Autumn Leaves: Prints and Drawings

Remaining time:

08d 09h 23m 11s

Timed auctions

Until Tuesday, November 3 | 02:00 PM

Éric Caudron

9 rue de Provence 75009, Paris

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Autumn Leaves: Prints and Drawings

Éric Caudron

203 - Auguste LANCON (1836–1885) (?) – [Portrait of a Young Mother with Her Two Children]. 19th century. Original DRAWING on paper. Signed “Lançon” in the lower right corner. 65 x 49.5 cm. Condition A (back and edges slightly sun-faded, otherwise in good condition).

207 - Emile QUENTIN-BRIN (1863–1950) - [Study of a Nude Woman, Reclining]. Original drawing on brown paper. Signed with the artist’s initials. 46 x 63.8 cm. Condition A (a short tear along the top edge, otherwise in good condition).

210 - Camille ROQUEPLAN (1803–1855) - [Young woman in traditional dress, seated and holding a mandolin]. 19th century. Original watercolor on paper. Signed by the artist in the lower right corner. 30 x 25 cm. Condition A (good overall condition).

211 - Hercule TRACHEL (1820–1872, Nice School) – [Ship at Low Tide, Seascape]. 19th century. Original WATERCOLOR on paper. Signed by the artist in the lower right corner. 31 x 46.5 cm. Condition A (very few scattered small foxing spots, in good condition).

213 - David Ossipovitch WIDHOPFF (1867–1933) - [Path Under the Trees, Landscape]. Original drawing in pencil and charcoal on cream-colored vellum paper. Signed with the artist’s initials in pencil. 23.5 x 23.5 cm. Grade A (excellent condition).

214 - Georges WILLAUME (1876–1962) - [Nude with a Red Lampshade]. 1949. Original colored-pencil drawing on watermarked vellum paper (Regis L. Bourdillon). Signed and dated by the artist. 66 x 51 cm. Condition A (light foxing on the reverse, in excellent condition).

215 - Wim ZWIERS (1922–2019) - [Standing Female Nude]. 1952. Original drawing in blue ink on cream-colored paper. Signed and dated in pencil by the artist. 26.5 x 14 cm. Condition A (good condition).

234 - Antonio CASANOVA Y ESTORACH (1847–1896) – “Andalouses.” 1877. Original etching. Signed and dated on the plate. First proof, on laid Japanese paper. Good margins. 34.5 x 26 cm. Condition A (a few foxing spots in the good margins, which are slightly dusty).

236 - DAUMIER Honoré (1808 - 1879) - LOT of 4 LITHOGRAPHIES. Titles: 1-Devant Mr Le Maire. 2-In National Guard. 3-A new hat. 4-Dinner at Véry's. Part of the suite "Les beaux jours de la vie". 35 x 24 cm approx. each plate. B/C condition (stains and a few tears).

240 - Jean-Emile LABOUREUR (1877–1943) – “Portrait of Carl Maria von WEBER (1786–1826, German composer).” Woodcut. Signed with the artist’s monogram on the plate. Proof for the supplement to the journal *Musicale*. Margins. 25 x 18.8 cm. Condition A (good condition).

242 - Charles MERYON (1821–1868) – “La Pompe Notre-Dame.” 1852. Original etching. Ref.: Delteil, no. 31. Schneiderman no. 26 (viii/x). Print on Hudelist laid paper. Margins. 32 x 44.3 cm. Condition B (rare scattered foxing in the margins, a few spots on the reverse).

243 - Jean Constant Raymond RENEFER (1879–1957) - [Battle scenes from World War I]. 1916. Original drypoint. Signed and dated with the point on the plate. Print on cream-colored laid paper, countersigned in pencil by the artist. Margins. 22.5 x 28 cm. Condition A (good condition).

248 - Louis-Joseph SOULAS (1905–1954) - [French Village]. Original etching. Signed with the artist’s initials in the lower left corner of the plate. Beautiful print on imitation Japanese paper. Good margins. 10.5 x 9 cm (image size). 32 x 25 cm (sheet size). Condition A (excellent condition).

252 - "'RED APPLE'. 1975. Silkscreen print on vellum. Numbered print 37/80, titled, dated, and signed in pencil by the artist. 59 x 74 cm. Condition A/B (three short tears along the bottom edge of the sheet; image in good condition).

253 - Valerio ADAMI (Born in Bologna in 1935) - Original POSTER for the ADAMI Exhibition at the Maeght Gallery. Portrait of Sigmund Freud. 1973. Printed by Arte, in Paris. 68.5 x 51 cm. Grade A (two small creases in the lower right corner; otherwise in excellent condition).

254 - Jean-Pierre ALAUX (1925–2020) - [Woman Carrying a Basket of Sunflowers]. Original lithograph, printed in color. Beautiful print on vellum paper, signed in pencil by the artist. Margins. 76 x 38 cm. Condition A (tiny spots on the right margin; otherwise in excellent condition).

259 - Christian CAILLEAUX (French artist, born in 1967) - [Young Woman Sitting Alone on a Bench]. Original color lithograph printed on vellum paper. A beautiful print, numbered 7/30 and signed in pencil by the artist. Margins. 69.5 x 50 cm. Condition A (in perfect condition).

260 - Gerardo CHAVEZ (1937–2025, Peruvian artist) – “The Other Side.” 1984. Original lithograph. Beautiful print on vellum paper, numbered 41/75, titled and signed in pencil by the artist. Printed by Michel Cassé. Margins. 77 x 58 cm. Grade A (excellent condition).

261 - Pierre COURTIN (1921–2012) – “Plump Forest Girl.” 1974. Original lithograph, printed in color. Beautiful print on vellum paper, numbered 3/125 and signed in pencil by the artist. Margins. 73.5 x 51.5 cm. Condition A (sun-faded on the reverse, otherwise in good condition).

262 - Salvador DALI (1904–1989) - [Flordali II - The Butterfly Rose], 1981. Lithograph on vellum paper, signed on the plate and printed by Atelier Matthieu. Margins. A beautiful, large decorative print. 128 x 83 cm. Condition A (Good condition).

271 - Robert LOTIRON (1886–1966) - [A Walk in the Forest]. Original lithograph. Fine print on Arches vellum paper, numbered 78/100 and signed in pencil by the artist. Bears the “L’Estampe” dry stamp (Lugt 816b). Good margins. 36.5 x 55 cm. Grade A (excellent condition).

272 - Frédéric MENGUY (1927–2007) – “Intimité.” 1972. Original lithograph, printed in color. Beautiful artist’s proof, numbered and signed in pencil by the artist. Margins. 76 x 53.5 cm. Condition A (light foxing in the margins and on the reverse, in good condition).

273 - Michel MOSKOVTCHENKO (1935–2025) – “Oak in Sweden.” 1977. Original etching. Beautiful print on BFK Rives vellum paper, numbered 53/60, titled and signed in pencil by the artist. Full margins. 63 x 89 cm. Condition A (excellent condition).

274 - Roger MÜHL (1929–2008) – “Mas in the Alpilles.” Original color lithograph. A fine print on Japanese paper, numbered 112/125 and signed in pencil by the artist. 54 x 76 cm. Condition A (rare foxing and traces of previous mounting on the reverse; in good condition).

275 - Ervin NEUHAUS (Hungary 1928 - 2012) - [Circle and square, red background]. 1975. Linocut. Fine proof on Arches wove paper, numbered 18/30 and signed in pencil by the artist. Margins. 76.5 x 56.5 cm. Condition A (well preserved).

276 - Pablo PICASSO (1881–1973) (after) — Original POSTER for the exhibition “Picasso: Drawings from Half a Century,” May–July 1956 at the Berggruen & Cie. gallery. Printed by Mourlot. 67 x 46.5 cm. Condition A/B (a restored tear on the top edge, some foxing and stains on the reverse).

289 - Jean-Baptiste SECHERET (b. Neuilly-sur-Seine, 1957) - [Funnels I, high]. 1990. Original lithograph. Fine proof on Arches wove paper, numbered 18/35, dated and signed in pencil by the artist. Full margins. 76.5 x 56.5 cm. Condition A (perfect state of preservation).

291 - Bram VAN VELDE (1895–1981) - Original lithographic poster for the artist’s exhibition at the Maeght Gallery in 1975. Printed by Arte, in Paris. 77 x 55 cm. Grade A (a few rare small creases along the bottom edge of the sheet; otherwise in excellent condition).

292 - Bram VAN VELDE (1895–1981) — Original lithographic poster for the exhibition “Paintings 1940–1980” at the Maeght Gallery, October 15–November 21, 1980. Printed by Arte, in Paris. 86 x 54 cm. Grade A (excellent condition).

Drouot App

240 - Jean-Emile LABOUREUR (1877–1943) – “Portrait of Carl Maria von WEBER (1786–1826, German composer).” Woodcut. Signed with the artist’s monogram on the plate. Proof for the supplement to the journal Musicale. Margins. 25 x 18.8 cm. Condition A (good condition).