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Ancient, Modern, and Contemporary Art - Session III

Ancient, Modern, and Contemporary Art - Session III

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On Wednesday, November 18 | 10:00 AM

Gonnelli Casa d'Aste

+39 055 268279 aste@gonnelli.it

Via Fra Giovanni Angelico, 49 50121, Firenze

156 results

Anonymous, 19th century, Florence, Chiasso de Baro

287 - Anonymous, 19th century, Florence, Chiasso de Baroncelli. ca. 1870. Etching. 240x115 mm. Sheet: 265 x 176 mm. Partially faded black ink monogram “TS” in the lower left corner, of uncertain attribution. (1) Work mounted in a passe-partout. Minimal browning. The print is in good condition.

Estimation

€100 - 200

Various artists, Set of 3 engravings. 1872–78. 1)

288 - Various artists, Set of 3 engravings. 1872–78. 1) Piccinni, A., Une école à Rome. 1872. Etching and drypoint on mounted tissue paper. 239 × 150 mm. Sheet: 280x190 mm. Signed and dated on the plate in the upper left corner. Copy lacking the publisher’s details, which were later stamped on the lower margin. 2) Delleani, C., Tonio!... Etching and drypoint on mounted tissue paper. 235x150 mm. Sheet size: 363x272 mm. Titled on the plate at the bottom center. Bottom left: “Celestino Dellea

Estimation

€150 - 300

Various artists, Set of 5 engravings published by

289 - Various artists, Set of 5 engravings published by Cadart. 1878. 1) Piccinni, A., Un amphithéâtre à Rome. 1878. Etching. 150x193 mm. Sheet: 320x490 mm. Signature and plate marks in the upper left corner. Publisher’s details stamped on the lower margin. 2) Michetti F. P., L’enfant au panier. 1878. Etching. 210x120 mm. Sheet: 265x170 mm. Signature on the plate in the lower right corner. Publisher’s details stamped on the lower margin. 3) Pasini A., Abbrutimento. Etching on mounted tiss

Estimation

€150 - 300

Various artists, set of 4 engravings. 1898–1923. 1

290 - Various artists, set of 4 engravings. 1898–1923. 1) Thoma, H., Falkau. 1898. Etching. 173x220 mm. Sheet: 325x355 mm. Monogrammed and dated on the plate in the lower right corner, along with “XII.” In the lower left corner: “Falkau 2·8·62.” Signed in pencil at the lower margin. 2) Bridge. Etching and aquatint. 210x300 mm. Sheet: 310x425 mm. Inscriptions in pencil in the lower right and left corners. On the reverse, also in pencil, are the inscriptions “Austin Robert? / Garton (?)”

Estimation

€180 - 360

Various artists, set of 6 engravings. 1900. 1) Bal

291 - Various artists, set of 6 engravings. 1900. 1) Baldessini, G., City Square, etching with color. 120x184 mm. Sheet: 252x300 mm. Monogrammed on the plate in the lower right corner. 2) Baldassini, G., Canal in Venice. ca. 1920. Etching and aquatint. 640x490 mm. Sheet: 75x595 mm. Monogram on the plate in the lower right corner. Title and signature in pencil on the lower margin. 3) Guasti, M., Landscape, etching. 172x235 mm. Sheet: 234x300 mm. Signed in brown ink in the lower right corner. 4) Bottige

Estimation

€150 - 300

Lionello Balestrieri, *Night Train*. ca. 1910. Col

292 - Lionello Balestrieri, Night Train. ca. 1910. Color etching and aquatint. 442x605 mm. Sheet size: 570x728 mm. Inscribed in pencil in the lower right corner; edition number in pencil in the lower left corner. Work accompanied by an expert appraisal from Il Mercante di Stampe. ALSO INCLUDED: Bromel L. (?), Set of 4 color etchings and aquatints. Approx. 500x670 mm each. Sheets: Approx. 605x775 mm each. Each signed and numbered in pencil on the lower margin. (5) Overall in good condition.

Estimation

€150 - 300

Luigi Bartolini, Basket of Buds/Gentians in Backli

293 - Luigi Bartolini, Basket of Buds/Gentians in Backlight. 1912. Etching on a cream-colored background. 170x202 mm. Sheet: 310x425 mm. Signed in pencil lower right, edition number in the center, and title on the left. Counter-signed and dated on the plate lower right. No. 2/50. The engraving is also known by the titles Genziane controluce and Genziane in ombra. Dario Palma, in his bibliography of the artist, chooses “Genziane controluce.” (1) The print is fully mounted on a mat. The print ha

Estimation

€300 - 600

Luigi Bartolini, *A Fonte Canapina*. 1932–37. Etch

294 - Luigi Bartolini, A Fonte Canapina. 1932–37. Etching. 155 × 110 mm. Sheet size: 255 × 182 mm. Signed in pencil in the lower right corner and titled in the lower left corner. This same engraving is also known by the titles—written in pencil by the artist—"At the Fountain," "The Little Washerwomen of Osimo," "The Little Washerwoman," "Girl Bending Over," and "Washerwomen at Fonte Canapina." (1) Work partially mounted on backing card with a mat. Slight foxing.

Estimation

€200 - 400

Luigi Bartolini, Via Oslavia 37. 1949–50. Etching

295 - Luigi Bartolini, Via Oslavia 37. 1949–50. Etching on mounted paper. 285 × 395 mm. Sheet: 360 × 456 mm. Corradini, 47. Signed and dated “August 11, 1949” in etching on the lower left. Titled in etching at the bottom center. Countersigned and dated “1950” in pencil at the bottom right. Titled “Via Oslavia 37” and “(antilettera)” in pencil at the bottom left. On the reverse is a charming ex libris by Luigi Bartolini, featuring the initials “L. B.” and a caged insect in woodc

Estimation

€220 - 440

Aubrey Beardsley, Set of 2 engravings from *Lysist

296 - Aubrey Beardsley, Set of 2 engravings from Lysistrata. 1896. Collotypes. 265x180 mm each. Sheets: 315x241 mm each. The plate, which depicts Lysistrata in full face view, bears the artist’s name engraved on the plate in the lower left corner and “LYSISTRATA” in the upper right corner. Both sheets bear the pencil inscriptions “BEARDSLEY / Calloway - Pica” at the bottom of the reverse. (2) Signs of gluing along the upper margins of both sheets, with scattered small tears and a pale, uni

Estimation

€80 - 160

Mosè Bianchi, Set of 5 engravings. ca. 1890. 1) En

297 - Mosè Bianchi, Set of 5 engravings. ca. 1890. 1) Enfant de chœur (in Italy). Etching on laid paper with watermark. 225x145 mm. Sheet: 475x309 mm. Signed on the plate at the bottom right. Titled on the plate at the bottom center. “Bianchi sculp.” at the bottom left and “Imp. CADART & LUCE, Paris.” 2) The Brothers Are at Camp. Etching on mounted tissue paper. 250x180 mm. Sheet size: 357x267 mm. Titled on the plate at the bottom center. “Mosè Bianchi dip. e inc.” on the left and �

Estimation

€280 - 560

Luigi Bonazza, Set of 2 engravings. 1916–19. 1) Ce

298 - Luigi Bonazza, Set of 2 engravings. 1916–19. 1) Cesare Battisti. 1916. Etching and aquatint. 235x180 mm. Sheet: 500x394 mm. Artist’s drystamp in the lower right corner; drystamp inscribed “PER CURA DELLA LEGIONE TRENTINA PRO ONORANZE AI CADUTI” in the lower left corner. 2) Fabio Filzi. 1919. Etching and aquatint. 215x175 mm. Sheet: 497x395 mm. Title engraved on the plate at the bottom center. Artist’s drystamp in the lower right corner; drystamp inscribed “PER CURA DELLA LEGIONE TREN

Estimation

€180 - 360

Georges Braque, *Les fleurs violets*. ca. 1960. Aq

299 - Georges Braque, Les fleurs violets. ca. 1960. Aquatint. 477x294 mm. Sheet: 640x497 mm. Signed in pencil lower right and edition number lower left. Drystamp lower left: “Atelier Crommelynck Paris.” Collection notes in pencil on the reverse. No. 59/200. (1) Minor marginal imperfections.

Estimation

€300 - 600

Anselmo Bucci, Set of 13 engravings from *Croquis

300 - Anselmo Bucci, Set of 13 engravings from Croquis du front italien. 1917. Collection of 13 drypoint engravings. 60/110 x 77/140 mm. Sheets: approx. 275x355 mm each. All signed in pencil in the lower right corner and numbered in the lower left corner. Each is titled in pencil in the lower left corner of the sheet and further numbered in the lower right corner. The sheets have different numbering, but all belong to the edition of 100 copies on Holland paper. The engravings are taken from the famo

Estimation

€240 - 480

Massimo Campigli, *The Bathers*. 1955. Lithograph.

301 - Massimo Campigli, The Bathers. 1955. Lithograph. 475x620 mm. Sheet: 500x650 mm. Meloni-Tavola, p. 130. Signed and dated in pencil in the lower right corner; edition number and “Loevre Gravée, Paris” drystamp in the lower left corner. No. 43/175. (1) Ballpoint pen markings in the lower right corner. Minor defects at the margins; in good overall condition.

Estimation

€200 - 400

Massimo Campigli, Women and Flowers. 1957. Lithogr

302 - Massimo Campigli, Women and Flowers. 1957. Lithograph. 575x390 mm. Sheet: 660x480 mm. Meloni-Tavola, 164. Signed and dated in pencil lower right; edition number (barely visible) and “Loevre Gravée, Paris” drystamp lower left. No. 135/175. (1) Ballpoint pen inscriptions in the lower right; a small loss of support at the lower left corner and a few small spots.

Estimation

€200 - 400

Aldo Carpi, Set of 2 engravings from the *Sull'Adr

303 - Aldo Carpi, Set of 2 engravings from the Sull'Adriatico portfolio. 1915–16. Pair of reproductions. 310x400 mm each. Sheets: 334x424 mm each. Both signed in pencil in the lower right corner. (2) Works mounted on backing paper. Overall excellent condition.

Estimation

€100 - 200

Carlo Carrà, Back View of a Nude. 1962. Lithograph

304 - Carlo Carrà, Back View of a Nude. 1962. Lithograph. 465x310 mm. Sheet size: 630x450 mm. Signed in pencil lower right; title, date, and “artist’s proof” lower left. (1) Minor flaws.

Estimation

€100 - 200

Marc Chagall, *Pliouchkine à la porte*. 1923–27. D

305 - Marc Chagall, Pliouchkine à la porte. 1923–27. Drypoint on Japanese paper. 280 × 212 mm. Sheet size: 383 × 284 mm. Signature in the plate, lower right. (1) Full-bodied impression and brilliant inking. In perfect condition.

Estimation

€180 - 360

Marc Chagall, Nozdriov. 1923–27. Etching. 290 x 23

306 - Marc Chagall, Nozdriov. 1923–27. Etching. 290 x 230 mm. Sheet: 380 x 276 mm. Sheet from the portfolio Les âmes mortes (1923–27), later published in Paris in 1948. (1) In perfect condition.

Estimation

€150 - 300

Marc Chagall, *Tchitchikov Slept at the Office*. 1

307 - Marc Chagall, Tchitchikov Slept at the Office. 1923–27. Etching. 210 x 275 mm. Sheet: 280x374 mm. Sheet from the portfolio Les âmes mortes (1923–27), later published in Paris in 1948. (1) Excellent condition.

Estimation

€150 - 300

Edgar Chahine, Set of 4 engravings. 1903. Collecti

308 - Edgar Chahine, Set of 4 engravings. 1903. Collection of 4 etchings and aquatints. 170/395 x 90/495 mm. Sheets: 215/417 x 190/550 mm. Stamps, signatures, and dates along the margins, both in pencil and etched into the plate. (4) Overall excellent condition.

Estimation

€140 - 280

Edgar Chahine, Set of 4 engravings. 1909. Collecti

309 - Edgar Chahine, Set of 4 engravings. 1909. Collection of 4 splendid etchings and aquatints, one executed on mounted tissue paper. Approx. 560 x 425 mm each. Sheets: Approx. 650 x 505 mm each. One signed and dated on the plate. All countersigned in pencil on the lower margin. (4) Sheets intact with minimal defects along the margins. Substantial prints in excellent condition.

Estimation

€150 - 300

Tullio Crali, Set of 2 engravings. Lithographs. Ap

310 - Tullio Crali, Set of 2 engravings. Lithographs. Approx. 400x500 mm each. Both signed in pencil. (2) Minor flaws.

Estimation

€100 - 200

Bruno Da Osimo Tranquillo Marangoni, Set of 2 engr

311 - Bruno Da Osimo Tranquillo Marangoni, Set of 2 engravings. 1948–1960. 1) Da Osimo, B., Ex libris of St. John XXIII. Woodcut. 160x215 mm. Sheet: 250x350. Signed in pencil lower right. 2) Marangoni T., Engraving for his friend Bruno da Osimo. 1948. Woodcut. 262x170 mm. Sheet: 345x226 mm. On the block, at the bottom center, is inscribed “T. MARANGONI ENGRAVED THIS WOOD FOR HIS DEAR BRUNO ON CHRISTMAS DAY 1948.” Both engravings feature a statement of authenticity and a brief description, writte

Estimation

€130 - 260

Francesco Dal Pozzo, *Woodcuts of Siam*. 1928. Com

312 - Francesco Dal Pozzo, Woodcuts of Siam. 1928. Complete portfolio in a hardcover case (515x390 mm) with canvas reinforcements, containing 12 woodcuts on tobacco-colored paper. 195/435x320/415 mm. Sheets: 500/640 x 380/470 mm. Each signed on the block; many countersigned in pencil in the lower right corner. Front cover with title printed in three languages—English, Chinese, and Thai—and a lion embossed in the center. Back cover with a handwritten dedication in brown India ink: “To His Excel

Estimation

€150 - 300

Salvador Dalí, Muse of Tragedy: Melpomene (Homage

313 - Salvador Dalí, Muse of Tragedy: Melpomene (Homage to Oedipus). 1971. Etching. 400x325 mm. Sheet size: 650x496 mm. Signed in pencil lower right, with a drystamp lower left and a “edizioni Bora” drystamp lower right. Work from the suite Les Muses published by Les Heures Claires. (1) A slight tear at the lower margin and other minor imperfections, all marginal. Excellent impression.

Estimation

€130 - 260

Salvador Dalí, *Mais ô belle Dionée* (Yes, O Beaut

314 - Salvador Dalí, Mais ô belle Dionée (Yes, O Beautiful Dione). 1978–79. Woodcut on Japanese paper. 270 × 210 mm. Sheet: approx. 550x370 mm (visible). Pencil signature in the lower right and plate signature in the lower left. “E.a,” likely apocryphal, in the lower left. The sheet is from the series L'Art d'Aimer (The Art of Love), created to illustrate Ovid’s famous work. (1) Framed. 62.5x44 cm. The sheet shows signs of discoloration from display.

Estimation

€180 - 360

Charles François Daubigny, *Le guet du chien* (*Th

315 - Charles François Daubigny, Le guet du chien (The Dog on Guard). 1850–60. Etching on mounted China paper. 105 × 165 mm. Sheet size: 224 × 305 mm. Delteil, 90. “L’ARTISTE” stamped on the upper margin, “LE GUET DU CHIEN” stamped on the lower margin. Printed publication details on the sides. Collection notes in pencil on the mat. Work accompanied by a technical sheet prepared by L’Arte Antica of Turin. Copy in the second state of 6. (1) Work mounted on a mat. Slight browning wit

Estimation

€100 - 200

Adolfo De Carolis, Dante Adriacus. 1920. Two-block

316 - Adolfo De Carolis, Dante Adriacus. 1920. Two-block woodcut. 910x600 mm. Sheet: 990x685 mm. Conti, 1929, plate II. Orano-Di Marzio, 1929, p. 5. Inscriptions: “To him MCCCXXI—Adolfo De Carolis engraved MCMXX.” Created for the sixth centenary of Dante’s death, two versions exist: one titled Dante Alighieri and one Dante Adriacus. The second, modified version was commissioned by D’Annunzio. Dante is depicted in a frontal, half-length portrait, gazing straight ahead with his head crowne

Estimation

€300 - 600

Adolfo De Carolis, Veiled Female Figure with Child

317 - Adolfo De Carolis, Veiled Female Figure with Children and a Horse. ca. 1922. Three-block woodcut on paper with a "P.M.P." watermark. 317x498 mm. In pencil, lower right: “To the painter Lilla Schlatter / the woodcut artist Adolfo de Carolis / Epiphania D. 1922.” (1) Paper has browned, especially on the reverse. Minor marginal defects but in good overall condition.

Estimation

€150 - 300

Giuseppe De Nittis, *La Danseuse Holoke-Go-Zen* (T

318 - Giuseppe De Nittis, La Danseuse Holoke-Go-Zen (The Lady with the Turkish Shawl/Reclining Woman/Woman Lying Down Wrapped in a Shawl/Fabrics). 1873. Etching with drypoint and burin work on Japanese paper. 213x285 mm. Sheet: 366x555 mm (unfolded). Fiorani-Dinoia, 12. Signed and dated on the plate in the lower left corner. Provenance: Montagner Collection, Bologna. An extremely rare proof print dating between the second and third states of IV, prior to the inscriptions on the lower margin but afte

Estimation

€400 - 800

Giuseppe De Nittis, Retour d'une promenade (Return

319 - Giuseppe De Nittis, Retour d'une promenade (Returning from a Walk). 1875. Etching on laid Japanese paper. 117x155 mm. Sheet: 248x362 mm. Fiorani-Dinoia, 37. Signed on the plate in the lower right corner. Collection notes written in pencil on the backing sheet. A marvelous ante-letteram proof with wide margins in State 1 of 2, prior to the addition of the publisher’s details and printed title to the lower margin of the plate. Subsequently published in Cadart’s album *L’Illustration Nouvelle

Estimation

€280 - 560

Giuseppe De Nittis, Set of 2 engravings. 1880–84.

320 - Giuseppe De Nittis, Set of 2 engravings. 1880–84. 1) Jeune femme or Woman with Clasped Arms. 1884. Etching with drypoint retouching on laid paper. 115x155 mm. Sheet: 260x170. Fiorani-Dinoia, 16. “Gazette des Beaux-Arts” printed in the upper left margin. Work in the second state of two, published in the Gazette three months after De Nittis’s death, accompanied by an article in his honor written by Ary Renan. Prandi dates the creation of the engraving to around 1880, coinciding with th

Estimation

€180 - 360

Félix Del Marle, *Composition abstraite*. 1946. Li

321 - Félix Del Marle, Composition abstraite. 1946. Lithograph. 240x175 mm. Sheet size: 325x240 mm. Signed in pencil lower right. (1) -

Estimation

€50 - 100

Eugène Delacroix, *Lionne Dechirant la Poitrine d'

322 - Eugène Delacroix, Lionne Dechirant la Poitrine d'un Arabe (Lioness Tearing Open the Chest of an Arab). 1849. Soft ground on mounted China paper. 210x275 mm. Sheet: 235x305 mm. Delteil, 25. Signature and date engraved in the lower left corner. Title and catalog number written in pencil on the mat. Work accompanied by a technical sheet prepared by L’Arte Antica of Turin. Copy in State I of 3. (1) Sheet partially mounted on a passe-partout. Minor defects along the margins; the engraving is in

Estimation

€200 - 400

Benvenuto Disertori, Set of 3 engravings. 1908–34.

323 - Benvenuto Disertori, Set of 3 engravings. 1908–34. 1) The luthier Carlo Bisiach. 1930–1934. Lithograph. 260x230 mm. Sheet: 450x330 mm. Bellini-Alberti, 68. Signed in pencil in the lower right corner. 2) The luthier Giacomo Bisiach. ca. 1934. Lithograph. 283x240 mm. Sheet: 495x355 mm. Bellini-Alberti, 67. Engraved signature in the lower right corner. 3) Window with a plant and a book. Woodcut. 137x140 mm. Sheet: 295x210 mm. Bellini-Alberti, 77. Engraved signature in the lower right corner. Th

Estimation

€80 - 160

Benvenuto Disertori, Set of 4 engravings. 1912–191

324 - Benvenuto Disertori, Set of 4 engravings. 1912–1919. 1) Monte Magnanapoli. 1918. Etching and burin engraving on laid paper. 290x395 mm. Sheet: 340x440 mm. Bellini-Alberti, 30. Monogrammed on the plate at the bottom center. Signed in black ink at the bottom right and numbered at the bottom left. Work in the second state of 2, following the addition of the inscription at the bottom margin. Ex. 40/21. 2) The Temple of the Dioscuri. 1918–1919. Etching and burin on laid paper. 347 × 180 mm. Shee

Estimation

€200 - 400

Otto Dix, *Lustmord*, from *Tod und Auferstehung*.

325 - Otto Dix, Lustmord, from Tod und Auferstehung. 1922. Drypoint. 279x346 mm. Karsch, 44/ii. Sheet: 375x490 mm. Signed in pencil lower right, edition number lower left, and “II” lower center. Copy in the second state. No. 40/50. (1) The sheet has been mounted on heavy backing paper due to its condition; the work, in fact, has tears and breaks, creases, and small stains. The ink application is rich.

Estimation

€1,200 - 2,400

Gustave Doré [after], Engraving plate for *The Div

326 - Gustave Doré [after], Engraving plate for The Divine Comedy. Metal printing plate. 35.5 x 28.5 cm. Posthumous plate, not a mirror image, bearing both Doré’s name and that of the engraver Pennemaker, Doms Sc, the original producer of the woodcut plates. (1) Scattered scratches. Overall in good condition.

Estimation

€80 - 160

Henri Theodore Fantin-Latour, Set of 4 engravings.

327 - Henri Theodore Fantin-Latour, Set of 4 engravings. Collection of 4 lithographs on tissue paper. 127/225 x 95/260 mm. Sheets: 215/250 x 150/380 mm. (4) Works mounted or partially mounted on backing paper. Minimal and negligible marginal defects. The engravings are in excellent condition.

Estimation

€150 - 300

Giovanni Fattori, Donkey at Rest. Etching on zinc

328 - Giovanni Fattori, Donkey at Rest. Etching on zinc. 186x263 mm. Sheet: 496x648 mm. Malesci-Baboni, CXXIX. Signature on the plate, lower left. In pencil, lower right: “Giovanni Fattori, Resting Donkey / Etching, period proof.” (1) Wide margins with slight foxing. A few negligible spots with scattered minor tears. Overall in good condition.

Estimation

€180 - 360

Giovanni Fattori, *Le gabbrigiane*. Etching on zi

329 - Giovanni Fattori, Le gabbrigiane. Etching on zinc. 336 x 222 mm. Sheet: 524 x 350 mm. Malesci-Baboni, plate CLVII; Baboni (Franconi Collection), plate 107. "OUEROI" engraved on the reverse in the lower right corner. Inscribed "Giov. Fattori" in pencil in the lower right corner. One of Fattori’s most famous and sought-after engravings. (1) Sheet mounted on a backing mat. General foxing.

Estimation

€360 - 720

Giovanni Fattori, Set of 5 engravings. 1910–15. Co

330 - Giovanni Fattori, Set of 5 engravings. 1910–15. Collection of 5 zinc etchings. Sheets: 645x500 mm each. The prints lack drystamps, watermarks, or grid lines, and therefore cannot be attributed to the posthumous centennial edition. Presumably contemporary. On the reverse of each work is a black-ink stamp by Nino Carozzi, a 20th-century Italian collector from Lerici, Liguria. The lot consists of: 1) The Bull. 180x280 mm. Malesci-Baboni, CXXXIV; 2) Pig Herders. 200x200 mm. Malesci-Baboni, XCVIII;

Estimation

€500 - 1,000

Mariano Fortuny y Marsal, Idylle (Idyll). After 18

331 - Mariano Fortuny y Marsal, Idylle (Idyll). After 1865. Etching on laid paper. 194x140 mm. Sheet size: 253x210 mm. Piqué-García, 4. Carbonell, 4. Signed and dated in the plate in the upper right corner. Title and publication details in the lower margin. “No. 4” in the plate in the upper right corner. Delâtre edition. The engraving was created after the watercolor of the same name, painted in 1864 and now in the collection of the Prado Museum in Madrid. (1) Restored vertical tear at the lowe

Estimation

€150 - 300

Lucien Gautier, Set of 3 engravings of Paris. 1883

332 - Lucien Gautier, Set of 3 engravings of Paris. 1883–90. 1) Rue Galande in Paris. ca. 1890. Etching. 387x250 mm. Sheet: 435x300 mm. Title and publication details stamped in the lower margin. 2) Le Quai de Rive Neuve. 1883. Etching on Japan paper. 225x375 mm. Sheet size: 268x405 mm. Signed and dated lower left. Collection notes in pencil on the reverse. 3) La Place Maubert in Paris. ca. 1890. Etching. 380x220 mm. Sheet: 448x305 mm. Title and publication details stamped in the lower margin. (3) Ea

Estimation

€100 - 200

Attilio Giuliani, Set of 3 engravings. 1938. 1) Mi

333 - Attilio Giuliani, Set of 3 engravings. 1938. 1) Midday. Woodcut on mounted tissue paper. 275/405 mm. Sheet: 390x533 mm. Initials, signature, and “Roma” engraved on the plate at the left margin. Title, countersignature, counter-initials, and “Stampata a mano” in ink at the bottom margin. 2) Roma - Palazzo Venez(i)a. 1938. Woodcut on mounted tissue paper. 310x425 mm. Sheet: 394x512 mm. Signature, initials, and date in both Arabic numerals and the Fascist era engraved in the upper right cor

Estimation

€150 - 300

Louis Icart [circle of], Seated Woman. Colored et

334 - Louis Icart [circle of], Seated Woman. Colored etching. 380x250 mm. Sheet: 603x450 mm. In the lower left corner is the inscription “Kaby,” likely the artist’s signature, and the numbering. Ex. 3/100. The lower margin of the sheet is folded over by 4 cm and bears a barely legible pencil inscription. (1) The sheet has irregular margins, with numerous and noticeable smudges both at the margins and within the engraving. The illustration also has a small tear on the right, at the level of the

Estimation

€80 - 160

Marcel Janco, Untitled. Lithograph. 310 x 500 mm.

335 - Marcel Janco, Untitled. Lithograph. 310 x 500 mm. Sheet size: 497 x 652 mm. Signed in pencil lower right and edition number lower left. No. 10/110. (1) Minor flaws.

Estimation

€70 - 140

Laurenzio Laurenzi, Set of 2 engravings of Assisi.

336 - Laurenzio Laurenzi, Set of 2 engravings of Assisi. 1922–25. 1) The Citadel of Assisi as seen from Mount Subasio. 1922. Etching. 390x510 mm. Sheet: 604x715 mm. Signed and dated on the plate at the lower margin. Countersigned in pencil at the lower left. 2) Assisi, view of the Basilica of St. Francis. 1925. Etching. 410x485 mm. Sheet: 600x710 mm. Signed, titled, and dated on the reverse of the plate in the lower left corner. Countersigned in pencil in the lower left corner; counter-titled in pen

Estimation

€150 - 300

Laurenzio Laurenzi, Set of 3 engravings of Rome. 1

337 - Laurenzio Laurenzi, Set of 3 engravings of Rome. 1933–34. 1) Temple of Vesta in Piazza Bocca della Verità—Rome—Year XI E.F. 1933. Etching. 490x380 mm. Sheet: 710 x 600 mm. Signature, title, and date engraved on the plate at the lower margin. Counter-signed in pencil in the lower left corner. 2) View of St. Peter’s Square, To His Excellency the Marquis Camillo Serafini. 1933–34. Etching. 420 × 490 mm. Sheet: 604 x 710 mm. Signature, title, dedication, and date engraved at the bottom m

Estimation

€200 - 400

Louis Legrand, Set of 3 engravings. 1894. 1) The D

338 - Louis Legrand, Set of 3 engravings. 1894. 1) The Divine Words. 1894. Etching and aquatint. 595x362 mm. Sheet: 637x415 mm. Artist’s stamp in red ink lower right, edition number in pencil lower right. No. 98/100. 2) Les Figures. 1895. Etching. 310x490 mm. Sheet: 457x620 mm. Signed in pencil lower right. Artist’s stamp in red ink lower right, edition number in pencil lower right. Ex. 1/14. 3) Untitled. ca. 1890. Etching and aquatint on laid paper with watermark. 395x215 mm. Sheet: 545x368 mm. S

Estimation

€150 - 300

Betto Lotti, *In disarmo*. ca. 1913. Aquatint. ca.

339 - Betto Lotti, In disarmo. ca. 1913. Aquatint. ca. 1913. 510x600 mm. Sheet: 565x635 mm (visible). Signed on the plate in the lower right corner. Counter-signed in pencil in the lower right corner and titled in the lower left corner. (1) The work is fully mounted on a backing mat. Scattered stains, mostly concentrated along the lower margin, and signs of wear. Good overall condition.

Estimation

€150 - 300

Fernand Léger, Plate (page 53) from *Du Cubism* (O

340 - Fernand Léger, Plate (page 53) from Du Cubism (On Cubism). 1947. Etching, aquatint, and burin. 175x130 mm. Sheet size: 253x200 mm. Signed and dated on the plate in the lower right corner. Published by the Compagnie Française des Arts Graphiques, Paris. Sheet from the volume indicated in the title. Artist and technique printed on the reverse. (1) The work is partially mounted on a mat and has a few small spots, visible mostly on the reverse. Good impression.

Estimation

€300 - 600

Edouard Manet, *La Parisienne*. 1874–1910. Woodcut

341 - Edouard Manet, La Parisienne. 1874–1910. Woodcut on laid paper with a “Torre con esafoglio” watermark. 100 x 148 mm. Sheet size: 296 x 240 mm. Guérin, 90. Signature on the plate in the lower right corner. The subject portrayed, Madame Nina de Villard (wife of the writer Hector de Callias), is the same woman depicted in the oil painting Woman with Fans (1873–74), now in the collection of the Musée d’Orsay, and was an eccentric figure in the Parisian artistic and literary salons of

Estimation

€240 - 480

Georges Manzana-Pissarro, *The Oriental Adolescent

342 - Georges Manzana-Pissarro, The Oriental Adolescent. Color zincograph with pochoir details on tobacco-colored paper. 410x315 mm. Sheet size: 485x355 mm. (1) A small hole in the upper right corner and other minor flaws.

Estimation

€100 - 200

Tranquillo Marangoni, Set of 2 prints. 1961–69. 1)

343 - Tranquillo Marangoni, Set of 2 prints. 1961–69. 1) Carretera a Milagros. 1961. Woodcut. 195x495 mm. Sheet: 295x615 mm. Signed in pencil lower right, title in pencil lower center, “p.d.a.” in pencil lower left. 2) Reti a Manarola (Cinque Terre). 1969. Woodcut. 565x185 mm. Sheet: 690x293 mm. Monogrammed and dated on the plate at the bottom center. Title, signature, and edition number in pencil at the lower margin, above the artist’s drystamp. (2) Minor and negligible defects at the upper m

Estimation

€150 - 300

Frans Masereel, *Expiations*. 1933. Folio-sized po

344 - Frans Masereel, Expiations. 1933. Folio-sized portfolio (488x382 mm) containing 9 woodcuts enclosed in a bifolio with a woodcut title page and colophon. 150x190 mm each. Each plate is signed and dated on the woodblock. Countersigned and numbered in pencil along the lower margin. Copy 60/100. ALSO INCLUDED: Id., 2 issues of Konkret magazine from 1960, nos. 3 and 5. With scattered prints by Masereel throughout. The work is accompanied by a certificate of authenticity issued by Il Mercante di S

Estimation

€400 - 800

Sante Matteucci, Portrait of an Elderly Man. 1847.

345 - Sante Matteucci, Portrait of an Elderly Man. 1847. Pencil on paper. 200x195 mm. Sheet: 275x210 mm. The lower left corner bears the date, signature, and place: “Sante Matteucci in Forlì Dal Vero 1847.” (1) Framed with glass: 34x28 cm. Scattered foxing, stains, and imperfections.

Estimation

€120 - 240

Pericle Menin, Set of 9 engravings. ca. 1900–30. C

346 - Pericle Menin, Set of 9 engravings. ca. 1900–30. Collection of 9 hand-colored etchings on silk. Approx. 285x235 mm each. Sheets: Approx. 340x240 mm each. Each signed and titled on the mat. (9) Mats with various imperfections. Some sheets have severe creases.

Estimation

€100 - 200

Charles Meryon, The Apse of Notre-Dame de Paris. 1

347 - Charles Meryon, The Apse of Notre-Dame de Paris. 1854. Etching and drypoint on laid paper with a double watermark “M.B.M.”/“PORTE[...]”. 150x285 mm. Sheet: 260x363 mm. Delteil, 38. “C. Meryon - dis : sculp - mdccclvi -” printed lower left, “imp. Rue neuve St Etienne-du-Mont” printed lower right. Engraving in the fourth state of 9. (1) Sheet mounted on a passe-partout. Small spots along the margins. Engraving slightly browned but in good condition.

Estimation

€500 - 1,000

Giovanni Meschini, Set of 4 engravings. A collect

348 - Giovanni Meschini, Set of 4 engravings. A collection of 4 delightful pochoir prints depicting a view of a village, two mountain landscapes with trees, and butterflies. 240/180 x 180 x 125 mm. Sheets: 240/180 x 230/125 mm. (4) The print depicting the butterflies has an extensive but barely visible crease in the upper left corner and some slight chipping at the edges of the margins. Overall, in excellent condition.

Estimation

€100 - 200

Giovanni Meschini, Set of 6 religious-themed engra

349 - Giovanni Meschini, Set of 6 religious-themed engravings. Collection of 6 exquisite pochoir prints depicting the Madonna and Child, the Child with the Lamb, and angels. 365/190 x 225/180 mm. Sheets: 300/480 x 235/350 mm. One is signed on the plate in the lower right corner. Publisher’s information is printed on the front, along the lower margin of 5 sheets; one sheet, however, has it printed on the back. (6) Slight foxing, small spots, and marginal browning, which do not compromise the quality

Estimation

€150 - 300

Giovanni Meschini, Set of 10 engravings with folk

350 - Giovanni Meschini, Set of 10 engravings with folk themes. A collection of 10 brilliant pochoir prints depicting traditional Balkan, Oriental, and African clothing. 185/360 x 190/240 mm. Sheets: 185/390 x 190/285 mm. (10) Slight creases and signs of wear at the edges of the margins. Vibrant colors. Excellent condition.

Estimation

€150 - 300

Giovanni Meschini, Set of 8 engravings. Collectio

351 - Giovanni Meschini, Set of 8 engravings. Collection of 8 charming pochoirs on paper. 200/290 x 150/235 mm. Sheets: 237/320 x 192/255 mm. Works created by both Giovanni and his daughter Graziana Meschini, whose printed signature appears in the lower margin of some of the prints. (8) Overall in excellent condition.

Estimation

€150 - 300

Kurt Meyer-Eberhardt, Set of 11 aquatints depictin

352 - Kurt Meyer-Eberhardt, Set of 11 aquatints depicting animals. 1920s–1950s. 1) Seated kitten. Aquatint. 255x200 mm. Sheet: 437x320 mm. “Original Radierung v. Meyer Eberhardt” in pencil on the lower margin. “157” in the lower left corner. 2) Three kittens on a blanket. Aquatint. 280x375 mm. Sheet: 440x537 mm. “Original Radierung v. Meyer Eberhardt” in pencil on the lower margin. 3) Cat with Kitten. Aquatint. 250x212 mm. Sheet: 441x325 mm. “Original Radierung v. Meyer Eberhardt.” 4

Estimation

€550 - 1,100

Francesco Paolo Michetti, *L'Enfant Au Panier*. ca

353 - Francesco Paolo Michetti, L'Enfant Au Panier. ca. 1875. Etching on mounted paper. 202x130 mm. Sheet size: 281x206 mm. Signed on the plate in the lower right corner. A rare work in the (probable) I of 6. This copy lacks the later inscriptions added on the plate, which are much more common on the market. The subject appears to be an etching based on the 1872 painting Contadinella che canta. (1) The sheet is browned with scattered specks along the margins.

Estimation

€280 - 560

Francesco Paolo Michetti, *L'Enfant Au Panier*. 18

354 - Francesco Paolo Michetti, L'Enfant Au Panier. 1880. Etching on laid paper. 240x160 mm. Sheet size: 266x180 mm. Signed on the plate in the lower right corner. Below: lower left “Paolo Michetti del. et sc.”, title at the bottom center, lower right “Imp. Cadart. Paris,” and “Gazette des Beaux-Arts” stamped at the bottom left. Final copy in the sixth state of six, including all publisher’s inscriptions. (1) Work partially mounted on a backing mat. Exhibition patina with a few scatter

Estimation

€100 - 200

Koloman Moser [after], Postcard featuring a woman’

355 - Koloman Moser [after], Postcard featuring a woman’s face and floral motifs. 1946. Etching and drypoint. 145x100 mm. Sheet: 195x128 mm. “MK” monogram inscribed in pencil in the lower right corner; numbering in pencil in the lower left corner. On the reverse: “Price L. 25” printed in the lower right corner. In pencil, also on the reverse: “Casa del libro D. 6/9/46” and “KOLOMON MOSER” in pencil along the lower margin. Subject taken from the color lithograph in the Wiener Künstle

Estimation

€80 - 160

Amos Nattini, Set of 33 engravings from the Divine

356 - Amos Nattini, Set of 33 engravings from the Divine Comedy. 1930–40. Collection of 33 wonderful color plates—10 from Purgatory and 23 from Paradise—illustrated by Nattini. 620x435 mm. Sheets: 810x650 mm each. Each signed on the plate along the lower margin. The following Cantos from Purgatory are included: X, XX, XXI, XXII, XXV, XVII, XXVIII, XXIX, XXX, and XXXIII. From Paradise, the following are included: I, II, V, VI, VII, VIII, IX, X, XI, XIII, XV, XVI, XVIII, XIX, XXI, XXII, XXIV (appe

Estimation

€220 - 440

Pablo Picasso [after], Avant la Pique. After 1959.

357 - Pablo Picasso [after], Avant la Pique. After 1959. Linocut. 165x225 mm. Sheet: 318x380 mm. Inscribed “Picasso” in pencil in the lower right and the plate number printed in the lower left. The plate cataloged by Bloch (no. 946) does not include the plate number. The engraving, however, is not reduced as in other known print runs. (1) A few small spots. The sheet is partially mounted on a mat.

Estimation

€180 - 360

Pablo Picasso, *Buste de femme d'après Cranach le

358 - Pablo Picasso, Buste de femme d'après Cranach le Jeune (Bust of a Woman After Cranach the Younger). 1962. Linocut. 267 x 220 mm. Sheet: 310 x 247 mm (visible). Dry stamp of the Galerie Louise Leiris in the lower right corner with Pablo Picasso’s handwritten signature in pencil. This print belongs to the small-format edition published by Galerie Louise Leiris in 1962, following the great success of the 1958 edition (Bloch, 859). The gallery then had the artist sign the original prints. (1) I

Estimation

€300 - 600

Pablo Picasso, Jacqueline. 1962. Linocut. 270 x 22

359 - Pablo Picasso, Jacqueline. 1962. Linocut. 270 x 220 mm. Sheet size: 310 x 247 mm (visible). Dry stamp of the Galerie Louise Leiris in the lower right corner with Pablo Picasso’s handwritten signature in pencil. This print belongs to the small-format edition published by Galerie Louise Leiris in 1962, following the great success of the 1959 edition (Bloch, 923). The gallery then had the artist sign the original prints. (1) In a beautiful gilded frame: 45x38.5 cm.

Estimation

€300 - 600

Pablo Picasso, *Orgies chez les Filles, avec Spect

360 - Pablo Picasso, Orgies chez les Filles, avec Spectateurs, from Séries 347. 1968. Etching. 375x275 mm. Sheet: 547x430 mm. Bloch, 1633. Signed in pencil lower right and dated on the plate upper left. No. 16/50. (1) Framed: 77.5x65.5 cm. Barely visible specks running across the entire engraving. The print is substantial and perfectly inked.

Estimation

€1,900 - 3,800

Georges Rouault, *Loin du sourire de Reims*. 1922.

361 - Georges Rouault, Loin du sourire de Reims. 1922. Aquatint and drypoint. 510x383 mm. Sheet: 660x505 mm. Date and artist’s initials engraved on the plate in the lower left corner. Plate from the Miserere suite, created in 1922 and published in 1948. (1) Slight discoloration from the mat along the edges.

Estimation

€140 - 280

Georges Rouault, *Jean-François Sings Alleluia*. 1

362 - Georges Rouault, Jean-François Sings Alleluia. 1923. Aquatint and drypoint. 585x425 mm. Sheet size: 647x500 mm. Date and artist’s initials on the plate in the lower right corner. The twenty-fifth plate from the “Miserere” suite, created in 1923 and published in 1948. (1) Minor imperfections at the margins; perfect impression.

Estimation

€140 - 280

Luigi Servolini, Set of 2 engravings. 1) The Chos

363 - Luigi Servolini, Set of 2 engravings. 1) The Chosen Ones (two pigs). Woodcut. 240x280 mm. Sheet: 440x453. Signed on the block in the lower left corner, countersigned in pencil in the lower right corner. 2) Interior of a Courtyard. Woodcut. 280x235 mm. Sheet: 475x505 mm. Signed on the block at the bottom right. Countersigned in pencil at the bottom right. (2) Excellent condition.

Estimation

€130 - 260

Luigi Servolini, Set of 2 engravings. 1) Pines. W

364 - Luigi Servolini, Set of 2 engravings. 1) Pines. Woodcut. 380x295 mm. Sheet: 645x475 mm. Signed on the block in the lower right corner. 2) Hut. Woodcut. 300x380 mm. Sheet: 425x480 mm. Signed on the block in the lower right corner. (2) Small spots at the edges of the margins, which do not compromise the quality of the print. Slight, diffuse browning. Good overall condition.

Estimation

€120 - 240

Luigi Servolini, Set of 2 woodcuts. 1927. 1) Dance

365 - Luigi Servolini, Set of 2 woodcuts. 1927. 1) Dance of the Trees. Three-block woodcut. 1927. 245 x 450 mm. Sheet: 417 x 620 mm. Monogrammed in the lower left corner. This is the 12th plate from the volume La moderna xilografia italiana. Venticinque tavole incise da artisti del bulino (Modern Italian Woodcut: Twenty-Five Plates Engraved by Chisel Artists), published by Cesare Ratta in Bologna in 1927. 2) Marsh at Sunset. Color woodcut. 1927. 280 x 505 mm. Sheet size: 475 x 645 mm. Monogrammed

Estimation

€150 - 300

Luigi Servolini, Set of 2 engravings. 1936. 1) Por

366 - Luigi Servolini, Set of 2 engravings. 1936. 1) Portrait of Balilla. 1936. Woodcut. 390x310 mm. Sheet: 620x525 mm. Signed and dated on the plate in the lower right corner, countersigned in pencil in the lower right corner. 2) Portrait of Pasquale Paoli. Woodcut. 410x315 mm. Sheet: 485x384 mm. Title on the plate at the bottom margin. Signed in pencil in the lower right corner. (2) WORK 1: Excellent condition. WORK 2: A few scattered creases but overall in good condition.

Estimation

€150 - 300

Luigi Servolini, Set of 2 engravings for the Autos

367 - Luigi Servolini, Set of 2 engravings for the Autostrada del Sole. ca. 1960. Pair of woodcuts on paper. The first measures 900x420 mm, the second 365x250 mm. Sheets: 482x590 mm for the first, 634x475 mm for the second. Both signed on the plate at the lower margin and countersigned by hand in the lower right corner. One bears the inscription “Artist’s proof” in the lower left corner. Works created for the 1962 inauguration of the A1, the Autostrada del Sole. (2) Negligible corner defects. Ov

Estimation

€150 - 300

Tavik Frantisek Simon, Set of 3 engravings from th

368 - Tavik Frantisek Simon, Set of 3 engravings from the Album Leptů portfolio. 1905. A collection of 3 splendid etchings from the Album Leptů portfolio, also known as the Album of Etchings, published by the artist in 1905 and containing a total of 1 color etching and aquatint and 4 black etchings and aquatints. The lot consists of: 1) Shadow of a Lamp. 1905. Color aquatint. 176x166 mm. Sheet: 210x182 mm (visible). Novak, 30. Monogrammed on the plate in the lower left. Signed, dated, and “Paris

Estimation

€220 - 440

Tavik Frantisek Simon, Set of 2 engravings with a

369 - Tavik Frantisek Simon, Set of 2 engravings with a feminine theme. 1906–1942. 1) Portrait of a Woman with a Hat. 1906. Colored etching. 205x180 mm. Sheet: 245x220 mm (visible). Signed and dated in pencil in the lower right corner. Red stamp with monogram in the lower left corner. Rare. 2) Woman at Her Dressing Table. 1942. Hirsch-style etching. 250x175 mm. Sheet size: 374x271 mm (visible). Monogrammed on the plate in the upper left corner. (2) WORK 1: Preserved in a framed mount with glass: 50.

Estimation

€150 - 300

Tavik Frantisek Simon, Set of 2 engravings depicti

370 - Tavik Frantisek Simon, Set of 2 engravings depicting views of Paris. 1907–1927. 1) From the Latin Quartier, Paris. 1907. Colored etching. 325x420 mm. Sheet: 350x440 mm (visible). Novak, 69. Monogrammed on the plate in the lower left corner. Signed in pencil in the lower right corner and numbered in the lower left corner. Dry stamp of the print shop in the lower left corner. Copy 12/150. 2) Église Saint-Gervaise in winter, Paris. 1927. Etching with color. 390x305 mm. Sheet: 510x405 mm (visible

Estimation

€180 - 360

Tavik Frantisek Simon, Charles Bridge and Hradčany

371 - Tavik Frantisek Simon, Charles Bridge and Hradčany. 1910. Color mezzotint and aquatint. 297x430 mm. Sheet: 410x525 mm. Novak, N1910-AP7. Monogrammed on the plate at the bottom center; counter-monogrammed with a green stamp at the bottom left. Signed in pencil at the bottom right. (1) In a beautiful frame with glass: 61.5x72.5 cm. Imperfections on the right margin. Overall in good condition.

Estimation

€140 - 280

Tavik Frantisek Simon, Set of 2 engravings. 1913–1

372 - Tavik Frantisek Simon, Set of 2 engravings. 1913–1933. 1) Cathedral Facade, Rouen. 1913–16. Etching. 350 x 290 mm. Sheet: 500x407 mm (visible). Novak, 202. Monogrammed and dated 1913 on the plate in the lower right. “MANES SUUM CLENUM NA ROK 1916” engraved on the lower margin. Red stamp with a monogram at the bottom center. This print run was produced in 1916 as a tribute to the members of the Mànes association, while the original, cataloged in Novak as number 202, dates from 1913 and b

Estimation

€150 - 300

Tavik Frantisek Simon, Set of 2 engravings of Prag

373 - Tavik Frantisek Simon, Set of 2 engravings of Prague. 1925. 1) Christmas Market in Staroměstské Náměst (Christmas Market in Old Town Square). 1925. Color etching. 322x390 mm. Sheet: 395x495 mm. Novak, 431. Monogrammed on the plate at the bottom center, with a red-stamped counter-monogram on the lower margin. Signed in pencil at the bottom right. Part of a print run of 250 copies. 2) Tyn Church in the Morning. 1915–20. Color etching. 352 × 268 mm. Sheet: 436 × 333 mm (visible). Novak, 592

Estimation

€180 - 360

Théophile Alexandre Steinlen, *Suprême Argument*.

374 - Théophile Alexandre Steinlen, Suprême Argument. 1891. Lithograph with watercolor additions. 325x285 mm. Sheet size: 450x404 mm. Titled in pencil at the top center. (1) Negligible marginal defects. Good overall condition.

Estimation

€150 - 300

Théophile Alexandre Steinlen, Set of 3 engravings

375 - Théophile Alexandre Steinlen, Set of 3 engravings from the Exodus series. 1914–15. Collection of 3 lithographs on paper. 310/340 x 180/515 mm. Sheets: 383/565 x 280/580 mm. Each signed on the plate; one dated on the plate. Two are countersigned in pencil and numbered. One copy is printed on fine Japanese paper. Steinlen, who moved to Paris from Brussels in 1881, was concerned throughout his life with the plight of the working class and marginalized populations. The theme of displaced people o

Estimation

€150 - 300

Jacques Villon, *Nu*, after Renoir. Post 1923–24.

376 - Jacques Villon, Nu, after Renoir. Post 1923–24. Color aquatint on paper. 595 × 450 mm. Sheet size: 717 × 565 mm. In the lower left corner, “RENOIR PINX”; in the center, “CHALCOGRAPHIE DU LOUVRE”; and in the lower right corner, “JACQUES VILLON SC.” Villon’s work in the 1920s focused on engraving reproductions of works by the great masters; in this case, it is based on one of Renoir’s paintings depicting female nudes and bathers, a recurring theme in his oeuvre. (1) Pinholes

Estimation

€200 - 400

Giuseppe Viviani, *Il mentaio*. 1937. Etching. 205

377 - Giuseppe Viviani, Il mentaio. 1937. Etching. 205x297 mm. Sheet size: 500x700 mm. Signed in pencil lower right and "pa7" lower left. (1) Small spots and imperfections.

Estimation

€150 - 300

Giuseppe Viviani, Man, Flowers, and Dog. 1963. Etc

378 - Giuseppe Viviani, Man, Flowers, and Dog. 1963. Etching. 236x177 mm. Sheet: 495x344 mm (visible). Signed and dated in pencil in the lower right corner; edition number in the lower left corner; countersigned and counterdated on the plate in the lower right corner. No. 24/102. (1) In a beautiful frame: 72.5x52.5 cm. Excellent condition.

Estimation

€260 - 520

Anders Leonard Zorn, Kråkbergs Anna. 1903. Etching

379 - Anders Leonard Zorn, Kråkbergs Anna. 1903. Etching. 152x115 mm. Sheet: 222x161 mm. Signed on the plate in the lower left corner; titled on the plate in the upper right corner. Counter-signed and dated in pencil in the lower left corner. On the reverse: a printed label bearing the title “Anna, ein mädchen aus mora / originalradierung,” with a stamp and signature in blue ink certifying authenticity. (1) In a beautiful gold-decorated frame with glass and mat: 62x51.5 cm. A few small spots alo

Estimation

€150 - 300

Various artists, a lot consisting of 57 bookplates

380 - Various artists, a lot consisting of 57 bookplates and labels from libraries. 1800–1900. Mixed media and various dimensions. (57) -

Estimation

€80 - 160

Various artists, set of 4 ex libris for Gianni Man

381 - Various artists, set of 4 ex libris for Gianni Mantero. 1) Pietra P., Semper sitio. Aquatint. 157x115 mm. Sheet size: 210x168 mm. Signed on the plate in the lower right corner. Counter-signed in pencil in the lower right corner and marked “original etching” in the lower left corner. On the reverse, “85” in pencil and a fuchsia-ink authenticity stamp. 2) Ibid., Ex libris G. Mantero. Etching. 195x140 mm. Sheet size: 265x190 mm. Signed on the plate in the lower right corner. Counter-sign

Estimation

€100 - 200

Various artists, a set consisting of 15 ex libris

382 - Various artists, a set consisting of 15 ex libris and 1 engraving. 1930s–1995. 1) Biasion, R., Female Nude. Etching. 145x130 mm. Sheet: 143x139 mm. Signed in pencil in the lower left corner and numbered in the lower right corner. No. 70/100. 2) Venturini V., Benito Mussolini Bookplate. 1930s. Linocut. 54x40 mm. Sheet: 67x50 mm. 3) Domashenko N., Collection of 5 ex libris. 1986–1991. 1 etching and 4 hand-colored etchings. 95/110 × 50/85 mm. Sheets: 87/215 × 55/155 mm. All the hand-colored e

Estimation

€100 - 200

Arnaldo Badodi, Set of 9 bookplates for Gianni Man

383 - Arnaldo Badodi, Set of 9 bookplates for Gianni Mantero. 1938. Collection of 9 etched ex libris on thick paper (2 on Japon paper). Approx. 120x90 mm each. Sheets: 170/230x135/155 mm. All signed in brown ink or pencil in the lower right corner. On the reverse, six bear a stamp in fuchsia or dark ink certifying the authenticity of the engraving, along with a pencil number. (9) Slight signs of wear and traces of gluing at the corners on the reverse. Overall in good condition.

Estimation

€80 - 160

Massimo Campigli, Ex libris Gianni Mantero. 1938.

384 - Massimo Campigli, Ex libris Gianni Mantero. 1938. Etching and drypoint. 116x90 mm. Sheet size: 200x150 mm. Signed and dated in the plate in the upper right corner. "Ex libris G. Mantero" inscribed on the plate at the bottom center. On the reverse, in the lower right corner, "Massimo Campigli" in pencil and a partially erased number. (1) Signs of gluing at the corners on the reverse. Overall in excellent condition.

Estimation

€100 - 200

Bruno Da Osimo, Set of 41 ex libris. 1916–1939. Wo

385 - Bruno Da Osimo, Set of 41 ex libris. 1916–1939. Woodcuts on paper or tissue paper. 54/120 × 55/60 mm. Sheets: 65/185 × 65/130 mm. The collection also includes a card with an attached flower and a signed dedication written in brown ink: “To / Ermanno / as a / memento / of / his / mother / with brotherly love. Bruno / January 6, 1916.” (41) Scattered discoloration, small spots, and signs of wear. Faint yellowing and foxing. Good overall condition.

Estimation

€100 - 200

Bruno Da Osimo and Giulio Bosisio, Set consisting

386 - Bruno Da Osimo and Giulio Bosisio, Set consisting of 3 preparatory drawings and 1 ex libris for Giovanni Botta. 1946. 1) Da Osimo, B., Costruire, Ex libris for Cav. Giovanni Botta. Ink and watercolor on paper. 145x76 mm. “Original drawing by B. da Osimo” in ink in the lower right corner. 2) Bosisio G., Bookplate for Cav. Giov. Botta. Ink on paper. 190x130 mm. Signed in the lower right corner. In pencil in the lower right corner: “original drawing by G. Bosisio / 12.2.946.” On the rever

Estimation

€120 - 240

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