Autumn Prestige

am Samstag, 31. Oktober | 02:00 PM

Jack-Philippe Ruellan

8, rue du Docteur Joseph-Audic 56000, Vannes

165 Ergebnisse

10.000 - 15.000 €

15.000 - 16.000 €

1.200 - 1.500 €

1.500 - 2.000 €

1.000 - 1.500 €

6.000 - 8.000 €

1.500 - 2.000 €

1.200 - 1.500 €

1.800 - 2.000 €

Autumn Prestige

Jack-Philippe Ruellan

1 - MINI BRITISH OPEN - 1995

3 - CITROËN TRACTION AVANT 7C - 1938

4 - Three pieces of silver flatware, Minerva hallmark, 1st fineness (950/00), maker's mark "ND" (the maker is difficult to identify), decorated with a stylized shell motif. Gross weight: approximately 531 g.

5 - Joseph LACASSE (1894–1975), "Couple," 1936, oil on panel, signed and dated lower right, 65 x 51 cm.

6 - Joseph LACASSE (1894–1975), "Interior Scene," 1936, acrylic on panel, signed and dated lower left, 63 x 50 cm.

8 - François-Dominique NAUDIN: Three silver spoons, hallmarked with the 2nd Rooster, 1st fineness (950/oo) - Paris, average guarantee, with a double-line decoration; the reverse side of the handle bears an engraved inscription. Gross weight: approximately 165 g (slight dents on the spoon bowls).

10 - Roland DUBUC (1924–1998), “Terrasse du Père Gougon en Charente,” oil on canvas, signed lower left, countersigned and titled on the reverse, 54 x 73 cm.

13 - Cuzco School, 18th–19th centuries, “Cleric in Adoration,” oil on canvas, 53 x 35 cm (signs of wear, flaking, missing areas).

16 - Mirror with a wooden frame and gilded, carved stucco featuring a heart-and-ray motif and a beaded frieze; the pediment is richly decorated with a pair of birds, a garland of flowers, a torch, and a quiver, 20th century, 154 x 98 cm (slight chips and missing pieces).

18 - Roland DUBUC (1924–1998), “Beach at Dieppe,” oil on canvas, signed lower right, countersigned and dated on the reverse, 60 x 81 cm (slight flaking, small thumbtack hole in the corner).

20 - TETARD FRÈRES: Six silver forks, Minerva hallmark, 1st title (950/00), with foliage decoration; the reverse side of the handle is engraved with a single letter, L. Length: 21.5 cm. Gross weight: approximately 533 g.

21 - Christ of the Sacred Heart, carved from larch wood, depicting Christ wearing a tunic; Latin America, 19th century; height: 116 cm (hands missing; damage to the base; cracks and signs of wear).

23 - Six silver forks, Minerva hallmark (2nd fineness, 800/00), maker's mark "VK," a flower-shaped (?) motif, single-plate design, gross weight: approximately 368 g.

25 - Louis ICART (1888–1950), “Élégantes,” a set of four etchings signed and numbered in pencil at the bottom in the margin, two in tondo format and two in oval format, mounted in walnut burl veneer frames, H. 26.5 and D. 25 cm (visible dimensions) (sun damage and minor wear).

26 - BACCARAT: Crystal glass set, "Piccadilly" model, consisting of 10 water glasses, 7 champagne flutes, 5 red wine glasses, and 10 white wine glasses, stamped with the manufacturer’s mark on the bottom (a few chips, two tinted glasses).

28 - Abraham Gerardus VAN VELD, known as Bram VELDE VAN (1895–1981), “Composition,” color lithograph, signed lower right and numbered 202/300 lower left, 56.5 x 37 cm (image size) (fold marks).

30 - Michel KOROCHANSKY (1866–1925), “The Washhouse,” oil on canvas, signed lower left, 55 x 38.5 cm.

32 - John Harisson LEVEE (1924–2017), “Untitled,” 1954, oil on canvas, signed and dated in the upper right corner, countersigned and dated on the reverse, 73 x 92 cm.

34 - Georges BELLEC (1918-2012), "Nature morte au bouquet et à la lampe", oil on canvas signed lower left, 93 x 76 cm (unframed).

35 - Silver groundhog, Minerve hallmark 1st title, H. 4.6 cm. Gross weight: approx. 140 g.

36 - 18th-century school, "Lively Scene in Front of a Fortified City," unsigned oil on canvas, 94.5 x 120 cm (crazing, signs of wear).

37 - Polychrome carved wooden adoring angel with a hollowed-out back, late 16th century, height approx. 105 cm (some damage and missing pieces).

39 - Roger DE LA FRESNAYE (1885–1925), “Académie d’homme,” charcoal drawing on paper, unsigned, stamped “Henri M. Petiet Collection” on the back, 62.5 x 47.5 cm.

40 - Roger DE LA FRESNAYE (1885–1925), "Académie d'homme," charcoal and pastel on paper, signed lower right, 62 x 41.5 cm (minor creases).

42 - Alabaster vase in a cylindrical shape with a slightly flared neck; the neck is decorated with a frieze; Egypt, Thinite period; H. 12 cm (a few cracks).

43 - 18th–19th-century school, “Hooded Madonna,” unsigned oil on canvas, Latin America, 43 x 35 cm (bulges, tears, and missing sections).

44 - Pair of five-armed candelabra in silver-plated bronze with rich floral and foliage decoration, baluster shaft, poly-lobed base, scroll-shaped arms, Rocaille style, H. 45.5 cm.

48 - Painted wooden bust doll with articulated arms, designed to be dressed and mounted on a wooden frame; probably from Italy, 19th century; height: 50 cm (shows signs of wear and has minor damage).

49 - Arthur AESCHBACHER (1923–2020), “Untitled,” mixed media and collage on canvas, signed lower left, 145 x 113 cm.

51 - "Miniature" brooch, 18K yellow gold (750/oo) setting, eagle-head hallmark, set with an oval-shaped painting on mother-of-pearl depicting a child, unsigned, Dimensions: 5.3 x 4.4 cm. Gross weight: approximately 23.2 g.

52 - 18th-century French school, after Carlo MARATTA (1625–1713) or CARRACHE, “Charon,” unsigned oil on canvas, 45.7 x 36 cm (tear in the canvas).

53 - LAGRIFFOUL & LAVAL: Set of 11 silver mocha spoons, Minerve hallmark, 1st title (950/00), with a shell design. Gross weight: approximately 152 g.

54 - Painted larch wood sculpture of the Sacred Heart of Christ depicting Christ seated on a throne, with glass eyes; Latin America, 19th century; H. 74 cm (hands missing, cracks, damage).

55 - 19th-century French school, "Portrait of a Young Girl," oil on canvas, signed lower right, 81 x 65 cm (tears).

56 - Set of four silver cutlery pieces, "Uniplat" model, consisting of:

57 - Charles DUFRESNE (1876–1938), "Return from the Hunt," ink on paper, signed lower right, 29.5 x 41 cm (visible area).

58 - Painted sculpture depicting a Mater dolorosa wearing a silk gown embroidered with gold and silver thread, Latin America, late 19th century, height 59 cm.

59 - Émile DEZAUNAY (1854-1938), "Bateaux en bord de l'Erdre", oil on canvas signed lower left, 73.5 x 92 cm.

60 - Bulging terracotta vase, Egypt, Predynastic period; H. 7.3 cm (a few minor chips).

61 - 18th-century school, "Leaving the Harbor," unsigned oil on canvas, 89.5 x 103 cm (cracking, slight losses, restoration with canvas).

62 - Jacques LE NANTEC (1940), "Woman Kneeling with a Hand on Her Shoulder," 1984, resin cast with a brown patina and bronze accents, dedicated and signed on the leg, H. 28 cm.

63 - C. MARCHAND (19th century), "Still Life with a Bouquet of Flowers and Fruit," 1859, and "Still Life with a Bouquet of Flowers and a Pitcher" 1859, two oil-on-canvas paintings forming a pair, signed and dated in the lower left corner, 62 x 50 cm each (re-stretched, flaking on one).

65 - 19th-century Cuzco School, "Blessing Jesus," painting on canvas, 45 x 29 cm (some wear and chipping).

66 - Silver flatware, Vieillard hallmark (departments), 1st fineness (950/oo), large Hercules guarantee mark (departments), maker's mark "JM," a mark featuring a mallet (?), double-line decoration. Gross weight: approximately 159 g.

67 - Small straight-sided desk made of solid wood and wood veneer, with five drawers and a havana-brown leather top featuring fine iron-stamped decoration along the edges, circa 1900, Dimensions: 73.6 x 82 x 49 cm (no key; stains, scratches, and signs of wear).

70 - Polychrome painted sculpture mounted on a frame, depicting the Virgin Mary seated on a wooden chair; a work from Latin America, 19th century; total height: 97 cm (damage to the right hand, cracks, and missing pieces).

71 - Jacques MAJORELLE (1886–1962), “Egypt, the Banks of the Nile,” 1910, oil on panel with two reinforcements, signed, located, and dated lower right, inscriptions on the reverse “Pyramid of Giza, 19(?)”, 24 x 33 cm (trace of a crack, restorations).

72 - Martial FRAY: Silver tea and coffee service, Minerva hallmark, 1st title (950/00), decorated with rocaille motifs and garlands of flowers and foliage, including a teapot, lidded sugar bowl, and milk pitcher. Gross weight: approximately 1,439 g. (dents, missing piece from the handle)

73 - Sculpted beetle made of schist, Egypt, Late Period, L. 5 cm.

74 - Roland DUBUC (1924–1998), “Old Montmartre: Rue des Saules,” oil on canvas, signed lower left, 60 x 73 cm (pin holes in the corners).

75 - Set of 13 silver coins, including:

76 - Attributed to Ambrosius FRANCKEN (c. 1616–c. 1632), “An Inn Interior,” oil on oak panel, single panel, unjoined, 29.3 x 40.4 cm (restored crack at the bottom).

78 - LEROY (19th century), "La frayeur," black chalk drawing signed and titled at the bottom, 43.5 x 29 cm (visible area) (foxing spots).

79 - François-Dominique NAUDIN: Five silver spoons, Vieillard hallmark, 1st title (950/oo), large Cérès hallmark (Paris), decorated with a double line; the reverse side of the handle is engraved with a coat of arms, Gross weight: approximately 452 g.

80 - Beerbee MUNGNARI (c. 1927/35–2011), "Cafre Creek Rockhole," pigment on sanded ground on canvas, signed and titled on the back, 60 x 100 cm.

81 - Anthropomorphic spherical vase depicting a figure raising its hands to its mouth; the decoration is painted in brown/red and black; Central Andes, Cuzco region, Inca Empire, 15th–16th century; H. 17 cm (some wear and chipping).

82 - Sonia DELAUNAY (1885–1979), “Jazz,” color lithograph on paper, numbered 433/600 in the lower left corner, signed on the plate in the lower right corner, Edition Artcurial, Dimensions Print size: 29 x 19.8 cm (mark).

84 - Paul BIBOLLET (active 1924–1946): Silver sauceboat, Minerva hallmark, 1st title (950/oo), decorated with a double border, two side handles with scroll motifs; dimensions: 24.5 x 10 cm. Gross weight: approximately 586 g.

85 - Miron SIMA (1902–1999), "The Carousel," 1947, oil on paper, signed and dated lower right, 47.4 x 62.8 cm.

86 - Trim from the sleeve cuff of a tunic made of linen and wool, featuring a brown-to-dark-brown pattern on a beige-ochre background, with two bands depicting foliage, plants, and animals, framed by friezes of posts; Coptic workmanship, Egypt, 6th–7th century, approximately 6 x 21 cm.

87 - Auguste ROLLAND (1797-1859), "Le troupeau", pastel signed lower right, 40 x 55 cm (on view).

88 - Silver shaker on a pedestal, hallmarked with a lion passant, decorated with gadroons, Birmingham, England, H. 19 cm. Gross weight: approximately 214 g.

90 - Hippolyte THOMAS (active 1845–1855): Silver tableware set, Minerva hallmark, 1st title (950/oo), consisting of 12 teaspoons and 13 pieces of cutlery, decorated with ironwork motifs; the back of the handle is engraved with the initials “JM.” Gross weight: approximately 1,633 g.

91 - Marco OTERO (20th), "Memorias 71" 2005, acrylic on canvas signed lower right, countersigned and titled on back, 170 x 140 cm.

92 - Jean-Jacques, known as James PRADIER (1790–1852), “Sappho and Her Lyre,” bronze sculpture with a brown patina, signed in relief on the column and dated 1848, with the mark of the foundryman Victor Paillard (1805–1886), height 45 cm.

94 - Pavlos SAMIOS (1948–2021), “Female Nudes” 78, oil on canvas, signed and dated lower right, 80.4 x 60 cm.

95 - Pavlos SAMIOS (1948–2021), “Female Nudes” 79, oil on canvas, signed and dated lower left, 30.5 x 30 cm.

96 - Silver ladle, Minerva hallmark (950/oo), MO hallmark "TH," the hallmark featuring a flower and star motif with rocaille decoration; the reverse side of the handle features a number engraved in an oval cartouche, Gross weight: approximately 201 g.

98 - Georges BELLEC (1918-2012), "Paysage" 85, oil on canvas signed and dated lower right, 92 x 73 cm.

100 - Set of 10 silver coins consisting of:

101 - Pinchus KREMEGNE (1890–1981), “Landscape with a Large Tree,” unsigned oil on canvas, Krémègne auction stamp on the back of the canvas, 81.3 x 64.8 cm (signs of wear).

102 - Louis Valentin - Elias ROBERT (1821–1874), "Caryatid," bronze sculpture with a brown patina, signed in relief on the base, H. 36.5 cm.

104 - Daniel AGOSTINI (1947), "Composition", oil on canvas signed lower right, 100 x 100 cm.

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