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275 - HAVILAND, Paul. 12 portraits of women by a pioneer of Pictorialist photography. c. 1898–1927. Silver and platinum prints, photogravures, 16 x 11 cm to 24 x 19 cm. Framed (stains on 2 prints). 1. Lady on a Balcony, 1905. - 2. Renée Haviland, wife of Jean d’Albis, Paris, 1916. - 3. Suzanne Bouret, Paris, 1927, monogram on the front. - 4. Woman playing piano, c. 1898–1916. - 5. Mrs. Gérald Nobel, Paris, 1927, monogram on the front. - 6. Hélène Camus Limousin, France, 1918. - 7. Rose Cohen, New York, 1910. - 8. Dorothy Warrington, 1909. - 9. Florence Wyman (?), New York, 1910. - 10. Young lady (Lise?), Paris, 1920. - 11 & 12. Woman wearing a headdress (Loraine Wyman?), c. 1898–1916, monogram on the front. "The son of an American porcelain maker in Limoges, Paul Burty Haviland (1880–1950) was, while in New York between 1908 and 1915, an influential member of the Photo-Secession. A staunch ally of Alfred Stieglitz in his fight for the recognition of photography as modern art, he himself left behind a body of high-quality photographic works that have yet to be widely published and consist primarily of portraits, nudes, and cityscapes” (Musée d’Orsay). Ref. Musée d’Orsay Collection and Nicole Maritch-Haviland Collection/Haute-Vienne Departmental Archives, France.
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€1,200 - 1,500Sale fees
HAVILAND, Paul. 12 portraits of women by a pioneer of Pictorialist photography. c. 1898–1927. Silver and platinum prints, photogravures, 16 x 11 cm to 24 x 19 cm. Framed (stains on 2 prints). 1. Lady on a Balcony, 1905. - 2. Renée Haviland, wife of Jean d’Albis, Paris, 1916. - 3. Suzanne Bouret, Paris, 1927, monogram on the front. - 4. Woman playing piano, c. 1898–1916. - 5. Mrs. Gérald Nobel, Paris, 1927, monogram on the front. - 6. Hélène Camus Limousin, France, 1918. - 7. Rose Cohen, New York, 1910. - 8. Dorothy Warrington, 1909. - 9. Florence Wyman (?), New York, 1910. - 10. Young lady (Lise?), Paris, 1920. - 11 & 12. Woman wearing a headdress (Loraine Wyman?), c. 1898–1916, monogram on the front. "The son of an American porcelain maker in Limoges, Paul Burty Haviland (1880–1950) was, while in New York between 1908 and 1915, an influential member of the Photo-Secession. A staunch ally of Alfred Stieglitz in his fight for the recognition of photography as modern art, he himself left behind a body of high-quality photographic works that have yet to be widely published and consist primarily of portraits, nudes, and cityscapes” (Musée d’Orsay). Ref. Musée d’Orsay Collection and Nicole Maritch-Haviland Collection/Haute-Vienne Departmental Archives, France.
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Prints & drawings, photographs, comicsAuction house
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