Upcoming auctions

Auction 615 | MODERN & CONTEMPORARY ART - SELECTED

Auction 615 | MODERN & CONTEMPORARY ART - SELECTED

Live

On Thursday, October 29 | 04:00 PM

Casa d'Aste Capitolium Art

+39 030 207 2256 info@capitoliumart.it

Via Carlo Cattaneo, 55 25121, Brescia

80 results

AMEDEO MODIGLIANI (1884–1920) PORTRAIT OF A WOMAN.

1 - AMEDEO MODIGLIANI (1884–1920) PORTRAIT OF A WOMAN. 1919. Pencil on paper. 21 x 13.50 cm. Signed. The work is accompanied by a certificate of registration from the Archives Légales Amedeo Modigliani, Paris, edited by Christian Parisot, in which the drawing is classified as an authentic work by Jeanne Modigliani in Paris in 1984 and indicated as intended for publication in the Amedeo Modigliani Catalogue Raisonné.PROVENANCE: David Greber Collection; Impressionist and Modern Art, Bonhams, Londo

Estimation

€15,000 - 20,000

FERNAND LEGER (1881–1955) THE FIREPLACE IN ROCKEFE

2 - FERNAND LEGER (1881–1955) THE FIREPLACE IN ROCKEFELLER’S APARTMENT (DECORATION PROJECT). 1938. Gouache and watercolor on paper. 27.70 x 20.70 cm. The work is accompanied by a certificate of authenticity issued by Irus Hansma and will be included in the catalog of Fernand Léger’s works on paper, currently in preparation. PROVENANCE: K. Harrison, New York (purchased directly from the artist) Sotheby’s, London, 1973, no. 147 Private collection, Turin

Estimation

€12,000 - 18,000

BRAUER ARIK (1929–2021) UNTITLED (LATE 1940s). Oil

3 - BRAUER ARIK (1929–2021) UNTITLED (LATE 1940s). Oil on pressed cardboard. 26.50 x 40 cm. On the reverse: signature. We thank Timna Brauer, director of the Arik Brauer Museum in Vienna, for confirming the authenticity of the work.PROVENANCE: Private collection, Turin. In this work, Arik Brauer fully expresses the visionary language that made him one of the leading exponents of the Viennese School of Fantastic Realism. The scene unfolds like a narrative suspended between reality and imagination,

Estimation

€7,000 - 10,000

SANDOR BORTNYIK (1893–1976) COMPOSITION OF AUTOMI.

4 - SANDOR BORTNYIK (1893–1976) COMPOSITION OF AUTOMI. PARIZS LANGJAI (THE FLAMES OF PARIS) (c. 1929). Oil on canvas. 80 x 110.50 cm. Signed. The work is accompanied by a signed certificate from Maurizio Scudiero, director of the Unified Archive for the Catalog of Futurist Works by Fortunato Depero, which certifies its historical provenance and its entry into Fortunato Depero’s collection directly from the artist Sándor Bortnyik.PROVENANCE: Casa Depero, Rovereto; Bassi Collection, Rovereto. Thi

Estimation

€30,000 - 50,000

FERRO ITALO (1880–1934) UNTITLED. Oil on canvas. 5

5 - FERRO ITALO (1880–1934) UNTITLED. Oil on canvas. 57.50 x 43 cm. Signed. PROVENANCE: Private collection, Rome“We Futurists declare that the principle of aerial perspectives—and consequently the principle of Aeropainting—is an incessant and gradual multiplication of forms and colors with extremely elastic crescendos and diminuendos, which intensify or expand, giving rise to new gradations of forms and colors.” (Aeropainting Manifesto). Framed

Estimation

€6,000 - 8,000

AMBROSI ALFREDO GAURO (1901–1945) TURN ON THE LAKE

6 - AMBROSI ALFREDO GAURO (1901–1945) TURN ON THE LAKE. 1934. Oil on canvas. 50x80 cm. Signed and dated on the reverse: label and stamp from Galleria Berlanda, Milan. The work is archived at the Unified Archive for the Cataloging of Futurist Works, curated by Maurizio Scudiero.PROVENANCE: Ignazio Scurto Collection, Verona; Galleria Berlanda, Milan; Private collection, Brescia. Ambrosi, a native of Verona, was—along with Renato Di Bosso (Righetti) and Verossì (Albino Siviero)—one of the pillar

Estimation

€8,000 - 12,000

THAYAHT (ERNESTO MICHAHELLES) (1893–1959) MARINA.

7 - THAYAHT (ERNESTO MICHAHELLES) (1893–1959) MARINA. 1944. Tempera on hardboard. 33.60 x 56.70 cm. On the back: signature and date. The work is accompanied by a certificate of registration from the Thayaht & R.A.M. Archive, curated by Riccardo Michahelles. PROVENANCE: Private collection, Florence. Framed.

Estimation

€5,000 - 7,000

SIRONI MARIO (1885–1961) MOUNTAINS (c. 1955). Oil

8 - SIRONI MARIO (1885–1961) MOUNTAINS (c. 1955). Oil on canvas-backed cardboard. 38.20 x 45 cm. Apocryphal signature. The work is accompanied by a certificate of registration from the Association for the Support and Promotion of the Figure and Work of Mario Sironi, Milan, and a statement of authenticity by Francesco Meloni.PROVENANCE: Galleria Milano, Milan; Galleria La Bussola, Turin; Private collection, Austria. Framed.

Estimation

€6,000 - 8,000

DE PISIS FILIPPO (1896–1956) FIGURE. Oil on canvas

9 - DE PISIS FILIPPO (1896–1956) FIGURE. Oil on canvas. 55 x 45.50 cm. On the reverse: label for the 2nd Contemporary Art Exhibition, Gruppo Amici dell’Arte, Imola, and label for the 5th National Contemporary Art Exhibition. Figurative Painters, City of Imola. The work is registered with the Filippo de Pisis Association, Milan, under no. 00396. We thank the Filippo de Pisis Association for its kind cooperation.PROVENANCE: La Spirale Gallery, Milan; Private collection, Milan; EXHIBITIONS: 3rd Con

Estimation

€6,000 - 8,000

MARIO TOZZI (1895–1979) MY WIFE IN THE GARDEN. 191

10 - MARIO TOZZI (1895–1979) MY WIFE IN THE GARDEN. 1919. Oil on canvas. 119.50 x 80 cm. Signed. The work is accompanied by a certificate of registration from the General Archive of the Works of Mario Tozzi and will be included in the third volume of the General Catalog Raisonné, currently in preparation.We thank the Mario Tozzi Archive for its kind cooperation. PROVENANCE Private collection, Rome BIBLIOGRAPHY Cited in Catalogo dell’Arte Moderna, Editoriale Giorgio Mondadori, Vol. 48. Frame in

Estimation

€6,000 - 8,000

PIETRO ANNIGONI (1910–1988) SELF-PORTRAIT. 1930. O

11 - PIETRO ANNIGONI (1910–1988) SELF-PORTRAIT. 1930. Oil tempera on cardboard. 25.70 x 21.30 cm. Monogram and date on the reverse: signature and monogram. The work is accompanied by a certificate of registration from the Pietro Annigoni Archive, curated by Gilberto Grilli. PROVENANCE: Private collection, Vicenza. Frame included

Estimation

€4,000 - 6,000

MELOTTI FAUSTO (1901–1986) PAINTING. 1960. Tempera

12 - MELOTTI FAUSTO (1901–1986) PAINTING. 1960. Tempera on paper mounted on canvas. 70 x 100 cm. Signed on the reverse: Galleria Apollinaire label, Milan.The work is registered with the Fausto Melotti Foundation, Milan, under no. T 60 017. PROVENANCE: Galleria Apollinaire, Milan; Private collection, Milan

Estimation

€5,000 - 7,000

ENNIO MORLOTTI (1910–1992) VEGETATION. 1961. Oil o

13 - ENNIO MORLOTTI (1910–1992) VEGETATION. 1961. Oil on canvas. 60 x 70.50 cm. Signed on the reverse: signature, date, and stamp from Galleria d'Arte Il Castello, Milan. The work is accompanied by a certificate of registration from the Associazione Archivio Ennio Morlotti, Milan.PROVENANCE: Galleria d'Arte Il Castello, Milan; Private collection, Milan

Estimation

€6,000 - 8,000

GIORGIO MORANDI (1890–1964) LANDSCAPE. 1962. Penci

14 - GIORGIO MORANDI (1890–1964) LANDSCAPE. 1962. Pencil on paper. 8 x 11.20 cm. Signed. PROVENANCE: E. Levy Aubert Collection, Geneva; W. Noferi Levy Collection, Florence; Private Collection, Brescia. BIBLIOGRAPHY: E. Tavoni, M. Pasquali, *Morandi. Drawings. General Catalog, Electa, Milan 1994, pp. 234, no. 1962 92. Framed

Estimation

€7,000 - 10,000

RENATO GUTTUSO (1912–1987) REPUBLICAN WALL IN PIAZ

15 - RENATO GUTTUSO (1912–1987) REPUBLICAN WALL IN PIAZZA DELLE CARRETTE. 1980. Oil on canvas. 130 x 110 cm. Signed on the reverse: signature, date, Acquavella Galleries label (New York), and label from the XXIX National Art Biennial, Milan. PROVENANCE: Acquavella Galleries, New York; Private collection, Rome. EXHIBITIONS: Rondanini, 1981, no. 24, reprinted in Campobasso, 1981, no. 21; Sabbioneta, 1981, no. 16; XXIX National Art Biennial of the City of Milan, Palazzo della Permanente, April 4 – M

Estimation

€20,000 - 30,000

RENATO GUTTUSO (1912–1987) SCILLA. 1974. Oil on ca

16 - RENATO GUTTUSO (1912–1987) SCILLA. 1974. Oil on canvas. 90 x 70 cm. Signed on the reverse: signature, title, and date. PROVENANCE: Studio Mercurio, Milan; Private collection, Pescara. BIBLIOGRAPHY: E. Crispolti, General Catalog of Renato Guttuso’s Paintings, Milan 1985, vol. III, p. 191, no. 74/11.

Estimation

€25,000 - 35,000

RENATO GUTTUSO (1912–1987) GIOIA RICCI. 1970. Oil

17 - RENATO GUTTUSO (1912–1987) GIOIA RICCI. 1970. Oil on canvas. 100 x 70 cm. Signed, dated, and personally inscribed. The work is accompanied by a certificate of registration from the Renato Guttuso Archives, Rome.PROVENANCE: Private collection, Florence EXHIBITIONS: Milan, Bruno Cassinari, Renato Guttuso, Ennio Morlotti, Galleria Medea, May 10–June 3, 1973, (ill. plate 19)BIBLIOGRAPHY E. Crispolti, General Catalog Raisonné of the Paintings of Renato Guttuso, Mondadori & Associati, Milan 1

Estimation

€10,000 - 14,000

GIORGIO DE CHIRICO (1888–1978) THE GREAT METAPHYSI

18 - GIORGIO DE CHIRICO (1888–1978) THE GREAT METAPHYSICIAN. Polished bronze. 100 x 45 x 34.50 cm. Title, signature, and edition number on the base; example I/VII; stamped by Fonderia Fratelli Bonvicini, Sommacampagna—mark commemorating the centennial of the artist’s birth. Dimensions without base: 94.5 x 32.5 x 24.5 cm. The work is accompanied by a copy of the certificate of authenticity issued by Claudio Bruni Sakraischik.TOTAL EDITION: 9 copies, of which 7 are numbered I through VII; 2 artis

Estimation

€40,000 - 60,000

FAUSTO MELOTTI (1901–1986) THE KISS. 1963. Bronze

19 - FAUSTO MELOTTI (1901–1986) THE KISS. 1963. Bronze and brass. 16.30 x 6.70 x 3.80 cm. Signed. The work is accompanied by a certificate of registration from the Fausto Melotti Archive, Milan. PROVENANCE: The work was acquired directly from the artist by the current owner. Private collection, Milan.

Estimation

€8,000 - 12,000

LUCIO FONTANA (1899–1968) CRUCIFIXION. 1959. Glaze

20 - LUCIO FONTANA (1899–1968) CRUCIFIXION. 1959. Glazed, painted terracotta with lustres and a third firing: white, black, purple, light blue, and gold. 43 x 30 x 8 cm. Signed. The work is accompanied by a certificate of registration from the Lucio Fontana Foundation, Milan, and is registered with the Foundation under no. 4419/1.We thank the Lucio Fontana Foundation for its kind cooperation. PROVENANCE: Private collection, Milan. BIBLIOGRAPHY: L. M. Barbero, Lucio Fontana. Catalog Raisonné of Scu

Estimation

€180,000 - 220,000

AGOSTINO BONALUMI (1935–2013) BLU. 1968. Vinyl tem

21 - AGOSTINO BONALUMI (1935–2013) BLU. 1968. Vinyl tempera on stretched canvas. 90 x 100 cm. On the reverse: signature, date, and label from Galleria Annunciata, Milan. The work is accompanied by a certificate of registration from the Bonalumi Archive, Milan, signed by the artist.PROVENANCE: Galleria Annunciata, Milan; Galleria Blu, Milan; Galleria Fumagalli, Bergamo; Private collection, Rome

Estimation

€50,000 - 70,000

BONALUMI AGOSTINO (1935–2013) WHITE. 1971. Vinyl t

22 - BONALUMI AGOSTINO (1935–2013) WHITE. 1971. Vinyl tempera on stretched canvas. 100.50 x 87 cm. On the reverse: signature, date, and Kunsthaus Lempertz, Cologne label. The work is accompanied by a certificate of registration from the Bonalumi Archive, Milan, signed by the artist.PROVENANCE: Kunsthaus Lempertz, Cologne, Auction 881 – December 2, 2005; Private collection, Treviso; Private collection, United States. Framed.

Estimation

€40,000 - 50,000

AGOSTINO BONALUMI (1935–2013) UNTITLED. 1983. Acry

23 - AGOSTINO BONALUMI (1935–2013) UNTITLED. 1983. Acrylic on stretched canvas. 70 x 70 cm. On the reverse: signature and date. The work is currently being cataloged at the Bonalumi Archive, Milan. PROVENANCE: Private collection, Trieste. Agostino Bonalumi’s artistic exploration stems from a radical rethinking of painting, in which the canvas is no longer merely a surface but becomes an autonomous object, capable of existing in space through forms, tensions, and variations in light. The 1983 work

Estimation

€18,000 - 24,000

ENRICO CASTELLANI (1930–2017) UNTITLED. 1971. Extr

24 - ENRICO CASTELLANI (1930–2017) UNTITLED. 1971. Extruded paper. 50 x 70 cm. Signed and dated on the reverse: label and stamp from Galleria d’Arte l’Ariete, Milan. The work is accompanied by a certificate of registration from the Enrico Castellani Foundation, Milan.PROVENANCE: Galleria d'Arte l'Ariete, Milan; Ketterer Kunst, Auction 410, Lot 1223, December 2013; Private collection, Brescia; Private collection, United States. Framed.

Estimation

€10,000 - 15,000

BASALDELLA AFRO (1912–1976) UNTITLED. 1958. Oil on

25 - BASALDELLA AFRO (1912–1976) UNTITLED. 1958. Oil on canvas-backed paper. 33 x 76.10 cm. Signed and dated. The work is accompanied by a certificate of authenticity from the Fondazione Afro, Rome. PROVENANCE: Private collection, United States

Estimation

€25,000 - 35,000

HARTUNG HANS (1904–1989) T1961-53. 1961. Acrylic o

26 - HARTUNG HANS (1904–1989) T1961-53. 1961. Acrylic on canvas. 40.50 x 104.70 cm. Signed and dated. We would like to thank the Hartung-Bergman Foundation, Antibes, for confirming the presence of this work in their archives and that it will be included in the Catalogue Raisonné of Hans Hartung’s work.PROVENANCE: La Nuova Loggia Art Gallery, Bologna; Galerie de France, Paris; Private collection, Malta; Private collection, Florence EXHIBITIONS: Hartung, La Nuova Loggia Art Gallery, Bologna, Janua

Estimation

€80,000 - 120,000

GIUSEPPE PINOT-GALLIZIO (1902–1964) INITIATION. 19

27 - GIUSEPPE PINOT-GALLIZIO (1902–1964) INITIATION. 1961. Oil on plywood. 71 x 51 cm. On the reverse: signature, title, date, and personal dedication. The work is registered with the Pinot-Gallizio Archive, Turin.PROVENANCE: Work acquired directly from the artist; Marta Lonzi Collection; private collection, Milan; EXHIBITIONS: Pinot Gallizio, Dellupi Arte, Milan, October 26 – December 23, 2021; BIBLIOGRAPHY: G. Bertolino, F. Comisso, M. T. Roberto, *Pinot Gallizio: General Catalog of Works 1953�

Estimation

€15,000 - 20,000

MARK TOBEY (1890–1976) UNTITLED. 1953. Tempera and

28 - MARK TOBEY (1890–1976) UNTITLED. 1953. Tempera and pencil on paper mounted on pressed cardboard. 45.50 x 55.50 cm. Signed and dated. The work is accompanied by a certificate of registration from the CMT Committee – Mark Tobey, Münster. PROVENANCE: Agnellini Arte Moderna, Brescia; Private collection, Grosseto. EXHIBITIONS: Mark Tobey. Poetically Abstract, curated by Philippe Daverio and Dominique Stella, Agnellini Arte Moderna Gallery, Brescia, March 28–September 26, 2009. BIBLIOGRAPHY Mar

Estimation

€6,000 - 8,000

OSWALDO VIGAS (1926–2014) STUDY IN BLUE. 1956. Gou

29 - OSWALDO VIGAS (1926–2014) STUDY IN BLUE. 1956. Gouache and charcoal on cardboard mounted on canvas. 35 x 25.50 cm. Signed and dated. The work is accompanied by a certificate of registration from the Oswaldo Vigas Foundation, issued by Lorenzo Vigas, and is listed in the Oswaldo Vigas Catalogue Raisonné under no. 1956.42. PROVENANCE: Private collection, Rome. WEBSITE https://catalogue.oswaldovigas.com/catalogue/index.php. Frame included.

Estimation

€10,000 - 15,000

PRICA ZLATKO (1916–2003) BATHERS AND BOATS. 1972.

30 - PRICA ZLATKO (1916–2003) BATHERS AND BOATS. 1972. Oil on canvas. 65 x 91.80 cm. Signed and dated. PROVENANCE: Private collection, Italy. Following the major retrospective exhibition in Zagreb in 1970, Zlatko Prica’s painting confirmed the directions he had already developed in previous years: the figure is simplified into outlines, flat areas of color, and almost geometric forms, while the landscape is not depicted but rather recomposed through lines and color relationships. In *Bathers and

Estimation

€7,000 - 9,000

CHIN HSIAO (1935–2023) JOY OF LIFE. 2001. Oil on c

31 - CHIN HSIAO (1935–2023) JOY OF LIFE. 2001. Oil on canvas. 460 x 180 x 8.50 cm. Signed on the reverse: title, date, and Versace Collection label with corresponding inventory number. PROVENANCE: The artist’s studio. Santo Versace Collection, Milan. The work comes from the Santo Versace Collection, Milan, and was housed in the historic Villa del Platano on Via dei Giardini, the Versace family’s Milanese residence, designed by Carlo De Carli and Antonio Carminati between 1953 and 1954.

Estimation

€40,000 - 60,000

ANTONIO CORPORA (1909–2004) TWILIGHT. 1960. Oil on

32 - ANTONIO CORPORA (1909–2004) TWILIGHT. 1960. Oil on canvas. 102 x 150 cm. Signed and dated on the reverse: signature, title, and personal dedication. The work is accompanied by a certificate of registration from the Antonio Corpora Archive, Rome, edited by Giovanni Di Summa. PROVENANCE: Private collection, Rome. Framed.

Estimation

€8,000 - 12,000

DORAZIO PIERO (1927–2005) ALEA I. 1972. Collage on

33 - DORAZIO PIERO (1927–2005) ALEA I. 1972. Collage on canvas. 40 x 30 cm. On the reverse: signature, date, title, label from Galleria Dell’Ariete, Milan, and stamp from Quadreria D’Arte Contemporanea, Milan. The work is accompanied by a certificate of registration from the Piero Dorazio Archive, Milan.PROVENANCE: Galleria Dell’Ariete, Milan; private collection, Lecco; private collection, United States

Estimation

€10,000 - 15,000

DORAZIO PIERO (1927–2005) CANTATA GREZZA. 1981. Oi

34 - DORAZIO PIERO (1927–2005) CANTATA GREZZA. 1981. Oil on canvas. 110 x 64.50 cm. On the back: signature, date, title, and personal dedication. The work is accompanied by a certificate of registration from the Piero Dorazio Archive, Milan.PROVENANCE: Rolf Becker, Munich; Galerie Wolfgang Ketter, Munich; Private collection, Florence; Private collection, United States

Estimation

€25,000 - 30,000

ACCARDI CARLA (1924–2014) NEROROSSO. 1993. Vinyl o

35 - ACCARDI CARLA (1924–2014) NEROROSSO. 1993. Vinyl on unprimed canvas. 60 x 80 cm. Signed and dated on the reverse: signature, title, and date. The work is currently being archived at the Accardi Sanfilippo Archive, Rome.PROVENANCE: Artist’s studio, Rome; Private collection, Olbia. Created in 1993, Nerorosso belongs to the mature phase of Carla Accardi’s career, in which, following her experiments with Sicofoil, she returned to working on canvas as a space for the interplay between mark, c

Estimation

€30,000 - 40,000

ACCARDI CARLA (1924–2014) BIANCONERO. 1982. Temper

36 - ACCARDI CARLA (1924–2014) BIANCONERO. 1982. Tempera on canvas-backed paper. 76.50 x 99.50 cm. Signed and dated. The work is accompanied by a certificate of registration from Studio Accardi, Rome, signed by the artist (incorrect dimensions).We thank the Accardi Sanfilippo Archive, Rome, for confirming the presence of the work in their archives. PROVENANCE Private collection, Parma Private collection, United States

Estimation

€20,000 - 25,000

MIMMO ROTELLA (1918–2006) SOPHIA – LA CIOCIARA (19

37 - MIMMO ROTELLA (1918–2006) SOPHIA – LA CIOCIARA (1963–1982). Decollage on canvas. 194 x 140 cm. Signed on the back: title and date. The work is accompanied by a certificate of registration from the Mimmo Rotella Foundation, Milan, issued by Nicola Canal. PROVENANCE: Private collection, Rome

Estimation

€20,000 - 25,000

RAYMOND HAINS (1926–2005) *HOMMAGE A MIRO’*. 1974.

38 - RAYMOND HAINS (1926–2005) HOMMAGE A MIRO’. 1974. Decollage on canvas. 133 x 105.50 cm. Signed and dated on the reverse: Quadriennale Nazionale d’Arte label, Rome PROVENANCE: Galleria Inquadrature, Florence; Galleria Il Ponte, Florence; Private collection, Florence EXHIBITIONS: Raymond Hains, Galleria Inquadrature, Florence, 1976; Foreign Artists Working in Italy, National Art Quadriennale of Rome, Rome, 1977Raymond Hains / Mimmo Rotella, artypò, decollages, Saffa, curated by Mauro Panze

Estimation

€12,000 - 18,000

ARMAN FERNANDEZ (1928–2005) UNTITLED. 2002. Accumu

39 - ARMAN FERNANDEZ (1928–2005) UNTITLED. 2002. Accumulation in a Plexiglas display case. 81.50 x 60.80 x 6 cm. Signed on the back: Arman Studio label, New York. The work is accompanied by a certificate of authenticity from the artist on a photograph bearing a label from the Denise Durand-Ruel Archive.The work is registered with Studio Arman, New York, under no. APA# 8110.02.033. PROVENANCE: Private collection, Turin

Estimation

€6,000 - 8,000

SCHIFANO MARIO (1934–1998) MOTORE A COLORI (A PICA

40 - SCHIFANO MARIO (1934–1998) MOTORE A COLORI (A PICABIA). 1965. Enamel, graphite, oil, and trichloroethylene print transfer on canvas. 30.50 x 24.50 cm. Signed and titled. The work is accompanied by a certificate of registration from the Mario Schifano Archive, curated by Monica Schifano. PROVENANCE: Private collection, Rome. BIBLIOGRAPHY: M. Meneguzzo and M. De Bei Schifano, Mario Schifano. Catalog Raisonné of Paintings 1960–1969, Skira Editore, 2025, p. 823, no. 340. Framed

Estimation

€25,000 - 35,000

SCHIFANO MARIO (1934–1998) FUTURISM REVISITED (197

41 - SCHIFANO MARIO (1934–1998) FUTURISM REVISITED (1974–78). Spray enamel on canvas. 95 x 115 cm. Signed on the back: stamped “Galleria Martano, Turin.” The work is accompanied by a certificate of registration from the Mario Schifano Archive, curated by Monica Schifano. PROVENANCE: Galleria Martano, Turin; Private collection, Cuneo

Estimation

€15,000 - 20,000

SCHIFANO MARIO (1934–1998) UNTITLED. 1988. Enamel

42 - SCHIFANO MARIO (1934–1998) UNTITLED. 1988. Enamel and acrylic on canvas. 100 x 150.50 cm. On the back: signature and date. The work is accompanied by a certificate of registration from the Mario Schifano Archive, Rome, curated by Monica Schifano. PROVENANCE: Private collection, Rome. EXHIBITIONS: I Castelli della Sapienza, “Architettare l’altra metà,” 2004; Municipality of Valmontone, Labico, Carpineto Romano

Estimation

€25,000 - 35,000

MARIO SCHIFANO (1934–1998) UNTITLED. 1994. Enamel

43 - MARIO SCHIFANO (1934–1998) UNTITLED. 1994. Enamel and acrylic on canvas. 50 x 270 cm. On the reverse: signed; the work is accompanied by a certificate of registration from the Mario Schifano Archive, Rome, curated by Monica Schifano.PROVENANCE: Private collection; Emilio Mazzoli Gallery, Modena; Private collection, Modena. EXHIBITIONS: Valdagno, Civic Gallery of Modern Art. Schifano. Never-Before-Seen Paintings, June 2–30, 1996. BIBLIOGRAPHY Schifano. Never-Before-Seen Paintings, Valdagno 19

Estimation

€30,000 - 40,000

ADAMI VALERIO (b. 1935) THE HYPNOTIZER. 1965. Acry

44 - ADAMI VALERIO (b. 1935) THE HYPNOTIZER. 1965. Acrylic on canvas. 73 x 91.50 cm. On the back: signature, title, and date. The work is accompanied by a certificate of registration from the Valerio Adami Archive.PROVENANCE: Farsetti Arte Gallery, Prato; Private collection, Florence. BIBLIOGRAPHY: XXII Asta Mercato, Edizioni Galleria d’Arte Moderna Farsetti, Prato, 1979, p. 55. Frame included.

Estimation

€30,000 - 40,000

VALERIO ADAMI (b. 1935) WHO IS THE VICTIM? 1974. A

45 - VALERIO ADAMI (b. 1935) WHO IS THE VICTIM? 1974. Acrylics on canvas. 129.50 x 97 cm. On the reverse: signature, title, date, and label from the Maeght Gallery, Paris. The work is currently being archived at the Valerio Adami Archive and is accompanied by a certificate of authenticity on a photograph issued by Studio Marconi, MilanPROVENANCEGallerie Maeght, ParisStudio Marconi, MilanGalleria Valerio, DesenzanoPrivate collection, BresciaEXHIBITIONSValerio Adami and Enrico Baj in the Brescia Collec

Estimation

€60,000 - 80,000

ADAMI VALERIO (b. 1935) VOGELMARKT (STUDIO). 2000.

46 - ADAMI VALERIO (b. 1935) VOGELMARKT (STUDIO). 2000. Acrylic on canvas. 73 x 60 cm. On the reverse: signature, title, and label from Galleria Albanese Arte, Matera. The work is currently being cataloged at the Valerio Adami Archive and is accompanied by a certificate of authenticity from the artist on a photograph.PROVENANCE: Galleria Albanese Arte, Matera; Private collection, Bari. Frame included

Estimation

€15,000 - 20,000

BOETTI ALIGHIERO (1940–1994) EXTRA STRONG. 1991. P

47 - BOETTI ALIGHIERO (1940–1994) EXTRA STRONG. 1991. Pencil, watercolor, spray paint, ink, and collage on paper mounted on canvas. 21 x 29.70 cm. Signed. The work is accompanied by a certificate of registration from the Alighiero Boetti Archive, Rome. PROVENANCE: Private collection, Naples. Framed.

Estimation

€6,000 - 8,000

GIANFRANCO BARUCHELLO (1924–2023) THE GOVERNING BO

48 - GIANFRANCO BARUCHELLO (1924–2023) THE GOVERNING BODIES OF LEGAL ENTITIES. 1964. Mixed media on 3 layers of Plexiglas and a cardboard backing, with an original wooden support structure and brass frame. 47 x 56 x 9 cm. On the back: signature, title, date, and a label from Galleria Schwarz, Milan. The work is registered with the Gianfranco Baruchello Archive, Rome.PROVENANCE: Galleria Schwarz, Milan; Galleria Milano, Milan; Private collection, Milan. EXHIBITIONS: Galleria Schwarz, Milan, November

Estimation

€15,000 - 20,000

MARIO CEROLI (b. 1938) A YEAR OF LOVE. 1972. Russi

49 - MARIO CEROLI (b. 1938) A YEAR OF LOVE. 1972. Russian pine wood assemblage. 35.50 x 35.50 x 10 cm. On the back: personalized dedication. The work is accompanied by a certificate of registration from the Mario Ceroli Archive and a certificate of authenticity from the artist on a photograph. PROVENANCE: Sangallo Fine Art, Vasto; Private collection, Rome

Estimation

€8,000 - 12,000

CEROLI MARIO (b. 1938) BUTTERFLY. 1967. Russian pi

50 - CEROLI MARIO (b. 1938) BUTTERFLY. 1967. Russian pine. 84 x 98.50 x 7.80 cm. On the back: label from the Galleria d’Arte del Naviglio, Milan, and label from the Museo de Arte Moderno, Mexico City. The work is currently being cataloged at the Mario Ceroli Archive, Milan.PROVENANCE: Galleria d’Arte del Naviglio, Milan; Private collection, Naples. EXHIBITIONS: Museo de Arte Moderno, Mexico City, 1968

Estimation

€30,000 - 40,000

CEROLI MARIO (b. 1938) BUTTERFLY. 1967. Russian pi

53 - CEROLI MARIO (b. 1938) BUTTERFLY. 1967. Russian pine. 158 x 132 cm. The work is accompanied by a certificate of authenticity from the artist on a photograph.PROVENANCE: Work acquired directly from the artist. Private collection, Rome. BIBLIOGRAPHY: Casa Vogue, March–April 1972, double-page spread, “For a Gallerist and His Artist Friends,” an editorial on Mario Pieroni’s apartment in Francavilla al Mare.

Estimation

€60,000 - 80,000

PEREZ AUGUSTO (1929–2001) LOVERS. 1977. Bronze. 21

54 - PEREZ AUGUSTO (1929–2001) LOVERS. 1977. Bronze. 210 x 122 x 54 cm. Signed and stamped by the Chiurazzi Foundry, Naples. PROVENANCE: Il Fante di Spade Art Gallery, Milan; Private collection, Milan. EXHIBITIONS: Città Spazio Scultura 80, Rimini, July–September 1980, ill.Il Fante di Spade Art Gallery, Milan, ill. Lovers is part of Augusto Perez’s sculptural exploration centered on the human figure and its existential dimension. The two figures, united in a tight, vertical composition, are

Estimation

€7,000 - 10,000

GIUSEPPE MARANIELLO (b. 1945) EMBRACES. 1992. Mixe

55 - GIUSEPPE MARANIELLO (b. 1945) EMBRACES. 1992. Mixed media and applied materials on canvas mounted on wood panel. 100 x 200 x 16.50 cm. On the back: signature, title, and date. The work is accompanied by a certificate of authenticity from the artist on a photograph. PROVENANCE: Private collection, Modena

Estimation

€4,000 - 6,000

MAURI FABIO (1926–2009) L'AURICOLARE. 1990. Plaste

56 - MAURI FABIO (1926–2009) L'AURICOLARE. 1990. Plaster, paper, and Bakelite object on wood panel, iron frame, glass. 68.50 x 98 x 6 cm. On the back: signature, title, and date. PROVENANCE: Artist’s studio; Galleria Carini, Florence; Private collection, Florence. EXHIBITIONS: 1994, Rome, National Gallery of Modern and Contemporary Art, Fabio Mauri. Works and Actions 1954–1994, June 21–October 5, curated by Carolyn Christov-Bakargiev, Marcella Cossu. BIBLIOGRAPHY Catalog of Italian Modern Art

Estimation

€12,000 - 18,000

GIUSEPPE UNCINI (1929–2008) IRON SPACES No. 21. 19

57 - GIUSEPPE UNCINI (1929–2008) IRON SPACES No. 21. 1989. Concrete and Iron. 82x50x24 cm. Signed, titled, and dated. The work is accompanied by a certificate of registration from the Giuseppe Uncini Archive, Rome (incorrect dimensions). PROVENANCE: Must Gallery, Lugano; Private collection, Milan. Beginning in the late 1950s, with his first “Cementarmati” works, Giuseppe Uncini introduced construction materials—particularly concrete and iron—into the language of art, treating them not merel

Estimation

€15,000 - 20,000

ALBERTO BIASI (b. 1937) TRAMA. 1960. Overlapping l

58 - ALBERTO BIASI (b. 1937) TRAMA. 1960. Overlapping layers of perforated or punched paper mounted on wooden frames. 50.50 x 36 x 3.80 cm. Signed on the reverse: signature and date. The work is registered with the Alberto Biasi Archive under no. CO 46.

Estimation

€8,000 - 12,000

MARIA LAI (1919–2013) VIA CRUCIS. 1981. Mixed medi

59 - MARIA LAI (1919–2013) VIA CRUCIS. 1981. Mixed media: wood, paint, paper, and wire. 199 x 20.50 x 7 cm. Signed and dated. The work is currently being archived at the Maria Lai Archive and is registered under number AA023/26. PROVENANCE: Work acquired directly from the artist by the current owner. Private collection, Rome. Frame included

Estimation

€10,000 - 15,000

ISGRO', EMILIO (b. 1937) ERASED FAIRY TALE. 1971.

60 - ISGRO', EMILIO (b. 1937) ERASED FAIRY TALE. 1971. Sixteen erased pages in a wooden and Plexiglass display case. 39x58 cm. The work is accompanied by the artist’s certificate of authenticity on a photograph. PROVENANCE: Private collection, Naples EXHIBITIONS: “Isgrò’s Fairy Tales” (more erotic than Andersen’s, more macabre than the Brothers Grimm’s), Schwarz Gallery, Milan, December 10, 1971–January 10, 1972. Emilio Isgrò’s act of erasure is not an act of destruction, but rather

Estimation

€25,000 - 35,000

LEWITT SOL (1928–2007) SQUIGGLY BRUSHSTROKES. 1992

61 - LEWITT SOL (1928–2007) SQUIGGLY BRUSHSTROKES. 1992. Gouache on paper. 75.60 x 56.30 cm. Signed, dated, and personally inscribed. PROVENANCE: Work donated and inscribed by Sol LeWitt to his assistant Andrea “Bobo” Marischalchi, who collaborated on the creation of the Wall Drawings. Private collection, Florence. “Squiggly Brushstrokes” belongs to the broader “Brushstrokes” series, developed by Sol LeWitt primarily in the 1990s, when the artist moved away from the rigidity of geometri

Estimation

€25,000 - 35,000

BEARD PETER (1938–2020) FEMALE GERENUK ON THE TIVA

62 - BEARD PETER (1938–2020) FEMALE GERENUK ON THE TIVA RIVER IN TSAVO NORTH NEAR KATHEMULA AS THE HUNT COMES TO AN END. Silver gelatin photographic print with ink, drawings, collage of photographs and printed clippings, applied plant elements, and mixed-media interventions. 82 x 64.50 cm. Signed and titled (unique work) PROVENANCE Work donated by the artist to the current owner Private collection, Italy REFERENCE BIBLIOGRAPHY Peter Beard: The End of the Game, Taschen, 2008, p. 147, variant; Peter

Estimation

€20,000 - 30,000

TWOMBLY, CY (1928–2011) FACE (MALE PORTRAIT). Ink

63 - TWOMBLY, CY (1928–2011) FACE (MALE PORTRAIT). Ink on paper. 33 x 24 cm. Signed. The work is included in the memorabilia section of the Cy Twombly Foundation. We thank the Cy Twombly Foundation for its kind cooperation. PROVENANCE: Private collection, Rutigliano; Private collection, Rome

Estimation

€15,000 - 20,000

WILLIAMS SUE (b. 1954) PIGLET. 1996. Oil on canvas

64 - WILLIAMS SUE (b. 1954) PIGLET. 1996. Oil on canvas. 46 x 38.50 cm. On the reverse: signature, date, title, and label from Gian Ferrari Arte Contemporanea, Milan. The work is registered with the 303 Gallery, New York, which maintains the archive of the artist’s works.PROVENANCE: Claudia Gian Ferrari Collection, Milan; Jytte & Jarl Borgen Collection, Copenhagen; Private Collection, Italy. EXHIBITIONS: Nudo e Crudo: Sensitive Body / Visible Body, Claudia Gian Ferrari Arte Contemporanea, Milan

Estimation

€5,000 - 7,000

CURRIN, JOHN (b. 1962) SPECIAL DAY. 1993. Watercol

65 - CURRIN, JOHN (b. 1962) SPECIAL DAY. 1993. Watercolor on paper. 25 x 21 cm. On the reverse: signature, title, and date. PROVENANCE: Galleria Galliani, Genoa; Private collection, Turin. BIBLIOGRAPHY: F. Bonami, Un urlo lungo un giorno. Kathe Burkhart, John Currin, José A. Hernandez Diez, Tony Oursler, Lorna Simpson, Sue Williams, Galleria Galliani, Genoa, 1994 EXHIBITIONS Galleria Galliani, A Scream Lasting a Day, Genoa, May 27–September 30, 1994. Created in 1993, Special Day belongs to a

Estimation

€15,000 - 20,000

CONDO GEORGE (b. 1957) PANINI'S DOG. 1985. Oil on

66 - CONDO GEORGE (b. 1957) PANINI'S DOG. 1985. Oil on canvas. 26.50 x 16 cm. On the reverse: signature, title, date, label from Edward Totah Gallery, London, and label from Galerie Bischofberger, Zurich. The work is accompanied by a certificate of authenticity from the artist on a photograph.PROVENANCE: Galerie Bischofberger, Zurich; Edward Totah Gallery, London; Private collection, Genoa; Private collection, Rome. Created in 1985, Panini’s Dog belongs to the early phase of George Condo’s pain

Estimation

€15,000 - 25,000

PASCHKE ED (1939–2004) NEGRA. 1995. Oil on canvas.

67 - PASCHKE ED (1939–2004) NEGRA. 1995. Oil on canvas. 101.50 x 178.50 cm. Signed and dated on the reverse: signature, title, and date. We thank Marc Paschke of the Ed Paschke Foundation for confirming the authenticity of the work.PROVENANCE: Galleria Galliani, Genoa (work acquired directly from the artist)Private collection, Genoa. A leading figure in the Chicago art scene and one of the most significant members of the Chicago Imagists, Ed Paschke developed a highly personal figurative language t

Estimation

€20,000 - 30,000

FABRE JAN (b. 1958) EEN BREINBOOM (A BRAIN TREE).

68 - FABRE JAN (b. 1958) EEN BREINBOOM (A BRAIN TREE). 2008. Silicone, fired polymer clay, acrylic paint. 34 x 29 x 24 cm. The work is accompanied by a certificate of authenticity from the artist on a photograph and a certificate of authenticity from the Deweer Gallery signed by the artist.PROVENANCE: Private collection, Belgium; Deweer Gallery, Otegem, Belgium; Private collection, Naples; Private collection, Florence. EXHIBITIONS: Hortus/Corpus - Jan Fabre, Kröller-Müller Museum, Otterlo, April 10

Estimation

€18,000 - 24,000

BY ROSA HERVE' (b. 1959) *LE MARIN CHANTANT*. 1987

69 - BY ROSA HERVE' (b. 1959) LE MARIN CHANTANT. 1987. Oil on canvas. 155 x 155 cm. Signed and dated. PROVENANCE: Tajan, Paris, February 2, 2006. Private collection, Naples

Estimation

€7,000 - 10,000

LOPES BERTINA (1924–2012) PRAYER. 1970. Oil on can

70 - LOPES BERTINA (1924–2012) PRAYER. 1970. Oil on canvas. 80 x 120 cm. Signed on the reverse: signature, title, and date. PROVENANCE: Artist’s studio, Rome; Astrolabio Gallery, Rome; Private collection, Rome

Estimation

€6,000 - 8,000

SANDRO CHIA (b. 1946) MIRACULOUS FISHING. 2002. Oi

71 - SANDRO CHIA (b. 1946) MIRACULOUS FISHING. 2002. Oil on canvas. 200 x 180 cm. Signed on the reverse: signature, title, and date. The work is accompanied by a certificate of registration from the Sandro Chia Archive. PROVENANCE: Alessandro Bagnai Gallery, Arezzo; Private collection, Milan. EXHIBITIONS: Sandro Chia. Transcended Theater Stories, Galleria d’Arte Moderna, Arezzo, March 24–May 5, 2013 BIBLIOGRAPHY Sandro Chia. Transcended Theater Stories, Maretti Editore, Arezzo, p. 43

Estimation

€30,000 - 40,000

RENATO MAMBOR (1936–2014) BETTER TAKE NOTES. 2009.

72 - RENATO MAMBOR (1936–2014) BETTER TAKE NOTES. 2009. Mixed media on canvas. 80x120 cm. On the back: signature, title, and date. The work is currently being archived at the Renato Mambor Archive, Rome. PROVENANCE: Private collection, Rome

Estimation

€7,000 - 10,000

MAMBOR RENATO (1936–2014) ULTIMO SPORT. 2005. Oil

73 - MAMBOR RENATO (1936–2014) ULTIMO SPORT. 2005. Oil and enamel on raw, stretcher-mounted canvas. 110 x 140 cm. On the back: signature, title, and date. The work is currently being cataloged at the Renato Mambor Archive and is accompanied by a certificate of authenticity from the artist on a photograph. PROVENANCE: Private collection, Brescia

Estimation

€8,000 - 12,000

ROBERTO MINIATI (b. 1952) THE ROOMS THAT HAUNT US.

74 - ROBERTO MINIATI (b. 1952) THE ROOMS THAT HAUNT US. 2024. Oil on canvas. 100x80 cm. On the back: signature, title, and date. The work is accompanied by a certificate of authenticity from the artist on a photograph. PROVENANCE: Private collection, Rome. Framed.

Estimation

€7,000 - 10,000

VITTORIO CORSINI (b. 1956) *ON THE FADING OF INTEN

76 - VITTORIO CORSINI (b. 1956) ON THE FADING OF INTENSE BLUE. 2025. Acrylic on aluminum and LED. 150 x 154 cm. On the back: signature, title, and date (one-of-a-kind piece). The work is accompanied by a certificate of authenticity from the artist on a photograph. PROVENANCE: Private collection, Milan

Estimation

€8,000 - 12,000

LUCIANO VENTRONE (1942–2021) ANAMORPHOSIS, STILL L

77 - LUCIANO VENTRONE (1942–2021) ANAMORPHOSIS, STILL LIFE NO. 22. 1984. Oil and mixed media on linen canvas. 50 x 70 cm. Signed and dated on the reverse: signature, title, Galleria Forni label (Bologna), and The 2nd International Contemporary Art Fair label (London Olympia). The work is accompanied by a digital certificate from the Luciano Ventrone Foundation.PROVENANCE: Galleria Forni, Bologna; Private collection, Brescia; EXHIBITIONS: 2nd International Contemporary Art Fair, London Olympia, Janu

Estimation

€12,000 - 18,000

GILARDI PIERO (1942–2023) MARAQUJA AT THE SPRING.

78 - GILARDI PIERO (1942–2023) MARAQUJA AT THE SPRING. Painted polyurethane foam. 50 x 50 x 14 cm. On the back: signature and title (inside a Plexiglas display case). The work is accompanied by a certificate of authenticity from the artist on a photograph. PROVENANCE: Private collection, Milan

Estimation

€5,000 - 6,000

GILARDI PIERO (1942–2023) GRAPES FROM THE GARDEN.

79 - GILARDI PIERO (1942–2023) GRAPES FROM THE GARDEN. 2002. Painted polyurethane foam. 90 x 130 cm. On the back: signature, title, and label from Galleria Biasutti & Biasutti, Turin (inside a Plexiglas display case)The work is accompanied by a certificate of authenticity from the artist on a photograph and is registered in the Piero Gilardi Archive at the Biasutti & Biasutti Gallery under code no. 2002.11. PROVENANCE: Biasutti & Biasutti Gallery, Turin; Private collection, Luxembourg

Estimation

€20,000 - 30,000

SAMORI NICOLA (b. 1977) FACE. 2002. fresco. 53.80

80 - SAMORI NICOLA (b. 1977) FACE. 2002. fresco. 53.80 x 41 cm. On the reverse: signature and date. The work is accompanied by a certificate of authenticity from the artist on a photograph. PROVENANCE: Private collection, Bologna. This fresco, dated 2002, belongs to the early years of Nicola Samorì’s artistic exploration, which was already oriented toward an intense confrontation between image, material, and the erosion of the surface. The figure is not treated as a simple portrait, but as a prese

Estimation

€4,000 - 6,000

SAMORI NICOLA (b. 1977) UNTITLED. Fresco. 120 × 85

81 - SAMORI NICOLA (b. 1977) UNTITLED. Fresco. 120 × 85 cm. (dimensions of the work without frame: 79 × 65 cm) The artist’s certificate of authenticity on photograph is currently being issued. PROVENANCE: Galleria Monitor, Rome; Private collection, Rome

Estimation

€10,000 - 15,000

SAMORI NICOLA (b. 1977) IL COMANDO. 2002. Mixed me

82 - SAMORI NICOLA (b. 1977) IL COMANDO. 2002. Mixed media and collage on canvas. 155 x 145 cm. On the back: signature, title, and date. The work is accompanied by a certificate of authenticity from the artist on a photograph.PROVENANCE: Private collection, Bologna. In 2002, Nicola Samorì was already developing an artistic approach aimed at restoring a physical presence to painting, through images that do not arise from a predetermined form but are composed of fragments, additions, scraps, and omiss

Estimation

€15,000 - 20,000

STEFANO BOMBARDIERI (b. 1968) THE WEIGHT OF SUSPEN

83 - STEFANO BOMBARDIERI (b. 1968) THE WEIGHT OF SUSPENDED TIME - RINO PICCOLO. 2022. Gilded bronze. 48 x 45 x 27 cm. Signed, dated, and numbered; no. 7/8 (one of eight copies). The work is accompanied by a certificate of authenticity from the Stefano Bombardieri Archive—Gare 82, Brescia. PROVENANCE: Private collection, Brescia

Estimation

€12,000 - 16,000

Drouot App

Explore, discover and bid on thousands of exceptional objects with the Drouot app

Google Play

App Store