General Sales

Timed auctions

Until Sunday, October 25 | 02:00 PM

Rey & Guinot - Maison de ventes aux enchères

3 ter, rue Jean-Mermoz 78000, Versailles

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General Sales

Rey & Guinot - Maison de ventes aux enchères

18 - Set of silver plated and gold-plated pocket watches. 20th century. 6 x 4.5 cm (the largest; set as is).

19 - MOERIS; PIERRE LOBATO. Set of two gold-plated pocket watches. One with a mechanical movement (X1; in working order) and one with a quartz movement (restart not guaranteed). 5.5 x 4 cm and 5.5 x 4.5 cm.

20 - FLAMOR; EXCELOR; QUILBE. Set of three assorted ladies' wristwatches. Mechanical movement (Flamor; in working order) & quartz movements (2; no guarantee they will work). Set sold "as is."

21 - Assorted lot of nine watch dials/movements (7 mechanical and 1 quartz) for wristwatches, pocket watches, and lapel watches. Lot sold as-is.

22 - ZODIAC; ELIX; EDMA. Set of three ladies' stainless steel wristwatches. Mechanical movements (two in working condition). Set sold "as is."

23 - YVES-SAINT-LAURENT. Gold-tone metal belt. Signed. Length: 87.5 cm.

24 - YVES-SAINT-LAURENT. Gold-tone metal belt. Signed. Length: 87 cm.

25 - 25-peso commemorative silver coin (720/1000), "1968 Mexico City Olympic Games." Net weight: 22.46 g. Diameter: 38 mm.

28 - LANCEL, Paris. Silver plated metal grape dish/display stand. Signed. 20th century. 5 x 25.2 cm. As is.

29 - KAYSER, Germany. Metal and glass centerpiece. Art Deco period. 14 x 43.5 x 15.5 cm.

30 - Silversmith: CHRISTOFLE. Silver plated pheasant (Lumière d'argent Collection). 20th century. 8 x 16.3 cm.

32 - Jezzine HADDAD, Lebanon. Twenty-two-piece "Phoenix" dinner service set, made of painted buffalo horn, brass, and steel, including: -6 large cutlery sets (12 pieces); - 1 salad set (2 pieces); - 6 large knives; - 1 carving set (2 pieces). 20th century. In its original case.

33 - Silversmith: CHRISTOFLE for AIR France. Set of eleven forks and seven dessert knives in silver plated metal, with steel blades (signed) and handles bearing the company’s monogram. 20th century.

34 - Cristal de VANNES. "Teckel" trinket dish, made of crystal. Marked on the base. 20th century. 9.5 x 25 cm.

35 - DAUM, France. Stylized crystal trinket dish. Signed. 8.5 x 19 x 16 cm.

36 - VAL-SAINT-LAMBERT. Polylobed crystal vase. Signed on the base. 20th century. 10.5 x 12 cm

37 - Lot of assorted loose items, including glassware. 1 crate (not included; lot sold as-is).

38 - SAINT-LOUIS Crystal Works. Cut crystal decanter. Marked on the base and still bearing its original label. 20th century. 21.5 x 12.5 cm.

39 - Blown glass carafe with gilding (gilding worn). 19th century. 27.5 x 13.5 cm. Chip at the base of the stopper.

40 - LALIQUE, France. "Dove" ring sizer made of molded and pressed crystal. Signed (original label still attached). In its original box.

41 - VAL-SAINT-LAMBERT, Belgium. Polylobed crystal vase. Signed, with the original label still attached. 20th century. 10.5 x 12.5 cm.

42 - Sèvres Crystal Works. Crystal vase with handles. Marked on the base. 20th century. 19.7 x 18 cm.

43 - Studio AHUS, Sweden. Blown glass paperweight. Signed and dated 1992 on the base. 13 x 10 cm.

44 - DAUM, France. Crystal "cone" vase. Signed with a point. 20th century. 12.5 x 11 cm.

45 - BACCARAT, France. Crystal bowl. Marked on the base. 20th century. 5.6 x 12.4 cm.

46 - Burgun SCHVERER & Désiré CHRISTIAN (19th–20th centuries), LORRAINE Art Glass. Single-flower vase in multilayer glass with acid-etched snowdrop design. Signed and dated on the base. Late 19th century. 23 x 9 cm.

47 - Alexander Evgenevich IACOVLEFF (1887–1938). “Nung-An, Quảng Uyên Region, Cao Bằng Province,” March 22, 1932. Red chalk, pencil, pastel, and watercolor on vellum, signed, dated, and titled in the lower left corner. 76 x 56.5 cm (unframed; slight tears outside the subject area).

48 - Walter Richard SICKERT (1860–1942). Study. Charcoal and white chalk on paper mounted on cardboard, signed lower left. 47 x 41.5 cm (some foxing; very slight restoration).

49 - Gaston GOOR (1902–1977). Composition, 1952. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 16.5 cm (unframed).

50 - Gaston GOOR (1902–1977). Composition, 1932. Grayscale lithograph, signed and dated in the lower left corner in the artist’s own hand, with “Artist’s Proof” inscribed in the lower left corner. 33 x 25.5 cm (unframed).

51 - Gaston GOOR (1902–1977). Composition, 1953. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 18 cm (unframed).

52 - Gaston GOOR (1902–1977). Composition, 1953. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 16.7 cm (unframed).

53 - Gaston GOOR (1902–1977). Composition, 1952. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 16.7 cm (unframed).

54 - Gaston GOOR (1902–1977). Composition, 1952. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 16.7 cm (unframed).

55 - Gaston GOOR (1902–1977). Composition, 1952. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 16.7 cm (unframed).

56 - Gaston GOOR (1902–1977). Composition, 1952. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 17.7 cm (unframed).

57 - Gaston GOOR (1902–1977). Composition, 1952. Grayscale lithograph, signed and dated in the lower left corner in the artist’s own hand, with “Artist’s Proof” inscribed in the lower left corner. 33.5 x 25.5 cm (unframed; foxing).

58 - Louis-Eugène FABRE (20th century). Harbor View, 1952. Watercolor on paper, signed and dated in the lower left corner. 17 x 24.5 cm (image size).

59 - Sydney Ernest WILSON (1869–?). Diane and Flore. Set of two color mezzotints on heavy paper mounted on vellum, signed in pencil in the lower right corner. 36 x 45 cm (unframed; foxing).

60 - Jacques COQUILLAY (born in 1935). Lakeside landscape. Pastel on paper, signed lower left. 50.5 x 65.5 cm (unframed).

61 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27.5 x 21.5 cm (unframed).

62 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27 x 21 cm (unframed).

63 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27 x 21 cm (unframed).

64 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 21.5 x 27 cm (unframed).

65 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27 x 21 cm (unframed).

66 - Jean BERQUE (1896–1954). Tristan and Isolde. Set of three color lithographs on vellum, signed by the artist and marked “Ready for printing/First State/Color proof” in the lower right corner. 33 x 25.5 cm (unframed).

67 - Georges COCTEAU (1842–1898). Compositions. Set of two charcoal drawings on paper, signed. 25 x 32.5 cm & 32.5 x 25 cm.

68 - René AUBERT (1894–1977). Costume design, 1923. Oil pastel and gouache on paper, signed lower right, inscribed, and dated lower left. 34.5 x 25.3 cm (unframed).

69 - Mariette LYDIS (1887–1970). "The Girl with the Stars," Paris, 1933. Charcoal, watercolor, and cut-out and pasted stars, signed, dated, and located in the lower left corner. 28 x 20 cm (visible area).

70 - After Mariette LYDIS (1887–1970). For VERLAINE, *Romances sans paroles*. Engraving on Rives vellum, unsigned. 33 x 25 cm (unframed).

71 - Based on a work by Mariette LYDIS (1887–1970). For RIMBAUD (series of twenty-eight poems). Set of four unsigned engravings on vellum. 32.5 x 25.5 cm (unframed).

72 - Mariette LYDIS (1887–1970). Seated Woman, 1931. Black chalk, ink, watercolor, and gouache on heavy paper, signed, dated, and inscribed “Paris” in the lower right corner. 72.5 x 49.5 cm (unframed; foxing; traces of tape on the sides).

73 - Mariette LYDIS (1887–1970). Composition. Color etching and aquatint on vellum, signed on the plate and numbered in pencil 54/200 in the lower right corner. 57 x 75.5 cm (unframed; numerous tears along the margins; as is).

74 - Gaston GOOR (1902–1977). Composition, 1952. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 16.7 cm (unframed).

75 - Gaston GOOR (1902–1977). Composition, 1952. Grayscale lithograph, signed and dated in the lower left corner in the artist’s own hand, with “Artist’s Proof” inscribed in the lower left corner. 33.5 x 25.5 cm (unframed).

76 - Gaston GOOR (1902–1977). Composition, 1952. Grayscale lithograph, signed and dated in the lower left corner in the artist’s own hand, with “Artist’s Proof” inscribed in the lower left corner. 38.5 x 28.5 cm (unframed; foxing).

78 - Jacques COQUILLAY (born in 1935). "Les Essarts-Le-Roi." Etching on vellum, signed by the artist, numbered 1/50 in the lower right corner and located in the lower left corner. 38 x 47.5 cm (unframed).

79 - Renée DE FAYMOREAU (19th–20th centuries). “Auxerre.” Pencil and watercolor on heavy paper, signed and dated in the lower left corner. 32 x 48.2 cm (unframed).

80 - Alméry LOBEL-RICHE (1880–1950). "The Ether Drinker." Charcoal and pastel on paper, signed upper left and countersigned lower left, trace of the title lower right. 65 x 49.5 cm (unframed; foxing/water stains; as is).

81 - Charles MARTIN (1884–c. 1932/34). Nude Woman. Color lithograph on paper, signed with the artist’s stamp in the lower left and numbered 4/120 in the lower right. 52 x 65 cm (unframed; foxing in the left section).

82 - Charles MARTIN (1884–c. 1932/34). Nude Woman. Indian ink, watercolor, and gouache on heavy paper, signed with the artist’s stamp in the lower left corner. 45 x 57 cm (unframed; some foxing).

83 - Charles MARTIN (1884–c. 1932/34). Reclining female nude. Pencil on paper, artist’s stamp in the lower right corner. 55.7 x 75.5 cm (unframed; signs of moisture; as is).

84 - Charles MARTIN (1884–c. 1932/34). Italian Comedy. Indian ink on paper, signed with the artist’s stamp in the upper right corner. 31 x 26.5 cm (unframed).

85 - André COLLOT (1897–1976). “The Breton Spaniel.” Pastel with white gouache highlights on brown-toned paper, signed lower right. 30.5 x 44.5 cm (unframed; slight foxing).

86 - JAVO (born in 1978). Children in the Garden. Color lithograph on Arches vellum, signed by the artist in the lower left corner and numbered 89/175 in the lower right corner. 74.5 x 54.5 cm (unframed).

87 - Sonia DELAUNAY (1885–1979). “Her Paintings, Her Objects, Her Simultaneous Fabrics, Her Fashions,” 1925. Plate No. 2. Color stencil on heavy paper, signed on the plate in the lower right corner. 38 x 55.5 cm (unframed; as is).

88 - Attributed to Carle VAN LOO (1705–1765). Reclining male nude. Engraving on vergé paper, unsigned. 43.5 x 55.5 cm (unframed; as is).

89 - Jean-Pierre CORNET (born in 1925). *Sous-bois*. Etching on vellum, signed lower right and numbered 11/30 lower left. 25 x 33 cm (unframed).

90 - Attributed to Jean-Pierre CORNET (born in 1925). Village scene. Etching on vellum, unsigned. 25.3 x 32.5 cm (unframed; foxing).

91 - Attributed to Jean-Pierre CORNET (born in 1925). Landscape. Etching on vellum, unsigned, numbered 9/30 in the lower left corner. 32.2 x 50.5 cm (unframed).

92 - A View of the Royal Palace of Hampton Court—View of the Royal Palace of Hampton Court, 15 miles from London, 1760. Etching enhanced with watercolor on laid paper. 18th century. 26 x 40 cm (unframed; as is).

93 - Perspective view of the Koningsptein at the Reguliers-Tooren, or La Monnoye Tower, in Amsterdam. Etching enhanced with watercolor on vellum. Late 18th–early 19th century. 28 x 42.5 cm (unframed; as is).

94 - W. VAN DE VELDE (19th century). The Grand Canal, Versailles, 1871. Watercolor on paper, signed and dated lower left. 19.5 x 29 cm (unframed; significant foxing; as is).

95 - Attributed to CZANARA (1921–1998). Composition. Color etching and aquatint on vellum, unsigned (trimmed margins). 38 x 28.5 cm (unframed).

96 - After Auguste RODIN (1840–1917). Seated Woman in Blue. Color lithograph on paper, stamped by the “RODIN” Museum with an inventory number in the lower right corner. 38.5 x 28 cm (unframed).

97 - View of The Magnificent Orangery of the Grand Lord in Constantinople. Etching enhanced with watercolor, on laid paper mounted on cardboard. 18th century. 30 x 44.5 cm (unframed; as is).

98 - Paul LEMAGNY (1905–1977). Landscape. Etching on vellum, signed lower right and inscribed “Artist’s Proof” lower left. 44.5 x 59 cm (unframed; foxing/stains; as is).

99 - Jean CARLU (1900–1997). "Foire de Paris." Color lithographic poster. Published by Imprimerie Spéciale De La Foire de Paris. 49 x 34 cm (unframed).

70 - After Mariette LYDIS (1887–1970). For VERLAINE, Romances sans paroles. Engraving on Rives vellum, unsigned. 33 x 25 cm (unframed).

89 - Jean-Pierre CORNET (born in 1925). Sous-bois. Etching on vellum, signed lower right and numbered 11/30 lower left. 25 x 33 cm (unframed).

104 - After André HAMBOURG (1909–1999). Les jeunes orientaux. Color lithograph on Rives vellum, unsigned. 38 x 28.3 cm (unframed).

108 - André Édouard MARTY (1882–1974). Original design No. 6 for Modes et Manières d’aujourd’hui (eighth year; 1919): “Le Ciné,” 1919 (plate No. 6 from the referenced work). Ink and watercolor on paper, signed lower right and titled in pencil lower center. 19.5 x 28.5 cm (unframed).