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Rey & Guinot - Maison de ventes aux enchères

3 ter, rue Jean-Mermoz 78000, Versailles

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General Sales

Rey & Guinot - Maison de ventes aux enchères

47 - Alexander Evgenevich IACOVLEFF (1887–1938). “Nung-An, Quảng Uyên Region, Cao Bằng Province,” March 22, 1932. Red chalk, pencil, pastel, and watercolor on vellum, signed, dated, and titled in the lower left corner. 76 x 56.5 cm (unframed; slight tears outside the subject area).

59 - Sydney Ernest WILSON (1869–?). Diane and Flore. Set of two color mezzotints on heavy paper mounted on vellum, signed in pencil in the lower right corner. 36 x 45 cm (unframed; foxing).

60 - Jacques COQUILLAY (born in 1935). Lakeside landscape. Pastel on paper, signed lower left. 50.5 x 65.5 cm (unframed).

61 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27.5 x 21.5 cm (unframed).

62 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27 x 21 cm (unframed).

63 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27 x 21 cm (unframed).

64 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 21.5 x 27 cm (unframed).

65 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27 x 21 cm (unframed).

66 - Jean BERQUE (1896–1954). Tristan and Isolde. Set of three color lithographs on vellum, signed by the artist and marked “Ready for printing/First State/Color proof” in the lower right corner. 33 x 25.5 cm (unframed).

67 - Georges COCTEAU (1842–1898). Compositions. Set of two charcoal drawings on paper, signed. 25 x 32.5 cm & 32.5 x 25 cm.

68 - René AUBERT (1894–1977). Costume design, 1923. Oil pastel and gouache on paper, signed lower right, inscribed, and dated lower left. 34.5 x 25.3 cm (unframed).

69 - Mariette LYDIS (1887–1970). "The Girl with the Stars," Paris, 1933. Charcoal, watercolor, and cut-out and pasted stars, signed, dated, and located in the lower left corner. 28 x 20 cm (visible area).

70 - After Mariette LYDIS (1887–1970). For VERLAINE, *Romances sans paroles*. Engraving on Rives vellum, unsigned. 33 x 25 cm (unframed).

71 - Based on a work by Mariette LYDIS (1887–1970). For RIMBAUD (series of twenty-eight poems). Set of four unsigned engravings on vellum. 32.5 x 25.5 cm (unframed).

72 - Mariette LYDIS (1887–1970). Seated Woman, 1931. Black chalk, ink, watercolor, and gouache on heavy paper, signed, dated, and inscribed “Paris” in the lower right corner. 72.5 x 49.5 cm (unframed; foxing; traces of tape on the sides).

73 - Mariette LYDIS (1887–1970). Composition. Color etching and aquatint on vellum, signed on the plate and numbered in pencil 54/200 in the lower right corner. 57 x 75.5 cm (unframed; numerous tears along the margins; as is).

74 - Gaston GOOR (1902–1977). Composition, 1952. Etching on vellum, signed and dated in the lower left corner in the artist’s own hand, with “Epreuve d’Etat” inscribed in the lower left corner. 25 x 16.7 cm (unframed).

75 - Gaston GOOR (1902–1977). Composition, 1952. Grayscale lithograph, signed and dated in the lower left corner in the artist’s own hand, with “Artist’s Proof” inscribed in the lower left corner. 33.5 x 25.5 cm (unframed).

76 - Gaston GOOR (1902–1977). Composition, 1952. Grayscale lithograph, signed and dated in the lower left corner in the artist’s own hand, with “Artist’s Proof” inscribed in the lower left corner. 38.5 x 28.5 cm (unframed; foxing).

78 - Jacques COQUILLAY (born in 1935). "Les Essarts-Le-Roi." Etching on vellum, signed by the artist, numbered 1/50 in the lower right corner and located in the lower left corner. 38 x 47.5 cm (unframed).

79 - Renée DE FAYMOREAU (19th–20th centuries). “Auxerre.” Pencil and watercolor on heavy paper, signed and dated in the lower left corner. 32 x 48.2 cm (unframed).

80 - Alméry LOBEL-RICHE (1880–1950). "The Ether Drinker." Charcoal and pastel on paper, signed upper left and countersigned lower left, trace of the title lower right. 65 x 49.5 cm (unframed; foxing/water stains; as is).

81 - Charles MARTIN (1884–c. 1932/34). Nude Woman. Color lithograph on paper, signed with the artist’s stamp in the lower left and numbered 4/120 in the lower right. 52 x 65 cm (unframed; foxing in the left section).

82 - Charles MARTIN (1884–c. 1932/34). Nude Woman. Indian ink, watercolor, and gouache on heavy paper, signed with the artist’s stamp in the lower left corner. 45 x 57 cm (unframed; some foxing).

83 - Charles MARTIN (1884–c. 1932/34). Reclining female nude. Pencil on paper, artist’s stamp in the lower right corner. 55.7 x 75.5 cm (unframed; signs of moisture; as is).

84 - Charles MARTIN (1884–c. 1932/34). Italian Comedy. Indian ink on paper, signed with the artist’s stamp in the upper right corner. 31 x 26.5 cm (unframed).

85 - André COLLOT (1897–1976). “The Breton Spaniel.” Pastel with white gouache highlights on brown-toned paper, signed lower right. 30.5 x 44.5 cm (unframed; slight foxing).

86 - JAVO (born in 1978). Children in the Garden. Color lithograph on Arches vellum, signed by the artist in the lower left corner and numbered 89/175 in the lower right corner. 74.5 x 54.5 cm (unframed).

87 - Sonia DELAUNAY (1885–1979). “Her Paintings, Her Objects, Her Simultaneous Fabrics, Her Fashions,” 1925. Plate No. 2. Color stencil on heavy paper, signed on the plate in the lower right corner. 38 x 55.5 cm (unframed; as is).

88 - Attributed to Carle VAN LOO (1705–1765). Reclining male nude. Engraving on vergé paper, unsigned. 43.5 x 55.5 cm (unframed; as is).

89 - Jean-Pierre CORNET (born in 1925). *Sous-bois*. Etching on vellum, signed lower right and numbered 11/30 lower left. 25 x 33 cm (unframed).

90 - Attributed to Jean-Pierre CORNET (born in 1925). Village scene. Etching on vellum, unsigned. 25.3 x 32.5 cm (unframed; foxing).

91 - Attributed to Jean-Pierre CORNET (born in 1925). Landscape. Etching on vellum, unsigned, numbered 9/30 in the lower left corner. 32.2 x 50.5 cm (unframed).

92 - A View of the Royal Palace of Hampton Court—View of the Royal Palace of Hampton Court, 15 miles from London, 1760. Etching enhanced with watercolor on laid paper. 18th century. 26 x 40 cm (unframed; as is).

93 - Perspective view of the Koningsptein at the Reguliers-Tooren, or La Monnoye Tower, in Amsterdam. Etching enhanced with watercolor on vellum. Late 18th–early 19th century. 28 x 42.5 cm (unframed; as is).

94 - W. VAN DE VELDE (19th century). The Grand Canal, Versailles, 1871. Watercolor on paper, signed and dated lower left. 19.5 x 29 cm (unframed; significant foxing; as is).

95 - Attributed to CZANARA (1921–1998). Composition. Color etching and aquatint on vellum, unsigned (trimmed margins). 38 x 28.5 cm (unframed).

96 - After Auguste RODIN (1840–1917). Seated Woman in Blue. Color lithograph on paper, stamped by the “RODIN” Museum with an inventory number in the lower right corner. 38.5 x 28 cm (unframed).

97 - View of The Magnificent Orangery of the Grand Lord in Constantinople. Etching enhanced with watercolor, on laid paper mounted on cardboard. 18th century. 30 x 44.5 cm (unframed; as is).

98 - Paul LEMAGNY (1905–1977). Landscape. Etching on vellum, signed lower right and inscribed “Artist’s Proof” lower left. 44.5 x 59 cm (unframed; foxing/stains; as is).

99 - Jean CARLU (1900–1997). "Foire de Paris." Color lithographic poster. Published by Imprimerie Spéciale De La Foire de Paris. 49 x 34 cm (unframed).

100 - Based on a work by Jacques LE CHEVALLIER (1896–1987). "Saint Lawrence, Patron Saint of the Rotisseurs, is celebrated on August 10." Color stencil print on vergé paper. Signed on the print in the lower right corner. 40 x 31 cm (unframed).

101 - After Félix VALLOTTON (1865–1925). Portrait of Honoré DAUMIER. Grayscale lithograph on vellum, unsigned. 36 x 25.5 cm (unframed; foxing; as is).

102 - Attributed to Jean-Pierre CORNET (born in 1925). Landscape with a Church. Etching on vellum, unsigned, numbered 29/50 in the lower left corner. 32.2 x 50.5 cm (unframed).

103 - Paul Adrien BOUROUX (1878–1967). The Market Square in Saint-Maixent-L'Ecole (Deux-Sèvres). Etching on vellum, signed by the artist in the lower right corner. 49 x 37.5 cm (unframed; foxing/stains; tears; as is).

104 - After André HAMBOURG (1909–1999). *Les jeunes orientaux*. Color lithograph on Rives vellum, unsigned. 38 x 28.3 cm (unframed).

105 - After VERCORS (1902–1991). "Hamlet." Etching on vellum, unsigned. 37.7 x 28.5 cm (unframed).

106 - Based on VERCORS (1902–1991). "Hamlet." Etching on vellum, inscribed on the reverse: “VERCORS’s adaptation of Hamlet… laid out by Henri Joncquières, Editions Vialetay, Paris.” 37.7 x 28.5 cm (unframed).

107 - JAVO (born in 1978). "Paradise." Color lithograph on Arches vellum, signed by the artist in the lower left corner and numbered 93/175 in the lower right corner. 49 x 66 cm (unframed; tear in the right margin).

108 - André Édouard MARTY (1882–1974). Original design No. 6 for *Modes et Manières d’aujourd’hui* (eighth year; 1919): “Le Ciné,” 1919 (plate No. 6 from the referenced work). Ink and watercolor on paper, signed lower right and titled in pencil lower center. 19.5 x 28.5 cm (unframed).

110 - André Édouard MARTY (1882–1974). Vase with Flowers. Watercolor on paper, signed lower left. 37 x 34 cm (unframed).

111 - André Édouard MARTY (1882–1974). Vase with Flowers. Watercolor on paper, signed lower left. 50.5 x 56.5 cm (unframed).

112 - Alfred LATOUR (1888–1964). Composition, 1933. Color lithograph on vellum, signed, dated, inscribed, and numbered 21/50 in the artist’s own hand. 37 x 47.5 cm (unframed; foxing/stains; as is).

113 - André SALMON (1881–1969). “Jean COCTEAU,” 1916. Graphite on paper, signed and dated in the lower right corner. 21 x 16 cm (unframed; artwork intact).

114 - Pierre-Eugène CLAIRIN (1897–1980). “Pont-Aven in 1923.” Color lithograph on Arches vellum, signed, titled, dated, and numbered 7/25 in the artist’s own hand. 45.5 x 56.5 cm (unframed).

115 - Marcel VERTES (1895–1961). Erotic composition. Ink on paper mounted on heavy paper, signed lower right. 27.5 x 21.5 cm (unframed).

116 - Léon GAUCHEREL (1816–1886). Seashores. Set of three drypoint prints on heavy paper, signed on the plates. 26.5 x 44.5 cm (unframed; as is).

117 - After André HAMBOURG (1909–1999). The Oriental Market. Color lithograph on BFK Rives vellum, unsigned. 38 x 56.5 cm (unframed).

118 - Umberto BRUNELLESCHI (1879–1949). The Venice Carnival. Color stencil print, signed lower right. 25 x 31 cm.

119 - Circle of Giovanna GARZONI (Ascoli 1600 – Rome 1670)

120 - Portrait of Giovanna GARZONI (Ascoli 1600 – Rome 1670)

121 - Portrait of Giovanna GARZONI (Ascoli 1600 – Rome 1670)

122 - Circle of Giovanna GARZONI (Ascoli 1600 – Rome 1670)

123 - After Auguste RODIN (1840–1917). Cambodian Dancer, View from the Front. Color lithograph on paper, stamped by the “RODIN” Museum with an inventory number in the lower right corner. 38.5 x 28 cm (unframed).

124 - Imperial Scene (possibly depicting the formation of the Grand Council by Yongzheng (1723–1735), the fourth ruler of the Qing Dynasty, 1723–1735). Ink, watercolor, and gouache on fabric. China, Qing Dynasty, late 19th century. 41 x 73.5 cm (visible area).

125 - HOKUSAI (1760–1849). Series of Portraits of KYOKA Poets, circa 1805. Woodblock print (Ukiyo-e). 21 x 15.5 cm (image size; some tears in the paper; as is).

126 - HOKUSAI (1760–1849). Series of Portraits of KYOKA Poets, “The Poet BUN/YA NO YASUHIDE,” circa 1810. Woodblock print (Ukiyo-e). 21 x 15.5 cm (image size; some tears in the paper; as is).

127 - In the style of LENG Mei (1669/77–c. 1745). Two women in traditional dress during a tea ceremony. Ink, watercolor, and gouache on silk. China, Qing Dynasty, 19th century. 63 x 47 cm (visible area; some tears in the fabric).

129 - A seal made of statite, carved in bas-relief and decorated with a wading bird among water lily flowers. China, circa 1900. 8.2 x 5 cm.

130 - Carved steatite seal. China, early 20th century. 6.5 x 3.5 cm.

131 - An intriguing seal carved from soapstone. Characters engraved on the body. China, circa 1900. 4.5 x 5 x 3.5 cm.

132 - Rectangular seal made of carved steatite, featuring a bas-relief design and an openwork motif of a deer facing a bat. China, circa 1930. Characters engraved on the body. 10.1 x 3.3 cm.

133 - Set of two carved soapstone seals (only one engraved). China, early 20th century. 10.5 x 3.5 cm & 8.5 x 3.5 cm.

134 - Set of two carved statite seals. China, early 20th century. 6.8 x 3.2 cm & 6.8 x 3.5 cm.

135 - Beautiful Fô Dog made of glazed porcelain with a flamed finish. China, late 19th century. 26.5 x 13 cm.

136 - Porcelain cup with a footed base, decorated in the "IMARI" style. China, 20th century. 7.5 x 19.5 cm.

137 - Pair of stools (which can be used as a pair of small chairs), made of polychrome glazed stoneware, depicting elephants. Probably an Indochinese piece from the early 20th century. 50.5 x 45 x 22.5 cm.

138 - Covered box (probably for betel) in the shape of a pumpkin, made of silver (950/1000), with rich repoussé decoration featuring foliage motifs. China, early 20th century. Net weight: 82g74. 8 x 8.5 cm

70 - After Mariette LYDIS (1887–1970). For VERLAINE, Romances sans paroles. Engraving on Rives vellum, unsigned. 33 x 25 cm (unframed).

89 - Jean-Pierre CORNET (born in 1925). Sous-bois. Etching on vellum, signed lower right and numbered 11/30 lower left. 25 x 33 cm (unframed).

104 - After André HAMBOURG (1909–1999). Les jeunes orientaux. Color lithograph on Rives vellum, unsigned. 38 x 28.3 cm (unframed).

108 - André Édouard MARTY (1882–1974). Original design No. 6 for Modes et Manières d’aujourd’hui (eighth year; 1919): “Le Ciné,” 1919 (plate No. 6 from the referenced work). Ink and watercolor on paper, signed lower right and titled in pencil lower center. 19.5 x 28.5 cm (unframed).

145 - Edouard Léon Louis LEGRAND (1892–1970). La Traite. Ink wash on paper, signed lower right. 27.5 x 36 cm (unframed; paper mounted on heavy paper with a mat).