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Works of art and fine furnishings, antique paintings, 19th-century and modern works

Works of art and fine furnishings, antique paintings, 19th-century and modern works

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Herbette

+33 3 22 32 48 48 info@herbette.fr

19, rue André-Tempez 80600, Doullens

549 résultats

RENAULT ALPINE A110 – 1300. 1971. Second-hand. In

1 - RENAULT ALPINE A110 – 1300. 1971. Second-hand. In the family since 1975. 33,318 km on the odometer. Black leather seats. First registered on July 9, 1971; registered as a classic car on January 27, 2010. This vehicle comes from an estate. It has not been driven for 4 years due to the owner’s health. It has been stored in good conditions. The vehicle is in good overall condition. However, it will require an inspection and service before it can be driven again. The vehicle has not passed a tec

Estimation

20 000 - 30 000 €

MERCEDES BENZ SLK 230. First registered on October

2 - MERCEDES BENZ SLK 230. First registered on October 10, 1997. Metallic gray. 108,578 km on the odometer. (Interior shows wear; a few scratches on the body.) Passed vehicle inspection.

Estimation

1 500 - 3 000 €

ITALIAN SCHOOL, late 17th–early 18th century. “Two

3 - ITALIAN SCHOOL, late 17th–early 18th century. “Two Holy Figures.” Two oil-on-copper paintings forming a pair in rounded frames. H. 23, W. 10.5; with frames: H. 30, W. 17.

Estimation

300 - 400 €

17th-century French Baroque School. “Saint Matthew

4 - 17th-century French Baroque School. “Saint Matthew and His Angel.” Oil on canvas mounted on the original panel. H. 26, W. 20; with frame: H. 37, W. 32.

Estimation

300 - 400 €

ITALIAN SCHOOL, circa 1800. A follower of Francesc

5 - ITALIAN SCHOOL, circa 1800. A follower of Francesco Ubertini, known as il Bacchiacca. “Virgin and Child.” Oil on panel, framed. H. 53, W. 43; with frame, H. 70, W. 60.

Estimation

800 - 1 000 €

SIENNA SCHOOL, circa 1800 or earlier. “Madonna and

6 - SIENNA SCHOOL, circa 1800 or earlier. “Madonna and Child.” Tempera on thick canvas mounted on a wooden panel, painted by an anonymous master in the tradition of the Italian Primitives of the Trecento, particularly Pietro Lorenzetti. H. 53.5, W. 33. Presented in its wooden and velvet case, characteristic of major 19th-century collections. H. 70.5, W. 47.

Estimation

800 - 1 200 €

NORTHERN SCHOOL, 18th–19th centuries. “The Vision

7 - NORTHERN SCHOOL, 18th–19th centuries. “The Vision of the Prophet Ezekiel on the Resurrection of the Dead (or The Valley of Dry Bones).” Oil on panel. H. 72, W. 58. With frame: H. 90, W. 72. A work inspired by the Book of Ezekiel in the Bible, depicting the prophet surrounded by skeletons and bodies coming back to life.

Estimation

800 - 1 200 €

ICON depicting Christ giving a blessing in a glass

8 - ICON depicting Christ giving a blessing in a glass-covered frame. (Damage and missing pieces). H.53 L.28; with frame: H.64 L.41.

Estimation

150 - 300 €

TORRE Flamanio. (1621–1661). (Follower of). “The A

9 - TORRE Flamanio. (1621–1661). (Follower of). “The Adoration of the Shepherds Before the Holy Family.” Oil on copper in a significant old frame. H. 14.5, W. 10; with frame, H. 39, W. 29.

Estimation

2 500 - 3 500 €

FRANCOIS, Guy. (1578–1650). (Attributed to). “Mado

10 - FRANCOIS, Guy. (1578–1650). (Attributed to). “Madonna and Child.” Oil on canvas in a lovely frame adorned with leafy garlands. H. 90 L. 71; with frame, H. 123 L. 103.

Estimation

2 000 - 3 000 €

17th–18th-century Italian School. “The Adoration o

11 - 17th–18th-century Italian School. “The Adoration of the Virgin.” Oil on canvas. H. 78, W. 59.

Estimation

800 - 1 200 €

Northern School, 17th century. “Portrait of Saint

12 - Northern School, 17th century. “Portrait of Saint Christopher with Various Inscriptions.” Oil on canvas. (Re-stretched). H. 96 L. 78; with frame, H. 108 L. 90.

Estimation

800 - 1 200 €

LATE 18TH-CENTURY FRENCH SCHOOL. “Tête d’amour.” O

13 - LATE 18TH-CENTURY FRENCH SCHOOL. “Tête d’amour.” Oil on canvas mounted in an antique Louis XVI frame. With frame: H. 18, W. 20.

Estimation

100 - 200 €

18th-century French School. “Portrait of a Monk.”

14 - 18th-century French School. “Portrait of a Monk.” Oil on canvas in a period carved and gilded wooden frame. (Damage to the frame). H. 80 L. 65; with frame, H. 100 L. 84.

Estimation

300 - 500 €

18th-century French school. “Series of cherubs’ he

15 - 18th-century French school. “Series of cherubs’ heads amid clouds.” Oil on canvas, mounted in a beautiful old frame. With frame: H. 35, W. 28.

Estimation

200 - 300 €

17th-century Italian school. “Venus and Sleeping L

16 - 17th-century Italian school. “Venus and Sleeping Love.” Oil on panel. (Some restoration). H. 89, W. 70.

Estimation

1 000 - 1 500 €

Unidentified MONOGRAM. 18th-century FRENCH SCHOOL.

17 - Unidentified MONOGRAM. 18th-century FRENCH SCHOOL. “The Zither Player.” Oil on canvas (restored and repainted), signed with a monogram in the lower right corner and dated 1773. H.81 L.65 With frame H.101 L.81.

Estimation

800 - 1 300 €

18th-century French painting. “Basket of Flowers.”

18 - 18th-century French painting. “Basket of Flowers.” Oil on canvas (extensive restoration). In an old frame. Probably a door-top painting or a panel painting. H. 58 L. 95; with frame, H. 72 L. 109.

Estimation

200 - 400 €

17th-century Italian school. “Still Life with Frui

19 - 17th-century Italian school. “Still Life with Fruit, Vegetables, and Game.” Unframed oil on canvas. H. 88, W. 122.

Estimation

1 500 - 2 000 €

FRENCH SCHOOL, early 19th century. “The Girl in St

20 - FRENCH SCHOOL, early 19th century. “The Girl in Stockings.” Oil on canvas in a beautiful engraved frame gilded with fine gold. H. 33, W. 25. With frame: H. 48, W. 40.

Estimation

600 - 800 €

GUARDI, Francesco. (From the series). 18th-Century

21 - GUARDI, Francesco. (From the series). 18th-Century Italian School, “A Stroll Down a Street in Venice.” Oil on canvas. (Restored). H. 35, W. 27; with frame: H. 46, W. 35.

Estimation

300 - 500 €

18th-century HUNGARIAN SCHOOL. “The Distribution o

22 - 18th-century HUNGARIAN SCHOOL. “The Distribution of Chestnuts.” Oil on wood in a wooden frame with gilded stucco decorated with scrollwork and foliage. H. 48.5, W. 36; with frame: H. 64.5, W. 52.5. The painting bears an auction stamp on the back from the Ernst Muzeum in Budapest, a prestigious institution founded in 1912 and renowned for its sales of antique paintings from aristocratic collections.

Estimation

800 - 1 000 €

ITALIAN SCHOOL, late 18th century. “Watering can a

23 - ITALIAN SCHOOL, late 18th century. “Watering can adorned with flowers and fruit on a stone entablature.” Large oil on canvas, framed. H. 140, W. 95. With frame: H. 152, W. 112.

Estimation

2 000 - 3 000 €

HOGARTH, William (1697–1764) and his studio. (Stud

24 - HOGARTH, William (1697–1764) and his studio. (Studio of). “Sancho at the Magnificent Feast” Oil on canvas framed with a wide gilded wooden moldings 18th-century English School Canvas dimensions: 97.5 cm / 128 cm The scene depicts one of the most famous episodes from Cervantes’ Don Quixote. It depicts Sancho Panza, now governor of the imaginary island of Barataria, seated before a sumptuous meal. Just as he is about to eat, his physician, Pedro Recio, has the dishes removed one after anot

Estimation

8 000 - 12 000 €

FLEMISH SCHOOL, early 18th century. “The Tax Colle

25 - FLEMISH SCHOOL, early 18th century. “The Tax Collectors.” Large oil on canvas, framed. H. 116, W. 97; with frame: H. 137, W. 118.

Estimation

3 000 - 4 000 €

NORTHERN SCHOOL, late 16th–early 17th century. “Th

26 - NORTHERN SCHOOL, late 16th–early 17th century. “The Massacre by the Spaniards in an Inn.” Oil on panel (repaneled). H. 48, W. 66.

Estimation

2 000 - 3 000 €

VAN HEEMSKERCK, Egbert. (1634–1704). “Pair of Tave

27 - VAN HEEMSKERCK, Egbert. (1634–1704). “Pair of Tavern Scenes.” 2 framed matching oil-on-canvas paintings. H. 32 L. 41; with frames, H. 41 L. 49. Provenance: TAJAN auction, March 25, 2009

Estimation

2 000 - 2 500 €

18th-century French painting. “The Hunter’s Return

28 - 18th-century French painting. “The Hunter’s Return to His Beloved.” Oil on canvas in a carved wooden frame. Wall panel or door transom. H. 80, W. 112.

Estimation

500 - 1 000 €

18th-Century French School. “Rural Festivities.” O

29 - 18th-Century French School. “Rural Festivities.” Oil on canvas. H. 43, W. 97. With frame: H. 58, W. 112.

Estimation

700 - 900 €

BERCHEM, Nicolas. (1624–1683). (Circle of). “A Sto

30 - BERCHEM, Nicolas. (1624–1683). (Circle of). “A Stop at the Inn.” Oil on panel (restored and repainted). H. 45 L. 60; with frame, H. 68 L. 83.

Estimation

2 300 - 2 800 €

VERNET, Joseph. (1714–1789). (Studio of). “Lively

31 - VERNET, Joseph. (1714–1789). (Studio of). “Lively Scene in a Lake and Mountain Landscape.” Oil on canvas, framed. (Slight loss of paint in the center.) H. 33 L. 44; with frame, H. 51 L. 62.

Estimation

600 - 900 €

18th-Century French School. “Horsemen and Walkers

32 - 18th-Century French School. “Horsemen and Walkers in a Lakeside Landscape.” Oil on canvas (some restoration). H. 50 L. 56; with frame, H. 71 L. 76.

Estimation

500 - 800 €

18th-century French school, in the style of Oudry.

33 - 18th-century French school, in the style of Oudry. “The Fox and the Stork,” illustrating La Fontaine’s fable. Drawing. H. 25, W. 18.5. Provenance: Private collection, Paris.

Estimation

700 - 800 €

VAN BEECQ, Jan Karel Donatus. (1638–1732). “Ships

34 - VAN BEECQ, Jan Karel Donatus. (1638–1732). “Ships at Anchor Near a Rocky Coast.” Oil on canvas, monogrammed in the lower right corner. (Restored, repainted, and relined). H.50 L.74; with frame, H.63 L.87.

Estimation

1 500 - 2 500 €

FRENCH SCHOOL, circa 1800. “Shipwreck Scene.” Oil

35 - FRENCH SCHOOL, circa 1800. “Shipwreck Scene.” Oil on canvas in a gilded wooden frame. H. 58, W. 82.

Estimation

800 - 1 200 €

Jean-Michel MOREAU THE YOUNGER. (1741–1814). “The

36 - Jean-Michel MOREAU THE YOUNGER. (1741–1814). “The After-Dinner Liqueur.” Pen, brown ink, and wash, signed at the bottom center. H.26 L.36. Provenance: Drouot Auction, Paris, 1953. Belgian collection.

Estimation

500 - 800 €

PERELLE, Adam. (1640–1695). “Italian Mausoleum of

37 - PERELLE, Adam. (1640–1695). “Italian Mausoleum of Louis de Gers(?)”. Pencil and wash drawing, signed lower right. Glass (broken) and frame damaged. H. 48, W. 32. Provenance: Private collection, Paris.

Estimation

1 000 - 1 300 €

FRENCH SCHOOL, circa 1700. “Bacchanalian Revels.”

38 - FRENCH SCHOOL, circa 1700. “Bacchanalian Revels.” Double-sided study in ink and wash, likely taken from a sketchbook. H. 20, W. 30.

Estimation

150 - 300 €

CASANOVA, Francesco (1727–1802). “The Sleeping Tra

39 - CASANOVA, Francesco (1727–1802). “The Sleeping Traveler.” Oil on canvas (restored). On the back, a note reads: “The Sleeping Traveler, painted by Casanova; this painting was intended for his patron. H.39 L.61; with frame, H.58 L.80.”

Estimation

800 - 1 200 €

FRENCH SCHOOL, mid-19th century. “Portrait of an E

40 - FRENCH SCHOOL, mid-19th century. “Portrait of an Elegant Woman at an Easel.” Pastel on canvas in a frame. H. 70, W. 56. With frame: H. 83, W. 68.

Estimation

500 - 800 €

NATTIER, Jean-Marc (1685–1766). (Studio of). “Port

41 - NATTIER, Jean-Marc (1685–1766). (Studio of). “Portrait of Madame Victoire.” Pastel on paper (traces of moisture). H. 80 L. 63; with frame, H. 100 L. 83.

Estimation

3 000 - 5 000 €

HOPPNER. (Follower of). “Portrait of an Elegant Yo

42 - HOPPNER. (Follower of). “Portrait of an Elegant Young Woman Wearing a Hat.” Large pastel, signed lower left, in a carved and polychrome wooden frame. H. 90 L. 62; with frame, H. 112 L. 83.

Estimation

1 500 - 2 000 €

VAUDECHAMP, Joseph Jean. (1790–1866). “Portrait of

43 - VAUDECHAMP, Joseph Jean. (1790–1866). “Portrait of an Elegant Woman Wearing a Hat, Seated in an Empire Armchair.” Oil on canvas, signed and dated 1829. (Numerous tears; painting in need of restoration). H. 105 L. 82; with frame: H. 120 L. 104.

Estimation

500 - 1 000 €

19th-Century Neo-Classical School. “Portrait of an

44 - 19th-Century Neo-Classical School. “Portrait of an Elegant Woman.” Pencil drawing on oval paper. (Tears). H. 30, W. 23. With frame: H. 52, W. 44.

Estimation

100 - 200 €

BEAUBRUN. (Studio of). “Portrait of an Elegant Wom

45 - BEAUBRUN. (Studio of). “Portrait of an Elegant Woman Against a Landscape Background.” Oil on canvas in an embossed English silver frame. With frame: H.24 L.16 H.14 L.9.5.

Estimation

500 - 800 €

French School, early 19th century. “Portrait of a

46 - French School, early 19th century. “Portrait of a Woman.” Oil on canvas. H. 60, W. 50. With frame: H. 78, W. 68.

Estimation

150 - 300 €

GRISEE, Louis Joseph. (Born in 1822–?). “Portrait

47 - GRISEE, Louis Joseph. (Born in 1822–?). “Portrait of a Woman with a Feathered Hat.” Unsigned oil on canvas. H. 73, W. 59.

Estimation

1 000 - 1 200 €

19th-century ORIENTALIST SCHOOL. “The Hookah Smoke

48 - 19th-century ORIENTALIST SCHOOL. “The Hookah Smoker.” Framed oil on canvas. H. 61 L. 50; with frame, H. 71 L. 59.

Estimation

300 - 500 €

19th-century French School. “Portrait of a Man.” O

49 - 19th-century French School. “Portrait of a Man.” Oil on panel in a gilded wooden frame. With frame: H. 72, W. 64.

Estimation

300 - 500 €

FRENCH SCHOOL, early 19th century. “Portrait of a

50 - FRENCH SCHOOL, early 19th century. “Portrait of a Man.” Oil on canvas (aged) in a palmette frame. H. 65, W. 54; with frame, H. 80, W. 71.

Estimation

150 - 300 €

LAMBLARS (?). “Portrait of a Man with a Pipe.” Oil

51 - LAMBLARS (?). “Portrait of a Man with a Pipe.” Oil on canvas, signed and dated 1841. Inscription on the back. H. 58, W. 45; with frame, H. 72, W. 59.

Estimation

1 000 - 1 500 €

ANONYMOUS, 19th century. “Portrait of Archduke Fra

52 - ANONYMOUS, 19th century. “Portrait of Archduke Franz Karl of Austria, a member of the House of Habsburg.” Oil on canvas. H. 32, W. 26.

Estimation

100 - 200 €

MONNIER, Henry Bonaventure. (1805–1877). “Portrait

53 - MONNIER, Henry Bonaventure. (1805–1877). “Portrait of a Man.” Watercolor, signed, inscribed, and dated June 53. H. 22, W. 14.

Estimation

150 - 200 €

Henry Bonaventure MONNIER. (1805–1877). “Man with

54 - Henry Bonaventure MONNIER. (1805–1877). “Man with a Cane and Hat.” Signed ink drawing, located in Amiens, and dated March 1833. H. 22 L. 18; with frame, H. 38 L. 31.

Estimation

100 - 200 €

ITALIAN SCHOOL, late 19th century. “The Pipe Smoke

55 - ITALIAN SCHOOL, late 19th century. “The Pipe Smoker”—A large oil on canvas of excellent quality, contemporary with the work of Tito Lessi (1858–1917). H. 60, W. 80. With gilded, molded frame: H. 82, W. 102.

Estimation

600 - 900 €

19th-Century French School. “Tavern Scene.” Oil on

56 - 19th-Century French School. “Tavern Scene.” Oil on canvas, monogrammed “C.L.,” in a molded, gilded frame. H. 37.6, W. 46; with frame: H. 54.5, W. 62.5.

Estimation

700 - 900 €

19th-Century Italian School. “The Bay of Naples Du

57 - 19th-Century Italian School. “The Bay of Naples During the Eruption.” Gouache on paper. H. 29, W. 39. With frame: H. 46, W. 56.

Estimation

150 - 300 €

19th-century ITALIAN SCHOOL. “Bay of Naples with a

58 - 19th-century ITALIAN SCHOOL. “Bay of Naples with a Lively Scene.” Gouache. H. 26, W. 36. With frame: H. 38, W. 46.

Estimation

250 - 350 €

19th-century GERMAN SCHOOL. “Stable Scene.” Oil on

59 - 19th-century GERMAN SCHOOL. “Stable Scene.” Oil on metal. Monogram visible on the horse’s hindquarters. H. 26 L. 24; with frame, H. 32.5 L. 28.5. Note the extreme precision of the painting and the richness of the details rendered in remarkable chiaroscuro.

Estimation

400 - 500 €

PRANGEY, Emile. (Born in 1832). “Horsemen in an Or

60 - PRANGEY, Emile. (Born in 1832). “Horsemen in an Orientalist Landscape.” Oil on panel, signed lower left. H. 46, W. 36.

Estimation

300 - 500 €

HALIL Ali. (1904–1974). “Busy Street in an Eastern

61 - HALIL Ali. (1904–1974). “Busy Street in an Eastern City, Probably Istanbul.” H. 21 L. 16; with frame, H. 34 L. 30.

Estimation

1 000 - 1 300 €

19th-Century Dutch School. (After Vermeer). “Woman

62 - 19th-Century Dutch School. (After Vermeer). “Woman with a Pearl Necklace.” Oil on panel in a gilded, molded frame. H. 58, W. 48; with frame, H. 72, W. 63.

Estimation

500 - 800 €

DE LATOUR, Edouard. (1816–1863). “Family of Street

63 - DE LATOUR, Edouard. (1816–1863). “Family of Street Performers.” Oil on mahogany panel, signed lower right and dated 1867. On the reverse, an inscription and a stamp. (Wear to the frame’s gilding). H.60 L.49; with frame, L.86 H.73.

Estimation

800 - 1 300 €

PAIR OF EMBROIDERED PAINTINGS depicting Cupid best

64 - PAIR OF EMBROIDERED PAINTINGS depicting Cupid bestowing love and a mythological scene of offerings. Palmette frames. 19th century. With frames: H. 52, W. 41.5.

Estimation

600 - 800 €

BEAUTIFUL MINIATURE on copper depicting Cupid offe

65 - BEAUTIFUL MINIATURE on copper depicting Cupid offering his love to a reclining nude woman. Trace of a signature in the lower right corner. Very fine craftsmanship. H. 8.5, W. 10. With frame: H. 16, W. 17.

Estimation

200 - 300 €

MUENIER, Jules Alexis. (1863–1942). “The Child wit

66 - MUENIER, Jules Alexis. (1863–1942). “The Child with the Fly.” Oil on canvas, signed lower left. Stamp on the reverse: Blanchet, 38 rue Bonaparte, Paris; H. 65, L. 54. Provenance: Dollfus Collection, Mulhouse; the work is mentioned in the documentation on the artist as having entered this collection. Château de Vieux Maison, Ligny-le-Ribault (Loiret). Private French collection. History of the work: Painted in the early 20th century, The Child with the Fly belongs to the period of Jules A

Estimation

9 000 - 11 000 €

GILBERT, Victor. (1847–1935). “Woman Applying Make

67 - GILBERT, Victor. (1847–1935). “Woman Applying Makeup in an Interior.” Oil on panel, signed lower left. H. 53, W. 40.5. Provenance: Hôtel Drouot auction, June 21, 1935, Maître FLAGEL.

Estimation

2 000 - 2 500 €

ROYBET, Ferdinand. (1840–1920). “The Watch Enthusi

68 - ROYBET, Ferdinand. (1840–1920). “The Watch Enthusiast.” Oil on panel, signed lower left. On the back, an exhibition label from Bernheim-Jeune, Roybet no. 196. H. 65 L. 81; with frame, H. 80 L. 95.

Estimation

5 000 - 7 000 €

DUPRE, Jules. (1811–1889). “L’Isle-Adam, the Cabou

69 - DUPRE, Jules. (1811–1889). “L’Isle-Adam, the Cabouillet Bridge.” Oil on canvas, signed with the monogram J.D. and dated 1835. H. 50, W. 98. With frame: H. 85, W. 131.

Estimation

3 000 - 4 000 €

GRENET, J. “Oxen in a Lakeside Landscape.” Oil on

70 - GRENET, J. “Oxen in a Lakeside Landscape.” Oil on canvas, signed lower right and framed. H. 38, W. 46; with frame, H. 56, W. 64.

Estimation

300 - 400 €

Jules NOËL. (1815–1881). “The Return of the Stagec

71 - Jules NOËL. (1815–1881). “The Return of the Stagecoach in a Forest and Lake Landscape.” Painting signed lower right. H. 24, W. 39. With frame: H. 40, W. 55.

Estimation

300 - 500 €

DELPY, Jacques Henri. (1877–1957). “Fisherman in a

72 - DELPY, Jacques Henri. (1877–1957). “Fisherman in a Lakeside Landscape.” Oil on panel, signed and framed. H. 38, W. 61; with frame, H. 57, W. 80.

Estimation

200 - 400 €

TROUILLEBERT, Paul Désiré. (1829–1900). “Entering

73 - TROUILLEBERT, Paul Désiré. (1829–1900). “Entering the Pasture.” Oil on mahogany panel, signed lower left. H. 25, W. 33.

Estimation

1 300 - 1 800 €

BOUSQUET, Charles. (1856–1946). “Lakeside Landscap

74 - BOUSQUET, Charles. (1856–1946). “Lakeside Landscape.” Oil on canvas, signed and dated 1900 in the lower right corner, in a beautiful frame. H. 54, W. 65; with frame, H. 76, W. 87.

Estimation

500 - 800 €

LE SIDANER, Henri. (1862–1939). “Gondolas and Sail

75 - LE SIDANER, Henri. (1862–1939). “Gondolas and Sailing Boats in Venice.” Oil on canvas, signed lower right, located in Venice, and dated 1892. H. 36, W. 51.3. This painting was included in the exhibition “Henri Martin. Le Sidaner” in Evian and is reproduced in the exhibition catalog on page 200. The authenticity of this work has been confirmed to us by Mr. FARINAUD-LESIDANER. Private collection, Amiens.

Estimation

20 000 - 30 000 €

LHERMITTE, Léon. (1844–1925). “Landscape by the Ri

76 - LHERMITTE, Léon. (1844–1925). “Landscape by the River with a Charming Building.” Pastel, signed lower left. H. 32, L. 43.

Estimation

4 500 - 5 500 €

Vincent COURDOUAN. (1810–1893). “The Herd Near the

77 - Vincent COURDOUAN. (1810–1893). “The Herd Near the Château de la Garde.” Oil on canvas, signed and dated 1885. H. 30, W. 50. With frame: H. 51, W. 70.

Estimation

4 000 - 6 000 €

NOËL, Jules. (1815–1881). “Peasant Near a Large Oa

78 - NOËL, Jules. (1815–1881). “Peasant Near a Large Oak Tree.” Pencil drawing, signed and dated 1848. H. 18, W. 24.

Estimation

150 - 200 €

DIAZ, Narcisse. (1807–1876). “Lively Landscape wit

79 - DIAZ, Narcisse. (1807–1876). “Lively Landscape with Castle Ruins.” Charcoal drawing on brown paper with signed wash highlights. H. 27, W. 36.

Estimation

300 - 400 €

ROSSERT, Paul. (1851–1918). “Lively Seascapes.” Pa

80 - ROSSERT, Paul. (1851–1918). “Lively Seascapes.” Pair of small watercolors, signed as a matching pair. (Freckles.) With frames: H. 19, W. 24.

Estimation

100 - 200 €

NAILLOD, Charles. (1876–1941). “Seaside near Cap F

81 - NAILLOD, Charles. (1876–1941). “Seaside near Cap Ferret.” Oil on canvas, signed and dated 1921 (signs of wear), framed. H. 51, W. 65; with frame, H. 65, W. 80.

Estimation

200 - 300 €

BESNOU. FRENCH SCHOOL, late 19th–early 20th centur

82 - BESNOU. FRENCH SCHOOL, late 19th–early 20th century. “Fishermen Chatting on the Dock.” Signed oil on canvas. H. 85, W. 61. With frame: H. 99, W. 75.

Estimation

1 000 - 1 200 €

MASSON, Georges. (1875–1948). “Bustling Port in th

83 - MASSON, Georges. (1875–1948). “Bustling Port in the Basque Country.” Oil on cardboard, signed lower left. (Scratches and minor wear.) H. 33 L. 41.

Estimation

800 - 1 000 €

LA VILLETTE, Elodie. (1843–1917). “Seaside.” Signe

84 - LA VILLETTE, Elodie. (1843–1917). “Seaside.” Signed oil on panel. H. 21, W. 32.

Estimation

900 - 1 200 €

HANSEN E. 19th-century school. “Sailing Ships Alon

85 - HANSEN E. 19th-century school. “Sailing Ships Along the Coast.” Signed oil on canvas. H. 61, W. 81; with frame, H. 74, W. 93.

Estimation

400 - 600 €

NORTHERN SCHOOL, late 18th century. “Ship Leaving

86 - NORTHERN SCHOOL, late 18th century. “Ship Leaving the Harbor in a Storm.” Oil on canvas (restored and showing signs of wear). H. 32, W. 46. With frame: H. 45, W. 58.

Estimation

150 - 300 €

HAMBOURG, André. (1909–1999). “On the Beach, Sprin

87 - HAMBOURG, André. (1909–1999). “On the Beach, Spring ’62.” Oil on canvas, signed and titled on the back. H. 34, W. 66. Provenance: Private collection, Paris.

Estimation

6 000 - 8 000 €

CLOUARD, Albert. (1866–1952). “Rocky Seashore.” Oi

88 - CLOUARD, Albert. (1866–1952). “Rocky Seashore.” Oil on canvas, signed lower right and inscribed. (Minor damage). H. 28, W. 40.

Estimation

400 - 600 €

GARROUSTE, Henri. (Born in 1890). “Mediterranean S

89 - GARROUSTE, Henri. (Born in 1890). “Mediterranean Seashore.” Oil on canvas in a lovely Montparnasse frame, annotated on the back. Circa 1930. H. 60, W. 81; with frame: H. 82, W. 101.

Estimation

300 - 500 €

VAN DER PLAS, Nicolas. “Beach Games.” Oil on panel

90 - VAN DER PLAS, Nicolas. “Beach Games.” Oil on panel, signed lower left. H. 30, W. 40.

Estimation

1 000 - 1 200 €

MOREAU, Adrien (1843–1906). “Boat by the River.” O

91 - MOREAU, Adrien (1843–1906). “Boat by the River.” Oil on panel, signed lower left. H. 21, W. 27.

Estimation

500 - 700 €

ATAMIAN, Charles. (1872–1947). “Seaside with Young

92 - ATAMIAN, Charles. (1872–1947). “Seaside with Young Women.” Oil on canvas, signed lower left, in a period frame. H. 33, W. 41; with frame, H. 55, W. 64.

Estimation

6 000 - 8 000 €

FRAPPA, José. (1854–1904). “Marriage of Affection”

93 - FRAPPA, José. (1854–1904). “Marriage of Affection” and “Marriage of Convenience.” Pair of signed watercolors, designed as a set. H. 15, W. 20. With frames: H. 28, W. 34.

Estimation

300 - 400 €

SYMBOLIST SCHOOL. “The Dance.” Pastel drawing with

94 - SYMBOLIST SCHOOL. “The Dance.” Pastel drawing with highlights in watercolor gouache. Unidentified signature mark in the lower left corner. Signed. H. 34, L. 52.

Estimation

100 - 200 €

STEINLEN, Théophile Alexandre. (1859–1923). “At th

95 - STEINLEN, Théophile Alexandre. (1859–1923). “At the Café.” Charcoal and pencil drawing, signed lower left. No glass. H. 36, W. 20. Provenance: Private collection, Paris.

Estimation

700 - 900 €

VUILLARD, Edouard. (1868–1940). “Portrait of a Man

96 - VUILLARD, Edouard. (1868–1940). “Portrait of a Man with a Hat.” Charcoal drawing signed with a monogram in the lower left corner. H. 16, W. 17. Provenance: Private collection, Paris.

Estimation

1 000 - 1 200 €

ZINGG, Jules Emile. (1882–1942). “Woman.” Watercol

97 - ZINGG, Jules Emile. (1882–1942). “Woman.” Watercolor signed with the studio stamp. H. 22, W. 15.

Estimation

100 - 200 €

NAPOLITAN POST-IMPRESSIONIST SCHOOL, circa 1930. “

98 - NAPOLITAN POST-IMPRESSIONIST SCHOOL, circa 1930. “Portrait of a Child.” Oil on cardboard in a gilded, molded wooden frame. H. 61, W. 47; with frame, H. 86, W. 73.

Estimation

600 - 900 €

Hubert DAMELINCOURT. (1884–1917). “Portrait of a W

99 - Hubert DAMELINCOURT. (1884–1917). “Portrait of a Woman.” Oil on canvas, signed and dated. H. 54, W. 44. With frame: H. 80, W. 70.

Estimation

300 - 400 €

LENOIR, Paul-Marie. (1843–1881). “Bathers Pulling

100 - LENOIR, Paul-Marie. (1843–1881). “Bathers Pulling Elegant Ladies onto a Boat in Japan.” Oil on canvas, signed and dated 1879. H. 33, W. 53; with frame, H. 60, W. 80. Provenance: Private collection, Paris.

Estimation

3 000 - 4 000 €

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