Upcoming Special Fall Auction, October 28 - Session 1: Asian Art

Live in progress

On Wednesday, October 28 | 12:30 PM

Subastas Darley

Avda. Menendez Pidal, 13 Pl. Bj, (Zona CC. Estación Autobuses de Valencia) 46009, Valencia

€1,000 - 3,000

€2,000 - 6,000

€1,000 - 5,000

€300 - 3,000

€800 - 1,000

€300 - 1,200

Upcoming Special Fall Auction, October 28 - Session 1: Asian Art

Subastas Darley

201 - A necklace composed of six amazonite beads in a vibrant turquoise color with subtle ivory-toned veins. The piece is centered around a larger spherical bead, flanked symmetrically by cylindrical beads with smoothed edges and smaller lobed beads. Liao Dynasty (916–1125) or later.

202 - Made of multiple turquoise beads in a vibrant sky-blue hue with subtle greenish, brown, and ochre tones. The beads are oval in shape, slightly irregular, with a surface worn by erosion. Lower Xiajiadian Culture (approx. 2200–1600 BCE) or later.

203 - Necklace of 47 greenish-whitish toned agate and reddish "琉璃" (liuli) glass beads of alternating spherical and tubular shapes, arranged on a beautiful cord with decorative knots. Qing Dynasty (1644 - 1912) or later.

204 - Seven ritual beads, crafted from turquoise with a polished finish and a central hole. They feature gently flattened lenticular shapes, with an intense turquoise-blue color, delicate veining, and a dark matrix. They display a fine patina due to their age. Liao Dynasty (916–1125) or later.

206 - Bracelet made of agate in a deep emerald green hue, with a convex outer profile and a smooth inner surface. The exterior is decorated with a bas-relief of archaic scrollwork and intertwined volutes. It exhibits a patina consistent with its age. Han Dynasty (206 B.C.–220 A.D.) or later.

207 - A large spherical ritual bead made of agate in a deep purple hue with subtle natural veins and a central hole. It has a globular shape that is flattened at both ends. The exterior surface has a glossy polish and a soft patina resulting from age. Liao Dynasty (916–1125) or later.

208 - A violet-hued agate bracelet with natural whitish streaks, featuring a convex outer surface and a smooth inner surface. The exterior is decorated in bas-relief with archaic dragons whose bodies are intertwined. Han Dynasty (206 B.C.–220 A.D.) or later.

222 - Ink and pigments on paper mounted on brocade silk. It depicts a learned scholar alongside children playing in the garden of a mountain retreat. At the top is a poem accompanied by vermilion seals. The lower left corner bears the signature Jin Tingbiao (金廷标) with the artist’s seal.

223 - Ink and pigments on paper, mounted on brocade silk. It depicts a circular composition featuring a sinuous flowering branch, crowned by calligraphy in seal script. On the right-hand side is the signature "Dong Shouping (董寿平)" alongside several seals.

224 - Ink and pigments on paper mounted on silk. It depicts an idyllic mountainous landscape along a river, featuring boats, dense vegetation, and a small village. In the upper right corner are the signature of Bai Xueshi (白雪石) and the artist’s seals.

227 - Ink and pigments on silk, mounted on brocade silk. It depicts a delicate branch of white flowers accompanied by bees on a rock. A dedication appears on the right-hand side. It bears the signature Ju Lian (居廉) alongside the artist’s seal.

229 - Ink on paper mounted on brocade silk. It features a calligraphic poetic composition arranged in vertical columns framed in red. An oval seal appears in the upper right corner, while the lower left corner bears the signature “Qigong” (启功) alongside two seals.

231 - Ink on paper, mounted with a mat. It features four large calligraphic characters in black ink. An oval seal is visible in the upper right corner, while the left side bears the signature “Qigong” (启功) accompanied by a master’s seal.

233 - Ink and pigments on paper, mounted with a mat. It depicts a still life featuring three ripe fruits in shades of purple, green, and ochre. In the upper right corner, there is an inscription next to the signature “Ding Fuzhi” (丁辅之) and two of the artist’s seals.

235 - Ink and pigments on paper. It depicts an elegant lady in sumptuous ceremonial robes holding peonies, alongside a spotted deer carrying a basket of flowers, a symbol of longevity and prosperity. Signed and stamped in the lower left corner. Qing Dynasty (1644–1912) or later.

237 - Ink on paper in shades of pink, consisting of a set of eighteen loose sheets. It depicts the eighteen Luohans in devotional poses, rendered with fine lines. The upper section of each work features a passage from Buddhist texts and teachings. It bears the signature Hong Yi (李叔同).

240 - A small box with a lid in a poly-lobed shape, carved from translucent jadeite with shades of apple green, white, and ochre. The lid features a bas-relief depiction of an archaic zoomorphic Taotie mask flanked by scrollwork and volutes. Qing Dynasty (1644–1912) or later.

242 - A handheld pendant carved from “ram’s fat” quality white jade, featuring a subtle golden speckle. It depicts a bulbous fruit enveloped in sinuous leaves with intertwined stems, culminating at the apex in a hole for suspension. Qing Dynasty (1644–1912) or later.

243 - Bracelet composed of fifteen barrel-shaped cylindrical beads, carved from white Hetian jade of “mutton fat” quality. The beads are interspersed with thin red agate washers, and the bracelet is preserved in its brocade-lined box. Qing Dynasty (1644–1912) or later.

246 - Carved white jade archer's ring (板指). It has a slightly irregular profile and a rounded upper edge. It is adorned with characters framed by two bands of geometric motifs, all rendered through fine incisions.

247 - A carved milky-white jadeite with lavender hues and green, brown, and black veins. It depicts the standing, smiling Buddha "Hotei," with a prominent body and a joyful expression. The carving features detailed rendering of the flowing, draped robes, depicting the figure holding a long mala.

259 - A pair of large porcelain vases decorated in cobalt blue under glaze, with baluster-shaped bodies adorned with fish among flowers and lotus leaves in a pond. They are topped with matching domed lids crowned with Fu dogs as knobs.

260 - Pair of porcelain lidded vases with baluster-shaped bodies that taper at the base toward large, rounded shoulders, decorated with a rich, speckled cobalt blue glaze. The domed lids are crowned by rounded relief finials featuring Buddhist lion figures, resting on flat, unglazed bases.

261 - Porcelain vase with a stylized silhouette and flared mouth, glazed in blue and white under a transparent glaze. Decorated with a scene depicting a large bird perched on a rock amid lush, blooming peonies. Shows signs of restoration on the body.

262 - Porcelain vase with a flared mouth and a neck flanked by two molded handles. It is decorated with cobalt blue pigment applied under the glaze, depicting a composition of blooming peonies sprouting from rocks. It comes with a pedestal.

263 - Porcelain vase with a flared mouth and a neck flanked by two raised handles. It is decorated in cobalt blue underglaze with an elegant scene of a rock garden featuring blooming chrysanthemums. It comes with a wooden pedestal.

264 - Elegant ginger jar with a globular body that tapers slightly toward the base, made of porcelain glazed in cobalt blue on a white background, depicting a scene of children playing outdoors among pine trees and gardens, framed by a band of geometric motifs.

277 - A miniature vase carved from dark brown wood with a natural grain and a soft patina. It features an elegant, stylized silhouette with a cylindrical body, gently rounded shoulders, a short neck, and a flared mouth with a flat rim. Qing Dynasty (1644–1912) or later.

283 - Bracelet composed of fourteen Hetian jade beads in a celadon green hue, with sections of natural leather in honey tones. Each bead has a rounded shape and a longitudinal hole, strung on an elastic cord. Hongshan Culture (c. 4700–2900 B.C.) or later.

294 - Composed of a string of thirty-three cylindrical jade beads in a reddish-ochre hue with profuse whitish mottling, topped in the center by a vermilion-red finial in the shape of a ritual cicada, with folded wings and large round eyes. Liangzhu Culture (c. 3300–2300 BCE) or later.

297 - A cylindrical ring with a convex cross-section, crafted from reddish-brown jade. The exterior is profusely decorated with intricate spiral incisions (yunwen). It shows signs of wear and patina due to age. Liangzhu Culture (c. 3300–2300 BCE) or later.

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