Auktionskalender

Ancient, Modern, and Contemporary Art - Session IV

Ancient, Modern, and Contemporary Art - Session IV

Live

am Mittwoch, 18. November | 02:00 PM

Gonnelli Casa d'Aste

+39 055 268279 aste@gonnelli.it

Via Fra Giovanni Angelico, 49 50121, Firenze

155 Ergebnisse

Oil on canvas. 46 x 36.5 cm. A metal label bearing

443 - Oil on canvas. 46 x 36.5 cm. A metal label bearing the inscription "Ecole Flamande" is affixed at the bottom center. (1) Framed: 61.5 x 50 cm. The frame has some chips and scratches, while the painting shows numerous cracks. Overall condition is good.

Schätzung

150 - 300 €

Watercolor. 343x225 mm. Inscribed “E. Sanesi” (?)

444 - Watercolor. 343x225 mm. Inscribed “E. Sanesi” (?) and dedicated “To my friend Dante Mattani” in brown ink in the upper right corner. Additional pencil sketches on the reverse. (1) Framed with glass: 51 x 34.5 cm. Work mounted on a mat. Light, diffuse discoloration with spots and corner imperfections. Overall in good condition.

Schätzung

100 - 200 €

Oil on canvas. 27.8 x 21.5 cm. (1) Surface imperfe

445 - Oil on canvas. 27.8 x 21.5 cm. (1) Surface imperfections and general cracking.

Schätzung

150 - 300 €

1) Lapi, E., “Sparring Between an Eagle and a Lion

446 - 1) Lapi, E., “Sparring Between an Eagle and a Lion.” Ink on paper. 75x60 mm. 2) Tricca, A., “Caricature of a Man with a Stick.” Pencil, ink, and watercolor on paper. 110x70 mm. 3) Tricca A. (attributed to), My Son. Pencil, ink, and watercolor on paper. 260x130 mm. Titled in brown ink at the top margin. (3) WORK 1: Preserved in a frame with glass: 15.2x15.2 cm. A few small creases; otherwise in excellent condition. WORK 2: Preserved in a frame: 19.5x15 cm. The upper right corner has been

Schätzung

150 - 300 €

Pencil on paper. 245x205 mm. (1) A few small spots

447 - Pencil on paper. 245x205 mm. (1) A few small spots near the corners. Overall in good condition.

Schätzung

100 - 200 €

A collection of 3 drawings in pencil, pen, India i

448 - A collection of 3 drawings in pencil, pen, India ink, and watercolor on paper. 230/374 x 203/300 mm. One is monogrammed "H.S." in the lower right corner; another is signed in the lower left corner. (3) Negligible spots and minor signs of wear. Overall in good condition.

Schätzung

150 - 300 €

A collection of 2 pen-and-ink drawings, 3 watercol

449 - A collection of 2 pen-and-ink drawings, 3 watercolors, 1 pencil drawing on paper, and 1 print. Three works are signed in the lower margin. (1) Scattered signs of wear but in good overall condition.

Schätzung

150 - 300 €

27 pencil and charcoal drawings on paper. Various

450 - 27 pencil and charcoal drawings on paper. Various sizes. Each mounted on backing paper. Monogrammed "A.B." and dated along the margins. Many of the landscapes depict the hilly areas of Heidelberg, Germany. (1) Scattered signs of wear. Overall in good condition.

Schätzung

300 - 600 €

Oil on canvas. 44x62 cm. Signed “Pantger”(?) and d

451 - Oil on canvas. 44x62 cm. Signed “Pantger”(?) and dated in the lower left corner. On the reverse: a contemporary handwritten label with the painting’s details, which are partially legible. (1) Framed: 54.4x70.4 cm. Widespread but slight cracking. Overall in good condition.

Schätzung

300 - 600 €

A collection of 9 charming pen-and-ink drawings, p

452 - A collection of 9 charming pen-and-ink drawings, pencil sketches, and watercolors on paper, each mounted on a backing board. 293/370 x 165/220 mm. Almost all bear the subject’s name and an attribution in the lower margin. The lot consists of satirical portraits of Ademello V., Canova P., Papini (?), and others. (9) Sheets mounted at the top margin onto backing paper. The papers are generally browned with small spots and imperfections along the margins.

Schätzung

200 - 400 €

Tempera, black ink, pencil, and white lead on heav

453 - Tempera, black ink, pencil, and white lead on heavy paper. 210x235 mm. "IMPREMTA" (printing house) at the top margin, "LA RENAIXENSA" (the Renaissance) at the bottom margin, and "ARS PVLCHRA" (figurative art) in the center. Design sketch for what was likely the masthead of the periodical La Renaixensa, whose coat of arms is visible in the center. The publication was distributed in Barcelona from February 1, 1871, to May 9, 1905. It was initially published every two weeks, but became a daily in

Schätzung

100 - 200 €

A collection of 8 drawings, including charcoal, pa

454 - A collection of 8 drawings, including charcoal, pastel, and ink drawings. 209/286 x 155/225 mm. Some are signed along the margins. (8) Scattered imperfections.

Schätzung

120 - 240 €

Mixed media on paper and cardboard. Various sizes.

455 - Mixed media on paper and cardboard. Various sizes. Some designs bear the inscription “Tiffany,” others the stamp “G. Accarisi e nipote Firenze,” and still others “Ditta G. Accarisi & nipote Successori Ceccherini e Giannini” and “F. Boocke Milano Foro Bonaparte.” (31) Various imperfections.

Schätzung

150 - 300 €

Charcoal drawings on paper. 748x490 mm. Inscribed

456 - Charcoal drawings on paper. 748x490 mm. Inscribed “G. Ferroni” (?) in pencil in the lower right corner. Barely legible inscriptions in pencil in the lower left corner. (1) In a beautiful decorative wooden frame with glass: 114x85 cm. Excellent condition.

Schätzung

200 - 400 €

Oil on canvas. 65.5 x 46.5 cm. Title on the revers

457 - Oil on canvas. 65.5 x 46.5 cm. Title on the reverse. (1) In a wooden frame: 75 x 55.5 cm. One hole at the lower edge of the canvas. Scattered imperfections.

Schätzung

150 - 300 €

"China" on paper, 85x135 mm. Signed lower left, ti

458 - "China" on paper, 85x135 mm. Signed lower left, titled lower right. "Ex dito" in pencil in the upper margin. (1) Slight imperfections. Generally in good condition.

Schätzung

100 - 200 €

Oil on panel. 29.8 x 16.8 cm. Monogrammed in the l

459 - Oil on panel. 29.8 x 16.8 cm. Monogrammed in the lower right corner. On the reverse, in pencil: “Giuseppe Amisani / Venice 1919.” (1) A few small holes along the edges with some paint loss at the upper edge. In good overall condition.

Schätzung

280 - 560 €

Pencil on paper. 250x200 mm (visible). Signed lowe

460 - Pencil on paper. 250x200 mm (visible). Signed lower right. (1) In a gilded frame with imperfections: 46x40.5 cm. Some slight peeling of the paper, one of which results in a small hole in the lower right corner. Other minor flaws.

Schätzung

200 - 400 €

Oil on canvas-lined cardboard. 31 x 21.5 cm. Barle

461 - Oil on canvas-lined cardboard. 31 x 21.5 cm. Barletti, 14. Signed and monogrammed in the lower left corner. Countersigned, counter-monogrammed, and dedicated “to Maria Baldracchi / cordially / Pietro Annigoni Cttt” on the reverse of the support. The work was exhibited and published in the catalog Pietro Annigoni—Painter of Magnificent Intellect, published in 2023, edited by Emanuele Barletti with an essay by Vittorio Sgarbi. The catalog was produced for the exhibition held at the Granai

Schätzung

5.500 - 11.000 €

Set of 3 mixed-media works on paper. Approx. 330 x

462 - Set of 3 mixed-media works on paper. Approx. 330 x 240 mm each. Each is signed and dated on the lower margin. Mounted in passe-partouts with certificates of authenticity attached. (3) Minor flaws. Overall in good condition.

Schätzung

260 - 520 €

Charcoal on paper. 515x500 mm. On the reverse side

463 - Charcoal on paper. 515x500 mm. On the reverse side is a sketch of another drawing. (1) Sheet partially mounted on backing board with a mat. Scattered signs of wear and a small tear in the upper left corner. In good condition.

Schätzung

120 - 240 €

Pencil on paper. 220x290 mm. The front depicts two

464 - Pencil on paper. 220x290 mm. The front depicts two faces and bears the inscription “Banti” in the lower right corner. The reverse side depicts additional faces and a male anatomical figure. (1) Signs of wear and scattered tears, one of which is more noticeable on the left at the top margin, near a fold. Scattered spots and discoloration, more noticeable at the margins on the reverse side. In good condition.

Schätzung

150 - 300 €

Pastels on paper. 600x500 mm. Signed at the bottom

465 - Pastels on paper. 600x500 mm. Signed at the bottom center. On the reverse: countersignature and “Cont. Matilde Ramatti” (?), with a handwritten label reading “252” just above. (1) In a beautiful oval frame with glass: 69.5 x 59.5 cm. In good condition.

Schätzung

280 - 560 €

Oil on canvas. 81.5 x 46 cm. Signed "J. Bermudez"

466 - Oil on canvas. 81.5 x 46 cm. Signed "J. Bermudez" in the lower right corner. On the reverse: inscription attributing the work. (1) Scattered imperfections.

Schätzung

200 - 400 €

Black charcoal with white highlights on brown pape

467 - Black charcoal with white highlights on brown paper. 225x193 mm. Dry stamp of the Parri Collection in the lower left corner. On the reverse, in pencil: “Storia di Cesare a Pitti” in the lower left corner, and “30” in the lower right corner. A high-quality sketch for the figure of Apollonius of Rhodes, commissioned by Leopold II of Tuscany in 1836, and intended to decorate a room in the Meridiana of Palazzo Pitti as part of the cycle of “The Deeds of Caesar”: “in eleven panels, thre

Schätzung

340 - 680 €

Pencils and charcoal on brown paper. 315x240 mm ea

468 - Pencils and charcoal on brown paper. 315x240 mm each. Each signed in the lower right corner. (3) Works mounted in frames with double glass on both sides: 53.5x55.5 cm each. General discoloration but in good overall condition.

Schätzung

300 - 600 €

Pastels on paper. Approx. 485 x 670 mm each. All s

469 - Pastels on paper. Approx. 485 x 670 mm each. All signed, dated, and titled in the lower margins. (3) Signs of wear and scattered small stains. One of the three drawings is partially mounted on backing cardstock. Overall in good condition.

Schätzung

180 - 360 €

Pastels on paper. Approx. 490 x 650 mm each. Both

470 - Pastels on paper. Approx. 490 x 650 mm each. Both signed and dated in the lower margins; one is titled "al Vecchio FRANTOIO." (2) Signs of wear and minor imperfections; in good overall condition.

Schätzung

120 - 240 €

Pencil and watercolors on paper. 250x177 mm. Signe

471 - Pencil and watercolors on paper. 250x177 mm. Signed at the bottom center. (1) The work is fully mounted on backing paper. Slight and negligible foxing with minimal signs of wear. Overall in good condition.

Schätzung

150 - 300 €

Brown, bistre, and watercolor on thick paper. 168

472 - Brown, bistre, and watercolor on thick paper. 168 x 16 mm. Inscribed "Felix Buhot" in pencil in the lower left corner. Barely legible pencil inscriptions on the reverse. (1) Upper corners missing. Overall in good condition.

Schätzung

180 - 360 €

Pen and brown India ink on paper. 203/356 x 255/37

473 - Pen and brown India ink on paper. 203/356 x 255/375 mm. Signed in the lower margin. ALSO INCLUDED: Haps, C., Female Nude. Watercolor on laid paper. 330 x 280 mm. Signed lower right; 19th-century Anonymous, Page Boy. Bistro on paper. 170x135 mm. (5) Marginal defects. Overall in good condition.

Schätzung

120 - 240 €

The Prodigal Son, The Raising of Lazarus, and Unti

474 - The Prodigal Son, The Raising of Lazarus, and Untitled. Red chalk, watercolor, and brown ink on paper. 180/345 x 190/260 mm. All signed, two titled, and all dated. (3) Minor flaws, in good overall condition. Sheets mounted on mat boards.

Schätzung

200 - 400 €

Pencil on lined paper. 217x165 mm. On the reverse,

475 - Pencil on lined paper. 217x165 mm. On the reverse, in the lower right corner: a blue ink stamp with the artist’s name and personal information. (1) Traces of adhesive tape on the left margin of the reverse. In good condition.

Schätzung

150 - 300 €

Oil on cardboard. 25.5 x 32 cm. "m.c." in the lowe

476 - Oil on cardboard. 25.5 x 32 cm. "m.c." in the lower left corner. "Mary Cassat" in the upper corner on the reverse. (1) In a decorated frame: 36 x 44 cm. Signs of surface wear.

Schätzung

300 - 600 €

Charcoal and watercolor on brown paper. 475x315 mm

477 - Charcoal and watercolor on brown paper. 475x315 mm. Signed on the right; numbered "12" in the lower left corner. (1) Negligible small spots. In good condition.

Schätzung

300 - 600 €

Charcoal and watercolor on paper. 437x305 mm. Sign

478 - Charcoal and watercolor on paper. 437x305 mm. Signed lower left. (1) In good condition.

Schätzung

300 - 600 €

Pencils and watercolors on paper. Approx. 436 x 30

479 - Pencils and watercolors on paper. Approx. 436 x 305 mm each. Both signed. (2) In good condition.

Schätzung

240 - 480 €

Pencil on paper. 610x980 mm. "Cavalieri" inscribed

480 - Pencil on paper. 610x980 mm. "Cavalieri" inscribed in red pastel on the back of the sheet. (1) Framed with glass: 71x107.5 cm. Minor imperfections. In good condition.

Schätzung

300 - 600 €

Oil on panel. 15.4 x 22.4 cm. Signed lower right.

481 - Oil on panel. 15.4 x 22.4 cm. Signed lower right. "48" written twice in blue pastel on the reverse. (1) Minor imperfections. Surface burnishing; overall in good condition.

Schätzung

240 - 480 €

Oil on canvas. 63.5 x 35.6 cm. Signed lower right.

482 - Oil on canvas. 63.5 x 35.6 cm. Signed lower right. Metal plaque bearing the artist’s name affixed to the center of the frame. (1) In a wooden frame: 91 x 62.5 cm. The work is unstretched, attached to the frame with tape and nails. Surface imperfections.

Schätzung

300 - 600 €

Charcoal on brown paper. 400x535 mm. A preparatory

483 - Charcoal on brown paper. 400x535 mm. A preparatory study for what is likely a religious fresco depicting the life of Mary: a sketch described in the Catalog of Cultural Heritage, now preserved in the Uffizi’s Department of Drawings and Prints, titled Assumption of the Virgin / Annunciation/Nativity (inventory code G.D.S.U. GAM 2271), which features an initial sketch of this work in the lower right corner. (1) In a beautiful wooden frame decorated with glass: 63x74 cm. Overall in excellent co

Schätzung

240 - 480 €

A collection of 12 pencil drawings on paper and on

484 - A collection of 12 pencil drawings on paper and one watercolor. 153/230 x 120/295 mm. Many are dated along the margins. (13) Scattered signs of wear. Overall in good condition.

Schätzung

150 - 300 €

Pencil, pastel, watercolor, pen, and India ink on

485 - Pencil, pastel, watercolor, pen, and India ink on glossy paper mounted on a board. 1800x500 mm. Signed, dated, and titled at the bottom. There are handwritten notes. (1) The paper is mounted on a board. There are some tears in the support, a small rip, and other imperfections.

Schätzung

380 - 760 €

Mixed media on panel. 38 x 46.5 cm. Signed and dat

486 - Mixed media on panel. 38 x 46.5 cm. Signed and dated lower right; title on the reverse. Provenance: private collection, Florence. (1) In a gilded frame with defects: 48 x 57 cm. Woodworm damage to both the panel and the frame.

Schätzung

400 - 800 €

Terracotta. 22 x 20 x 14 cm. Casazza-Moretti, p. 2

487 - Terracotta. 22 x 20 x 14 cm. Casazza-Moretti, p. 29/83. Signature carved on the back of the figure, countersigned in pencil inside the sculpture. The work depicts Giotto, the sculptor’s son, born in March 1902, who has been the subject of countless exhibitions in Livorno, Florence, and Venice. The few versions in bronze, terracotta, and plaster are all signed and traceable among collectors; however, there were many reproductions and copies made by Armando Ciampi, Alimondo’s brother, who prod

Schätzung

500 - 1.000 €

Oil on cardboard. 33 x 27.4 cm. Signed lower left.

488 - Oil on cardboard. 33 x 27.4 cm. Signed lower left. Metal plaque bearing the artist’s name on the lower edge of the frame. Framer’s label affixed to the back of the frame. (1) In a beautiful frame: 60 x 54 cm. Negligible surface imperfections. Excellent overall condition.

Schätzung

240 - 480 €

Bronze. 26x20x14 cm. (1) Dents and scattered lime

489 - Bronze. 26x20x14 cm. (1) Dents and scattered lime deposits. Overall in good condition.

Schätzung

200 - 400 €

Bronze. 42 x 27 x 22 cm. (1) Slight, occasional o

490 - Bronze. 42 x 27 x 22 cm. (1) Slight, occasional oxidation. Overall in good condition.

Schätzung

200 - 400 €

Oil on cardboard. 37 x 54.5 cm. Signed "G. Ciardi"

491 - Oil on cardboard. 37 x 54.5 cm. Signed "G. Ciardi" in the lower right corner. A metal label engraved with "Guglielmo Ciardi" is affixed to the lower edge of the frame. On the reverse: A Collezione Monti Modena label indicating the artist and title of the work. An additional printed label with the artist’s name is affixed just above it. (1) Framed: 50.5 x 68.5 cm. Surface imperfections. Overall in good condition.

Schätzung

300 - 600 €

Pencil on paper. 146x107 mm. Monogram in the lower

492 - Pencil on paper. 146x107 mm. Monogram in the lower right corner. On the reverse, in pencil: "Authentic sketch by Tranquillo Cremona / Bonardi Danilo" (?). On the back of the frame, inscription in the lower left: “Tranquillo Cremona / Provenance: ‘Ugolini’ Collection, Florence.” (1) Framed with glass: 30x24.5 cm. Slight signs of wear.

Schätzung

280 - 560 €

Oil on cardboard. 10x25 cm. Signed lower left. On

493 - Oil on cardboard. 10x25 cm. Signed lower left. On the reverse, in pencil: title, date, and signature. (1) In a gilded frame with slightly loose fasteners: 27.2x42.2 cm. In excellent condition.

Schätzung

900 - 1.800 €

Red chalk on heavy paper. 330x440 mm. “D. B. d. C”

494 - Red chalk on heavy paper. 330x440 mm. “D. B. d. C” and “Original drawing by Adolfo de Carolis – Donella B. de Carolis” in pencil at the bottom right. Further down, in pencil: “The Renaissance—Bologna,” suggesting that this is a sketch for the woodcut from ca. 1913 titled Il Risveglio. (1) Sheet with small spots and marks, as well as tiny pinholes in the upper right corner. Sheet mounted on cardstock.

Schätzung

300 - 600 €

Oil on panel. 70.5 x 56 cm. Inscribed “Falero” in

495 - Oil on panel. 70.5 x 56 cm. Inscribed “Falero” in the lower left corner. On the reverse: “Luigi Falero / Granada 1851 – London 1896 / L’AURORA.” This work was originally created in 1882 as part of Falero’s series on the planets and celestial bodies. (1) In a beautiful frame with glass: 92 x 77.5 cm. Minimal color loss in the upper left corner. Overall in excellent condition.

Schätzung

500 - 1.000 €

Pair of oil paintings on panel. 9 x 13.6 cm each.

496 - Pair of oil paintings on panel. 9 x 13.6 cm each. Each signed lower left. On the reverse of each work, on the panel: title, countersignature, and stamp of the Novara Painters’ Art Exhibition. On the back of the frame, both bear an ink stamp from Saletta D’Arte Viviani in Pisa. Charming pendant paintings titled Luci marine and Scogliera. (2) Both paintings are in gold frames with glass: 23 x 27.5 cm each. Slight surface patina. Overall in good condition.

Schätzung

400 - 800 €

Brown ink on Michele Dipino “Marmorato” watermarke

497 - Brown ink on Michele Dipino “Marmorato” watermarked paper. 385x280 mm. The work was likely created during the last years of the artist’s life, when he spent some time in Naples before moving to Rome. The Dipino family of papermakers, originally from Amalfi, began producing papers with similar watermarks around 1870. (1) Slight browning but in excellent overall condition.

Schätzung

280 - 560 €

Oil on cardboard. 46.7 x 47.5 cm. Signed and dated

498 - Oil on cardboard. 46.7 x 47.5 cm. Signed and dated in the lower right corner. Previous auction history: Bloomsbury, March 29, 2007. (1) Mounted in a wooden frame: 60.5 x 61 cm. The frame has scratches and chips, while the painting has a few small areas of paint loss and minor signs of wear. Overall in good condition.

Schätzung

500 - 1.000 €

Pencil, pastel, watercolor, and charcoal on paper.

499 - Pencil, pastel, watercolor, and charcoal on paper. Approx. 155x120 mm. Signed lower right. Provenance: private collection, Rome. (1) In a beautiful gilded frame with some damage: 32x27 cm. The upper right corner of the support is missing. Other minor defects.

Schätzung

200 - 400 €

Bronze on a stone base. 50.5 x 150 x 90 cm (includ

500 - Bronze on a stone base. 50.5 x 150 x 90 cm (including the base). Signature and date carved at the base of the figure. A worn label from the International Art and Sports Biennial affixed to the bottom of the sculpture. (1) Minor imperfections and traces of adhesive tape on the base. The sculpture is in excellent condition.

Schätzung

550 - 1.100 €

Watercolor on paper. 140x105 mm (visible area). Si

501 - Watercolor on paper. 140x105 mm (visible area). Signed in brown ink in the lower right corner and titled in the lower left corner. Next to the artist’s name are the initials “R.W.S.,” standing for the Royal Watercolor Society, of which he was elected a member in 1864. (1) Mounted in a frame with glass: 33.3 x 29.4 cm. There is a small hole in the center of the drawing, and the top and left margins show minor tears and small stains. Overall, it is in good condition.

Schätzung

150 - 300 €

Oil on panel. 6.7 x 23 cm. Signed in ink on the re

502 - Oil on panel. 6.7 x 23 cm. Signed in ink on the reverse. "ALESSANDRO GUACCIMANNI" inscribed in pencil on the reverse, along the lower margin. (1) Signs of wear and a few minor areas of color loss. Small fragments of gilding are present along the left and top edges, likely resulting from the work having been previously mounted on a backing. Overall in good condition.

Schätzung

100 - 200 €

Oil on canvas. 47x37.5 cm. "Hayez" inscribed on th

503 - Oil on canvas. 47x37.5 cm. "Hayez" inscribed on the back of the frame. (1) In a beautiful, gilded period frame: 58 x 48.8 cm. Three old, barely visible patch restorations on the front. A slight crease along the edges of the stretcher with minor cracking, but in good overall condition.

Schätzung

500 - 1.000 €

Red chalk and pencil on paper. 375x244 mm. Signed

504 - Red chalk and pencil on paper. 375x244 mm. Signed lower left. (1) In a beautiful, richly decorated frame with glass: 58x44.5 cm. In excellent condition.

Schätzung

300 - 600 €

Oil on thick cardboard. 14.2 x 30.6 cm. Signed low

505 - Oil on thick cardboard. 14.2 x 30.6 cm. Signed lower left. On the reverse: “Hollaender / Posillipo 1901” in pencil in the upper left corner. (1) In a charming frame with glass: 36.5 x 52 cm. Superficial imperfections. Generally in good condition.

Schätzung

200 - 400 €

Oil on canvas. 52.5 x 42 cm. Signed lower left. (1

506 - Oil on canvas. 52.5 x 42 cm. Signed lower left. (1) In a beautiful frame with glass: 75 x 65 cm. Overall in excellent condition.

Schätzung

800 - 1.600 €

A pair of elegant fashion designer sketches execut

507 - A pair of elegant fashion designer sketches executed in pencil and gouache on paper. 270x210 mm. Signed in the lower right corner. Collection and design notes scattered along the margins. Works created on elegant paper produced by Vidalon, a leading French paper mill in operation since the 17th century. (2) Works partially mounted on backing mat boards. Slight creases. Overall in good condition.

Schätzung

340 - 680 €

Collection of 5 ink drawings in various colors on

508 - Collection of 5 ink drawings in various colors on paper, depicting monstrous creatures. 147/220 x 135/215 mm. (5) All mounted in frames with glass: 43x37 cm. Minor defects and small tears at the corners, likely caused by previous mounting on another surface. Scattered small spots. Generally in good condition.

Schätzung

320 - 640 €

A collection of 8 drawings in pencil, red pastel,

509 - A collection of 8 drawings in pencil, red pastel, and ink in various colors on paper. 70/250 x 75/195 mm. The drawing depicting the female figure is signed in ink in the lower right corner. (5) All mounted in frames with glass: 46.5/48 x 29/32 cm. Signs of wear and corner damage; otherwise in good overall condition.

Schätzung

280 - 560 €

1) Realism. ca. 1900. Etching on paper with a beau

510 - 1) Realism. ca. 1900. Etching on paper with a beautiful swan watermark. 268x175 mm. Sheet size: 445x310 mm. Artist’s stamp in red ink in the lower right corner. Signed, titled, and edition number in pencil in the lower right corner. No. 50/50. 2) Les fleurs. ca. 1900. Drypoint on watermarked paper. 230x190 mm. Sheet size: 440x306 mm. Title engraved on the plate in the lower left corner. Stamp, signature, and edition number in pencil in the lower right corner. No. 25/50. 3) Untitled. ca. 1900.

Schätzung

200 - 400 €

Oil on panel. 18.7 x 34.7 cm. Lower left, in penci

511 - Oil on panel. 18.7 x 34.7 cm. Lower left, in pencil: "51828 / Lido Veneziano". (1) In a wooden frame with glass: 35.75 x 1.7 cm. The lower right corner is missing. Woodworm holes along the upper edge. Overall in good condition.

Schätzung

200 - 400 €

Pastel and charcoal on heavy tobacco-colored paper

512 - Pastel and charcoal on heavy tobacco-colored paper. 272 x 310 mm. Signed in pencil in the lower left corner. (1) Work mounted on a mat. Various imperfections on the support and small spots.

Schätzung

120 - 240 €

Oil on panel. 21 x 39.4 cm. "Ulvi Liegi" (barely l

513 - Oil on panel. 21 x 39.4 cm. "Ulvi Liegi" (barely legible) "Corcos 81" in pencil at the bottom left. On the reverse, in pencil: “From Vittorio Corcos to Ulvi Liegi / Livorno 1881 -” in the upper left and “Fields and Haystack No. 51” in the center. Work published in the catalog I Macchiaioli, edited by Mario Giardelli, on page 227, titled “A CACCIA.” (1) In a gold frame with glass: 37.3 x 54.4 cm. Overall in good condition.

Schätzung

800 - 1.600 €

Oil on canvas. 30x40 cm. Signed lower right. On th

514 - Oil on canvas. 30x40 cm. Signed lower right. On the reverse: countersignature, title, date, “I certify that this painting is my own work, Umberto Lilloni, Milan, February 3, 1970,” and a stamp from Alberto Schubert, who has kindly confirmed the work’s authenticity and its cataloging under number 875. The work will be published in the next volume of the artist’s catalog raisonné. (1) In a gilded frame: 52.5 x 62.5 cm. Excellent condition.

Schätzung

1.400 - 2.800 €

Oil on panel. 28.5 x 19 cm. Signed lower right. La

515 - Oil on panel. 28.5 x 19 cm. Signed lower right. Label with the work’s details affixed to the reverse. (1) In a gold frame: 42 x 52 cm. The surface is discolored, but the work is in good overall condition.

Schätzung

150 - 300 €

Oil on canvas. 86.5 x 69 cm. Signed on the reverse

516 - Oil on canvas. 86.5 x 69 cm. Signed on the reverse in black marker, along with "Florence." There are inscriptions on the back of the stretcher, written in both pencil and blue pastel, containing instructions for the preservation of the canvas and various measurements. The work is a reproduction of Justice, attributed to Simone Pignoni and painted approximately between 1640 and 1660. Mambriani, originally from the Parma area, was active in Florence from the 1910s until his death in 1968. He mov

Schätzung

500 - 1.000 €

Black and white charcoal on brown paper. 400x300 m

517 - Black and white charcoal on brown paper. 400x300 mm. Signed lower right. On the reverse, an inscription signed by Emilio Zanzi: “This charcoal and pastel drawing / by Antonio Mancini (from his Frascati period) / was part of the collection of Comm. Fernando / du Chéne de Vére, friend and art dealer of the greatest / Master of nineteenth-century Italian painting. / The undersigned attests to its absolute authenticity / In witness whereof—Emilio Zanzi / Turin, March 10, 1942 XX” in brown in

Schätzung

320 - 640 €

Red and white charcoal on brown paper. 480 x 320 m

518 - Red and white charcoal on brown paper. 480 x 320 mm. H. Pennock, Antonio Mancini in the Netherlands, Haarlem 1987, pp. 26, 56, 74. "Kunst" inscribed in pencil on the upper margin of the reverse, above the handwritten label in brown ink: "Charcoal sketch by Mancini, Italian painter / From the H. W. Mesdag Collection. This and numerous other sketches, crumpled up, served as packaging for the paintings purchased by Mesdag / by Mancini.” Provenance: H.W. Mesdag Collection, The Hague; Dutch priva

Schätzung

300 - 600 €

Oil on canvas. 50x70 cm. Signed lower right and on

519 - Oil on canvas. 50x70 cm. Signed lower right and on the reverse. (1) In a black frame: 73x93 cm. Imperfections.

Schätzung

380 - 760 €

Oil on canvas. 27.5 x 18 cm (visible area). Signed

520 - Oil on canvas. 27.5 x 18 cm (visible area). Signed and dated in the lower right corner. (1) In a wooden frame with glass: 47.5 x 37.5 cm. Small dents on the frame and minor imperfections. In good condition.

Schätzung

80 - 160 €

Pencil on a sheet from a sketchbook. 107x175 mm. I

521 - Pencil on a sheet from a sketchbook. 107x175 mm. In the lower left corner, a dry stamp reading “Libreria Marsilio da Padova.” Inscribed “Alberto Martini” on the reverse. The work is featured in the exhibition catalog Fattori e il suo tempo (Galleria Teorema, Florence), no. 40. Provenance: Montagner Collection, Bologna. The work comes from one of the artist’s sketchbooks, the sheets of which were later framed separately.

Schätzung

200 - 400 €

Oil on cardboard. 24x16 cm. Signed lower left; ins

522 - Oil on cardboard. 24x16 cm. Signed lower left; inscriptions and title on the reverse. (1) In a gilded frame with a few small chips: 38.5x30.5 cm. The work is in excellent condition.

Schätzung

200 - 400 €

China, pencil and pastels on paper. 294x208 mm. In

523 - China, pencil and pastels on paper. 294x208 mm. Inscriptions on the upper and lower margins. ADDITIONAL WORKS: Gerbault H. (after), La Feuille a l'envers. ca. 1890. Pen and India ink and pastels on paper. 292x205 mm. Signed in the left margin; Id., Sketches recto/verso. Pen and India ink. 141x95 mm; Rousseau G., Vignette. 1888. Pen and India ink and blue pastel on paper. 312x237 mm. Signed lower right. (4) The work is partially mounted on gray cardstock. Slight crease at the upper corner and min

Schätzung

400 - 800 €

Mixed media on paper. 75/130 x 70/125 mm. Each she

524 - Mixed media on paper. 75/130 x 70/125 mm. Each sheet is signed and/or initialed at the bottom. Seven are countersigned in pencil on the reverse, along with their titles: “The Little Flower Seller,” “A Strange Boy,” “Val d’Elsa,” “Guglielmo,” “Beppino,” “A Step Back,” and “The Comforting Corner.” Four are not countersigned but are titled, also in pencil on the reverse: “In Search of Grasshoppers,” “Val d’Elsa,” “The Willow in the Cemetery,” “In Search

Schätzung

300 - 600 €

Oil on canvas. 37 x 59 cm. On the reverse, in blue

525 - Oil on canvas. 37 x 59 cm. On the reverse, in blue ink: "J. F. Millet SC." (1) Patchwork restoration on the reverse. Scattered imperfections with slight surface cracking.

Schätzung

280 - 560 €

Pencil on rough paper. 261x135 mm. On the reverse,

526 - Pencil on rough paper. 261x135 mm. On the reverse, in the upper left corner, is inscribed “F. Millet,” along with other inscriptions (“15/25” in the upper right and “S” in the center) and a few lightly sketched lines. (1) The sheet has scattered tears, particularly noticeable along the right margin. There are scattered, clearly visible stains and smudges.

Schätzung

100 - 200 €

Charcoal and chalk on brown paper. 304 x 414 mm. S

527 - Charcoal and chalk on brown paper. 304 x 414 mm. Stamp of the Nannini Collection of Modena in the lower left corner. (1) Work mounted on a mat. Negligible surface imperfections. Overall in good condition.

Schätzung

240 - 480 €

Oil on Masonite. 17.6 x 25.5 cm. Signed lower righ

528 - Oil on Masonite. 17.6 x 25.5 cm. Signed lower right, titled and dated lower left. Inscriptions on the reverse. (1) In a box frame with glass: 32 x 40 cm. Slight patina; in excellent overall condition.

Schätzung

150 - 300 €

Oil on Masonite. 31x31 cm. Signed lower left. (1)

529 - Oil on Masonite. 31x31 cm. Signed lower left. (1) In a fabric frame: 39x38.3 cm. Some minor paint flaking and a slight bulge in the paint itself in the lower left corner.

Schätzung

150 - 300 €

Oil tempera on wood panel. 15.5 x 16 cm. The work

530 - Oil tempera on wood panel. 15.5 x 16 cm. The work is accompanied by a certificate of authenticity based on a photograph. Signed lower left; countersigned with “this work is mine” and a label with the work’s details on the reverse. (1) Framed: 29 x 28.5 cm. In excellent condition.

Schätzung

100 - 200 €

A collection of 4 sheets, meticulously illustrated

531 - A collection of 4 sheets, meticulously illustrated in pencil on both sides. Approx. 142x190 mm each. Scattered titles written in pencil along the margins. The sheets feature 23 framed scenes conceived as sketches, later executed in oil on paper, and finally transformed into engravings for the illustrations intended for Francesco Bertolini’s book Storie di Roma, published in 1884 and reissued by Fratelli Treves of Milan in 1890. Some of these scenes were reprinted in the early 20th century in

Schätzung

400 - 800 €

Oil on canvas. 69x79 cm. Signed lower right. (1) F

532 - Oil on canvas. 69x79 cm. Signed lower right. (1) Framed: 81x91 cm. In excellent condition.

Schätzung

300 - 600 €

Oil and white lead on thick paper. 300 x 500 mm. S

533 - Oil and white lead on thick paper. 300 x 500 mm. Signed at the bottom center. Additional sketch on the reverse, partially visible. (1) Restored left margin. Various tears along the margins.

Schätzung

600 - 1.200 €

Mixed media on heavy paper. 170x110 mm. Signed low

534 - Mixed media on heavy paper. 170x110 mm. Signed lower right. Provenance: private collection, Rome. (1) Framed, with chips: 32x27 cm. The left corner of the support has been reattached. Other minor flaws.

Schätzung

130 - 260 €

Pair of charcoal drawings on mounted paper. 325x39

535 - Pair of charcoal drawings on mounted paper. 325x390 mm each. Each is signed, titled, and dated during the Fascist era in the upper right corner. The lot consists of views of the Colosseum and the Roman Forum. Known primarily for his advertising posters, he moved to Rome in 1932 and worked as an illustrator for ENIC between 1939 and 1940. His paintings are on display at Villa Il Corno, owned by the Counts of Frova in San Casciano in Val di Pesa, and at the Vittorio Veneto Technical Institute in L

Schätzung

400 - 800 €

Oil on cardboard. 50x70 cm. Signed lower right. (1

536 - Oil on cardboard. 50x70 cm. Signed lower right. (1) In a wooden frame: 67x87 cm. The cardboard is slightly warped, with scratches and signs of wear along the edges. Overall in good condition.

Schätzung

260 - 520 €

Oil on cardboard. 50x70 cm. Signed lower right. (1

537 - Oil on cardboard. 50x70 cm. Signed lower right. (1) In a wooden frame: 67x87 cm. The cardboard is slightly warped, with scratches and signs of wear along the edges. Overall in good condition.

Schätzung

260 - 520 €

Oil on Masonite. 30 x 40 cm. Signed lower left. Fr

538 - Oil on Masonite. 30 x 40 cm. Signed lower left. Framer’s stamp on the back of the stretcher. (1) In a beautiful frame with glass: 59 x 69 cm. Overall in excellent condition.

Schätzung

280 - 560 €

Oil on cardboard. 18x27 cm. Signed and dated in pe

539 - Oil on cardboard. 18x27 cm. Signed and dated in pencil in the lower right corner. Titled, countersigned, and counterdated on the reverse. (1) In a charming box frame with glass: 32x40.5 cm. Overall in excellent condition.

Schätzung

150 - 300 €

Oil on cardboard. 27x36 cm. Signed and dated using

540 - Oil on cardboard. 27x36 cm. Signed and dated using the Fascist numbering system in the lower right corner. (1) In a gold box frame with glass: 40.5x50 cm. Minor flaws along the upper edge. Excellent overall condition.

Schätzung

180 - 360 €

Wood and glass. 36.6 x 24 x 13 cm. There is a smal

541 - Wood and glass. 36.6 x 24 x 13 cm. There is a small framed mirror on the back of the piece. The piece was likely created as a vanity accessory for applying makeup. (1) Minor scratches. Overall in excellent condition.

Schätzung

400 - 800 €

Oil on canvas-lined board. 39.7 x 30 cm. Signed in

542 - Oil on canvas-lined board. 39.7 x 30 cm. Signed in the lower left corner. (1) Framed: 57 x 47 cm. A few small chips on the frame and minor imperfections, with some slight color loss. The painting is in good condition, with rich, textured colors.

Schätzung

80 - 160 €

Gehe zu

Drouot App

Explore, discover and bid on thousands of exceptional objects with the Drouot app

Google Play

App Store