inscribed on the reverse, and bearing an estate stamp, mounted to 31 x 37 cm

7236 - Erich Demmin (1911–1997), landscape painter of the Havelland Artists’ Colony, two landscapes, oil on wood, each signed; 1 signed on the reverse “View of Spandau” and estate stamp, mounted to 23 x 38 cm

7237 - Erich Demmin (1911–1997), landscape painter of the Havelland Artists’ Colony, three landscapes: “Landscape near Kladow,” “Landscape near Werder” and “View of Werder,” oil on wood, each signed, inscribed on the reverse, mounted to 23 x 38 cm

7238 - Alexander Rau (1878–1944), “View from Alt-Moabit of Downtown Berlin,” oil on canvas, signed and dated (19)05 in the lower right corner, 25 x 32 cm, mounted: 31 x 37 cm

7239 - Monogramist H.W., ca. 1920, small view of Al-Berlin from the Spree side with a characteristic (watch)tower in the background, oil on canvas mounted on wood, monogrammed and dated lower left August 24, 1921, H.W., 25 x 17 cm, overall dimensions 37 x 29 cm

7240 - Wilhelm Rögge the Younger (1870–1946), German genre painter, illustrator, and graphic artist. Three men in conversation in front of a gate in a snow-covered old town, oil on plywood, signed lower right, 12 x 9 cm, mounted 28 x 25 cm

7241 - Carl Scherres (1833–1923), a painter active in Berlin; Lake Landscape in the Mark, oil on wood, signed lower left, dated “Berlin 1880” on the reverse, 14 x 23.5 cm, framed 19 x 28 cm

7243 - Carl Damess, German painter of the mid-20th century, large Alpine landscape with figures, oil on canvas, signed and dated lower right (19)57, inscribed on the reverse: “The Little Village of Weichselbuden in the Salzach Valley,” 80 x 100 cm, mounted: 101 x 121 cm

7244 - Unknown painter, first half of the 20th century, Cossacks with Hunting Dogs in the Steppe, oil on hardboard, heavily retouched, indistinct signature in the lower left corner, partially painted over, 56 x 73 cm, framed: 67 x 84 cm

7245 - Max Klein (1847–1908) and L. Letterier (?), two academic nude studies of two naked men at work, charcoal drawings on paper, each signed by hand, margin discoloration and signs of wear, sheet dimensions up to 66 x 46 cm

7248 - Karl Stauffer-Bern (1857–1891), Self-Portrait with Cigarette, etching on vellum, signed and inscribed in the lower left corner of the plate “III. Attempt, Print IV,” below which the printer Otto Felsing has monogrammed “O.F.” in pencil, 15.5 x 11.5 cm, sheet dimensions 47.5 x 37 cm

7250 - Signed Beggrow, Orientalist, c. 1930; North African landscape with a settlement and figures, oil on cardboard, signed and dated 1933 in the lower right corner, 25 x 56 cm, mounted: 41 x 72 cm

7251 - Gerhard Geidel (1925–2011), German landscape and marine painter from Kleinmachnow, “Farmhouse on the Lakeshore in Pale Moonlight,” oil on hardboard, signed lower left, 30 x 50 cm, framed 36 x 56 cm

7252 - August Weigl, landscape painter of the late 19th century, Forest Clearing with a Farming Couple Gathering Firewood in the Evening Light, oil on canvas, signed lower right, 38 x 52 cm, framed 56 x 70 cm

7253 - Ferdinand August Glienke (1854–1937), small Impressionist village scene, oil on cardboard, signed lower right, 32 x 38 cm, framed 41 x 47 cm

7094 - Unknown Master of the 17th-century Italian School, The Nativity with the Adoration of the Shepherds, oil on canvas, lined, unsigned, 46 x 38 cm, unframed

7205 - Helge Cardell (1902–1972), Swedish painter, Village on the Coast in the Evening Light, oil on canvas, signed lower right, 28 x 35 cm, framed 37 x 45 cm

7207 - Leonardo da Vinci (1452–1519), after the Mona Lisa, anonymous copy, second half of the 20th century, oil on hardboard, unsigned, 60 x 50 cm, in a heavy 19th-century beaded frame, 86 x 76 cm

7254 - Willy Brandes (1876–1956), a Berlin painter from the Havelland artists’ colony. Farmer with Workhorses at the Well, oil on cardboard, signed lower left, 27 x 34 cm, mounted 35 x 42 cm